Month: June 2012

And Now For Some Prestiges

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Yesterday was Blue Note day, today we promised a look at some of the Prestiges.

Jackie McLean, Lights Out, Prestige 7035. This is from the same seller that is selling the Mobley, which is now approaching $3,500 and still hasn’t met the reserve price. The Jackie record looks to be in what I would call VG++ condition for the vinyl and VG+ for the cover. It is an original pressing with the yellow label and New York address. The record is in the $400 price range and has already passed its reserve.

Doug Watkins, Soulnik, Prestige/New Jazz 8238. This looks to be an original purple label pressing with the deep grooves. The record is listed in M- condition and the cover is VG++, with a Preview Copy stamp on the back. The start price for this one is around $150 and so far there are no bidders.

John Coltrane, Cattin’ With Paul Quinichette, Prestige 7158. This is an original yellow label pressing with the deep grooves and it is in M- condition for both the record and the cover. The start price is around $300 with no bidders. The seller may be stretching a bit with that start price, but then again . . . . .

 

A Strong Week For Blue Notes

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This is one of those weeks where, if you had unlimited funds, you could fill in a lot of holes in your Blue Note collection with original pressings in very nice condition, perhaps starting with the rarest of the rare: Hank Mobley, Blue Note 1568. This looks to be an original pressing with the New York 23 on the B side. It is in M- condition for the vinyl and probably VG+ or better for the cover. The price has already exceeded $3,000 — yet it has not yet reached the seller’s reserve.

The same seller is loaded with other Blue Notes, among a variety of jazz vinyl, this week, including:

Lou Donaldson, Swing and Soul, Blue Note 1566. This is an original pressing that looks to be in M- condition for the record and probably VG++ for the cover. The price has surpassed $250 and the auction closes today, still short of the reserve price. Dizzy Reece, Soundin’ Off, Blue Note 4033. This is also an original pressing, in M- condition for both the record and the cover. The price is more than $700 and the auction closes tomorrow.

As noted, this is not the only seller with some nice Blue Notes this week. Here are a few more:

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Miles and Trane, Big Prices

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One of our readers sent me the results of this auction with a “what the hell is going on here” type of note: John Coltrane, Africa/ Brass, Impulse 6. This was an original mono pressing with the orange label and it was probably in VG++ condition for both the record and the cover. It sold for $294 and there were 17 bids. Indeed, that is quite a bit higher than we normally see for this record, but is it outrageous? I don’t think so. I think it’s a sign of times to come: Coltrane, original Impulse, nice condition, hard to find. It’s got a lot going for it. Plus, it’s a great record, right? And Coltrane’s first on Impulse.

Look at the price of this one as well: Miles Davis, Relaxin’, Prestige 7129. This was an original New York pressing in M- condition for both the record and the cover. It had more than 260 views and wound up selling for $799.10. It’s a great record and an original pressing, and the price is reflective of today’s market, isn’t it?

 

In Search of Very Early DownBeats

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OK, the Jazz Collector community gets a chance to solve another difficult challenge. I have been contacted by a researcher from the Oxford English Dictionary and he is searching for DownBeats between 1934 and 1936.  He has found all DownBeats in some form from 1937 on, but no luck on the earlier ones. “The purpose of all this is that the Oxford English Dictionary likes to record the earliest uses of words and phrases, and DownBeat is full of interesting and new terms for the time,” he writes. He doesn’t need the issues, just access to the content. So here it is, we have a chance to contribute once again to the historical record. If you have any ideas — or if you have any of these issues — please respond to this post. Thanks.

It’s Quite A Prestige-eous Day At Jazz Collector

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Here are a couple of nice Prestiges, closing soon, ready to take their place in the $1,000 bin: Hank Mobley, Mobley’s 2nd Message, Prestige 7082. This was an original pressing, yellow label, deep grooves and New York address, and it looks to be in M- condition for both the record and the cover. It closes within the next couple of hours, as of this posting, of course, and is already at $1,025. From the same seller is Red Garland, All Mornin’ Long, Prestige 7130. This too is an original yellow-label New York pressing and it is in M- condition for both the record and the cover. The bidding has reached $1,000. One more from the same era and the same seller: Ray Bryant Trio, Prestige 7098. This is also an original and also in M- condition for the record and the cover. The bidding is close to $700. Will this too enter the $1,000 bin. Stay tuned.

Jazz Vinyl Watching on Dolphy, Mingus, Evans, Candid

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When I slipped off the face of the Jazz Collector earth last week there was a pending auction I was watching from the Jazz Record Center. So, just to complete my updating process, here are some of the jazz records from that auction:

Man, some of the Eric Dolphy records are going for big bucks. The latest example: Eric Dolphy in Europe Volume 1, Prestige 7304. This was an original pressing with the yellow label — near the end of the cycle for yellow-label Prestiges. The cover was in the original shrink wrap and both record and cover were in M- condition. this one sold for $565.55.

Bill Evans, Interplay, Riverside 9445. This was an original stereo pressing with the black labels. The record and cover were in M- condition. The price was $191.38.

Here were a couple of Candids: Charles Mingus, Mingus, Candid 8021. This was an original pressing with the deep grooves and it was in great condition, M- all the. It also had a promo stamp. Nice cover, right? Also features Eric Dolphy and Booker Ervin. You’d think it would be worth more than $115.50 but, alas, that was the sale price. Charles Mingus (et al), Newport Rebels, Candid 8022. This too was an original deep groove mono pressing in M- condition. It sold for $113.50.

 

Updating the $1,000 Jazz Vinyl Bin

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Sorry for taking so long between posts. I had a ton of work on my real job, but no excuses. I promise to do better. So, let’s catch up on some of the records we missed while we were off in the real world.

I had my eye on this, but the price was too high even if I had been paying attention: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original West 63rd Street pressing in VG+ condition for both the record and the cover. I was looking at this with a couple of days to go and the price was relatively low. I thought, given the condition, perhaps it might be worth a snipe. It wound up selling for $1,125. However, I do have hope for acquiring this record in the future. I’ve got an idea I may be getting a copy for my birthday one of these days. How did I finagle that? I’ll tell you in another post this week.

John Coltrane, Blue Train, Blue Note 1577. This was an original pressing that looked to be in M- condition for both the record and the cover. It sold for $1,602.77.

Whilst we’re perusing the $1,000 bin, here are a few more:

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Updating Some Jazz Vinyl Auctions

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Tough to follow up on that great story by Rudolf, so we will just go back to watching eBay and catching up on some of the items we were watching last week, starting with: Paul Quinichette, On the Sunny Side, Prestige 7103. This was an original New York yellow label pressing in VG++ condition for both the record and the cover. When we were watching it last week it was in the $230 range and it wound up selling for $328. If you ask me, that’s a bargain for a nice original Prestige from the 7100 series. Of course, not as big a bargain as Rudolf may have paid, but a bargain nonetheless.  From the same general area was John Coltrane, Tenor Conclave, Prestige 7074. This was also an original New York pressing that looked to be in M- condition for the record and cover. It sold for $399.97. One more from that group of Prestiges: Eric Dolphy, Far Cry, New Jazz 8270. This was an original pressing that looked to be in beautiful M- condition for both the record and the cover. It sold for $880.

Here’s a Blue Note that did not sell:

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Guest Column: Treasure Hunt — Prestige

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Miles Davis at Prestige in New York

So Don Lucky was asking me offline about something to do with Prestige, and I suggested he contact Rufolf, and Rudolf replied with this fascinating tale of how he ended up at the Prestige warehouse, and Don Lucky and I said Rudolf you have to write this up  for the rest of the Jazz Collector audience, and Rudolf said sure, and here it is. Enjoy.

Treasure Hunt — Prestige
How a Courtesy Call Turned Out to be the Discovery of the Cave of Ali Baba

By Rudolf Flinterman

In the ‘50s/early ’60s a simple catalog of say Prestige, Blue Note or Contemporary could be of invaluable worth. Without, one simply could not know what was in the market. There were no discographies like Jepsen and Ruppli and no Internet, of course. At the time I would regularly write to Prestige, Pacific Jazz, Blue Note, Atlantic and Contemporary requesting to send me a catalog, which they all did. Lester Koenig always wrote a kind letter. Nesuhi Ertegun of Atlantic was so kind to send me copies of deleted items, for free!

In 1959 Prestige sent me an offer to become a free member of their Jazz & Folk Record Club in Teaneck, N.J. The formula was simple: Pay for two, receive three. Especially for New Jazz, with a list price of $3.98, that was an interesting proposition. I still have the box of the first shipment from Prestige. For three records I paid 2-X-$3.98 plus 89 cents postage, i.e. $2.95 per album, which was the equivalent of 10,75 Dutch florins. At the time the list price in Holland was 18 Dutch florins. No wonder that I became a frequent buyer at Prestige throughout the ‘60s, despite the fact that the sea transport and customs took more than two months.

In 1969 I made my first trip to the U.S. We stayed for one week in Manhattan. I travelled with the then-Mrs.-Rudolf. The first day we made a boat trip with the Circle Line to have a general idea of the city. I then proposed to her to make a courtesy call to a certain Mr. Bob Weinstock – “who would be most happy to make our acquaintance,” I assured. She could hardly object to this great idea. So the next day she found herself in the bus at the Port Authority to go to Bergenfield, N.J.

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. . . And a Few More Non-Blue Notes

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Funny that I did the post yesterday about non-Blue Note jazz vinyl and then noticed an e-mail from the Jazz Record Center with an auction consisting of non-Blue Note jazz vinyl. And then CeeDee sent me a separate note about a New Jazz Eric Dolphy LP fetching quite a high price. To wit:

Eric Dolphy at the Five Spot Volume 1, New Jazz 8260. This was an original purple label pressing with the deep grooves. The record was only VG+ condition and the cover was M-. The price was $887. We’ve seen this record sell for more than $900 previously in the Jazz Collector Price Guide, so it’s not unprecedented. But VG+ vinyl? Per CeeDee: New JAzz — the new Blue Note?

Some of the Jazz Record Center items: Bill Evans, Interplay, Riverside 9445. This is an original stereo pressing with the black label. It looks to be in M- condition for both the record and the cover. The start price is $100 and there is already a bidder so it will sell. Charles Mingus (et al), Newport Rebels, Candid 8022. This is an original mono pressing that looks to be in M- condition all around. The start price is $75 and so far there are no bidders. I always thought this would be a record more prized by collectors, given the additional presence of Kenny Dorham and Eric Dolphy, among others, and also the unusual circumstances that led to the recording. But, it doesn’t usually get top dollar. This is another one I have to put on the turntable again, since I haven’t listened to it in years.

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