Bashing Jazz Record Collectors

Just received a note announcing the Annual Jazz Record Collector’s Bash in New Jersey. It will be June 29 and 30 in Iselin, NJ, wherever that is. I’m hoping to attend this year, but it’s my normal time to be in The Berkshires so that may not be possible. This is the 38th annual event and I haven’t been in probably at least a dozen years, although I do have good memories of attending in the past, particularly the one year I was able to score some original Prestige and Swingville records for $5 each. Plus a nice Sonny Criss 10-inch on Clef. Its’ funny how we remember where we scored our records, down to the details of which record, where, when and how much. It’s part of what makes collecting fun, right? Here’s the link for the Jazz Record Collector’s Bash in case you’d like to attend.

Back In the Business of Jazz Collector

Sorry I haven’t posted all week. I have moved, once again, this time in the city and I’ve been quite busy, as you can imagine, packing and unpacking records. We have moved from one small place into another small place and decided to keep just one record cabinet with room for about 1,500 records.  You can see it in the picture, and perhaps make out a record or two — I see Jackie McLean, Lights Out and also the Cecil Payne on Signal. Anyway,  I had to go through the process of weeding out and deciding which records to keep in the apartment, and which to move to other locales. I decided to keep the collection in the city focused primarily on original pressings from the 1955 to 1970 era, and to weed out some of the vocals to make this portion of the collection more bop/hard-bop specific. I also had to remove some of the traditional artists, such as Louis Armstrong and Count Basie, in order to have enough room for the records I wanted to keep here. I also nixed the idea of organizing the records by label and continue to have them alphabetically by artist. This way I’m less compelled to keep around records and artists in which I have less interest, either musically or as collectibles. Anyway, I don’t want to get into all of that, just wanted to explain why I’ve been absent from my post and my posting at Jazz Collector. But I’m back now, ready to once again explore, unearth and expound upon the hidden and not-so-hidden treasures of the Jazz Collector world.

The Van Gelder Stamp

Interesting article in The Wall Street Journal on Rudy Van Gelder, New Jersey Jazz Revolution. Here’s an interesting quote about Alfred Lion that kind of summarizes why Blue Note tends to be the more collectible label versus Prestige:  ”Alfred was rigid about how he wanted Blue Note records to sound. But Bob Weinstock of Prestige was more easygoing, so I’d experiment on his dates and use what I learned on the Blue Note sessions.”

The End of Jazz As We Know It?

Have you seen the latest controversy? Musician Nicholas Payton is leading a movement to get rid of the word “jazz.” His argument is that the term “jazz” is racist and that deeply embedded societal oppression of black Americans necessitates a reclassification of the music. Check out this article: A Controversial Proposal Would Redefine Jazz. At one point in his blog or in a tweet Payton states: “The j-word is dead. It died in 1959. Those who celebrate it are worshipping a zombie.” Not exactly sure why Payton chose 1959. That was the year of Kind of Blue. Coltrane hadn’t even recorded any of his masterpieces on Impulse. Think of all the Blue Note records we all love and enjoy post-1959. Anyway. Payton advocates that the music we know of as “jazz” be reclassified as Black American Music. He uses the acronym BAM. Does this mean I have to change my site to BAM Collector? And sell my Bill Evans, Stan Getz, Zoot Sims and Tal Farlow records? Something about that doesn’t seem quite right. I’m sure this audience will have some opinions on the topic, no?

Kennedy Center After Sonny: Who’s Next?

Now that Sonny Rollins has been honored by the Kennedy Center as one of the leading performing artists of our time, who would be the next jazz musician in line for the honor? One of the obvious ones, not based on his music as much as his contribution to reviving jazz commercially, would be Wynton Marsalis. He’ll get his eventually, but he’s a relatively young guy and should have to wait. Among musicians here are a few names to ponder: Horace Silver, Ornette  Coleman, Wayne Shorter. To me, those are the most viable candidates. I would imagine Herbie Hancock and Chick Corea would also get consideration. None of them, in my eyes, is in the same category as Sonny Rollins but, to be fair, a few years ago the honor went to Benny Carter and I didn’t think he was worthy either. What do you think?

Sonny Rollins Kennedy Center Tribute: Inspiring/Disappointing

Did you watch the Kennedy Center Honors last night? It was great to see Sonny Rollins being recognized on national television and in front of the President and the world’s artistic community as one of the most important and influential artists of the past half -century. It was certainly moving and well deserved and, knowing how humble Sonny is, it must have been a tribute that he felt deeply. As I fan, I know I did. I had goose bumps just seeing Sonny up there.

Having said that, I found both the biographical tribute and the musical tribute to be really uninspired and disappointing. This was the one opportunity to explain to the country why, among all of the thousands of jazz musicians in the world, it was Sonny Rollins who was being honored on that stage. Even in just a couple of minutes with the opportunity Bill Cosby had in his introduction and in the video tribute, there was so much that could have been said that wasn’t. Here are some of the things I would have said:

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Clinton Toasts Rollins For Kennedy Center Honors

One more reminder for our readers in the U.S.: The Kennedy Center Honors featuring the tribute to Sonny Rollins will be broadcast on Tuesday, Dec. 27, at 9 p.m. I’ll probably do one more reminder on the day of the broadcast. At one of the events, Sonny was toasted by Bill Clinton. I always figured that Sonny would have been honored while Clinton was President since he was a sax player would and have obviously known about Sonny’s importance in the history of jazz. But I don’t think the President actually has that much influence in who gets selected. In any case, Clinton clearly does know the music, as can been seen in the toast below:

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Check It Out: A New Musical With a Bebop Theme

If you’re in the New York metro area this week I can recommend a very interesting jazz-themed play for you to see called Central Avenue Breakdown. The play is a musical and it is affiliated with the New York  Musical Theatre Festival 2011 and is only playing through Sunday at the Signature Theater on West 42nd Street. The story is centered on two jazz-playing brothers in Los Angeles in the mid-1940s, around the time of the birth of bebop. The older brother is a swing-oriented player, on tenor, and the younger brother plays alto and is influenced by the new music. The story touches on many themes and  the jazz backdrop and the very strong playing by the band will make it a natural for the Jazz Collector audience. The music is all original by Kevin Ray, who is clearly quite talented, and, to my extreme pleasure, the depiction of the bebop sound was spot-on. They could have used real bop numbers such as Groovin’ High or Hot House but instead chose to use original music that accurately captured the sound. A special tip of the hat to the alto player, Mike Migliore, who was quite Bird-like while also being quite original within the bop medium. Most of the music is not bop, but is a cross section of sounds, from R+B to bop to scat to straight-ahead blues, with a couple of nice ballads thrown in as well.  But when it bops, it really bops.

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Bravo!!! Kennedy Center To Honor Sonny Rollins

Good news for regular readers of Jazz Collector and for the jazz world at large. The Kennedy Center has announced its 2011 winners of the Kennedy Center Honors awards and guess what: Sonny Rollins is one of the five honorees! We say this is good news for Jazz Collector because we’ve been vocal advocates that Sonny needed to be honored as the greatest living jazz artist, and it’s so nice to see that we may have had even the most marginal of impacts just by mentioning it in the first place. It’s great for the jazz world because we will now get to see our music and, in particular, the music of Sonny, celebrated as a prime time television event for all to see. We’ll post more on this story as we let it all sink in, but we wanted to share the information just now, as we heard it. Congratulations to Sonny, of course, for an honor that is well-deserved and long overdue.

Check It Out: Sonny Rollins Oral History

Things are a bit crazy here. Someone sent me this link of an interview with Sonny Rollins. Haven’t had a chance to view it yet, but it sounds like it would be great. Enjoy: Sonny Rollins Oral History.


Sonny Rollins Awarded National Medal of Arts

Thanks to Don-Lucky for the heads-up that Sonny Rollins is being awarded today with  the National Medal of Arts — the highest award given to artists and arts patrons by the United States Government. I am doubly pleased to see that Sonny is being honored along with James Taylor, one of my all time-favorite artists outside of the jazz sphere. On Sonny’s official Web site, this is what he had to say: “I’m very happy that jazz, the greatest American music, is being recognized through this honor, and I’m grateful to accept this award on behalf of the gods of our music.”

This is the citation read at the ceremony:

Sonny Rollins for his contributions to American jazz music. Widely recognized as one of the most important and influential jazz musicians of the post-bebop era, Mr. Rollins’ melodic sensibilities, playing style, and solos have delighted audiences and influenced generations of musicians for over 50 years.”

Here are some details about the honor, as well as past jazz winners:

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Kennedy Center Honors: Still No Sonny!

I just did that post on Sonny Rollins a few moments ago and, in looking through the archives I found this piece bemoaning the fact that the Kennedy Center Honors last year once again failed to honor Sonny: Kennedy Center Honors: Where’s Sonny? So just for the hell of it, I went over to the site for the Kennedy Center Honors and it turns out they just announced this year’s recipients. And guess what? Still no Sonny. I, for one, believe this is an outrage. Sonny has not only been a leader and innovator in jazz for more than 60 years, he is a link to Bird and Dizzy and the bop era and he is still playing as well as ever. His influence is really unparalleled and he deserves the kind of broad recognition and acknowledgement that goes with this honor. The honorees this year are Paul McCartney, Oprah Winfrey, Merle Haggard, Jerry Herman and Bill T. Jones. Let’s see if we can somehow use the power of the Jazz Collector community to see if we can push for Sonny to be honored next year. I think this would be a worthy effort, don’t you?

Rare Jazz Rediscovered and Donated

CeeDee beat me to it, but there’s an interesting article in today’s New York Times: Great Jazz, Long Unheard, Is Rediscovered. It is the story of an audio engineer named William Savory, who recorded live radio broadcasts in the late 1930s. What is particularly compelling is that he used 12-inch and 16-inch disks and even used the 33-1/3 RPM format so he could record extended performances and solos that were much longer than the standard three minutes or so that were captured at the time on  a 78. The music has been donated to the National Jazz Museum in Harlem and presumably will make its way to the public, although there are questions raised in the article about copyright and ownership. Among some of the performances mentioned are a live version of Billie Holiday singing “Strange Fruit” and a six-minute Coleman Hawkins solo on “Body and Soul” It’s worth a read. The article includes audio clips.

Site Update, One More Time

OK, in response to some of your suggestions, we’ve made a slight adjustment on the site. On the Reader Forum, the comments are listed with the most recent on top and the oldest below. This will simplify searches and make it easier for those of you using portable devices. On all of the other items, the comments will be listed sequentially, with the most recent on the bottom. This is to satisfy my belief that the comments flow better from top to bottom and, when read sequentially, help tell a bigger story than what I may have posted originally. We’re also looking into a Forum plug-in for WordPress, so if any of you have seen ones you like elsewhere, just let us know.

A Slight Site Change

Before I get into my theory or theories on some of the lower prices on eBay for mid-tier collectibles, which I will do later this morning, let me inform you of a recent slight change we’ve made to the Jazz Collector site. After we started the Reader Forum a couple of months ago, we set up the site so that comments would appear in a different order, with the most recent on top. We did this to make it easier to use the Reader Forum without having to scroll through to the bottom. However, we spent some time on the site last night, just perusing old articles and it all seemed a bit out of synch and counter-intuitive. When you look at the articles, as well as the Reader Forum, there’s a certain flow wherein the order of the postings is part of telling the entire story. Anyway, we decided to go back to showing the comments in the order they were posted, top to bottom, the way it is handled on most Web sites. It may be a little bit more hassle reading the Reader Forum, but for me, as a reader, it enhances the overall storytelling.

Updating & Analyzing the Jazz Vinyl Fraud

It’s been a few weeks since we’ve heard anything new on the Nautiluso Jazz Vinyl Fraud. We’ll place a call into eBay after the holiday weekend to see if they have more information, but there has been no new feedback on Nautiluso and nothing from the Berlin police about any arrests. We imagine eBay would like to put this to rest and has probably paid off all of the victims. One of our readers and loyal commentators, Gregorious, was doing a blog entry on the fraud for The Our Stage Blog and asked us for some comments on the fraud. This is what we said:

“I’m always watching records for the Jazz Collector site. When I saw the group of records that Nautiluso had for that week I was pretty stunned: It was probably the best collection I’d ever seen in one week. I posted an item about it and immediately started getting comments and emails from collectors who

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Putting a Name on the Jazz Vinyl Fraud

As Rudolf pointed out in a comment yesterday, Nautiluso, perpetrator of the Jazz Vinyl Fraud of 2009, is no longer a registered user on eBay, so the public information about him is slowly starting to disappear. There was a point at which he had a My World page, but that is gone. You can still see on eBay that he had been a member since June 8, 2003 – in Germany. Personally, I’m not sure he was ever based in Brazil: It’s likely he had an accomplice mail from a Brazil mailing address because he believed it would provide a safe haven. The thing about this guy is, for several years he was probably a legitimate seller and probably used his real name in communicating with customers. I will tell you the name he used: Thomas Lamprecht. If you had any dealings with him, please let us know. What’s also starting to disappear from eBay are

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Nautiluso: More Feedback, No Response From eBay

Here’s a quick update on the Nautiluso Fraud:

I contacted media relations at eBay on Monday with a bunch of questions. Still no response. I’ll follow up today. Still trying to find out if they are acknowledging a fraud, if they are pressing charges against the perpetrator and if they are consistently reimbursing victims.

There are two new instances of negative feedback on Nautiluso if you check out his profile here. These are from a classical buyer from the same auction. He was ripped off to the tune of about $3,400 and says on his feedback that eBay refunded his money. So far, everyone we’ve heard from directly has

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New Ella, If You Can Find It

Have you read about the newly discovered and newly released Ella Fitzgerald Boxed Set from 1961 and 1962? It’s called Twelve Nights in Hollywood and it features 76 songs recorded at the Crescendo in Los Angeles. I read the article in The New York Times on Sunday and was pretty excited and I was a little down today and I figured, well, what could be better on a down day than Ella. There are plenty of places that sell CDs near where I live — I’m in the New York metropolitan area, so really, they’re all over the place, or at least they used to be. And it’s Christmas shopping season, so every place should be fully stocked, right? Well, so far I’ve called six different stores and not a single one is carrying this item. Zero. They all told me to go online and I could get free shipping. So why bother having a retail store at all?

In Nautiluso Case, PayPal May Be The Biggest Loser

Brian makes an interesting point in his comment in the article on the buyers filing $30,000 in claims against Nautiluso. He notes in the earlier fraud that emanated from Italy, most, if not all, of the buyers were made whole by PayPal. He mentions a maximum of $2,000, but I think there actually is no maximum. I spoke to one of the Nautiluso buyers yesterday who spent more than $2,000 and was fully reimbursed by PayPal and was asked not to talk about it, so I won’t mention his name. We also heard from one of our readers that he has already been reimbursed by PayPal. The challenge for organizations like eBay and PayPal is that their business model is predicated on creating a safe buying and selling environment, so something like this poses a major challenge to them. At the end of the day, they don’t want the negative publicity

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Still Waiting For Answers on Nautiluso

No major new updates on Nautiluso. I spoke to media relations at eBay again this morning and posed a bunch of questions, such as: Is eBay ready to declare this a fraud? If so, are they pressing charges and, if so, where? What about the probable victims — who gets protected and who doesn’t? It will be interesting to see how they respond. I’m hoping to speak to someone directly in eBay corporate, no offense to the media relations person who is quite nice and friendly. I haven’t seen any new complaints or negative feedbacks on the eBay profile of Nautiluso, but they haven’t pulled it down yet either, so that’s a good thing, since it is a place we can keep monitoring events if eBay is not forthcoming with information. I did notice that Nautiluso doesn’t have any items posted this week.

Buyers File $30,000 in Fraud Claims Vs. Nautiluso

In the past two days five buyers have filed 21 instances of negative feedback against Nautiluso and have indicated in their feedback posts that they have filed claims with eBay. The actual number of records involved was higher — 24 records in total — because some of the feedback actually registered as positive, accidentally we presume. You can check out the feedback comments here, but here are some samples:

“Buyers be aware! 10/10 jazz auction was a mere fake; you’ll never get your recs!”

“Never received the record. No communication from seller. Claim filed with Paypal”

“Never received the item, filed claim with Ebay and Paypal…”

“Records never delivered. There is not a response at all either.”

If those comments are not bad enough here is the piece de resistance, from a classical buyer:

“The contents are 100% different Useless trash Search with Q123Q word.”

So the assumption on that last buyer is that he received a package from Nautiluso, probably timed to arrive after the 45-day time limit for filing a claim with eBay, and the contents of the package were not relective of those that he had won on the auction. We’ll do more reporting on this later today and tomorrow, but so far the tally is as follows:

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Nautiluso Buyers: Deadline to File a Claim is Now

The question about Nautiluso: Is it a fraud or just a case of an incompetent seller in completely over his head? With each passing day and new revelation it seems as if the fraud scenario is increasingly likely. If you are a buyer of one of the records and are concerned that perhaps it was a fraud, the time to act is now, particularly if you

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eBay Responds To Nautiluso Questions (Sort Of)

If we’re going to get to the bottom of the Nautiluso case, eBay is probably not going to be all that helpful, based on the initial response from their public relations people to our inquiries. We posed a few questions and actually had hoped to speak to someone directly at eBay, but we wound up talking to a PR person from an outside firm and she relayed the questions and relayed the responses. We’ll follow up again after the Thanksgiving holiday. Meanwhile, this is what eBay has to say about Nautiluso:

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A Winning Nautiluso Bidder: Still No Record

We finally tracked down one of the buyers from the Nautiluso auction. Paul Sagerman is a collector in Tuscon, Ariz. He had purchased the LP: Thelonious Monk Plays Duke Ellington on Riverside. It was an original pressing in near mint condition and the price was between $500 and $600. Sagerman was the one who had original filed the negative feedback on Nautiluso back on October 14 when he suspected that the auction was not legitimate. However, he withdrew the negative feedback after he learned that the seller would accept Pay Pal. So far, Sagerman has not received his record and has filed a dispute with eBay. Originally, Sagerman said he had planned to bid on about 20 records, but was concerned when the seller did not respond to his questions. “I asked for a scan of the label, a scan of the back cover and

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