In The Jazz Vinyl Vortex Once Again

Dave Bailey copyI’m watching a few items from the current Jazz Record Center auction on eBay, including: The Dave Bailey Sextet, Bash!, Jazzline 33-10. This is an original pressing Kenny Dorham, Curtis Fuller, Tommy Flanagan and others. The record is listed in M- condition and the cover looks to be about VG+, based on the description. The bidding is at $200 with nearly three days left before the auction closes.

Oliver Nelson, The Blues and the Abstract Truth, Impulse 5. This is an original mono promo copy with the white label. The record is listed in M- condition and the cover looks to be about VG++. The bidding is at $100.

This is one that is completely new to me:

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Updating the $1,000 Jazz Vinyl Bin

Blue Train jazz vinylLooks like we’ll be updating the $1,000 bin this morning, starting with John Coltrane, Blue Train, Blue Note 1577. This was an original pressing with the New York 23 on one side. The record was listed in VG++ condition and the cover was just VG. No matter, it seems, because these New York 23 Blue Trains are quite hard to find. This one sold for $1,666.

No surprise seeing Blue Train in the $1,000 bin. This one, which I mentioned yesterday, was a surprise, not that it sold for more than $1,000, but that it sold for more than $1,500: Hank Mobley Quartet, Blue Note 5066. This was only in VG+ condition for the record and the cover, and when we looked at it yesterday the price was around $460. The final price was $1,525.

Here’s one that may have a chance at making the $1,000 bin:

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Mobley 1568: All Yours For Just $14,999

Mobley copyOff the soapbox and onto eBay. Let’s start with this: Hank Mobley, Blue Note 1568. This is an original original pressing with the New York 23 on one side. The record is described as VG+ to M- and the cover is described as G to VG, although I think the seller may be very conservative on his grading. A few weeks ago, we saw one of these without the New York 23 sell for $11,191.63 (which reminds me, I have to follow up and see if the sale actually went through). The seller of this copy must have seen that and is offering this on a “buy-it-now” basis for the bargain price of $14,999. What do you think? Ready to plunk down 15 grand on a single record?

Here’s another Mobley being offered by one of our regular readers/commenters: Hank Mobley Quartet, Blue Note 5066. This is an original 10-inch record. The record and cover are both listed in VG+ condition and, as an added bonus, the record comes with the brochure “The Blue Note Story,” which I’ve written about in the past. This one closes later today and the bidding is in the $460 range, yet is has not yet reached the seller’s reserve price.

Here are a couple of interesting ones from the U.K.:

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For Discussion “At the Table” — What Is the Responsibility of the Critic?

At-The-Table-poster-1024x662 copyMy son, Michael Perlman, has written and directed a new play called “At the Table,” which is being produced at the HERE Arts Center in New York. I’m stating that up front because when people do searches for the play on the Internet I want them to find this article. But, before I get to “At the Table” by Michael Perlman, let me get to the point as it relates to my friends and readers here at Jazz Collector.

My very first paying job as a journalist was while I was still in college. I was the jazz writer and critic for The Syracuse New Times in Syracuse, New York. It was 1973. I was 20 years old. The job was a blast. I got to interview Charles Mingus, Chick Corea and Larry Coryell when they came through town. I got to write a fun essay on Charlie Parker. I wrote an article on 25 records to get started on jazz. And, whenever the record labels would send over new jazz records, they would come to me. For a vinyl addict, what could be better?

At some point I was sitting in my dorm room and I was doing a review of a new Dexter Gordon album. It was Ca’Purange (Prestige 10051 for those of us who like to keep track of such things). I didn’t think the album was all that great, particularly in comparison to Dexter’s previous Prestige albums, most notably The Panther!, which was one of my favorites. I’m at my typewriter and writing about Dexter being a disappointment on this record, and commenting negatively on the other musicians, who happened to be Thad Jones, Hank Jones, Stanley Clarke and Louis Hayes.

And I look down at the paper, and the realization hits me: Who the hell am I to be criticizing Dexter Gordon or any of these amazing artists?

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Finding Jazz Vinyl “Bargains?”

JR copySince I’ve been offline for a bit, let’s catch up on some of the items we were watching when we left, and then we’ll move on to some new items in the next post. Lots of Blue Notes today, starting with J.R. Montrose, Blue Note 1536. This was an original Lexington Avenue pressing that was listed in VG++ condition for the record and VG+ for the cover. It sold for just $667. I say “just” because we’ve seen this record sell for quite a bit more, in even worse condition than this one. I imagine the buyer is quite happy with this purchase.

Lee Morgan, City Lights, Blue Note 1575. This was an original West 63rd Street pressing that was listed inn M- condition for both the record and the cover. This one sold for $775 and that’s another “just” because this record has surpassed the $1,000 mark several times in the Jazz Collector Price Guide. Are we seeing a temporary dip in the market as we head into the summer? I don’t follow exchange rates closely — is that an issue that would drive prices down?

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What’s it Worth to You: Kind of Blue Signed by Miles, Trane and Paul Chambers?

Kind of Blue, Autographed VinylPerusing eBay this morning and came upon this very interesting, and very expensive, item: Miles Davis, Kind of Blue, Columbia 1355. This is described as a limited edition pressing of Kind of Blue, with the back blank. The seller says this was issued for record executives and promoters, which seems possible, although I’ve never seen one before, and I’ve been looking for 45 years. The thing with this one is that the back isn’t exactly blank — it’s been signed by Miles Davis, John Coltrane and Paul Chambers, with a “Best Wishes” thrown in by Trane. It looks pretty authentic, although I’m not an expert on autographs. It is listed in VG++ condition for the record and the cover looks pretty nice, although not actually graded. The seller says it came from her husband’s collection and original priced it at $25,000. It is now up for auction with a start price of about $5,000 and a buy-it-now price of $12,500. Who among us wouldn’t want to own this one? But at what price?

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Le Jazz Vinyl Et Plus

Barney Wilen Jazz VinylI thought I’d have more to say about the death or Ornette Coleman, but I really don’t. I am not an expert on his music and was never really a fan, although I typically liked what I heard, at least from his early years. So I’m going to go back to what I normally do here, which is watch records on eBay, starting with a pair of French records from a French seller: Barney Wilen, Tilt, Swing 30.058. This is an original pressing from 1957. It is listed in VG+ condition for the record and M- for the cover. The price is in the $400 range with less than two days left, but it has not yet reached the seller’s reserve price. Nice cover, but don’t know the record. Readers? Another one that is quite rare, but unfamiliar to my ears:

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Vinyl Updates from Blue Note and Norgran

Tal Farlow copyLet’s catch up on some more jazz vinyl we’ve been watching on eBay, starting with The Tal Farlow Album, Norgran 1047. This was an original 12-inch pressing with the very nice David Stone Martin cover. The record and cover both looked to be in close to M- condition and the start price was about $180. I didn’t expect the record to sell and it didn’t. One reason I posted it here is because I love the cover. Also, I do believe some of these great original Norgrans should get more attention, although, to be fair, the 10-inch version of this is the original release as well as the better-sounding version. The 12-inch has four additional tracks from a different date. This is one of the great jazz guitar records, so if you don’t have it, put it on the list.

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. . . And Four More Classic Jazz LPs

Kenny Dorham Jazz Vinyl copyCatching up on some more jazz vinyl sales we missed recently, including Tommy Flanagan Overseas, Prestige 7134. This was an original New York yellow label pressing, that was in probably VG++ or M- condition for the record and VG+ for the cover. It sold for $1,980.55. The same seller had a bunch of other nice records, such as Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing with the purple label and deep grooves. The record was probably VG+ or VG++ and the cover was M-. The price was $1,136. One more while we’re at it:

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