Category: Riverside

A Pair for the $2,000 Bin & A Pair of Surprises

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As we mentioned the other day, there has been an overflow of $1,000 records. Here are a few more, including a couple for the $2,000 bin:

Lee Morgan, City Lights, Blue Note 1575. This one was pointed out earlier by one of our readers.  It was in M- condition by a credible seller and it was an original pressing. It sold for $2,655.

Barney Wilen, Tilt, Swing Vogue LDM 30.058. This was an original French pressing. The record ws what we would call VG++ and the cover was M-. This one sold for $2,250.  This one is not new to the $2,000 club: It has previously sold for $2,700 in the Jazz Collector Price Guide.

Sonny Criss, Jazz-USA, Imperial 9006. This was a surprise to see in this category, simply because

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The Incredible Rise of the $1,000 Jazz Record

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The $1,000 bin truly doth runneth over  days. It’s quite an interesting phenomenon.

Paul Chambers, Whims of Chambers, Blue Note 1534. This was an original pressing in VG++ condition for both the record and the cover. A few years ago, I bought a copy of this on eBay in similar condition for about $300. At the time, I thought I was overpaying. A few weeks ago I sold a separate copy on eBay for about $325. It was in nice condition, with a VG+ cover. This was not a record I ever expected to see in the $1,000 bin. This copy sold for $1,313.

Here’s another one I never expected to see sell for more than $1,000: Cannonball Adderley, Somethin’s Else, Blue Note 1595. This is a nice record, but has never been among the higher-priced Blue Notes. The highest price we had previously recorded for this in the Jazz Collector Price Guide was around $400. This copy was in mice M- condition for both the record and the cover. It sold for $1,475.

This one almost entered the $2,000 bin:

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Jazz Collector Honors Sonny With FREE Record

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Okay, if the Kennedy Center won’t honor Sonny Rollins, we will. In honor of Sonny’s recent 79th birthday on Monday, we will be giving away a free copy of one of Sonny’s classic LPs from the 1950s: Sonny Rollins, The Sound of Sonny, Riverside 241. Of course, this is not quite an original pressing: It is an OJC reissue. Still it is a great record, it’s in near mint condition, and it’s available free. As with all of our contests, we have one copy of the record and we will hold a drawing to determine the winner. In order to be eligible all you have to do is comment somewhere on the Jazz Collector site between now and when the contest closes, on September 21. You can comment anywhere — perhaps you want to weigh in on whether you agree with me that Sonny is being short-changed by not receiving a Kennedy Center honor. If you comment on the site between now and September 21 we’ll put you in the running for the contest. It’s as simple as that. By the way, if you want to see a funny out-take from my attempt to photograph the record, read the rest of this article.

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Updates: Thad, Beverly Kenney, Evans, Arte & Billie

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Here’s an update on some of the records we’ve been watching:

The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing. The record was in VG+ condition and the cover was VG++. The price was $336. A second copy of this record also sold in the last couple of days. The seller described the vinyl as VG to VG+ and the cover seemed to be about VG+. The price of that one was $199.99.

Beverly Kenney Sings For Playboys, Decca D8743. The record was in M- condition — probably unplayed, according to the seller — and the cover was VG+. The price was $399.99, the highest price we’ve seen for any Beverley Kenney record in the Jazz Collector Price Guide.

Bill Evans, New Jazz Conceptions, Riverside 223. This was an original pressing with the white label as well as the first cover. The vinyl was in M- condition and the cover was listed as VG+. The price was $709.99.

We had mentioned yesterday the Arte Shaw LP on Clef:

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For the Price Guide: Ray Brown, Zoot, Chet

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Here are a few more records that seem to be bucking the two-tier trend, which may not be a trend at all, come to think of it:

This is Ray Brown, Verve 8290. This was in M- condition for both the record and cover and it was sold by Euclid Records. It was an original mono pressing with the trumpeter label and it sold for $280.55. Curious about this record, since the price is so high and usually the Verves don’t reach these numbers. Anyone have a sense of why this record would fetch such a high price?

Zoot Sims, Zoot, Argo 608. This was an original pressing with the black label. It was in VG++ condition, both the record and the cover. The price was $351.99.

Lester Young, The President, Norgran 1005. This was an original yellow label pressing. The seller listed the condition as “good” for both the record and the cover. He said there were no scuffs or scratches, but “good” is a dangerous label: He could not know what he’s doing, or he could know exactly what he’s doing. In this case, he received a high bid of $261, so the bidding certainly reflected a belief that the record was in at least VG+ condition, if not better.

Chet Baker Sings It Could Happen To You, Riverside 278. This was an original

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All Things Considered, Some Surprising Prices

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Time to catch up with some of the items we’ve been watching this past week. We will do this in a few posts throughout the weekend. We’ll start with some of those items sold by the seller bobdjukic, who’s clearly got something going on that enables him to get wacky prices as well as staggering numbers of page views.

We’ll start with Thelonious Monk, Monk’s Music, Riverside 1102. This was a later stereo pressing, with that gold stereo stamp that many of the Riverside’s carried. Clearly not an original, which was a white label mono. One time on eBay, an original copy sold for more than $3,000. We chronicled it on Jazz Collector and it created quite a stir. See here. In any case that price for a mono was an aberration, just as we feel the price here for a stereo is an aberration. This copy, in M- condition for the record and cover, sold for $413.55. The seller actually wrote this in his listing: “Monstrously rare stereo pressing, many times rarer than the mono.” Yikes.  The other amazing thing about this record: It had more than 1,700 page views in eBay. Yikes again.

Speaking of second pressings, there was the copy of John Coltrane, Giant Steps, Atlantic 1311. This was the one with the bulls-eye label, that was characterized as being of the same provenance as the black label. This record

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Price Updates: Roy & Diz, Tal, Stone Martin, Drew

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Time to catch up on some of the items we were watching earlier in the week. We’ll do another of these catch-ups tomorrow or Monday when some of the high-tagged Blue Notes close.

We don’t often see Dizzy Gillespie among the higher-priced LPs, but here was a nice one that was sold earlier this week by Euclid records: Dizzy Gillespie and Roy Eldridge, Roy & Diz #2. This record was in M- condition, both record an cover, and sold for $145. No doubt helping the value of the LP is the great illustration by David Stone Martin.

Also featuring a David Stone Martin illustration is The Tal Farlow Album, Norgran 1047. This was also sold by Euclid and was also in M- condition. It sold for $83, not bad for a quality record like this in today’s market. Seems that within the Norgran/Clef/Verve pantheon there are still bargains to be found. Also, please take a look at our earlier post on this album Today on eBay: Tal, Drew, Kenny Dorham, True Blue. I had mentioned that my good friend Dan Axelrod was a good friend and protege of Tal, and he shares some personal insight about the album that’s worth reading.

Speaking of Kenny Drew, that copy of The Kenny Drew Trio, Riiverside 224, that

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Today on eBay: Tal, Drew, Kenny Dorham, True Blue

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We had a couple of hours to kill last night, so we did something we used to do every day: Scroll through a full 24 hours worth of jazz records listed on eBay. It was good timing, because we found some nice items for our Jazz Collector readers and one item we plan to bid on for ourselves.

Our friends at Euclid Records have a nice batch closing today, including: Kenny Drew Trio, Riverside 224. This is an original white label pressing and is listed in M- condition for both the record and the cover. The current price is $1,256, so, Kenny Drew, welcome again to the $1,000 bin. Also from Euclid is The Tal Farlow Album, Norgran 1047. This is the 12-inch version with the beautiful cover by David Stone Martin. It is in M- condition for both the record and the cover and is currently in the $60 price range. My friend Dan Axelrod, who was Tal’s good friend and protege, swears that the 10-inch version of this record offers far better sound quality than the 12-inch version. I suppose that’s why he has more than a dozen copies of the 10-inch version. Nonetheless, the 12-inch Tal Farlow Album is quite lovely to listen to and quite collectible and is certainly a worthy addition to any collection.

It always pays to read the eBay listings carefully. Here’s an example why:

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For The Price Guide: Riversides, Blue Notes

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In addition to the Dinah Washington LP mentioned below, we are adding a few more records to the Jazz Collector Price Guide today. At some point, we surpassed more than 4,000 entries in the price guide. We find it quite valuable to use in buying and selling records, and also to help establish values for insurance and estate-planning purposes. We hope you all find it valuable as well. Here are a few more additions:

Kenny Drew Trio, Riverside 224. This was an original white label pressing. The record was in M- condition and the cover was VG++. The price was $898.88.

Here’s another nice Riverside: Zoot Sims, Zoot!, Riverside 228. This was also a white label pressing, in VG+ condition for both the record and cover. It sold for $158.50.

And what would the Price Guide be without Blue Notes. Here are a few new ones:

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Waltz For Debby Hits The $2,000 Bin

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Here’s one I somehow missed: Euclid Records had a sealed copy of Bill Evans, Waltz for Debby, Riverside 9399, which sold recently for $2,034, which is definitely a new high for this particular record. The question I have is this: What does a collector do with a sealed record? If you want to listen to it (presumably) you have to break the seal, and thereby it is no longer a sealed record. So do you just hang on to it and admire it and realize it’s still sealed and find another copy for listening? These are the things we think about here at Jazz Collector.

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