Sorry I haven’t posted in a couple of days. Was stuck in a snowstorm without my computer. It was like being cut off from civilization. Anyway, I’m back and will soon get caught up on all I’ve missed in the Jazz Collector world. In the meantime, one of our readers posts a question for our readers: What is the derivation of the deep groove and the flat edge? Where they technical considerations that were later abandoned as the technology shifted? Were they specific to certain labels and pressing factories? It’s a good question and I’m sure searching deep on Google may provide an answer, but perhaps we can provide a shortcut and fodder for interesting conversation by asking it here. So, to all, whither the deep groove and the flat edge?
Duonri reminded me that I didn’t include this record from Nautiluso in the list: Jackie McLean, The New Tradition, Ad Lib 6601. This was listed in M- condition and wound up selling for $4,036, the highest price we’ve ever recorded for a jazz record on the Jazz Collector Price Guide. So I went back to the original listing in order to record it, and I noticed something I hadn’t noticed before: The seller says this one has the RVG in the deadwax? The question I ask: Is this possible — does an original pressing of The New Tradition have the RVG in the deadwax, or did he just make that up? I would have looked in my own collection for the answer but, unfortunately, I sold my copy of The New Tradition for a mere $400 nearly 20 years ago. Many of you may have heard this story before, but I sold a bunch of my rarest records in one shot so I could buy a boat. Six months later
I was just posting an old Joe Newman RCA album on eBay and came across the following pseudonyms: Phil Ffunque on alto and Jimmy O’Heigho on trombone. Pretty easy to figure out, but I won’t spoil the fun. My favorite is still Buckshot La Funke from Here Comes Louis Smith, Blue Note 1584.
Without looking it up, who are William Huddleston and Theodore C. Cohen?
“Al — I recently picked up two copies of Stan Getz / Interpretations #2 on Norgran. Here’s a question I haven’t been able to answer though. The label on the first lp is printed with a slightly smaller font and reads “Norgran Sales Corp.” at the bottom. The vinyl also feels slightly lighter than the second LP. The second LP reads “Jazz at the Philharmonic, Inc.” at the bottom and the vinyl feels more like slate in terms of weight. Other than that, the LPs are identical. Given the attention collectors give to what a label says, how it’s printed, etc., I was wondering if you or anyone on your site could add to what little info I have in terms of the significance of the variant labels. I also find it odd that such meticulous care is given to detailing the variations among certain labels (i.e. Blue Note), but others like Norgran seem to be ignored. Thanks for your time. — Jason”
So I looked through my collection and found my copy. That’s mine in the picture.
Geraint apologizes in an earlier comment for mentioning another seller’s auction on this site. No reason to apologize — actually, I really appreciate it when you share other listings on Jazz Collector. The whole idea is to create a community where we share information, so please feel free. The only thing I’d prefer not taking place is the out and out bashing of eBay sellers, simply because I don’t want the site to be misused by someone who may have an axe to grind. However, if you spot sellers who are consistently inaccurate or deceptive in their listings, that to me is fair game, focusing on the listings. It’s been gratifying because I’ve been offline for a couple of days and the comments are continuing to roll on even when I’m not putting up new posts myself. Keep it up, everyone, we’re all doing good work.
Just found out the other day that the pianist Eddie Higgins passed away. He and his wife, the singer Meredith d’Ambrosio, were friends of my parents down in Florida. Anyway, the question is this: In 1960 Eddie was a sideman on a date with Lee Morgan. What was the record, what was the label?
The other day we pointed out the Phil Woods 10-inch LP on New Jazz. This is a tough one: Altogether, how many 10-inch LPs were issued on the New Jazz label? For extra credit, you can name as many as possible. If you get desperate, the answer can be found somewhere on the Jazz Collector site.
Someone asked us off-line if the LP Dexter Calling by Dexter Gordon, Blue Note 4083, is known to have pressings with the West 63rd Street label. There is often confusion about some of these titles right on the cusp of when the company moved and changed addresses. I’ve seen sellers on eBay list Sonny Rollins Volume 1, Blue Note 1542, as a West 63rd Street original when I have a Lexington Avenue copy on my shelf. Anyway, on the Dexter Record, the original pressing is New York USA. This question had come up a few years ago and the Blue Note expert Larry Cohn set us straight. The real question is on the Dexter Gordon LP Doin’ Allright, Blue Note 4077. There actually are pressings of this with the West 63rd Street label, but there is no evidence to suggest that these are any earlier than the New York USA pressings. This album was issued at a time when Blue Note was in transition and they simply used both labels while they
We posted that item about Savoy the other day and got the following email from Rich, one of our loyal readers. He poses some questions about Savoy. I figured I’d post the question here, also in the interest of making the results easily searchable. Hopefully this will generate some insight about the Savoy label:
“Did you notice that the Klook’s Clique Savoy from the same seller as the Mobley’s Message 2 just went for a few bucks. I have a good copy. I did not have a chance to bid. Even with a good copy I would have gone to $100 anyway. Read more