Search Results for: hipp

Hawes, Hipp, Trane and More

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Some random stuff from eBay and email. I hadn’t particularly though of this record as a collectible: Hampton Hawes, For Real, Contemporary 7589. This was a stereo pressing with the yellow label and I couldn’t tell from the listing if it was a deep groove and/or original. It was in VG++ condition for the record and VG+ for the cover. It sold for $113.50, which is not Blue Note pricing, but still in the range of what I would view as a collectible. Just took a look at Popsike and, lo and behold, this record does have a particular cachet, with many copies selling for more than $100 and a top price of more than $300 for a mono pressing. I’m sure it’s a great record, with Harold Land on tenor, and I’m also sure that the presence of Scott La Faro on bass for one of his last albums adds to the interest and thus the value. Not being on eBay all of the time, and not doing any buying or selling myself, it sometimes happens that nice records slip through the cracks of my awareness. Here’s another one to put on my want list because, alas, I no longer have a copy. Read more

Tracking Jazz LPs That Are Hip and Hipp

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I know I haven’t posted in a while when I start getting little love notes from our old pal CeeDee, with gentle reminders such as “you may have seen these by now, but . . . ” Anyway, these a couple of the ones being called to my attention, starting with Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing with the purple label and the deep grooves. The record was graded VG++ and the cover was VG+. The final price was $1,752.

Then there was Joe Henderson, Inner Urge, Blue Note 84189. This was an original stereo pressing with the New York USA labels and the ears in the dead wax. The record was listed in M- condition and the cover was VG++. The final price was $383. High for a stereo pressing, but certainly not surprising, right?

I didn’t have either of those on my watch list, but I did have this one, which fetched quite a fetching price:

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A Little Hope For the Hipp

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Booker Little Jazz VinylHere’s one you don’t see too often on eBay: Booker Little and Friend, Bethlehem 6061. I guess in this case the friend was Booker’s trumpet. The record and the cover are both in VG+ condition and the start price is $350. Thus far there are no bidders with about a day and a half left on the auction as of this writing. We’ve seen this record sell for more than $700 a few times in better condition than this, so the seller might have expectations of the record selling for this price.

Here’s another seller that is optimistic with a start price of more than $1,400 for this record: Elmo Hope, Meditations, Prestige 7010. This is an original New York yellow label pressing listed in EX+ condition for the record and Ex/Ex+ for the cover. I’m like Bill W. on the previous post. I’m never sure what Ex or Ex+ means, although I’m assuming for this record the condition is either M- or pretty darn close to it.

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Getting “Hipp” To Some Nice Jazz Vinyl

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juttaOkay, back to the business of watching rare jazz vinyl on eBay. I’ve been less diligent about watching (and posting) because 1: I’ve been spending a lot of time listening to the records from the collection I just purchased in Baltimore and 2: Having purchased this major collection and melding it with my collection, the last thing I am looking to do now is purchase any more jazz records. But I realize I have an obligation to our loyal readers here at Jazz Collector, so back to eBay it is. Lots of great items on the board right now, including:

Jutta Hipp at the Hickory House, Volume 1, Blue Note 1515. This is an original Lexington Avenue pressing listed in VG++ condition for the record and VG+ for the cover. It is currently in the $450 range with more than two days left on the auction. The same seller is selling Jutta Hipp at the Hickory House Volume 2, Blue Note 1516. This is a not-quite-original. It looks like the original vinyl, in VG++ condition, with a later cover, which looks to be in nice condition, but without a listed grade. Bidding on this one is already more than $200. One more from the same seller:

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French Zoot, Miles Smiles & An LP That Is Hipp

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After all these years of collecting and visiting record stores, I still get a kick out of seeing records I’ve never seen before. Case in point: Zoot Sims All Stars, Barclay 84019. This looks to be an original 10-inch French pressing with a really nice looking cover and label. The seller describes the vinyl as being in M- condition, and the cover is probably VG++. The start price is about $200 and there are five days to go.

Speaking of European pressings, I had never seen this cover of Miles Davis, Porgy and Bess, CBS 62108. Think about how many candid shots of Miles you’ve seen where he’s actually smiling. Here’s one. Very nice cover. This is a stereo pressing listed in VG++ condition for the record and cover. So far there are no takers at a mere $19.

From the time I saved the record to when I started writing this post, a gap of about 15 minutes, the price of this record shot up by several hundred dollars: Jutta Hipp at the Hickory House Volume 1, Blue Note 1515. This is an original Lexington Avenue pressing. The record is in VG condition and the cover is VG++. The price is now more than $600 and will probably keep on rising.

Updates: Overseas, Hipp & Zoot, Shades of Redd

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The seller bluenipper had some nice items close yesterday, including:

Tommy Flanagan Overseas, Prestige 7134. This was an original New York pressing. The record was VG++ (or better) and the cover was M-. The price was $2,126.33. Our top for this in the Jazz Collector Price Guide is around $2,400, so this is certainly within the range.

Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original Lexington Avenue pressing. The record was listed as VG++ and the cover as somewhere between VG+ and VG++. The price was $1311. The most recent copy we’ve seen of this in near mint condition sold for $3,343, but that was from Nautiluso, the Jazz Vinyl Fraud perpetrator, so we’re not sure how to count that. It’s legitimate in that the bidding got it to that price, but were there tricks that spiked

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Jutta Hipp Blue Note Tops The $1,000 Mark, But Jackie McLean Does Not Sell For $2,500

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Time to catch up on some of the jazz vinyl we’ve been watching this week at Jazz Collector:

Jerome Richardson, Midnight Oil, New Jazz 8205. This was an original purple label pressing in VG++ condition, both the record and the cover. It was sold by Euclid Records, which usually means it would get top dollar. However, in this case, we’re not so sure. This one sold for $153.50. We sold a copy of our own a few months ago for more than double that, even though it was in worse condition. We’re not sure what that means, other than the reality that prices on eBay tend to fluctuate for no apparent rhyme or reason.

Then there was this one from Euclid Records: Jutta Hipp at the Hickory House Volume One, Blue Note 1515. This was an original Lexington Avenue pressing. The record was M- and the cover was VG++. The price was $1,263. That’s the first time this record will enter the $1,000 bin in the Jazz Collector Price Guide. As we’re doing our Great Jazz Vinyl Countdown, this

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The Great Jazz Vinyl Countdown, Ad Infinitum

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Finally, the real deal.

To answer some of your post pressing questions. Yes, those are many of my records on the current Carolina Soul eBay auction. Seeing the actual listings makes it pretty clear to me one of the reasons why Jason and I weren’t able to strike a deal: We were grading the condition of the records on a different curve. That wasn’t the only reason, but it must have played an important factor. As a collector and former seller on eBay, I was grading the records quite a bit differently than Jason and his team, who are admittedly more in touch with today’s marketplace. Some of the obvious examples are ones I’ve written about here. Like the Jutta Hipp and Zoot Sims record on Blue Note and the Donald Byrd on Transition. I know that I got those records from the Bruce M. West collection in Baltimore, and I am pretty sure those records weren’t played more than two or three times. When I listened to them, once each, they were clean. In my collection, I had graded the vinyl condition at M- or VG++ at worst. Read more

A New Adventure in Jazz Collecting, Part 6

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I was going to milk the suspense for a couple more days, but I changed my mind. I’ll cut right to the chase. I was prepared to sell Jason from Carolina Soul Records about 5,500 records. My strong preference was an outright purchase and not a consignment. Jason was prepared to buy 5,500 records from me and had the wherewithal to make the outright purchase based on the amount I told him I was looking for. He and his colleague Nate came up to my home in The Berkshires and spent the better part of a day and evening poring through the 5,500-or-so records I had put aside. The opportunity for a big deal was in place . . . . Read more

A New Adventure in Jazz Collecting, Part 4

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The pix with these posts are copies of some of the records to be auctioned. The real pics will be with the listings.

Looking back, it seems I’ve been going through this existential angst about what to do with my collection ever since I started Jazz Collector back in 2003, and probably well before that. I am sure, among this audience, I am not alone, but I’m fairly unique in that I  have this forum to share and explore my experiences, as I am doing yet again. I learn a lot about myself from doing Jazz Collector and from paying attention to the comments on the site.

In this case, I go back to a post I did on June 20, 2022 titled Back in Action. This was another one of those angsty posts in which I shared that my long-term plan for retirement was to spend more time doing Jazz Collector and to go back to selling records on eBay, a la Rudolf and some of the other regular contributors to the site. There were a lot of thoughtful comments on that post but one especially hit a nerve. It was from Mark and this is what he said:

“I think the last thing I would want to do when I retire is sell jazz records online! I mean perhaps selling a few key high end pieces would make sense, but in reality I would rather just consign the whole collection to a big name eBay dealer or store. It also seems that collecting taxes and such is more and more of a thing these days on Discogs and eBay.” Read more

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