Here are a few more listings sent to me by readers, starting with Walter Davis Jr., Davis Cup, Blue Note 4018. This was an original West 63rd Street pressing from our friends at Euclid Records. The record and cover were both listed in VG++ condition and the final price was $1,254.54. From the same seller was: Johnny Griffin, Volume 2, Blue Note 1559. This was also an original West 63rd Street pressing. The record was VG+ and the cover was only VG, yet it still sold for $1,166, which echoes the point I made the other day about condition being less relevant, as collectors seem to have evolved from wanting to listen to the record to wanting to own the record.
Another reader sent me a question about this record:
Whilst I was offline I missed a record that ended up in the $3,000 bin: Don Rendell Ian Carr Quintet, Shades of Blue, Columbia, 33SX 17333. This was an original 1965 UK pressing that was probably in VG++ or M- condition. The final price was $3,024.98. I only know of this record from watching it on eBay all these years. Is the music that good, or is there something else that is so appealing about this record that it would command such a high price?
One of our readers sent me a link to this record, noting that the price seems to be rising: Phil Woods, Warm Woods, Epic 3436. This copy was in VG++ condition for the record and VG+ for the cover. It sold for $605.55. Doesn’t seem that out of line for this record. If you look on Popsike, there are copies that have sold for higher prices, although probably in better condition. That’s one of the things that I’m noticing — for many of these classic records, condition is less of an issue than it used to be. Can’t help wondering if that is because people are collecting them to own them as opposed to listening to them.
Sorry for the long unexpected hiatus between posts. Been very busy with work and time just slipped away. Glad to see no one was worried about me. 🙂 Anyway, let’s look at where we left off with our eBay watch list, starting with: Sonny Clark, Leapin’ and Lopin’, Blue Note 4091. This was an original New York USA mono pressing. It was listed in M- condition for the record and VG++ for the cover. It sold for $908.76. We don’t recall ever seeing this record sell for more, but Popiske has a record of a copy selling for $1,144 in 2014. Wow. I guess it won’t be long before copies of this record will eventually be regulars in the $1,000 bin. First the ones in M- condition, then, over time, those in not-so-mint condition, if past patterns continue to hold forth in the future.
Perhaps this next one is also destined for the $1,000 bin. It keeps getting closer:
I was off eBay for a few days and missed a few big-ticket items, starting with Cliff Jordan and Jon Gilmore, Blowing in From Chicago, Blue Note 1549. This was an original pressing with the New York 23 logo. The record was listed in M- condition and the cover was VG+ with some water stains on the back. The final price was $2,200, the first time to my recollection that this record has ended up in the $2,000 bin. I still don’t own an original pressing of this record and it seems pretty obvious (to me at least) that I won’t be buying one on eBay. This one falls into the same category: Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original pressing listed in M- condition for both the record and the cover. The final price was $2,750, not too bad for a seller with only 98% positive feedback.
Regular contributor Daryl Parks posed an interesting question about auctions versus buy-it-now listings on eBay. From the beginning here at Jazz Collector we have focused on auctions. Not sure why, but that was how I always did business on eBay, when I did do business on eBay, both as a buyer and as a seller. Daryl was helping a friend with some listings of jazz records, and the friend preferred buy-it-now, particularly for what he described as “big ticket” items, in this case original Blue Note pressings from Curtis Fuller and Jutta Hipp. His explanation, as explained by Daryl: “Buy-it-now attracts different types of buyers who prefer to avoid roller-coasters and unpredictability while resulting in predictable outcomes for the seller; he has always had great success with this approach.” Read more
Some of you may recall that I had a bad reaction to the election in November and had a bit of a breakdown, totally justified as subsequent events would have it. One thing that helped me through the worst of it was going to the Doc NYC festival and seeing a new John Coltrane documentary called “Chasing Trane.” It was a beautiful and inspirational film that helped me heal and even sent me on a more spiritual path, which surprised the hell out of me. Here’s the original essay I posted on Nov. 25: “Chasing Trane: A Review, An Appreciation, A Spiritual Awakening.”
The essay found its way to the writer and director of “Chasing Trane,” John Scheinfeld, who sent me a lovely follow-up note telling me that he had shared the piece with many people, including Bill Clinton. He even used the word: “Bravo.” I was quite thrilled. Now “Chasing Trane” is set to make it’s theatrical release: It opens this Friday at the IFC Center in New York and the following week in Los Angeles, followed by a broader release across the country. I can’t wait to see it again and I’m strongly encouraging all of you to see it as soon as you get the chance.
In anticipation of the rollout, the film’s publicists reached out to see if I would be interested in doing an interview with Scheinfeld. Of course. So we did call a couple of weeks ago. It was supposed to be 20 minutes but it lasted 40. Scheinfeld was eloquent and passionate and it was exciting for me to learn about the creative process that went into making this wonderful tribute to one of my heroes. A summary of our conversation follows. All direct quotes are Scheinfeld’s. Read more
I got up early on this beautiful Sunday morning, and got The Lovely Mrs. JC up early as well, to go out for a nice walk and breakfast and an 11 a.m. showing of the Lee Morgan documentary, “I Called Him Morgan” at the Film Society at Lincoln Center. So we had our stroll and our meal and were in the theater by 11 sharp and we sat through about 10 minutes of previews and were settled in nicely and the film started and it was out of focus. I mean, really out of focus. So I went to management and told them and, yada yada yada, we didn’t see the movie. They said it might be ready for the 3 p.m. screening, but they could not make any promises. We hung out for a bit and had a nice conversation with three other disappointed jazz lovers, and then took the stroll back home. I don’t think we are going back today: Instead, I may try to sneak off from work tomorrow morning. I’ll keep you posted. In the meantime, I’ll have some updates for you this week on the John Coltrane documentary Chasing Trane. Stay tuned.
Clearing out my inbox one more time, starting with a note from our friend CeeDee with a link to two eBay auctions. First up is Kenny Dorham, Una Mas, Blue Note 4127. This was an original New York pressing with the ear and the Van Gelder stamp. This was listed in M- condition for the record and the cover. Why did CeeDee send this to us? I would guess the final price, which was $810. That’s the highest price we’ve ever seen for Una Mas, confirmed by a peek over at Popsike. The second link from CeeDee seems to be an aberration: JR Monterose, The Message, Jaro 8004. This was a Fresh Sounds reissue that would typically sell for about $10 or $20. This one sold for $182.50 and it wasn’t even in mint condition. The seller doesn’t mention that it is a reissue in the listing, but the pictures clearly show that it is. IMHO, the buyer was either careless or clueless or perhaps a combination of the two. In any case, that is quite a tidy sum for a reissue, no? Read more
Here are a few items from our email inbox, starting with a note from a producer of a planned documentary about the pianist Junior Mance. It seems a lot of the film’s focus will be on Mance’s relationship with his wife Gloria, his career and his battle with dementia. I took a look at the trailer and it definitely seems a worthwhile project. In addition to posting this comment, I made a contribution to the Kickstarter campaign to support the movie. I first became aware of Mance on his early albums as a sideman with Cannonball Adderley and Johnny Griffin/Lockjaw Davis. He always had a big soulful sound, somewhat underrated as both a soloist and as a sideman, IMHO. It would be nice to see a documentary tribute to his life and work. Speaking of which, I am hoping to see the Lee Morgan documentary this weekend and I’ll have an update soon on the Coltrane documentary “Chasing Trane” next week since the movie is opening soon in New York.
I’d like to follow up on some of the auctions we’ve been watching, starting with this one, which I still find kind of strange: Art Blakey’s Jazz Messengers, A Night in Tunisia, Vik 1115. This was an original pressing listed in Ex condition for the record and the cover. I’ve never really covered it before as a collectible, but now I will, at least based on the final price tag, which was $324.45. I had promised to listen to a copy, but I realized my body is in the city and my record is in the country. Given the era, the personnel and the repertoire I’m sure it’s a great record. And, of course, there is the only recording in history of the infamous Ferris Benda, aka Jackie McLean.