get there when the doors officially open at 4 p.m. on Friday and, if you’re really smart, you should hook up with a dealer and get in even earlier to be there when the other dealers arrive. Even if you miss out on the most collectible – i.e., expensive – records, there is always a ton of good jazz vinyl at this show and it is often at reasonable prices, depending upon the dealer. I don’t think I will be getting a table this year – haven’t gotten one yet and I imagine it’s sold out – but I’m not all that prepared. Having moved twice this year, to the city and to The Berkshires, I have many records in storage and I haven’t sorted them out or labeled them yet. Perhaps next year when things settle. Besides, the weekend of the show is also the birthday weekend of the lovely Mrs. JC and there are other celebratory plans in the works.

Tina Brooks True Blue. Which is all a long way of saying that the real way to work these record shows is to get there hours before the show opens and walk around as the dealers are setting up. This works best if you get a table as a dealer and sell some records yourself. I would normally do this, but I had to be out of town on Friday and Saturday. So, by the time I got to the show when it opened on Sunday, I assumed  that the early birds had already scooped up all of the bargains, and there would be nothing worthwhile left for me. And, I was right. There were still some sellers with some nice records, but they had lasted through the weekend because the prices were out of whack. I saw a copy of Charles Rouse, Yeah on Epic for $1,000 and it wasn’t even in M- condition. I saw a lot of other records where the price didn’t match the condition, or the condition didn’t match the price. So I passed.

Among the people I asked about the show, the consensus was that it was pretty much business as usual. There were definitely fewer sellers than in past years, and attendance on Sunday seemed to be down. One seller said the Sunday attendance was the worst he had remembered in four years of attending the show, but Saturday was perhaps the best attendance. There were a lot of jazz records in general at the show: In fact, just about every table had some jazz. But there were only a few tables — perhaps five or six — that had any worthwhile collectibles and by the time I got there they were probably cleaned out of the ones that were realistically priced. Anyway, I would have preferred to have been there on Friday when the dealers were just arriving and unpacking. If anyone was there during that time and would like to share his or her experiences, please feel free to comment on this post. Oh, there were a couple of people interviewing and filming people for a short documentary about vinyl collectors. Who knows if this ever see the light of day, but I was among those they interviewed. I’ll keep you all posted if anything ever comes of that.