A Prestige-eous Day at Jazz Collector

Let’s look at a few from Prestige and related labels today, starting with Hank Mobley, Mobley’s Message, Prestige 7061. This was an original New York yellow label pressing listed as being in “pristine” condition from a reliable seller. The final price was $715.99, which strikes me as quite a bargain for this record in this condition. Or at least as much as any record for $715 can be a bargain. With this personnel — Mobley, McLean, Byrd, Barry Harris, Doug Watkins and Art Taylor — what would this record go for if it was on the Blue Note Label. I think we’d probably be looking in our metaphorical $2,000 bin.

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Sonny Rollins, UK Pressing, Williamsburg Bridge

Back on eBay and here’s another one of those cool UK Esquire covers: Sonny Rollins, Worktime, Esquire 32-038. This is an original UK pressing listed in Ex condition for the record and VG+ for the cover. The bidding is now in the $150 range with more than five days left on the auction. One thing that is striking me now for the first time in examining these UK listings: The seller is listing this as a 1958 pressing. Is that accurate? If so, that would be two years after the original release date in the U.S. Did our friends in the UK really have two wait two years for Worktime and/or other original Prestige recordings? Another thing; while I find the cover to be pretty cool looking, there’s something a bit off about it. I guess the illustration implies getting back to work, but it does look a bit like Sonny is strung out, at least to me, which may not be the most appropriate illustration since, in my recollection, Worktime was recorded just after Sonny reportedly kicked the habit.

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Blue Notes and Monk at 100

Thanks to Daryl and to all the thoughtful, and not so thoughtful (just kidding), commenters on the previous post. Given how sporadically I’ve been posting lately, it’s nice to get some other voices involved. I do have a full complement of jazz records in my eBay watch list, so I will share some of the more interesting items, starting with Lee Morgan, Volume 3, Blue Note 1557. This was an original West 63rd New York 23 pressing that was listed in M- condition for the record and perhaps just a shade below M- for the cover. There were 21 bidders and 37 bids and a final price of $3,629 that jumped from $2,000 in the final seconds. This is not the highest price we’ve seen for this record, according to Popsike, which recorded a copy selling for $4,177 last year. Still, it’s way up there. Brings to mind a note I received from one of our readers last week, linking to a recent article about million-dollar comic books and wondering why, jokingly, the recent Lee Morgan documentary didn’t have a similar impact. Well, we’re not yet in the millions, but our jazz records are definitely on the rise. Plus, we get to listen to what we collect, not just look at it, although looking at it is cool too, as was well discussed in the prior post.

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Four Favorites, For a Price

Back online again and tracking some of my favorite jazz records on eBay, starting with Jackie McLean, McLean’s Scene, New Jazz 8212. This is an original deep groove purple label pressing. The record is listed in VG+ or perhaps better condition and the cover is VG++. The start price is about $200 and so far there are no bidders with more than five days left. This one will get action, right?

Miles Davis, Kind of Blue, Columbia 1355. This is an original white label promotional copy. The record is listed in M- condition and the cover is Ex or Ex+ condition. There are more than four days left on the auction and the bidding is in the $170 range, with 13 bids. Curious to see where this ends up. We were watching a promo Kind of Blue a few weeks ago that had a $600 start price and no bidders — but it also had some condition questions. We have seen promo copies sell for as much as $2,700 in the past, but this one will not get to that level.

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Portait In Jazz Prices

When I’m not posting frequently enough I can always count on our friend CeeDee to gently prod me with a list of auctions he’s been tracking. Now I know how infrequently I’ve been posting, since the latest missive from CeeDee is replete with TEN listings, so let’s look at some of the highlights, starting with Bill Evans, Portrait in Jazz, Riverside 315. This record sold for $767, and CeeDee expresses surprise that a later pressing would attract such a high price. I agree, but I can’t determine from the listing that this is, in fact, a later pressing. The seller describes it as an original U.S. pressing, with an M- record and Ex cover. It isn’t fully clear to me what the pictures entail, since the first picture is described as a stock photo “for illustration purposes only.” Anyway, I’m probably being obtuse today so if anyone (CeeDee?) can clear things up, I would greatly appreciate it.

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Happy Holy Grail Day

Catching up on my watch list after a few days off eBay, starting with Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original West 63rd Street pressing listed in M- condition and Ex for the cover. Looks like there was a three-way bidding war for this LP and it wound up selling for $2,700.

Here’s one for those of you who like to use the term “Holy Grail,” although it is a term I normally avoid, except for a few seconds ago: Jackie McLean, The New Tradition, Ad Lib 6601. This one is listed in Ex condition by the seller and, based on his key, that seems like it would be a very strong VG+ using standard Goldmine grading. This one is already in the $1,360 range with more than a day left on the auction. It will at least join Peckin’ Time in the $2,000 bin and will probably sell for quite a bit more, based on past history with this record.  Read more

Some Jazz Vinyl for Our Files

Just looking at some random items from my watch list, starting with Clifford Brown and Max Roach, Study in Brown, Emarcy 36037. This was described as an original pressing, but clearly it isn’t, with the black writing on the back cover instead of the blue. Also, the cover was graded at M-, but it’s not that either, with both a sticker and writing on the back. So perhaps it was not surprising that the record did not sell at a start price of $300. But it’s back again. I just wanted an excuse to run a picture of the cover. And pose a quick question: I keep all of my Brown and Roach records filed under Brown, and I assume those that file by artist do the same. Does anyone file these under Roach? Drummers, anyone?

This one did sell:

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Covering A Couple of Classics

Let’s catch up with a few more from our watch list, starting with a pair of Newks: Sonny Rollins, Tenor Madness, Esquire 32-058. This was an original U.K. pressing listed in VG+ condition, although there was surface noise mentioned in the description, so there was some risk involved by the buyer. I guess it depends on your tolerance for noise. The cover was listed in Ex- condition. The final price was about $266. Seller describes the cover artwork as much better than the U.S. edition, which is certainly in the eye of the beholder, but I do tend to like the cover art on these U.K. Esquires as well. As for these two covers, I don’t have a strong preference one way or the other, although, if forced to choose, I’d probably opt for the U.K. version. Along the same vein there was:

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Random Musings and Blue Notes

I’m back with a completely random batch of records that are currently for sale on eBay, starting with one of my favorite LPs, Jackie McLean, McLean’s Scene, New Jazz 8212. This is an original purple label deep groove pressing listed in VG+ condition for both the record and the cover. The bidding is in the $160 range with four days left. When I think of my favorite alto players, there’s Bird, of course, then Cannonball, then a small group of a few more who were able to create a distinct sound despite the overwhelming presence and influence of Bird. This relatively short list includes Jackie, Paul Desmond, Phil Woods and just a couple of others such as Ernie Henry, who died so young. Then there are Johnny Hodges, who came before Bird and was certainly distinct and marvelous, and Sonny Stitt, who sounded perhaps the most like Bird but could play his ass off and is almost always a joy to put on the turntable, for me at least. Anyway, just some alto musings off the top of my head on a bright Wednesday morning, inspired by McLean’s Scene.

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Back To Reality: Coltrane Time

I plan on deleting the previous post this weekend, so if you want to comment on it speak now or forever hold your peace. Meanwhile, back to the real world, starting with one of the all time classics: John Coltrane, A Love Supreme, Impulse A-77. This is an original mono pressing that looks to be in perhaps M- condition for the record and VG++ for the cover. It sold for $435. I own both a mono and stereo pressing of A Love Supreme and I’ve never actually sat down and compared the two. Typically, I prefer mono pressings. For those of you out there who care about these things, which version do you find preferable?

Here’s a copy of Coltrane’s first album as a leader: Coltrane/Prestige 7105. This was an original New York yellow label pressing that looked to be in VG+ condition for the record and the cover. It sold for $540.

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