For those of you in the U.S., the documentary Chasing Trane will be on television at 10 p.m. tonight as part of the Independent Lens series on PBS. Here’s a video clip they posted on the site. It’s hard to believe that it was already a year ago that I had my mini breakdown as a result of the Presidential election and wrote the essay about how Chasing Trane helped me to cope. I wish I could say that my fears were unfounded but, unfortunately, they weren’t. They may take away the pillars of our democracy and our society, but they can’t take away our music. Or our heroes. Watch it. I will, even though I’ve seen it twice already.
Back to eBay. The other day I mentioned the seller Keca222 and that $4,049.99 copy of the 12-inch Kenny Dorham Afro-Cuban on Blue Note. The seller also had this one: Hank Mobley, Blue Note 1568. This was a pressing that did not have the New York 23 on one side, which, to some collectors, diminishes its value, although I’ve never seen a clear explanation why that is the case. But, as we know, we collectors can be a bit strange in our predilections, don’t you think? Anyway, this was in VG+ condition for the record and probably EX or Ex+ for the cover. There was the dreaded phrase “feelable scratches,” yet it still sold for $3,650, which is quite a hefty some for this record in that condition, New York 23 or not.
I was off eBay for a few days and missed a few big-ticket items, starting with Cliff Jordan and Jon Gilmore, Blowing in From Chicago, Blue Note 1549. This was an original pressing with the New York 23 logo. The record was listed in M- condition and the cover was VG+ with some water stains on the back. The final price was $2,200, the first time to my recollection that this record has ended up in the $2,000 bin. I still don’t own an original pressing of this record and it seems pretty obvious (to me at least) that I won’t be buying one on eBay. This one falls into the same category: Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original pressing listed in M- condition for both the record and the cover. The final price was $2,750, not too bad for a seller with only 98% positive feedback.
Some of you may recall that I had a bad reaction to the election in November and had a bit of a breakdown, totally justified as subsequent events would have it. One thing that helped me through the worst of it was going to the Doc NYC festival and seeing a new John Coltrane documentary called “Chasing Trane.” It was a beautiful and inspirational film that helped me heal and even sent me on a more spiritual path, which surprised the hell out of me. Here’s the original essay I posted on Nov. 25: “Chasing Trane: A Review, An Appreciation, A Spiritual Awakening.”
The essay found its way to the writer and director of “Chasing Trane,” John Scheinfeld, who sent me a lovely follow-up note telling me that he had shared the piece with many people, including Bill Clinton. He even used the word: “Bravo.” I was quite thrilled. Now “Chasing Trane” is set to make it’s theatrical release: It opens this Friday at the IFC Center in New York and the following week in Los Angeles, followed by a broader release across the country. I can’t wait to see it again and I’m strongly encouraging all of you to see it as soon as you get the chance.
In anticipation of the rollout, the film’s publicists reached out to see if I would be interested in doing an interview with Scheinfeld. Of course. So we did call a couple of weeks ago. It was supposed to be 20 minutes but it lasted 40. Scheinfeld was eloquent and passionate and it was exciting for me to learn about the creative process that went into making this wonderful tribute to one of my heroes. A summary of our conversation follows. All direct quotes are Scheinfeld’s. Read more
I got up early on this beautiful Sunday morning, and got The Lovely Mrs. JC up early as well, to go out for a nice walk and breakfast and an 11 a.m. showing of the Lee Morgan documentary, “I Called Him Morgan” at the Film Society at Lincoln Center. So we had our stroll and our meal and were in the theater by 11 sharp and we sat through about 10 minutes of previews and were settled in nicely and the film started and it was out of focus. I mean, really out of focus. So I went to management and told them and, yada yada yada, we didn’t see the movie. They said it might be ready for the 3 p.m. screening, but they could not make any promises. We hung out for a bit and had a nice conversation with three other disappointed jazz lovers, and then took the stroll back home. I don’t think we are going back today: Instead, I may try to sneak off from work tomorrow morning. I’ll keep you posted. In the meantime, I’ll have some updates for you this week on the John Coltrane documentary Chasing Trane. Stay tuned.
Here are a few items from our email inbox, starting with a note from a producer of a planned documentary about the pianist Junior Mance. It seems a lot of the film’s focus will be on Mance’s relationship with his wife Gloria, his career and his battle with dementia. I took a look at the trailer and it definitely seems a worthwhile project. In addition to posting this comment, I made a contribution to the Kickstarter campaign to support the movie. I first became aware of Mance on his early albums as a sideman with Cannonball Adderley and Johnny Griffin/Lockjaw Davis. He always had a big soulful sound, somewhat underrated as both a soloist and as a sideman, IMHO. It would be nice to see a documentary tribute to his life and work. Speaking of which, I am hoping to see the Lee Morgan documentary this weekend and I’ll have an update soon on the Coltrane documentary “Chasing Trane” next week since the movie is opening soon in New York.