Now we get to the batch of records that turned out to be the most pleasant surprise of all. There was at one point a group listed as such: Bill Evans, Seven Riverside LPs. There was a picture on the Web site and there was a copy of Waltz for Debby in there and perhaps an original pressing of New Jazz Conceptions as well. Anyway, I was hoping to steal this one, but once the bidding surpassed $400 I realized there was no steal to be had and I had better keep my mouth shut. The package eventually went for $650. Ah, well. However, about 15 minutes later there was another group of LPs, described as such: Bill Evans, Eleven LPs, Eight Verve and Three Riverside. There was no picture or other description. I won this lot at $80, so my total for these 11 records was $93.60. This is a great batch of music, and each record is in
All right, let’s do some more of this Jazz Auction stuff. So, by this point in the auction I have purchased eight lots and I am clearly on a roll and forgetting about the 17 percent surcharge and figuring, “What the heck, I’m already paying for shipping, let’s buy some more records.” And so I did.
Gerry Mulligan, Seven LPs. Price: $46.80. Why? There is no good answer to this question. I certainly have all of these LPs, and probably don’t even want to keep all of these LPs, and there is probably not that much of a market for these LPs on eBay. The best of the records, from a collectible standpoint, is The Gerry Mulligan Songbook on World Pacific. There’s also a nice Mulligan on Emarcy with Zoot Sims. There’s a copy of Mulligan and Stan Getz on Verve, but it’s an MGM pressing. Really, there was no rhyme or reason to bidding on these — and actually winning — other than the adrenaline rush of buying more records.
Sonny Rollins, Three RCA Victor LPs and Lester Young For LPs. Price: $93.60. This fits into
OK. The auction records are here, in a newly created bin on the floor of my music room/office. It’s fun looking through the records, of course, encountering pleasant surprises, but what I am most looking forward to is listening to them. That’s the best thing about getting new records, or even getting new copies of old records: Exploring and discovering (or rediscovering) the music. As I type this I’m listening to Wes Montgomery Full House and it’s probably the first time I’ve listened to this LP in 10 years or more. With 10,000 records a lot of great LPs wind up sitting on the shelf. I remember the first time I heard this record. I was in a car with my friend Dan and we had the radio on and we heard a Wes solo and we knew immediately it was Wes and then the tenor player starting playing and we were both blown away because he was really cooking and we couldn’t figure out who it was. It was, of course, Johnny Griffin. And now I am listening to this beautiful near mint copy of this record again and, ah, what a nice way to start a gorgeous Sunday morning. Anyway, back to the auction items:
The next one I purchased was listed as: Stan Getz, Three Verve LPS with Trumpeter labels. Price $40.95. These turned out to be For Musicians Only with Dizzy Gillespie and Sonny Stitt;
Guess what came in the mail yesterday? Remember that Jazz Auction in which I participated a few weeks ago. Well the records are here and now I can tell you how I did. Remember, I bid blind on these records, based on the written descriptions, and I gambled on quite a few of the packages. I was competing with a bunch of sellers/dealers who were at the scene and had the opportunity to physically view the records. Also, I paid an extra 17 percent above what I bid because that was the fee taken by the auction house. In any case, here are the results, part one of three: Live vicariously through me if you please. The prices listed below include the 17 percent extra fee, so they are the amount I actually paid for each package. Also, the listings as I describe them below are similar to the way they were listed in the auction itself.
Wes Montgomery, Full House. Price: $70.20. This is an original blue-label Riverside
Sorry to leave you hanging on Part 2 of this story. So I am on the phone listening to the auctioneer in the background. He is describing each lot – Here’s Number 14, Kenny Burrell on Blue Note, do I hear one hundred, a hundred ten, a hundred twenty, a hundred thirty, two hundred, two ten. This is going by in what seems like nanoseconds. For me to get in a bid I have to decide quickly how much, then I have to react quickly and, in the end I have one or two seconds to decide as the auctioneer is getting ready to close the auction. It’s a bit of an adrenaline rush, as you may imagine. Anyway, I lose out on all the Burrell records and I’m feeling a bit guilty about tying up the phone line and the next thing I know I’m bidding on a couple of Wes Montgomery records and the guy on the other end of the phone, who is the brother of the auctioneer, is telling me it looks like I’m going to win these records. And I do. One is Full House, a great Riverside record featuring Johnny Griffin. The other is The Incredible Jazz Guitar of Wes Montgomery, also on Riverside. I have bid $60 for
I participated in a jazz auction the other night. Not an eBay auction, but a traditional auction with real people and an auctioneer and a gavel. Here’s the story: A few weeks ago I got a call from a guy named David Quinn who said he ran an auction house and had in his possession a collection of jazz records and CDs from an estate sale. I helped David out with some information about the jazz collectibles market and he told me he’d send me a list and let me know when the auction was taking place. It was in the Washington DC area. I couldn’t make it down there, so I asked if I could be on the phone and perhaps bid on a few items. He arranged it and when the first item was put on the block at about 6:30 on Wednesday night, there I was on the phone, bidding on items I hadn’t actually seen. This put me at a pretty stark disadvantage, because there were about 30 people physically in the room at Quinn’s Auction Galleries in Falls Church, Va. These people could physically see the items: I was going on guts and instincts and whatever pictures were available online. The thing with this type of auction, the auction house gets
So I placed some bids on the Omega Auctions auction last week. And I struck out completely. There was nothing in the collection that really caught my eye, but I wanted to participate to see if I could perhaps buy something at a lowball price. Part of it was the fun of being in the hunt; part of it was to understand the experience to share with you all here at Jazz Collector. So I went through the entire auction list and marked about a dozen items and put in bids that were low but not completely unreasonably, particularly if the action was light. I wasn’t able to do the auction live, so these were all online bids. If I had been able to do it live, who knows what would have happened. Here’s a bit of a summary: Read more
Just a reminder, that auction we wrote about last week (An Old Fashioned Jazz Vinyl Auction) is taking place tomorrow. I spent some time looking through the list and I didn’t see that much of interest to me, although there were a few lots. I may place a few bids just for the experience of doing it. If any of you do participate, please share the experience with us here at Jazz Collector.
Now back to the “normal” eBay auctions that we watch, starting with a record that is near the top of my own want list, since it is the only rare Sonny Rollins records missing from my collection: Sonny Rollins Plays, Period 1204. This is an original pressing that looks to be in about VG++ condition for both the record and the cover. Looks like a nice copy but, alas, it will not be mine. The bidding on this has already exceeded $900 with more than a day left. So it seems pretty safe to say this one will reach the $1,000 bin and perhaps even higher.
Here’s an interesting opportunity: An auction house in the U.K. is auctioning a private jazz collection on Tuesday June 27 and there are options for individuals to bid live, either online or by telephone. The auction house is Omega Auctions and music is one of the areas in which they specialize. The collection belonged to a collector named B.W. Duncan and, of you are interested, you can read his bio here. As for the records themselves: There are quite a large number of Blue Notes, offered as individual pieces, such as Eric Dolphy Out To Lunch or Herbie Hancock My Point of View. There are also Blue Note packages sold in lots, such as an Art Blakey lot or a Horace Silver/Lee Morgan lot. Many of the records in the collection are U.K. pressings. It looks like there are 260 lots in all. It’s worth taking a look at the auction, but make sure to read the instructions if you want to bid because you have to set things up in advance and you have to pay some fairly hefty fees. Read more
Let’s catch up on some completed and upcoming auctions of rare jazz vinyl on eBay, starting with Dizzy Reece, Blues in Trinity, Blue Note 4006. This was an original West 63rd Street pressing in VG++ condition for the record and VG+. When we first started watching this record it was in the $125 price range but was seeing a lot of activity. We speculated that it may approach the $1,000 bin and it wound up selling for $906.80. This one, Lee Morgan, Candy, Blue Note 1590, was in the $925 range when we first spotted it and, based on the seller and condition — M- for the record and cover — we speculated that it was destined for the $2,000, but it came up just short, selling for $1,807. Finally, there was Kenny Drew, Undercurrent, Blue Note 4059. This looked like an original pressing with the one sided deep groove, although there was some dispute about that among the commenters. I guess the pictures weren’t clear. It was a relatively new seller and the record and cover looked to be in M- condition. But the start price was quite high at $3,000 and there were no bids, so perhaps we will see this back on eBay with a lower price tag.