When last I left you, these were some of the jazz records I was watching on eBay:
Wes Montgomery, Full House, Riverside 434. This was a mono pressing with the white labels, which I assume is a promo pressing. There don’t seem to be deep grooves, but I’m not sure if that has anything to do with whether this is a first pressing. The record was in VG++ condition and the cover was VG+, with some wear on the cover. It sold for $310.
Curtis Fuller, Bone and Bari, Blue Note 1572. This was an original West 63rd Street pressing with the deep grooves. It was listed in M- condition for the record and VG+ for the cover. The bidding reached $855, but it did not surpass the reserve price set by our friend Serge.
These two also did not sell, but they have since been re-listed at the same price, and are still not getting any action:
Let’s update some of the records we were watching on eBay, starting with: Tadd Dameron and John Coltrane, Mating Call, Prestige 7070. This was an original New York yellow label pressing. The record was listed in M- condition and the cover was just a shade below, probably VG++. The record sold for $393. I listened to this recently and had forgotten just how good it is. It was released before Coltrane’s first record as a leader on Prestige, but his playing is much more confident and assured than on the earlier Miles record or even the contemporaneous jam session records such as John Coltrane, Hank Mobley, Al Cohn, Zoot Sims, Tenor Conclave, Prestige 7074, which was sold by the same seller in the same lot. This one was in M- condition for both the record and the cover. It sold for $420.
So what are some of the rare jazz records we are watching on eBay as we head into what promises to be a lovely weekend as autumn sets in here in the Northeast region of the U.S. of A.? Let’s start with a little Monk: Thelonious Monk, At the Blackhawk, Riverside 323. This looks to be an original pressing with several unique characteristics. For one, it ostensibly comes from the collection of the jazz pianist Frank Strazzeri, who passed away a few months ago. More importantly, the record contains an autograph by Monk, signed on a separate piece of paper and attached to the record by scotch tape. Given the provenance you would think it would be perfectly legitimate, but not being an autograph expert, I leave that to others to debate and discuss. Don Lucky, are you out there? This one has two punch holes on the cover, and the vinyl is listed in VG++ condition by Atomic Records, which, in my experience, is one of the more reputable sellers on eBay. The current price is in the $400 range and there are more than two days left on the auction.
Speaking of Monk, there is:
Here’s one I’ve never seen before: Bobby Jaspar All Stars Band, Modern Jazz at Club Saint Germain, Barclay 84023. This looks to be an original French pressing that was apparently owned by Bobby Jaspar who, unfortunately seemed not to take such great care of it. The cover looks pretty beat up, I’d say VG-, but the seller lists the cover as VG+ and also lists the record as VG+, so you’d have to be a little skeptical, I guess. The start price is $300 and so far there are no bidders. I imagine the record is quite rare, in that I’ve never seen in in 40-plus years of scouring record shelves all over the U.S. and other parts of the world.
Someone please explain this one to me: Clifford Brown Memorial Album, Blue Note 1526. This is a New York USA pressing, with a West 61st Street address on the cover. In other words, nothing about this record is close to an original first pressing and, at best, the vinyl was issued, when, in the early 1960s? Not to mention the vinyl is in VG condition. The cover is VG+. Somehow, there have been four bids on this record and the price is close to $200. Explanations please?
Our friends at Euclid Records seem to have made a nice discovery/score:
Found a little time this morning to peruse eBay and these are some of the items I noticed, starting with Kenny Burrell and John Coltrane, New Jazz 8276. This is listed as an original purple label pressing, but I’m not so sure. I zoomed in on those labels and they didn’t look to me like they had deep grooves. One of our regular readers asked me about this record the other day, so here it is if you want to take a chance. I’d be a little careful. The record is probably VG++ and the cover either VG+ or VG++. The start price is in the $150 range and so far there are no bidders. Perhaps I’m not the only one looking for deep grooves. One other question: To those of you who own this record and organize their records alphabetically, where do you put this one: Under Burrell or Coltrane? I used to keep it under Coltrane, but it would get lost among all of the other Prestiges, so now I keep it under Burrell and I actually notice it. Lovely record too.
Catching up on a few remnant items on my watch list, then will plow forward with some records that are on auction this week, which is also the week of the WFMU Record Fair, which is where I will be on Friday and Friday only.
Bill Evans, Waltz for Debby, Riverside 399. This was an original white-label promo copy listed in VG+ condition for both the record and the cover. The seller’s description made it seem as if he undergraded the condition, but, as a bidder, I would trust the actual grade over the description. So, if you trust the grading, the VG+ promo copy of Waltz for Debby was a $1,025 record.
Duke Pearson, Profile, Blue Note 4022. This looked to be an original pressing with the West 63rd address, deep grooves, ears, Van Gelder. The record and the cover both appeared to be in VG++ condition. The final price was $366. Given what we’ve seen in the market lately, does that seem a little low.
Here’s another Blue Note of the same time frame:
Here are updates on some of the jazz records we’ve been watching on eBay, starting with Piano Interpretations by Bud Powell, Norgran 1077. I was watching this because I’m getting the sense that Norgrans are being devalued a bit, but then I realized this was not an original pressing. Oh well. Watching it anyway. This one has the black label, whereas an original would have the yellow label. This one looked to be in VG++ condition for the record and VG+ for the cover. It sold for $79. It does have quite a lovely David Stone Martin cover.
Kenny Dorham and the Jazz Prophets Volume 1, ABC Paramount 122. Is it really necessary to label this is Volume 1, since there was never a Volume 2, 3, 4 or any other number? This one looked to be in VG+ condition for the record and VG+ for the cover. It sold for $364.
Sonny Clark Trio, Blue Note 1579. This is the one
Here are some of the jazz records we are watching on eBay as we enter a new week at Jazz Collector, starting with Bill Evans, New Jazz Conceptions, Riverside 223. This is an original pressing with the first cover and the white labels. The seller has his own grading system. Based on what he says, I would guess that the vinyl is in VG++ condition and the cover is VG or VG+ with cutout holes through the center of the cover and the label. Not an attractive feature, as we all know. This one closes later today and the bidding is in the $340 range. We may have discussed this already here, but does anyone out there know why Riverside changed the cover so early on this one, as well as on the Thelonious Monk Plays Ellington album? Both went from covers with very cool pictures to less appealing (IMHO) illustrations.
Art Blakey Quintet, A Night At Birdland Volume 1, Blue Note 5037. This is an original 10-inch pressing listed in excellent condition for the record and the cover. The buyer says “search your life you won’t find a nicer copy.” Fortunately, I just have to search my shelves for one. I also Read more
Here’s some jazz vinyl we’re watching on eBay, starting with Roland Kirk, Triple Threat, King 539. This looks to be an original pressing listed in Ex condition for the record, which I’m taking to mean maybe VG+, and VG++ condition for the cover. It’s a rare record, but I’m getting pretty tired of the term Holy Grail, aren’t you? Anyway this grail, holy or not, has an starting price of about $1,000 and there are no takers so far. I’m a big fan of Kirk, and I don’t own this LP, but at $1,000 it doesn’t even come up on my radar.
Wes Montgomery, Full House, Riverside 434. This is a promo pressing with the white label. I can’t tell from either the pictures or the description whether it is an original pressing, but there is definitely a lot of action on the record so perhaps it is. The record and cover are probably in VG++ condition. The bidding is in the $340 range and the auction closes later today.
This seller can use a lesson in photo management:
I’m preparing to update the Jazz Collector Price Guide so I’m going through my watch list and catching up on some items I may have missed, starting with: The Unique Thelonious Monk, Riverside 209. This was described as an original white label pressing in VG+ condition for the record and VG+ for the cover. The listing was quite weird in that there were no pictures of the actual record or cover. Instead, there was a canned picture that looked as if it came off the Internet. No harm, at least to the seller. This one wound up selling for $531. That’s the highest price we’ve ever seen for that record in the Jazz Collector Price Guide. Maybe it pays to not post pictures, huh?
Art Blakey, A Night at Birdland Volume 1, Blue Note 1521. This was an original Lexington Avenue pressing. The record was probably in VG+ condition and the cover was M-. This one sold for $510.