Category: Blue Note

Rare Jazz Vinyl On eBay Again

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It’s been a long time between visits to eBay for me due to unforeseen circumstances that have been drain on my time and required me to be in New York for a while. Seeing some light at the end of the tunnel, so hopefully I can do my regular posts more frequently, in addition to keeping up with my radio show and podcasts. I’ve been in these circumstances before and expressed similar hopes so let’s see what happens. In the meantime, I’ve been on eBay this morning and put a bunch of jazz vinyl collectibles into my watch list, so here goes, starting with Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This looks to be an original West 63rd Street pressing. The record is listed in VG+ condition and the cover is VG. There are 20 bids and six bidders so far, with the auction closing later today. The current price is $515 and I would say this one is a candidate for the $1,000 bin. Read more

What is Happening to the Rare Jazz Vinyl Market?

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I first started doing Jazz Collector as a newsletter/web site back in 2004 and moved over to the blog format in 2008. Back then, I used to pore through eBay every single day, looking at the complete jazz listings for every 24 hours so I could not only spot the big-ticket items, but also to identify potential bargains. I was really into it then, because I was selling records and, more often, buying records. At some point, however, my real work started accumulating, I bought two major collections to fill out my own collection, the prices on eBay soared into the stratosphere, and the idea of looking at 24 hours of eBay all day and every day became more of a nuisance than a pleasure. It did change the dynamics of Jazz Collector a bit, because I still wanted to write about the market and identify rare records, but I started doing searches based on price, as in the highest priced records.

And that’s what I’ve been doing for many years now. I’m sure most of you noticed, particularly long-time readers such as Rudolf. Which is a long way of getting to this point: As I’ve been doing these searches recently, I’ve been finding that the sellers are asking for higher prices consistently, and the buyers are becoming less interested. I just went on to eBay for the first time in a few weeks and most of the records I looked at had high asking prices and zero bidders. It feels like the market is changing right before our eyes. In any case, rather than focus on records that are not getting bids, let’s start with a couple that are: Read more

Jazz Vinyl Gems, Some With a Little Tarnish

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Finally, back on eBay. Contrary to my last experience a few weeks ago when I  asked the question Where’s The Action?, I’m actually seeing quite a bit of activity this week, from buyers and well as sellers. Let’s start with Kenny Dorham, Afro-Cuban, Blue Note 5065.This is an original 10-inch pressing listed in VG+ condition for the record and VG for the cover, although the picture of the back cover might call that grade into question for discerning buyers. But the seller stands by his listings, and any bidder can see the picture and judge for himself. There are seven bidders and the price is in the $160 range with a little more than a day left on the auction. Read more

Jazz Vinyl: Where’s the Action?

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Haven’t been on eBay in a while. Have I missed anything? I meant that as a joke, but now that I’m looking I feel like perhaps I have missed something. I’m seeing a lot of records that would have gotten a lot of action, not getting much action at all. I know things always change as auctions get near closing time, but having been off eBay for a few weeks I have to say I am a little taken aback by the lack of activity. Has anyone else noticed this?  In any case, there are many records that are getting bids, so let’s look at a few of those, starting with Miles Davis, Kind of Blue, Columbia 1355. This is an original mono promo copy with the white labels. The record is listed in VG condition, and the cover is also VG, with some writing on the back and a partial seam split. Certainly not the best copy you will find, but there are already 16 bids from 10 bidders and the price is up to $300, so clearly the demand for this one remains pretty high despite the condition. Read more

Alive and Well (And Live on the Radio)

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It’s been a looooooooong time between posts, so let me catch you up on what’s been going on around here. Overall, I’ve been extremely pleased with the way things have gone in my dealings with Carolina Soul. They have been professional in every respect. Very communicative, clear, consistent. They have been prompt with payments, and have answered any questions I’ve had with clear explanations. As for differences of opinion that we may have had on grading: I respect what they do and how they do it. I heard from several winners of the auctions that they agreed with me that some of the records were undergraded. Yet, Carolina Soul also experienced a number of returns. In fact, about 20 of my records that were returned are on eBay right now. For example: Andrew Hill, Black Fire, Blue Note 4151. I’ll provide a more complete list at the end of this post.

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Jazz Vinyl Miscellany and Mail

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Before getting back to writing about my own experiences doing the recent auction with Carolina Soul Records, let’s return to our normal activity of watching other peoples’ rare jazz vinyl in eBay and taking a peak in the old Jazz Collector inbox. Let’s start with Sonny Clark Trio, Blue Note 1579. This looks to be an original West 63rd Street pressing. The record is listed in VG+ condition. The cover is also listed as VG+, but the pictures show it to be no better than VG. It’s from a seller in Thailand who has one feedback. The start price is $1,250 with less than a day left on the auction. We’ll see if anyone is desperate enough to take that kind of risk. Meanwhile, I have a beautiful VG++ copy that may make it to the next round of auctions. Or, maybe not. Read more

Jazz Collector, Back on eBay

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I’m on the road this week and won’t be able to post as frequently as I would probably like to, given the reality that the records I am selling on consignment with Carolina Soul Records began closing on eBay today and will continue tomorrow. I was paying so little attention to the auctions, I didn’t even realize they were closing today until I logged on around noon and saw that several of the auctions had already ended. All in all, about 300 of my records were on the consignment list today, with another 300 tomorrow. Despite whatever trepidations I may have had about the discrepancies between my grading curve and that of Carolina Soul, I’m very pleased by the results so far. Very pleased, indeed. And surprised. Having done Jazz Collector for about 20 years now, I feel like I’ve been well on top of the market and how it has evolved. But, seeing my own records being sold has been enlightening in a new way. I’m still processing the whole process and want to see how things end up tomorrow before sharing some of my preliminary thoughts. So let me do one of the things I do most frequently here at Jazz Collector, which is to look at the prices of rare jazz records that have been sold on eBay. In this case, every record on the following list was from my personal collection, singles or doubles. Read more

InBox: Una Mas, New OJCs, Autographs and A Rare J.R.

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I know it’s been a long time between posts, but there is a reason, and, fortunately, it has nothing to do with health, at least physical health, but there may be some of you out there who will question my mental health once I get around to telling the whole story, which I will do in a few days. Sorry for the intrigue and mystery, but for a couple of days I want to just do regular, routine posts, looking at rare jazz records on eBay, so I can take a little more time to write about may latest adventure in Jazz Collecting. You’ve waited this long between posts, you can wait a few days more to hear the story. Meanwhile, our old friend CeeDee has gotten impatient, rightfully so, and sent me a link to this record: Kenny Dorham, Una Mas, Blue Note 4127. This looks to be an original New York USA pressing. The cover is pretty trashed and the record plays with slight noise throughout. It is on buy-it-now on eBay for $245. Something about this listing has perplexed Mr. CeeDee because this is the note that accompanied the link: “I don’t know whether to laugh, cry or scream. I’m sure there is something missing . . . isn’t there?” Is there?

Also in my inbox was a new press release from Craft Recordings announcing that they are relaunching the Original Jazz Classics series on vinyl. The press release mentions that the first OJC issues came out in 1982, which is more than 40 years ago, which seems quite amazing to me. I was never a huge fan of the original OJCs, with their soft cardboard covers and thin vinyl. I would use them to fill in gaps in my collection, but always with the idea that I would like to replace them with originals as soon as possible. These new OJCs are being pressed on 180-gram vinyl and “housed in a replica of the original tip-on jacket. I have no idea what the original tip-on jacket means, but I hope they are using thicker cardboard so they feel more like the original original pressings. If these are nicer copies that the first round of OJCs, do you think they will have any impact on the market for first pressings. Perhaps collectors will be content with a nice reissue, but if experience is any guide, it might make the originals even more in demand as collectors/listenters get hooked on the idea of having these great music on vinyl. The first two records to be issued are Workin’ With the Mildes Davis Quintet and the Monk/Coltrane record on Jazzland. Looks like the first of the products are shipping at the end of May. Perhaps I’ll be among the first to purchase, even though I have both records, just to report on it here at Jazz Collector.

While I’m here, I will clear out some of the other items in my mailbox. This one comes from a reader looking for a buyer: “I have a programme from a Jimmy Smith gig in Birmingham, England. It is signed by Jimmy and his guitarist Nathan Page when I met him at the stage door. Would it be of any interest to anyone as I am willing to sell it?” If you are interested send me an email at alatjazzcollectordotcom and I will pass on your name and email address.

One of our readers bought a collection and sent this note: “Recently I bought a Jazz LP collection and found a sample copy. This record is a promotional press of J.R. Monterose recorded in 1963 live in Tender Trap at Cedar Rapids, Iowa. I read in a Japanese website that it was a British Spotlight recording distributed as promotional records in Japan in only 20-30 copies, but for copyright problems never released. Later it was repressed in 1993 by Fresh Sound. The sample copy is: Spotlight SPJ 152 (C 556). Do you know something more about this sample copy and his grading of rarity? I suppose, as it was written in that Japanese Web site, it’s a very rare record.” I replied that I was ignorant about this particular record, but felt pretty sure that someone in the Jazz Collector audience will have the information. So, if that someone is out there, please comment.

Finally, our friend Clifford sent this link: My Name is Albert Ayler, Fontana 6888603 ZL. The record was graded VG and the cover was just good. But the cover had signatures from Albert Ayler, Don Cherry, Gary Peacock and Sunny Murray. Per Clifford: “I’ve seen one other Ayler autograph in my life, almost exactly the same, so it’s definitely legit – the Sunny Murray signature looks like the other ones I’ve seen.” There were four bids and the final price was $1,532.

Watching Some Original Original And Not So Original Jazz Vinyl

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Very interesting thread on the previous post. Glad everyone has been able to keep the conversation going in my absence. For the record, I am and always will be an original, no matter what anyone says. And now, back to watching original rare jazz vinyl on eBay. I have a lot of stuff I am watching now, so let’s go, starting with Frank Morgan With Conte Candoli and Machito’s Rhythm Section, GNP 12. This is an original pressing with the red vinyl. The record and cover are both listed in VG+ condition. The start price is $250 with more than two days left on this auction. I was fortunate to acquire a near mint copy of this record when I purchased the Bruce M. West collection in Baltimore. For some reason, I always considered this to be an album for the $1,000 bin. I guess the reason is that it’s really rare and hard to find, plus there’s not that much early Frank Morgan on record. When I did a search on Popsike, however, I discovered that the top price for this record was $331, and that was back in 2006. I guess it’s just not a Blue Note. Read more

Jazz Vinyl Auctions for the Road (And Beyond)

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I’ll be off line for the next week so I won’t be able to post. Not that it will be any different than a normal period between posts, but this time my absence will at least be planned. Everything’s fine. Just enjoying a little holiday. In the meantime, I will leave you with a large batch of records to watch so you can all comment to your heart’s content. Let’s start with one of the records that would still be on my want list, if, indeed, I had a want list: Sonny Rollins Plays, Period 1204. This looks to be an original deep groove pressing listed in M- condition for the record and EX+ for the cover. Bidding is in the $200 range with almost three days left on the auction. I have no idea how this record has eluded me all these years, but it has. Read more

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