It’s always surprised me that jazz collectors seem to place only marginal value in autographed albums or other memorabilia. There are exceptions of course: A Charlie Parker signature on a contract or a Billie Holiday inscription on a book are extraordinarily rare collectibles that fetch a small fortune whenever they appear on eBay or on auction lists from dealers.
But my experience is that autographs don’t necessarily do much to enhance the value of a collectible. To test this, I recently did a search of completed auctions on eBay in the category of jazz using the key word “autographed.” The results confirmed my theory:
Sonny Stitt, The Complete Roost Sonny Stitt Studio Sessions, Mosaic Records MD9-208
By Al Perlman
I am an unabashed fan of Mosaic records. No company does a better job mining and repackaging the treasures of recorded jazz. From Mosaic’s beginnings in 1983 the company has focused on producing comprehensive boxed sets that document periods or styles of music from either specific artists or record labels. From the comprehensive liner notes to the annotated discographies to the intricate remastering of the original recordings, each set is a gem.
What I also appreciate as a Jazz Collector is that the Mosaic releases have always represented a great investment: The company produces limited editions of all its releases (with one or two exceptions) and once the designated number of copies are sold, that’s it, no more are released. This has created a strong Read more
Jazz vinyl dealers at the WFMU Record Convention in New York last November were concerned. Traffic at the show was down and, worse, volume on E-Bay had declined fairly dramatically in the fall. A few dealers were anticipating the beginning of the end of the LP market, finally done in by CDs and other digital technologies. It turns out the pessimism was misguided. The market picked up shortly thereafter, hit another dip again in February and early March, Read more