Category: Features

Adventures in Jazz Collecting: Red Carraro, Part 3

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Red in the basement

Back to my Red Carraro stories. If Red were alive today and reading this he’d look at the name on the Web site and swear he never knew me. That’s because when I first met Red I was still going by my childhood nickname, which was “Lit.” This came from being somewhat short in height and someone once started calling me little and it became Lit and it really stuck. Kids in school called me “Lit Perlman” but Red never knew my last name, or my first name, and always just called me Lit. “Lit, hey how ya doin,” Red would always say when he’d see me, with a smile and a warm pat on the pack. “I see you’re still hustlin’ for records.”

When I started my journalism career my first paying job was as the jazz critic for the New Times in Syracuse, an alternative weekly paper. I’ve repurposed at least one of my articles here at Jazz Collector in Memories of Mingus. Anyway, I had spent the first half of 1973 at home in Bayside mending my broken leg and spending a lot of time at Red’s house, in the basement, poring through records and listening to music. It was definitely good times. When I got back to Syracuse, I wanted to do Red a favor so I wrote a review of a record

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Yet Another Adventure in Jazz Collecting

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I have another story for you.
As many of you may recall, I have this oddball penchant for occasional wild gambles on eBay: Purchasing records that are not well described or, more often, buying batches of records that might contain one or two gems without having any sense of whether the listing is accurate or even feasible. I have done this maybe a couple of dozen times and it has almost always worked out to my advantage.I tried it again recently and thought I had finally met my Waterloo.
Here it is: I was recently up the country for a couple of weeks, doing work, doing fishing, some writing, a little Jazz Collector and occasionally looking at eBay. One day I was perusing the eBay listings and came upon a listing that was as follows:
Jazz Record Albums – 118 Albums from collector.
The seller had zero feedback: A complete eBay novice. In the description he noted that these records were the collection from his late stepfather, who was a CPA and accountant for musicians. It was a really strange list with a lot of non-jazz, such as Al Green and

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Adventures In Jazz Collecting: Red Carraro, Part 2

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I can’t tell you all how much pleasure it gives me to see the many wonderful comments about Red Carraro from his family and friends, as well as from the many jazz collectors whose lives he touched. This was why I started the Jazz Collector site in the first place, to build this kind of community. That it has actually happened is intensely gratifying, as you can imagine.

But I also left you all in the middle of a story, with me in a cast clutching a batch of records, sitting with Red in his basement, with no way of getting home. So there were Red and I sitting there, no idea what to do, when the door flung open and Dan came charging down the stairs again.

“Are you giving me the record?” he said.

“No,” I replied.

He looked at Red, as if Red should fix this with a Solomon-like gesture of perhaps breaking Read more

Adventures in Jazz Collecting: Red Carraro, Part 1

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There was a time, before the Internet and eBay, when jazz record dealers would amass hundreds of collectible records and compile them in lists and send those lists all over the world so that collectors could bid on them, blindly, hoping they would make the top bid and receive a shipment of rare jazz vinyl several weeks later. One of the leading and last practitioners of this fading art was a gentleman, and I use that word purposefully, by the name of William Carraro, known to all as “Red.” I am sad to report that Red passed away in his sleep yesterday morning.

I will tell you more about Red in a subsequent post, but first let me tell you the story of the first time I met Red. It was back in the early 1970s and I had just started collecting jazz records. I was 19 years old. My good friend from childhood Dan Axelrod had also begun collecting jazz records at the same time and Dan was far more obsessive about it than I was, so he was always finding scores before me. He’d call from Philadelphia or Miami, out of breath, describing beautiful Blue Notes

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Jazz Vinyl Price Decline? Some Theories

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OK, I have two theories on why prices in mid-tier, i.e. non-Blue Note jazz vinyl on eBay may be down from previous levels.

1. A couple of months ago, eBay made a decision that would drive more revenue, but not necessarily enhance either the buyer’s or seller’s experience. Previously, if you did a search of jazz vinyl you would only see those items that were up for auction, plus those items that had buy-it-now prices with specific deadlines. On average, if you would do a search you would get about 20,000 to 25,000 jazz records over the course of any week. Then eBay decided it wanted to charge more for store listings and raised the price from 3 cents a month for a store listing to some listings as high as 20 cents a month. To justify this rate hike, they made all of the store listings appear on general searches for jazz records.

The result: If you do a search on 12-inch jazz records, which I did just now, you will come up

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Finding a Rare Lee Konitz, Right On My Own Shelf

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I have many hundreds of records I’m hoping to sell and on rare occasions someone may come to the house to peruse them. I don’t necessarily encourage this, but if I know you from Jazz Collector I’m generally OK with it. Anyway, the other night I had one of our readers come over and it turns out he was an alto player who was associated with the Lenny Tristano school and had played with Sal Mosca, Lee Konitz, Warne Marsh, Billy Bauer and others. He went through the records I was selling and didn’t find anything he liked and asked if I had an 78s I’d be willing to sell. I do have more than 1,000 78s and I have been willing to pare this down and among the more than 1,000 78s I happen to have about 100 Prestiges in mint, unplayed condition. I purchased these Prestiges on

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Adventures in Jazz Collecting: The Auction, Part 6

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Now we get to the batch of records that turned out to be the most pleasant surprise of all. There was at one point a group listed as such: Bill Evans, Seven Riverside LPs. There was a picture on the Web site and there was a copy of Waltz for Debby in there and perhaps an original pressing of New Jazz Conceptions as well. Anyway, I was hoping to steal this one, but once the bidding surpassed $400 I realized there was no steal to be had and I had better keep my mouth shut. The package eventually went for $650. Ah, well. However, about 15 minutes later there was another group of LPs, described as such: Bill Evans, Eleven LPs, Eight Verve and Three Riverside. There was no picture or other description. I won this lot at $80, so my total for these 11 records was $93.60. This is a great batch of music, and each record is in

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Adventures in Jazz Collecting: The Auction, Part 5

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All right, let’s do some more of this Jazz Auction stuff. So, by this point in the auction I have purchased eight lots and I am clearly on a roll and forgetting about the 17 percent surcharge and figuring, “What the heck, I’m already paying for shipping, let’s buy some more records.” And so I did.

Gerry Mulligan, Seven LPs. Price: $46.80. Why? There is no good answer to this question. I certainly have all of these LPs, and probably don’t even want to keep all of these LPs, and there is probably not that much of a market for these LPs on eBay. The best of the records, from a collectible standpoint, is The Gerry Mulligan Songbook on World Pacific. There’s also a nice Mulligan on Emarcy with Zoot Sims. There’s a copy of Mulligan and Stan Getz on Verve, but it’s an MGM pressing. Really, there was no rhyme or reason to bidding on these — and actually winning — other than the adrenaline rush of buying more records.

Sonny Rollins, Three RCA Victor LPs and Lester Young For LPs. Price: $93.60. This fits into

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Adventures in Jazz Collecting, The Auction Part 4

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OK. The auction records are here, in a newly created bin on the floor of my music room/office. It’s fun looking through the records, of course, encountering pleasant surprises, but what I am most looking forward to is listening to them. That’s the best thing about getting new records, or even getting new copies of old records: Exploring and discovering (or rediscovering) the music. As I type this I’m listening to Wes Montgomery Full House and it’s probably the first time I’ve listened to this LP in 10 years or more. With 10,000 records a lot of great LPs wind up sitting on the shelf. I remember the first time I heard this record. I was in a car with my friend Dan and we had the radio on and we heard a Wes solo and we knew immediately it was Wes and then the tenor player starting playing and we were both blown away because he was really cooking and we couldn’t figure out who it was. It was, of course, Johnny Griffin. And now I am listening to this beautiful near mint copy of this record again and, ah, what a nice way to start a gorgeous Sunday morning. Anyway, back to the auction items:

The next one I purchased was listed as: Stan Getz, Three Verve LPS with Trumpeter labels. Price $40.95. These turned out to be For Musicians Only with Dizzy Gillespie and Sonny Stitt;

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Adventures in Jazz Collecting: The Auction, Part 3

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Guess what came in the mail yesterday? Remember that Jazz Auction in which I participated a few weeks ago. Well the records are here and now I can tell you how I did. Remember, I bid blind on these records, based on the written descriptions, and I gambled on quite a few of the packages. I was competing with a bunch of sellers/dealers who were at the scene and had the opportunity to physically view the records. Also, I paid an extra 17 percent above what I bid because that was the fee taken by the auction house. In any case, here are the results, part one of three: Live vicariously through me if you please. The prices listed below include the 17 percent extra fee, so they are the amount I actually paid for each package. Also, the listings as I describe them below are similar to the way they were listed in the auction itself.

Wes Montgomery, Full House. Price: $70.20. This is an original blue-label Riverside

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