Condition is Still Critical . . . Isn’t It?

Let’s look at some random jazz vinyl we are watching and have been watching on eBay, starting with Joe Henderson, Page One, Blue Note 4140. This looked to be an original pressing, listed in VG or VG+ condition for the record and G+ for the cover with water damage on the bottom. There were 13 bidders for this record and the final price was $439. From the same seller there was Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original West 63rd Street deep-groove pressing, listed in VG+ condition for the record and VG for the cover. The final price was $2,475. Over the years, when people have contacted me for advice about selling their collections, I have always emphasized the importance of condition. While it is still of great import, of course, it seems that there has been a shift in the market and collectors are more willing to pay high prices for records in less than great condition. We’ve all been noticing this for a while, I’m sure, so it probably requires an adjustment for those of us buying or selling records to be aware of this pretty fundamental change in what jazz collectors are looking for these days. As with most trends, you wonder if this one will last and will become kind of a new standard in our little world of jazz collecting. Read more

Bewitched, Bothered and Befuddled

Time again to clear out some items from the Jazz Collector eBay watch list, whatever that is. Let’s start with Cliff Jordan, Cliff Craft, Blue Note 1582. This is an original pressing that was listed in Good condition for the record and Fair for the cover. The seller suggested that the buyer clean the record “multiple times” before judging the condition. OK. Also, I should mention that the seller’s rating on eBay is 97.7%. When I originally spotted this record, the start price was $1,000 and I was curious to see if it would sell. It didn’t. So the seller relisted it for $500 and it did sell. I don’t have an original copy of Cliff Craft in my collection, but I wouldn’t be interested in one of G/F condition, especially if I had to pay $500 for it. Very happy with my clean United Artists pressing, which I bought for $10 from Red Carraro sometime in the previous century. Read more

Free Jazz (And More) At a Price

Like many of you, I was closely watching the auction last week from the seller  Carolina Soul. There were some items in my wheelhouse, such as Lee Morgan Indeed and Tommy Flanagan The Cats, but what caught my attention were the free jazz and other jazz records that were outside my normal area of interest and expertise. I will leave it to others to flesh out more detail – thank you, Clifford, in advance – so I will just share some of the highlights, starting with Don Pullen/Milford Graves in Concert at Yale University. This copy had a hand-painted jacket, the likes of which was unfamiliar to me. The final price was $9,515. Read more

Catching Up on Rare Jazz Vinyl

Let’s catch up on some items we’ve been watching on eBay, starting with Tommy Flanagan Overseas, Prestige 7134.This was an original New York yellow label. The record was listed in VG+ condition and the cover was VG. The final price was $1,610. Hank Mobley Quintet, Blue Note 1550. This looked to be an original promo copy with the New York 23 label. The record was listed in VG+ condition and the cover was listed as VG, but the pictures tell a different story for the cover. VG minus would be a stretch. Despite the cover, the record sold for $969. Read more

Heavy Hitter$

I went a few weeks back to clean out my eBay watch list and found a few items to share before moving forward. Here are some high-end items from the seller 1molecularrman, starting with Webster Young, For Lady, Prestige 7106. This was an original New York yellow label listed in VG++ condition for both the record and the cover. The final price was $2,175. I didn’t recall ever seeing a higher price for this record, but I don’t watch eBay every day the way I used to. Checking with Popsike . . . .  yes, this is the highest price ever recorded for For Lady. Read more

Rare Jazz Vinyl, Sonny Rollins, MOMA, Me & Bob Porter

I just logged in to my eBay watch list and the first three items were recent sales from the seller 1molecularrman. Prices seemed really high to me, so perhaps he has a great reputation, or a magic touch, or maybe he is just bobdjukic incognito. Anyway, these were the records: Thelonious Monk/Sonny Rollins, Prestige 7075. This was an original New York yellow label. The record was listed in VG++ condition and the cover was VG+. The final price was $1,375. Based on a quick look over at Popsike, that is the highest price ever recorded for this record. And, to note, neither the record nor the cover was in near mint condition. Read more

Heavy Hitters, Hefty Prices

All of the jazz vinyl auctions I was watching in my queue are now over, so let’s start catching up with those, starting with Roland Kirk, Triple Threat, King 539. Although I’m a big Kirk fan, this is a record that has eluded me over the years. This was an original pressing listed in VG condition with “light noise hiss, crackle & an occasional pop.” Cover was listed as VG, with shelf wear and a partial seam split. This was from the seller 1molecularrman, who’s been on quite a run for the past few months. The run continues. This one sold for $1,300 on the noise. Read more

Red, White and Blue Note

I appreciate all of the advice on what to do with my collection, how much it’s worth, who will buy it, etcetera, etcetera. One of these days, something will happen, but I don’t know when and I can’t imagine I’ll go the Lennib route, at least for as long as I can put Coltrane on the turntable and know that it’s Coltrane that I’ve put on the turntable. In any case, I am watching jazz vinyl with renewed interest and ready to do my normal work here of writing about what I’m watching and, on occasion, writing about what I’m listening to and, on rarer and rarer occasions, what I’m buying. So, let’s start with Red Rodney, Signal 1206. This looks to be an original pressing, listed in VG+ condition for the record and VG- for the cover. Quite a rhythm section on this record with Tommy Flanagan, Oscar Pettiford and Philly Joe Jones. Question: Can anyone think of another record with that rhythm section. Off the top of my head, I can’t. So we have the record VG+ and the cover VG- and a final price of $1,324. Hmm. Read more

Updates

The seller of the U.K. Esquires we were watching did all right. I guess the buyers did too. Miles Davis, Miles His New Quintet, Esquire 32-201. This was in M- condition for the record and Ex for the cover. When we wrote about it, the bidding was in the $55 range.  It sold for $533.99. I find myself siding with Maarten on this one. I like the cover design. It is an artwork, at least to my eyes. In fact, I tend to like the cover designs on most of the Esquire Prestige releases. Case in point: Elmo Hope, Informal Jazz, Esquire 32-039. This one was listed in Ex+ condition for the record and cover. It was also in the $55 range when we posted. It sold for $338. Even this cover has a simplicity that is appealing, although they probably could’ve put a little more effort and oomph into it, Sonny Rollins, Saxophone Colossus, Esquire, 32-045, particularly considering that they had two years to work on it after the U.S. release.   This was listed in Ex+ condition for the record and Ex for the cover, with a partial seam split on the top. It sold for $356.12. Read more

Catching Up, Up, Up

Catching up on a few jazz vinyl sales from the recent auction by Carolinasoul, starting with Lee Morgan, Candy, Blue Note 1590. This was an original West 63rd Street pressing listed in VG+ condition for the record and the cover. The final price was $3,000. Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original purple label mono with deep grooves. The record was VG and the cover as VG+. The final price was $1,598. Doug Watkins, Watkins at Large, Transition 20. This was an original pressing with the booklet. The record and cover were VG. The final price was $1,415. Read more

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