Back to Blue Note

If yesterday was a Prestige day, let’s make today a Blue Noter, starting with Here Comes Louis Smith, Blue Note 1584. This looks to be an original West 63rd Street pressing listed in VG++ condition for the record and VG+ for the cover. The bidding is in the $175 range with about four days to go. We were watching a different copy of the same record a few days ago and that one was in just VG condition for the record and VG+ for the cover. It wound up selling for $561, so I would expect this one to fetch a higher price. Will it enter the $1,000 bin? Could be. According to Popsike, the highest recorded price for this record is $1,514. Not owning an original copy of this record myself, I haven’t listened to it in a long time. When I put a record on the turntable, I usually prefer an original pressing. But perhaps I will make an exception. After all, the personnel includes one of my all-time favorite alto players, none other than the infamous “Buckshot La Funke.”

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Blue Notes and Monk at 100

Thanks to Daryl and to all the thoughtful, and not so thoughtful (just kidding), commenters on the previous post. Given how sporadically I’ve been posting lately, it’s nice to get some other voices involved. I do have a full complement of jazz records in my eBay watch list, so I will share some of the more interesting items, starting with Lee Morgan, Volume 3, Blue Note 1557. This was an original West 63rd New York 23 pressing that was listed in M- condition for the record and perhaps just a shade below M- for the cover. There were 21 bidders and 37 bids and a final price of $3,629 that jumped from $2,000 in the final seconds. This is not the highest price we’ve seen for this record, according to Popsike, which recorded a copy selling for $4,177 last year. Still, it’s way up there. Brings to mind a note I received from one of our readers last week, linking to a recent article about million-dollar comic books and wondering why, jokingly, the recent Lee Morgan documentary didn’t have a similar impact. Well, we’re not yet in the millions, but our jazz records are definitely on the rise. Plus, we get to listen to what we collect, not just look at it, although looking at it is cool too, as was well discussed in the prior post.

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And Four Blue Notes, For a Price

Since I was away for so long, I’d like to catch up on some jazz vinyl auctions I missed, starting with a few from our friends at the Jazz Record Center. Let’s start with John Jenkins with Kenny Burrell, Blue Note 1573. This was an original pressing that looked to be in M- pristine condition. The final price was $1,382. This may sound weird, but that price seems a little low to me, considering the condition and the reputation of the seller. Just did a quick check over at Popsike and, indeed, this record has sold for more than $2,000 in the past. I have no theories to offer on this, particularly now that the Jazz Record Center accepts Pay Pal, but the market is the market and it often simple reflects who is bidding against whom at that particular time.

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Give Me Liberty . . . For a Lot of Money

Here’s a few items from the Jazz Collector in box, starting with a note from our friend CeeDee, who is commenting that “it looks like the cost of some Liberty pressing Blue Notes are approaching the price of the originals,” with a bunch of links, including Kenny Burrell, Blue Lights, Blue Note 1597. Not only is this a Liberty pressing, the cover, with the Andy Warhol illustration, is only on VG condition. This one sold for $255, which is quite a change in the market over the past few years. The other big change in the market is the tremendous spike in prices of the United Artists Blue Notes, which were 1980s reissues for the Japanese market. Unfortunately, I sold a lot of my Liberty and United Artists pressings a few years ago on eBay, generally for $10 or $20 apiece, which was the going rate at the time. Fortunately, however, the reason I sold those pressings was because I was able to obtain copies of the originals and these were just duplicates.

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Random Musings and Blue Notes

I’m back with a completely random batch of records that are currently for sale on eBay, starting with one of my favorite LPs, Jackie McLean, McLean’s Scene, New Jazz 8212. This is an original purple label deep groove pressing listed in VG+ condition for both the record and the cover. The bidding is in the $160 range with four days left. When I think of my favorite alto players, there’s Bird, of course, then Cannonball, then a small group of a few more who were able to create a distinct sound despite the overwhelming presence and influence of Bird. This relatively short list includes Jackie, Paul Desmond, Phil Woods and just a couple of others such as Ernie Henry, who died so young. Then there are Johnny Hodges, who came before Bird and was certainly distinct and marvelous, and Sonny Stitt, who sounded perhaps the most like Bird but could play his ass off and is almost always a joy to put on the turntable, for me at least. Anyway, just some alto musings off the top of my head on a bright Wednesday morning, inspired by McLean’s Scene.

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Cool Struttin’ At the JRC

The Jazz Record Center had an auction last week and I was keeping tabs on a few of their records, including: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing with a weird variation: Both sides had he same label (Side 2). To me that would diminish the value, not sure why because the music is the same, but it just would. This one looked to be in M- condition for the record and probably VG++ for the cover. The final price was $2,500, so perhaps the label aberration effected the price, since we’ve often seen this record sell for more than $3,000 and occasionally more than $5,000. It used to be that the Jazz Record Center would get a premium on its records because of it’s reputation, but I find that is no longer the case. I had thought, perhaps, it was because they didn’t take Pay Pal, but now I notice that they do take Pay Pal. The action also included a bunch of 10-inch Blue Notes, which I love, including:

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Under-The-Radar Jazz Vinyl Collectibles

Here’s one you don’t see very often. In fact, I don’t recall every writing about this record before: Wade Legge, New Faces, New Sounds, Blue Note 5031. This is an original Lexington Avenue 10-inch pressing. The record and cover are both listed in Ex condition by a very reputable seller. The bidding is in the $280 range with about four days left on the auction. Wade Legge was not recorded very often and died young, at just 29 years of age. I just did a Google search and, it turns out, with shared the same birthday. I am a big fan of his playing on a couple of Sonny Rollins albums, Rollins Plays for Bird and Sonny Boy.  I didn’t recall that he was on the Charles Mingus Tonight at Noon Album, so I will have to go back and listen to that, as well as a couple of others. I highly doubt that I will be getting the 10-inch Blue Note record anytime soon, given that I never see it and typically avoid paying top dollar on eBay.

This is also one I don’t see very often, but I’ve never viewed it as a record that was particularly favored by collectors:

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A Cross Section of Collectible Jazz Vinyl

We’re watching a few auctions from the seller bullsite2000, including Billy Taylor, Cross Section, Prestige 7071. This is an original New York yellow label pressing. It looks like the record is in about VG++ condition and the cover is M-. The bidding is in the $90 range and the auction closes later today. Typically, you don’t see any Billy Taylor records selling for high prices. This particular record seems to be somewhat of an exception, selling for more than $200 several times on Popsike. We’ll see what this one goes for. I like the picture on the cover, which is one of the reasons I’m mentioning here at Jazz Collector: It’s not often that I get to use a Billy Taylor Prestige cover with one of my posts, and this one has the old record player, the tube amp and the old records. Wouldn’t you like to own the records on THAT shelf. This is another one with a great cover: Jay Jay Johnson Sextet, Blue Note 5028. This is an original 10-inch Lexington Avenue pressing. The record looks to be in VG+ condition and the cover VG++. It is also closing today. The bidding is in the $250 range.

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Prestiges, Esquires and Blue Notes, Oh My

Here’s another one of those cool Esquires with a cool cover: Sonny Rollins Quintet, Esquire 20-080. This is the original U.K. version of the Prestige record Moving Out (Prestige 7058). This one is in M- condition for both the record and the cover. There are two days left on the auction and the bidding is already close to $700. What I said in my previous post about getting a good deal on these Esquires? I only wrote it a week ago. Have times changed that quickly, or does it have to do with immaculate condition of this record? Or, perhaps, a little of both?

Meanwhile, it seems as if the bidding has barely begun on this original original Prestige: Jackie McLean, Jackie’s Pal, Prestige 7068. This looks like a beauty, graded M- for the record and VG++ for the cover. There seems to be shrink wrap, which would not have been the packaging medium when it was first introduced, but that wouldn’t scare me off at all. With more than three days left, the bidding is at just $45. I would expect it to increase markedly as we get close to the end of the auction.

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Oddities and Ends, So to Speak

Wait a second. Did you see what happened with this record I mentioned the other day: Clifford Brown Quartet, Blue Note 5047? This was an original 10-inch Lexington Avenue pressing. Original Blue Note, but, as noted by Rudolf, a reissue of the French Vogue material. Anyway, this one was in VG++ condition for the record and the cover and we were watching the auction with about a day left and there were still no bidders at a start price of about $500. I wasn’t sure if the record would sell at all. It did, for the whopping price of $1,535. There were two bidders and three bids and they all came in the last few seconds as snipes, I would presume. Talk about a bidding war. Wow!

I had thought about bidding on this when the price was relatively low, but I never would have won it anyway:

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