How Many Original Copies of Rare Jazz Vinyl Have Survived (and Other Existential Questions)

Let’s check out the Jazz Collector watch list on eBay, starting with Introducing Lee Morgan, Savoy 12091. This is not an original pressing. It has the maroon label with no deep grooves. I was fooled at first because the label looks red in the pictures, but the seller is very clear about what it is. Also, it’s not an original Savoy cover, with the white frame. It is in nice condition, graded M- for the record and near mint for the cover. The auction closes today and the bidding is in the $400 range. Read more

Explorations in Jazz Vinyl

I had some time a few evenings back to sit down and listen with The Lovely Mrs. JC. With my wife, I know I can’t go wrong with Bill Evans and I put one of my favorites, Explorations, on the turntable. The music was great of course, but there were some ticks and some static in my copy that were just a bit annoying. To me. The Lovely Mrs. JC didn’t care, or didn’t notice. Anyway, my immediate thought was this: I have to get a better copy. But you look on eBay and you’re easily talking $500 or more for a clean copy. I can afford it, but I still have some very old and some would say very dated notions about how much I am willing to pay for a record. Read more

Another Pretty Nice Batch of Sides

As I’ve been perusing eBay since my return from vacation, I’ve been randomly filling my watch list with items to write about for Jazz Collector. And as I’ve been doing that, I am finding that most of the records I’m saving this week have a common seller, which would be Carolina Soul.  I’m a little bit in awe, and a little bit in envy, of the huge collection of Blue Notes, Prestiges and others they have up for auction this week. Not sure if the awe/envy is about the money that will be coming their way in just one week’s worth of auctions, or if it’s the fact that they seem to have a virtually endless supply of interesting/collectible jazz records. Anyway, here are some of the items in my queue, starting with Thad Jones, After Hours With the Prestige All-Stars, Prestige 7118. This one caught my eye because of the cover: I have a copy of this record with the New York yellow label and a different cover. My cover has a generic picture of a city nightscape. This cover, as you see, has a picture of Thad and (I think) Frank Wess. With Prestige it’s challenging to figure out which cover came out first and why they would change it so quickly after the initial release of the record. If I were to guess, I would say the cover I have would be the first cover, but that is just a guess. The reason is that the orange cover has The Prestige All-Starts underlined and that strikes me as an idea that a marketing person would come up with as a way to boost sales by making a slight adjustment to an existing product. In my real job, I spend way too much time talking to marketing people, so I could be completely wrong. Rudolf will know for sure which was first, as will others out there in Jazz Collector World. Anyway, this copy is probably in VG condition for the record and VG+ for the cover. Bidding is in the $125 range, with four days left on the auction. Read more

“A Pretty Nice Batch of Sides”

Let’s turn this one over to our friend Japhy, who sent me the following note under the subject “New Trombone, New High!”

“Heya, Al, just randomly nosing around eBay and noticed a few records, all from the same seller. Not one of the more-known sellers we talk about, but the guy recently sold a pretty nice batch of sides for some hefty sums. Included in those were Curtis Fuller New Trombone, Prestige 7107, which at $1,259 set a new record, and also a Riverside white label Monk Plays Ellington, which, at $1,077, was the third highest ever, according to Popsike. Read more

A Hot and Heavy Threesome

It’s pretty rare for me to come across a rare jazz record on eBay whereby I had never heard of either the artist or the record. Here’s one: The Mike Taylor Quintet, Pendulum, EMI Columbia 6042. This is an original 1966 UK pressing listed in EX+ condition for both the record and the cover. A quick eBay search tells me that I probably should have heard of Mike Taylor because of his association with Cream as a songwriter. But I don’t know his music and his story seems quite tragic: drowning in the River Thames at the age of 30 following years of heavy drug use and homelessness. Anyway, the bidding for this record is pretty hot and heavy, with the price already at $2,100. Read more

Still Here, Still Watching That Jazz Vinyl

Whew, it’s been a long time  between posts. Sorry about that. All is well, but there’s been a lot going on here. I’m even back in New York City for a bit. Set up a new turntable here and brought some records back to the apartment, mostly duplicates. Haven’t been following eBay closely, but I should be back in regular action, such as it is, starting today. So, let’s look at some of the jazz records and auctions we’ve missed along the way, starting with Hank Mobley Sextet, Blue Note 1560. This was an original West 63rd Street pressing with the deep grooves, ear, etc. The record and cover both looked to be in M- condition. The final price was $3,036.23. Read more

Thelonious, Duke, Phil and Buckshot

Let’s get back to the mundane business of watching prices of rare jazz vinyl soar on eBay, shall we. Let’s start with Thelonious Monk Plays the Music of Duke Ellington, Riverside 12-201. This is the original pressing of the first record in the 200 series of Riverside. It is an original white label pressing with the original cover, featuring photos of Monk, Oscar Pettiford and Kenny Clarke. The record looks to be in nice condition, although the description is pretty vague for a seller who does not offer returns. Cover also looks pretty nice, based on the pictures. The bidding starts at about $750 and so far there is no action, with the auction closing in about two days. I would love to own an original copy of this record and I came close about 20 years ago for what at the time was a reasonable price. I was at the Jazz Record Center in New York and had a copy in my hand in very nice condition and the price was $100. I thought long and hard, asked Fred what he thought and he said it was a bargain at that price, but I guess I didn’t have the money, or the balls, at the time, so I left it behind. Came back a few days later to get it, but it was gone. Read more

As the Records Turn

Time to catch up on some rare jazz vinyl we’ve been watching on eBay, starting with Phil Woods Septet, Pairing Off, Prestige 7046. This was an original New York Yellow label pressing that looked to be in M- condition for both the record and the cover. When we wrote about the record last week at Jazz Collector, the bidding was in the $300 range. The record sold for $1,225. According to Popsikethat’s the highest price we’ve seen for that record. I’ve been saying that so often lately, I’m beginning to sound like (fill in the blank, I’m too embarrassed to write it). Anyway, this one was sold by the Jazz Record Center and here are some additional items from the same auction: Read more

Jazz Vinyl From Europe, U.S., and a Wish List

Another day, another batch of rare jazz vinyl from eBay. Let’s start in Europe with Barney Wilen, Tilt, Swing LDM 30.058. This looks to be an original pressing in VG++ condition for the record and the cover. The bidding is in the $300 range and there are four days left on the auction. This has been a high-end collectible since I began watching eBay many years ago and has sold for more than $1,000 several times, including a high of $2,700, according to Popsike. I’ve never owned this record, nor have I heard the music. In fact, if it weren’t for eBay, I probably wouldn’t know about it. I’ve always been impressed whenever I’ve listened to Wilen, so I imagine it is collectible not just because it is rare, but because the music is also first rate. Oui? Read more

Another Visit to A Record Store, Pandemic Edition

One of the things I have missed during the pandemic has been going to record stores. I love going to record stores. It’s a life-long habit, and pleasure, one which I have never wanted to give up, even in the dark days of the recent past when vinyl was an endangered species and brick-and-mortar record stores seemed to be going the way of the 8-track. Even then, I would regularly visit the surviving stores and always buy something, it seemed, because, fundamentally, I like buying records. Anyway, I couldn’t remember the last time I physically walked into a record store, even though there are several decent, recently opened stores in a reasonable driving distance from my home in The Berkshires, where The Lovely Mrs. JC and I have permanently relocated since the pandemic began. I decided this was an itch that just had to be scratched and the other day I grabbed my son’s dog, Gordon, who is visiting for a few weeks, and got in the car and took a ride over to Catskill, New York, a little more than an hour away, to visit my favorite of the record stores in the area, Spike’s Record Rack, of which I have written several times in the past. Spike and I have gotten to be quite friendly during our brief interactions, so I sent him a heads-up in advance that I would be making a visit. Read more

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