I still have a few records and comments left over from the other day, so here goes.
What are some people thinking? Here’s a listing I decided to watch: Gerry Mulligan, Night Lights, Phillips 600-108. This was a stereo pressing with a promo label. The record was in M- condition and the cover was VG+. If you walked into a store and saw this record for $10 and you didn’t have it, you might buy it. The seller had a start price of $126. Seriously. Not only were there no bids, but only six people looked at the listing and I think three of them were me because I was so incredulous. At least there was free shipping.
Spend 24 hours on eBay and you’ll find dozens of similar examples. The seller of this record have had more than 80 all by himself: Lee Konitz with Warne Marsh, Atlantic 1217. This was an original black label pressing in M- condition for both the record and the cover. A a nice record, to be sure, but a start price of $320? From a seller who calls himself “vinyl realist?” Give him credit, though. He did manage to sell a few records and get top dollar for them.
Lots of interesting jazz vinyl on our watch list today, so let’s get right to it, starting with Barney Wilen, Tilt, Swing LDM 30.058. This is an original French pressing is in Ex- condition, which may be VG or VG+, and the cover is probably VG, with very visible ring wear. This is one of the real rare ones and has sold for as much as $2,700 in the Jazz Collector Price Guide. Given the condition, this one won’t fetch nearly as much, but I wouldn’t be surprised if it hit the $1,000 bin, just based on it’s rarity.
I always like to find records I’ve never seen before, and here is another: Jimmy Forrest’s Night Train, United Record Company 002. This looks to be an original 12-inch LP in VG condition for the record and VG+ for the cover. I have a bunch of 78s on the United label, but no LPs. Apparently the label was in existence from 1951 to 1957, out of Chicago. According to Wikipedia it never issued 12-inch LPs, but this would seem to prove Wikipedia wrong? Unless the seller is mistaken? Somebody out there should know this, right? Anyway, the start price for this record, whatever the format, is about $150 and so far there are no takers. Looks like a nice piece of history to me.
I’ll be curious to see if this record sells:
Sorry. I had promised more updates for the Jazz Collector Price Guide and then got distracted by the lovely holiday weekend up in The Berkshires. So here are a few more that will go into the Price Guide soon:
This is a new high point for this record: Curtis Fuller, Bone & Bari, Blue Note 1572. This was an original pressing with the West 63rd Street and NY 23 labels. The record was listed in M- condition and the cover was VG+. The final price was $1,789. I have an M- copy of this record. Would I sell it for $1,789? Hmmmm.
This one also sold for quite a hefty price: Ray Bryant Trio, Prestige 7098. The record and cover were only in VG+ condition, although the cover certainly looked nicer in the photo. Good lesson to be learned here: Spend some time on the photos if you are going to list on eBay, and make sure they are nice and clear. This record sold for $987.77.
Jerome Richardson, Roamin’ with Richardson, New Jazz 8226. This was an original purple label with the deep grooves and the record and cover both seemed to be in M- condition. This one sold for $374. Frankly, I thought it would fetch a higher price.
Just spent some time rummaging through the high-end bins on eBay and found quite a few interesting items, starting with: Dexter Gordon Quintet, Dial 204. This is an original 10-inch pressing listed in near M- condition for the record and M- condition for the cover. Seller took beautiful clear pictures and the record is quite tempting to this Dexter Gordon and 10-inch LP fan. But the start price is around $350 and, tempting as it may be, it is not tempting enough to entice me at that price. Nobody else is enticed yet, either, but I do have a feeling this one will sell.
This is another nice one that is also lacking bids at the moment: Sonny Rollins, Way Out West, Contemporary 3530. this is an original promo copy in M- condition for both the cover and the record. Looks like a real gem, also with nice pictures from the seller. There is a start price of about $500 and a buy-it-now price of about $700. If any copy of Way Out West would set a new price high, this would seem to be it, an original promo in M- condition. But the start price is up there. In the Jazz Collector Price Guide we’ve never recorded a copy of this record selling for more than $300.
As much as it may pain me to interrupt the scintillating discussion on my previous post, it is time for me to move on and write a new post because, after all, that is what I do. I do think that the previous post set a new high for comments on Jazz Collector — and counting — and we came within 10 page views of our all time high for a single day, set last summer during the midst of my stories about purchasing the record collection of Irving Kalus. In any case, I received a missive from our friends at the Jazz Record Center that they have a new auction on eBay, so I took a look over to see what they had. Here are some of the things I found, starting with: Serge Chaloff, Boston Blow-Up, Capitol 6510. This is an original promo pressing that looks to be in M- condition for the record and possibly M- or VG++ for the cover. I haven’t seen that many yellow label Capitols through the years, to be honest. This one does not seem to have the same cachet as Blue Serge, perhaps minus the presence of Sonny Clark on piano, so it will be interesting to watch this and see if it fetches a collectible price. The starting bid is $50.
As noted in the comments on the previous post, the seller of the questionable Duke Pearson LP has a large number of jazz vinyl listings closing this weekend. In watching the auctions, I’m noting a surging interest in a lot of later Blue Notes, such as these:
Bobby Hutcherson, Components, Blue Note 4213. This looks to be an original mono pressing with the NY USA label. It looks to be in M- condition for the record and VG++ for the cover. The price is in the $150 range with more than a day left before the auction closes.
Andrew Hill, Compulsion, Blue Note 4217. This also looks to be an original mono pressing in similar condition as the Hutcherson LP, M- for the vinyl and VG++ for the cover. The bidding on this one is also in the $150 range.
Sam Rivers, A New Conception, Blue Note 4249. This is an original Liberty pressing. It is in VG++ condition. The price is more than $100.
Here are a few more that may surprise you:
Let’s catch up on some of the rare jazz vinyl records we’ve been watching on eBay, starting with: Charlie Parker, Bird Blows the Blues, Dial 1. This is the first 12-inch jazz record ever and it was issued without a cover. It usually fetches a nice price when it lands on eBay, and this one was no exception. It was in VG+ condition and sold for $1,643.49. There were only two bids, which always makes me a bit suspicious when a record sells for this much money. It’s usually a bidding war that drives prices this high.
This is one that’s new to me, but it got a huge price: Rosemary Squires, My Love is a Wanderer, MGM 3597. Looks like this one was in M- condition for the record an the cover, other than a cutout hole on the cover. Rosemary Squires was a British pop star, and I’m not quite sure what makes this record so valuable and so desired by collectors, that they would drive the price all the way up to $1,580.55. I’m sure someone out there will be happy to enlighten me.
Here’s another for the $1,000 bin:
Merry Christmas everyone. If any of these items are on you’re wish list, you can buy yourself a present now on eBay:
Sonny Rollins, Newk’s Time, Blue Note 4001. This is an original West 63rd Street pressing that looks to be in VG+ condition for both the record and the cover. It closes later today and the bidding is in the low $300 range.
Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This is an original pressing in VG++ condition for the record and VG+ for the cover. It closes tomorrow and the bidding is still very low, just a little more than $100. It may be difficult to get at a bargain price, however, since the seller has a reserve price on it and the bidding has not yet reached the reserve. The seller is aware of market value for the records. How do I know: He has a link to the Jazz Collector Price Guide.
How about a Transition for the new year: Donald Byrd, Byrd Jazz, Transition TLP 5. This is an original pressing in M- condition for both the record and the cover. It also has the booklet. The bidding closes tomorrow and is stuck at just a little bit more than $100. This one also fails to meet the seller’s reserve at the price. Perhaps Rudolf is right and this is not the best time to be placing records on eBay?
Just browsing eBay and came upon a few items I’ve never seen before. I’m always impressed, after more than 40 years of collecting jazz records, that there are still records that are new to me, for example:
Perhaps I’ve seen this before, but I dont’ recall it: Miles Davis, Porgy and Bess, Fontana 662.036. This is a French pressing and the seller says it is a 10-inch record, which makes sense if you look at the number of tracks per side. Why were the French issuing 10-inch LPs in the late 1950s, when those wars had already been fought and the 12-inch format had won? And look at the cover — it’s the same picture that’s on the American Milestones. I have to say, this looks like a pretty cool item to me. It has a start price of about $100 and is listed in M- unplayed condition.
Speaking of French pressings: Pierre Michelot and his Orchestra, Round About Bass, Mercury 125 500. This is an original French mono pressing and is listed in EX+ condition for the record (VG+++ in our terms?), and EX for the cover. This is from the same seller as the Miles LP and is also in the $100 range with no bids yet.
This an American record, and I assume it’s jazz because it is listed under jazz on eBay and because it is right in the midst of the Atlantic jazz series, but I’ve never seen it:
Here’s some high-end jazz vinyl we’ve missed in the past couple of weeks:
Marty Paich Quartet Featuring Art Pepper, Tampa 28. This was sold by the same seller who claimed exclusive access to the best of Leon Leavitt’s collection and was selling some other high-end items a few months ago. This one was an original pressing with the red vinyl and it was listed in M- condition for both the record and the cover. It sold for $2,000, on the nose. Hmmm.
Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was listed as an original pressing in M- condition for the record and the cover. It sold for an even $1,300 and there was only one bid. Hmmm.
Dave Bailey Sextet, Bash!, Jazz Line. This one is quite rare, with Kenny Dorham on trumpet, Curtis Fuller on trombone, Tommy Flanagan on piano. It was listed in M- condition for the record and VG+ for the cover. It sold for $1,111. No Hmmm for this.