Category: Norgran

A Potpourri Of Collectible (And Not) Jazz Vinyl

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Here are some odds and ends we’ve been watching:

Kenny Burrell, Blue Note 1543. This was an original pressing with the Lexington Avenue address, the last of the Lexington Blue Notes. It also has the cover by Andy Warhol. The seller has his own grading system and he labeled the record and cover in the VG++ range, but based on the description of the record and his system, it sounded to me like the record was more like VG and the cover was somewhere between VG and VG+.  It sold for $510.

I’d have thought this would see more action, but it didn’t: Stan Getz, Interpretations, Norgran 1000. This was an original pressing with the deep grooves and yellow label and it was listed in M- condition for the vinyl. The cover looked to be about VG+. The start price for this was $50 and there was only one bid and it sold for $50. Someone got a great record for a nice price.

Here’s another great record often available at a nice price: Sonny Stitt, 37 Minutes and 48 Seconds, Roost 2219. The early Stitt Roost LPS like this and Sonny Stitt and the New Yorkers feature

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Jazz Vinyl on eBay: Mobley, Clark, Trane, Pres, Chet

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Another day, another couple of thousand jazz records on eBay. Here are some of the ones we’re watching:

Hank Mobley, No Room For Squares, Blue Note 4149. This looks to be an original pressing, with the New York USA label and the ear, and it is listed in M- condition for the record and what looks to be VG++ for the cover. You may recall that a recent copy of this record sold for $1,009. I’m sure the seller here, Atomic Records, noticed as well. This one is currently in the $130 range but has yet to meet the seller’s reserve price.

Sonny Clark, Dial S For Sonny, Blue Note 1570. This is an original pressing with the West 63rd label, deep groove, etc., and it is listed in VG+ condition for both the record and the cover. The current price is around $425 and there is still one day left on the auction.

This one doesn’t usually go for a big price, but it is in nice condition and it is a promo copy (it’s also a fantastic record, musically): John Coltrane, Live at Birdland, Impulse 50. This has the white promo label and is listed in M- condition for both the record and the cover. It has one bid, but the price is $198.

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Jazz Vinyl Price Update: No Blue Notes, But Nice LPs

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I’m spending some time this weekend updating the Jazz Collector Price Guide after a brief hiatus and, in going through the updates, I’ll be putting in a few records that are a bit more obscure, either by artist or label, than the normal batch of Blue Notes and Prestiges. Here are a few worth pondering:

Don Sleet, All Members, Jazzland 45. This was an original orange label mono pressing. The record looked to be VG++ and the cover was listed as VG. The price was $94.

Mike Cuozzo with the Costa-Burke Trio, Jubilee 1027. This was an original pressing and the value is certainly aided by the presence of Eddie Costa. It was only in VG condition for the record and the cover and still sold for $108.50.

Bill Perkins, Just Friends, Pacific Jazz 401. This was an original pressing sold by the Jazz Record Center. It was in excellent condition — the words “immaculate” and “exceptional” were used in the description. It also benefitted from the presence of strong sidemen, in this case Art Pepper and Richie Kamuca. The price was $330.55.

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Cool Struttin’ for $2,700; A Pair of Boxed Sets

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Here’s one for the $2,000 bin: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing that looked to be in M- condition and had beautiful pictures and came from a highly reputable seller. It sold for $2,701.99.

I had a couple of boxed sets I was watching. I have mixed feelings about boxed sets: I like the idea of the packaging and the extended liner notes and all of that, but when I actually look through my records to decide what to play, I rarely look through them and rarely play them. I have a bunch of the Mosaics — probably 50 in all — plus some nice Norgrans and Verves. I suppose if I had more time to listen, and more time to concentrate . . . Anyway, I have this record in a boxed set and was watching it on eBay: Stan Getz at the Shrine, Norgran NG 2000-2. This one was in M- condition of the records — two of them — and VG++ for the packaging. It sold for $280.55. This one also has the advantage of

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A Little Clef, A Little Norgran, A Little DSM

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Trying to get off Blue Note a little bit and infuse some variety to our posts. Yesterday we added some Prestige and New Jazz jazz vinyl to the Jazz Collector Price Guide, today let’s look at a few from the Norman Granz pantheon.

This one has a very pretty, simple cover design by David Stone Martin: A Recital By Tal Farlow, Norgran 1030. This was an original pressing with the yellow label and the trumpeter logo. The record was listed in M- condition and the cover was VG++. The price was $122.16.

This one also has a nice Stone Martin Cover: Anita O’Day, Collates, Clef 130. This was a 10-inch LP and it was listed in M- condition for both the vinyl and the cover. The price was a very reasonable $82.

Here’s another nice 10-inch LP:

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Tracking Rare Jazz Vinyl That Didn’t Sell

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Let’s catch up on a few odds and ends in the world of collectible jazz vinyl:

The Blue Notes continue to be getting top dollar, but there seems to be a drop-off in prices in the middle of the market, records that would normally sell in the $30-$150 range. I’ve noticed it with my own sales on eBay and I was talking with Steve at Round Again Records in Providence yesterday and he said he believes the market has fallen off by as much as 40 percent in the past couple of years. I was thinking about that when I looked at some of the records I’ve been watching on eBay that failed to get bids, despite what seemed to be reasonable starting prices. Here are a few:

Kenny Drew and his Progressive Piano, Norgran 1066. This was an original pressing from a reputable seller. The record was in nice condition, M-/VG++ and the cover seemed nice as well with a partial seam split. The start price was $74.99 and there were no bidders. The picture accompanying the listing wasn’t great and perhaps that dampened the enthusiasm.

Ken McIntyre, Looking Ahead, New Jazz 8247. This was an original pressing with the purple labels and the deep grooves. The record and cover were in VG+ condition and the start price was $99.99. This record, which prominently features Eric

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‘Tis Better To Have Bid And Lost . . .

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These records all have one thing in common: I bid on them and lost:

I thought I could sneak this one in because the picture accompanying the listing wasn’t clear and perhaps that would turn people off: Alto Madness,  Prestige 7114. This features John Jenkins and Jackie McLean and I do not own an original copy. It was not getting a lot of action and I threw in a bit of about $130. Not even close. In the end there were 13 bids and the winning bid was $405.

Louis Smith, Smithville, Blue Note 1594. I mentioned this one yesterday and posted the picture. For some reason, this record was not getting much action. With several hours to go before it closed it was in the $100 range. I thought perhaps the listing wasn’t clear as far as the condition and there was something in the listing about price guides and $100. Anyway, there was light action, so I used by BidNip sniping service — if you bid on eBay you really should be using one of this — and put in a bid of about $360. Well it sold for $811, so I wasn’t even in the game.

I tried to sneak this one in at about $20: Frank Rosolino, I Play Trombone, Bethlehem 26. The vinyl was only VG, but it had a nice cover and the seller didn’t mention the presence of Sonny Clark

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Some Top Prices: Getz, Jackie, et al

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Hmm, prices seem on the rise again. Here are some records we’ve been watching this week:

Sonny Clark, Dial S For Sonny, Blue Note 1570. This was the one listed as Sonny Clarke. The record and cover were in VG++ condition and it seemed to be an original pressing. The price was $1,413.

There was also this: Stan Getz Plays, Norgran  1042. This was in M- condition for the vinyl and VG++ for the cover. The seller was Euclid Records. The price was $432. We thought this might be the highest price we’ve ever recorded in the Jazz Collector Price Guide for any Getz record, but, surprise, a copy of this same record in M- condition once sold for more than $700. Still, $432 is a pretty high price for this record. Do you think that our coverage here at Jazz Collector, and the clip we played, had anything to do with the bidding?

This is the highest price we’ve ever recorded for this LP: Jackie McLean, Jackie’s Bag, Blue Note 4051. This one was in M- condition and sold for $702.

This one would have made the $1,000 bin, but it didn’t meet the seller’s reserve price:

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On eBay: Getz, Anita O’Day, Sonny Clark(e)

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Speak of the devil, here’s a copy of Stan Getz Plays, Norgran, 1042, on eBay now courtesy of our friends at Euclid Records. The record is listed in M- condition and the cover is VG++ and the words “beautiful” and “gorgeous” are thrown in as well. The price is around $140 and there are still more than two days to go.

Don’t usually expect to see this one at $100 or more, but this copy is there already: Anita O’Day Sings the Most, Verve 8259. This is an original pressing with the trumpeter logo and it is in M- condition.

If someone is doing a search of Sonny Clark, will this record come up:

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A Short Clip: Jimmy Raney With Stan Getz

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I was thinking about what Bethellodge stated on the earlier post about Jimmy Raney. I set up some new software yesterday making it easier to record from my turntable into the computer, so I’ve been playing with it and decided to try it out here and provide a service to the community as well. The idea was to post something from the Jimmy Raney Ensemble 10-inch LP, pictured here, and I was recording Stella By Starlight when I realized if Bethellodge and others were not aware of Raney, it would also mean that they were probably not aware of one of my very favorite records in the world, which is Stan Getz Plays, Norgran 1042. Raney is pretty much a supporting player on this LP — I think he has just one solo — but Getz is in absolutely top form on this LP and Getz in top form is as good as anyone who ever held a tenor sax. So, from Stan Getz Plays, here is The Way You Look Tonight, with some supporting guitar work by Jimmy Raney in the ensembles. Enjoy.

The Way You Look Tonight

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