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Jazz Vinyl Countdown: Ike Quebec, Blue Note

October 5, 2009 Al 3 comments

We were watching this record carefully on eBay: Ike Quebec, It Might As Well Be Spring, Blue Note 4105. It was an original pressing in M- condition, both the record and the cover. It sold for $276, which is about as high a price as we’ve seen for one of the Ike Quebec LPs on Blue Note. We figured perhaps it would be a good time to sell our copy as well. Turns out, we don’t have a copy. We have three other Ike Quebec Blue Notes: Blue And Sentimental, Blue Note 4098; Heavy Soul, Blue Note 4093; and Soul Samba, Blue Note 4114. Anyway, we figured we’d try one out and see if it will make the cut as we reduce our collection to 1,000 records. The one we chose is Heavy Soul, figuring this was the least likely to stay, since the rhythm section

Tracking Some Nice 10-Inch Jazz Vinyl

October 2, 2009 Al Leave a comment

Here are a few nice 10-inch LPs we’ve been watching.

Gigi Gryce and Clifford Brown Sextet, Blue Note 5048. This was a beautiful copy in M- condition for both the record and the cover. The price was $579.

The Amazing Bud Powell Volume 2, Blue Note 5041. This was listed as VG for the vinyl and VG+ for the cover. The price was $90.97. As someone said in one of the comments recently, the Bud Powells seem to be in less demand than some of the other Blue Notes.

Elmo Hope Quintet, Blue Note 5044. This was listed in VG++ condition for both the record and cover, which is a classic. The price was $305.

Art Blakey, A Night At Birdland Volume 2, Blue Note 5038. This one was also in nice condition — VG++ for the vinyl and M- for the cover. The price was $305. 03.

And yet another Blue Note:

Catching Up: Kenny Drew, Rouse, Nichols

October 1, 2009 Al Leave a comment

Here’s an update on some of the jazz vinyl we’ve been watching here at Jazz Collector. We sense a slight softness in the market the past couple of weeks compared with the end of the summer, when prices seemed to be skyrocketing. This sense comes not only from what we are watching, but from what we are selling as well. These things go back and forth all the time, so we don’t see much use in trying to time the market as a seller, but for buyers, this might be a time to be active. Prices surely will go up again if past is prologue to the future. Here are a few recent sales:

Kenny Drew, This is New, Riverside 236. This was an original white label pressing. The record was listed as VG++ and the cover was VG+. The price was $125. This one features Hank Mobley and Donald Byrd and is quite a nice collectible — and quite a bit cheaper than comparable Blue Notes of the same era with the same artists.

Speaking of Blue Notes: Herbie Nichols Trio, Blue Note 1519. This was

Today on Ebay: What to Do With A Sealed Record?

September 30, 2009 Al 9 comments

We’re watching a few interesting items on eBay today, including several of our own records for sale. This one is interesting: Jimmy Heath, Really Big, Riverside 333. This is one of ours. What was interesting was the choice we made. This was a sealed copy: To open or not to open? That was the question. We chose to open, to make sure this was an original pressing that we were selling. However, based on what we’re seeing with prices of sealed records, perhaps we made a mistake. So far there is just one bidder for this LP and the price is around $50. We have a feeling if the record were listed as “still sealed” there’d be a lot more activity. As it is, it is quite a nice record, featuring Cannonball Adderley as well. So, perhaps someone will get a truly mint original LP for a bargain.

Also, Miles Davis, Cookin’ Prestige 7094. This was one of those that we

Catching Up: Dex & A Few For the $1,000 Bin

September 29, 2009 Al Leave a comment

Time to catch up on a few more jazz vinyl collectibles, including a few more for the $1,000 bin:

Dexter Gordon Quintet, Dial 204. This was an original 10-inch pressing. The record and the cover were both listed in VG+ condition. The price was about $240. I love these original 10-inch Dials, and the price on this one seemed pretty fair. But, alas, I was not a bidder. Also from Dexter was this: Dexter Gordon, Dexter Rides Again, Savoy 12130. This was an original pressing with the deep groove and the red labels. The seller listed it in M- condition for both the record and the cover. The price was $69.

For the $1,000 bin there were these:

For the $2,000 Bin: Dexter Gordon, True Blue (Again)

September 28, 2009 Al One comment

A few of the items we’ve been watching have broken the $1,000 barrier, and a few of those have broken the $2,000 barrier.

Dexter Gordon, Dexter Blows Hot and Cool, Dootone 207. This was an original pressing with the red vinyl. The record was listed as M- and the cover was VG++. It was sold by the seller herschel78, who’s been selling quite a bit of rare jazz vinyl and scoring some nice prices with them. This one sold for $2,886. Our previous high for this in the Jazz Collector Price Guide was more than $3,000, so that’s not even a record. We were also watching a later pressing of this record on the Authentic label (which, unfortunately, is the version we own in our collection). Even this one did fairly well, selling for $70, although we’ll never know if the buyer thought he was getting an original.

Also for the $2,000 bin was this one:

More Jazz Vinyl on eBay: Cannon, Young, Mobley

September 27, 2009 Al Leave a comment

We promised a few more items to watch this weekend, so here goes:

Cannonball Adderley, Sophisticated Swing, Emarcy 36110. There was a lot of discussion on the site the other day after we posted the Jazz Collector “Essential” Cannonball Adderley. Generally the Cannonball LPs don’t get collector prices, so we were surprised to see this one the other day at $75. The price hasn’t budged since then, so perhaps it won’t go much higher, which is still beyond what we normally see for this album. The record is in M- condition and the cover is VG or VG+.

Webster Young, For Lady, Prestige 7106. This is quite a nice record, with some beautiful tenor sax by Paul Quinichette, playing (as always) as close to Pres as Pres himself. This is an original New York pressing that is listed in M- condition for both the record and the cover. It is being sold by herschel78, who has been posting some nice items the past few weeks, and has some more nice items on eBay now, so it’s worth taking a look. This one is currently at $300 with about nine hours to go.

Here’s one that’s a bit of a surprise:

More Blue Notes For The $1,000 Bin

September 25, 2009 Al 2 comments

Good that we mentioned those Blue Note tips yesterday: There are a few more original pressings that shall be entering and re-entering the $1,000 bin. Here they are:

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This is an original pressing and the vinyl is in M- condition. The cover is at least VG++. The price is already around $1,600 with many more hours left before it closes today, so we may be seeing an addition to the $2,000 bin.

Also, Tina Brooks, True Blue, Blue Note 4041. This is an original pressing. Again, the vinyl is listed in M- condition and the cover is VG+. This one has more than a day to go before it closes and

Twelve Tips To Collecting Blue Note

September 23, 2009 Al 25 comments

One of our Jazz Collector readers found a blog post somewhere on the Internet with some advice about collecting Blue Notes. It was written by Allan Songer. We don’t know Allan personally, but we’ve dealt with him many times on eBay as both a buyer and a seller. We’ve found him to be quite reputable and a very nice guy. In any case, this is interesting information and we are taking the liberty (slight pun intended) of cleaning it up and reproducing it here for our Jazz Collector community, but we happily give Allan full credit. Allan, if you’re out there and see this, please feel free to comment:

Jazz Collector’s Essential Cannonball Adderley

September 23, 2009 Al 6 comments

Blipp asks on an earlier post if we can make any recommendations on Cannonball Adderley’s earlier material, in particular the Mercury records. We can certainly do that, and we’re sure others in the audience will be happy to weigh in as well. First, we will give our own Jazz Collector version of our top five Cannonball LPs altogether. Blipp has been listening mostly to the Capitol stuff, he says, and we don’t think any of those records is going to make our list. Here goes:
1. Cannonball Adderley, Know What I Mean with Bill Evans, Riverside 433. Evans and Adderley obviously had a great rapport from their days with Miles and the addition of Percy Heath and Connie Kay made for a more lyrical setting that suited both Evans and Adderley quite well. And, as one might expect, within that lyrical setting they both swing like crazy.
2. Cannonball Adderley Quintet in San Francisco, Recorded at the Jazz Workshop, Riverside 311. The ground-breaking early quintet with Bobby Timmons and the great tracks of “This Here” (with Cannonball’s engaging introduction) and “Hi-Fly,” plus a very swinging “Spontaneous Combustion.” This LP captured the energy of the group

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