A Couple of Golden Oldies

Pres and teddy copyGlad so many of you are having fun playing with The Stupid List and enjoying it in the context in which I put it out there. Meanwhile, my watch list on eBay is overflowing and I will start with Lester Young and Teddy Wilson, Pres and Teddy, Verve 8205. This is an original pressing with the trumpeter logo. It is listed in what looks to be M- condition for the record and VG for the cover.  The start price is about $10 and so far there are no bids, with five days left on the auction. This is not a record I would normally be watching here and, in fact, the only reason I noticed it was because I am watching some of the seller’s other items. A couple of things strike me. So far, in all of the comments on The Stupid List post, not a single respondent has mentioned Lester Young as a top five favorite jazz artist, which seems somewhat incredible. If Jazz Collector had been around 30 years ago, Pres probably would have been as predominant on the lists as Coltrane or Rollins. It shows how tastes change and, as time gets further away from the musician’s primary artistic contributions, people tend to either forget the influence, or diminish it or, perhaps, just move on to other artists. Louis Armstrong

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A Boxed Set, An Autographed LP, a Mega-Rarity

Stan Getz copyDon’t see a lot of Stan Getz records in the higher price ranges, and we’re seeing fewer Norgrans in there as well, so I have my eye on this one: Stan Getz at the Shrine, Norgran 2000. This is a boxed set with two LPs and a beautiful booklet and all of it looks to be in M- condition and original, with the yellow labels on the vinyl. The bidding is in the $240 range and there are more than three days left on the auction.

Here’s another one you’re not going to see too often: An autographed copy of Bill Evans, Portrait in Jazz, Riverside 315. The Bill Evans signature is on the back cover and it is dated from 1974. The record is an original pressing with the deep grooves and blue label and it seems to be in about VG++ condition for the vinyl and VG+ for the record. The auction closes tomorrow and the bidding is in the $150 range with 13 bids and what looks to be eight different bidders. Wouldn’t mind this one myself. Hmm — birthday is coming up.

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What’s Going on With Jazz Vinyl Prices?

anita2 copyI finally got back onto eBay yesterday and I did a search and came up with a bunch of nice Blue Notes, including a nice copy of Sonny Clark, Cool Struttin’, and it was interesting because none of the Blue Notes had any bidders. They all have several days left, so I’m expecting that the action will pick up. The thing that did surprise me was the one record that was getting a lot of action was this one: Anita O’Day Sings Jazz, Norgran 1049. This has the black label so it’s not even an original pressing. There are already 10 bids and the price is more than $150. The record is in M- condition and the cover looks to be VG++. I can’t quite figure out why the strong interest in this record. Norgrans are not particularly hot, and neither are Anita O’Day records. Any theories?

This one closes in six days, but if someone wants to swoop in and grab it, there is a buy it now price of $2,400: Sonny Clark, Cool Struttin’, Blue Note 1588. This looks to be an original pressing listed in Ex condition for both the record and the cover. The start price is $1,400 and so far there are no bidders.

Here’s another nice one with no bids:

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Some “Perfect” Records, And Others

Pres copyHaven’t checked the old Jazz Collector mailbox lately, so let’s see what some of our readers have sent us.

We can always count on our friend CeeDee for something interesting. This one came under the heading: “Prez gets a nice bid.” The link is to Lester Young, Norgran 1022. This was an original yellow label pressing listed in M- condition for the record and VG+ for the beautiful David Stone Martin cover. It sold for $532, quite a nice price for an old Pres Norgran indeed. The other day I was listening to Stardust from the Lester Young and Oscar Peterson record on Norgran. His playing from this period is so sad and melancholy it almost makes me cry.

Jason sent me a link to this listing: Kenny Burrell and John Coltrane, New Jazz 8276. This was a sealed copy, which the seller insisted was an original pressing. How? He felt through the cover and, like braille, read the deep grooves. He also compared the weight to a later pressing and attested that the sealed copy was heavier. Whatever. I’d have been cautious as the seller and, in fact, I would have broken the seal and opened the record. And if it was an original, I would have put it on the turntable, played it, and stuck it where it belongs, right on my shelf within my collection. This one sold for $185.51 and, I have a feeling, may never be opened.

Judd sent me this one and I found it so ridiculous I wasn’t going to post it, but, obviously have relented:

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Yet Another Jazz Vinyl Porpourri

Bud Powell jazz recordHere are updates on some of the jazz records we’ve been watching on eBay, starting with Piano Interpretations by Bud Powell, Norgran 1077. I was watching this because I’m getting the sense that Norgrans are being devalued a bit, but then I realized this was not an original pressing. Oh well. Watching it anyway. This one has the black label, whereas an original would have the yellow label. This one looked to be in VG++ condition for the record and VG+ for the cover. It sold for $79. It does have quite a lovely David Stone Martin cover.

Kenny Dorham and the Jazz Prophets Volume 1, ABC Paramount 122. Is it really necessary to label this is Volume 1, since there was never a Volume 2, 3, 4 or any other number? This one looked to be in VG+ condition for the record and VG+ for the cover. It sold for $364.

Sonny Clark Trio, Blue Note 1579. This is the one

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Catching Up On a Jazz Vinyl Quintet

dolphyLet’s catch up on a few more jazz vinyl auctions we were tracking, including: Eric Dolphy, Out There, New Jazz 8252. This was an original pressing with the purple labels and deep grooves. The record looked to be in VG++ condition and the cover was VG+. The price was $416. I like the covers on this one and Outward Bound. Very cool, and reflective in their way of the music.

This one from the Jazz Record Center wound up selling and fetching a pretty nice price: Lester Young, The President, Norgran 1005. This was an original yellow label pressing in what looked to be M- condition for the cover and the record. The final price was $365.

Here are a few other items from the Jazz Record Center auction:

Tommy Flanagan, The Cats, New Jazz 8217. This was an original purple label deep groove pressing in M- condition for both the cover and the record. It sold for $449.

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Nice Records, No Bids (So Far)

Lester YoungI’m watching the latest auction from the Jazz Record Center and there are some nice items, but not a lot of action. Wondering if a non-Pay-Pal-policy has any impact on the bidding? Here are a few of the items:

We were talking last week about perhaps less of an interest in some of the earlier pre-bop artists and some of the more mainstream labels, such as Norgran. This one is up for bid: Lester Young, The President, Norgran 1005. This is an original yellow label pressing that looks to be in M- condition for the record and at least VG++ or M- for the cover. The start price is $250 and, as yet, there are no bids with about two days left.

We were also talking about white label Riversides, such as Kenny Dorham, Jazz Contrasts, Riverside 239. This is an original white label pressing in what looks to be M- condition for the record and the cover. The start price is $200 and there are no bids.

I always think this one should sell for more:

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eBaying: Jazz Vinyl That Sold, Others That Didn’t

Let’s catch up on some more jazz vinyl auctions we are/were watching, starting with: Cliff Jordan, Blue Note 1565. This was an original pressing listed in M- condition for both the record and the cover. It looked like quite a beauty and, in fact, may still be available. This one received a top bid of $1,525, yet is failed to meet the seller’s reserve price. I know the market is the market and sellers have every right to hold out for top value, but I still find it hard to fathom wanting to pay more than $1,500 for a single record and still being unable to purchase it.

Here’s a fine looking Blue Note for you: J. R. Monterose, Blue Note 1536. This is an original Lexington Avenue pressing that looks to be in M- condition for both the record and the cover. The auction closes in three days and the bidding is in the $565 range. Can’t imagine this will sell for less than $1,000, so the question is how much more than $1,000 will it fetch.

This one isn’t regarded as a collectible anymore (clearly), but I kept an eye on it wondering if anyone would even want it at all:

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Of Yellow and Other Labels

Another day, another batch of jazz records on eBay. Here are a few we’re watching: Lester Young, Pres, Norgran 1072. This is an original yellow label pressing. The record is VG+, the cover is VG and the picture accompanying the picture is dark and now so clear. Surprising to see that the bidding has already reached more than $130 and there have been eight bids. Maybe there’s life in those old Norgrans yet.

This one looks nice: Tina Brooks, True Blue, Note Note 4041. This looks to be an original pressing, with the original cover. The seller describes them in EX+ condition, which strikes me as just a step below M-. The price for this is in the $1,400 range and the bidding closes later today.

I’m assuming this is an original pressing, but perhaps not a first pressing? It’s an odd one: Sonny Clark, Sonny’s Crib, Blue Note 1576. It has the deep grooves and all the markings of an original pressing, but two different labels, both with the West 63rd address. One side has the New York 23 label, the other doesn’t. So what does that make this record? It is listed in M- condition for the record and VG++ or better for the cover. Bidding is in the $180 range and it has yet to meet the seller’s reserve. Normally you’d expect this record in this condition to sell for close to $2,000. But the labels will definitely impact the price, right?

 

 

 

Some More Beautiful Jazz Vinyl

Here’s one I forgot to put on my want list the other day: Lee Morgan Sextet, Blue Note 1541. This one is an original Lexington Avenue pressing listed in VG+ condition for the record and VG++ for the cover. Great crystal clear cover picture that makes the listing quite enticing, don’t you think? This was one of the first Blue Note records I ever purchased, back in the early 1970s, but, of course, in those days the record available in the bins at Sam Goody’s was a reprocessed stereo Liberty pressing. And that’s what I’ve had all of these years. This particular copy will not likely be the replacement: The bidding has already neared $500 and there are are still more than four days left on the auction.

Here’s another beauty from the same era, similar black and white cover with some yellow type: Hank Mobley with Donald Byrd and Lee Morgan, Blue Note 1540. This is also an original Lexington Avenue pressing. This one is in VG++ condition for both the record and the cover. The pricing is now at $1,100 but it hasn’t reached the seller’s reserve price.

Let’s get away from Blue Note for the next couple:

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