Sixties and Seventies Avant-garde, Duke Jordan, and more on eBay


Well, I guess that the ‘repurposed’ copy of Peckin’ Time that vinyl-house-uk were auctioning was cancelled before things got too out of control, but I suppose that as a seller they have raised a few red flags.

On to more pleasant matters and some of the records that Al and I have been (or are) watching:

First up is a fine Duke Jordan ten-inch on Swing that our friend bullsite2000 had up on the block. Though we’ve seen a copy go recently for nearly $3,000 this one, which was graded M- for the record and about a VG++ for the sleeve, went for ‘only’ just shy of $1,700 (I say ‘only’ because it was actually a better-presented auction). Still a lot of change for a record… the music has been issued on CD (which is what I have) and is quite nice, with Gene Ramey on bass and Lee Abrams on drums.

The same Italian seller also had a number of other nice ten-inch and twelve-inch LPs in the same auction, most of which did pretty well. I’m still surprised at the traction on Oliver Nelson’s Straight Ahead (NJ 8255) in recent months. This copy went for over $400 in M-/M- condition; as I commented at one point, not being overly bowled over by the session I let it go for around $60 (VG+/VG+) several years ago at a friend’s store where I consigned records. Someone was probably pretty happy. It’s gone for nearly $1,000 in the recent past, though perhaps (hopefully?) that was an irregularity.

And in the active category:

Here’s British trumpeter Henry Lowther and his rare Deram LP Child Song. I have the music on CD but would be excited to own the record (ran into a water-damaged copy years ago for cheap, but just couldn’t handle the cover issues). This copy looks to be in nice VG++ condition all around, but will probably end up north of $300. Not bad when one considers what original Blue Note and Prestige LPs go for, but still a commitment. The same seller also has some other really nice-looking 60s and 70s jazz LPs for sale.

Our friend in Brooklyn, nobbyknucks, has a similarly solid (and big) list of 60s and 70s jazz on offer as well. I actually like this LP on Strata-East that bassist Bill Lee put together, though it’s routinely fairly pricey. The vinyl grades at about a VG+ and M- for the sleeve, and with five days to go is already selling for $200 (which is in the ballpark for a clean copy these days).

And how about this classic? When you think about it, $300 for Sonny (Sunny) Murray’s first LP as a leader, with a band featuring Albert Ayler, Don Cherry, Henry Grimes and Lewis Worrell, and released on LeRoi Jones’ (Amiri Baraka’s) own label Jihad, isn’t a bad deal. Most copies I’ve encountered are in pretty rough shape, but the copy for sale here looks nice – about a VG++ all around. The version I have in the racks is a Japanese pressing (with the 7″) but it sure would be nice to have a clean original. The music is sublimely heavy.

Happy bidding, and happier listening!

An Introduction and A Few Things I’ve Been Watching

Nation Time

Greetings – some of you may know me from the comment threads on a number of Al’s posts over the last couple of years; I’ll be stepping in with an attempt to fill the large JC shoes in Al’s absence in a couple of weeks. Before he takes a much-needed vacation, however, I thought it would make sense to introduce myself a little bit.

My name is Clifford Allen and I am a jazz collector, though perhaps of a slightly different ilk than what generally gets discussed on these pages. While certainly Blue Notes, Prestiges and other less well-known labels in their original form are of interest, my main collecting area has long been in the realm of “free jazz” (which, if the prices on eBay are any indication, is far from “free”). I am also very into European jazz and a host of European pressings of perhaps more common or well-known modern jazz records and artists (the Esquires would be one example).

Since the early 2000s I’ve been writing reviews and conducting interviews with musicians – these have appeared in All About Jazz, the New York City Jazz Record, Signal to Noise, Paris Transatlantic, Point of Departure, Tiny Mix Tapes, Bagatellen, One Final Note, Burning Ambulance, and my own occasionally-updated (sadly, a bit less than I’d like this past year) blog, Ni Kantu.

Anyway, here are a few things I’ve been watching:

Amid the nice stack of records that Fred over at Jazz Record Center was selling, there was a beautiful-looking copy of saxophonist Joe McPhee’s second LP, Nation Time, released privately by CjR Records. This was a first pressing (there’s a second with a yellow label) in M- condition for both the record and the cover. I’ve seen these do more damage, but this copy still went for $480. Considering the fact that other titles on the label don’t go for nearly as much, and this one does appear from time to time, I’m still on the hunt for an inexpensive clean copy (hype sticker a bonus – one can dream). Perhaps the funky aspects of “Shakey Jake” bring it into the higher-priced realm? It looks like a couple other copies have gone for similar amounts recently, so it may take a while to pass through my hands.

From our friend over in Italy, bullsite2000, who tends to get very high prices for some uncommon jazz records in clean condition, there was this one: guitarist/bassist Franco Cerri and the International Jazz Meeting, an original Italian Columbia pressing from 1961 with the flipback sleeve and flat rim. Rare enough that condition was secondary, the LP was probably VG although playback might’ve been a bit better, while the cover was listed as VG+. No matter the presence of autographs (which is a little weird for such an obscure album), which I’d say would downgrade the jacket, it otherwise looked pretty bright. It still went for $800, though I’ve seen M- copies top $2,000. The appearance of such cultish European jazz figures as pianist George Gruntz and saxophonists Barney Wilen and Flavio Ambrosetti certainly don’t hurt matters.

The same seller also did fairly well on this avant-garde album, which I’ve always found intriguing as much in concept as in presentation: Nommo, a privately-issued LP from drummer Milford Graves and pianist Don Pullen, on their SRP imprint from 1966. I actually do have a copy in my collection, and it’s a nice record. This is the second volume of recordings taken from a concert at Yale University – the first volume came with a heavy-stock cover that was hand-painted by Graves himself, and features Pullen on electric piano in parts. Very heavy stuff. For Nommo, our Italian friend was able to get about $375 for a copy in M- condition for the vinyl and a similar grade for the cover, although I might be a little nervous shelling out with that sticker stain.

At any rate, happy bidding and I’ll be back with a few more from the JC underground.

What is On Your Turntable? Here’s What’s on Mine

Jazz copyI’m back from a brief respite. Went to an old mining town in southwestern Colorado called Creede, where my son directed a wonderful production of Our Town. A theater in an old mining town? Indeed. The story is that when the mining business began declining, town leaders put out a call for help asking for ideas on how to keep the town alive and attract residents year-round. A group of theater students from the University of Kansas decided to open a theater there. That was 50 years ago and the theater is still alive and kicking. They had done a production of Our Town back in their first season and had Michael come and do a new production this year.

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3 Blue Notes, 3 For the $1,000 bin

OK, let’s start out with some of the jazz vinyl auctions we’ve been watching, starting with: Sonny Clark, Sonny’s Crib, Blue Note 1576. This was the one that had the New York 23 label on one side and the plain West 63rd label on the other side. The record was M- and the cover looked close to M-. The top bid was $1,457. But, alas, the record did not sell. It failed to meet the seller’s reserve price.

This one came close to the same price and did sell: J. R. Monterose, Blue Note 1536. This was an original Lexington Avenue pressing listed as M- for the record and VG+ for the cover. The price was $1,399.

Here’s another Blue Note that got a big price: Horace Parlan, Us Three, Blue Note 4037. This was an original pressing listed in M- condition for both the record and the cover. It sold for $1,880.55.




Dave Brubeck, 1920-2012

In case you’re just seeing the news, Dave Brubeck passed away earlier today. Are there any Brubeck records that qualify as real collectibles, say more than $100 in value? In looking at my shelves, I probably have more records by Brubeck than any other artist. Between Fantasy, Columbia, Atlantic and Concord, he had an incredibly prolific recording career. Nice that he was able to achieve the Kennedy Center Honors a couple of years ago while he could still appreciate it.

Guest Column: Collecting Jazz 45s

A couple of weeks ago friend of Jazz Collector Erich Schultz asked why we never wrote about  collecting jazz 45s here at Jazz Collector. We said that we didn’t collect them ourselves, we didn’t know of any collectors and no one had ever even asked. We also invited him to write a post on the joys of collecting jazz 45s and, voila, here it is. Erich, it’s all yours:

Collecting Jazz 45 RPM Records, by Erich Schultz

Although I have a large library of jazz 10” and 12” 33 RPM records, I also have over 1,000 jazz 45 RPM records as well. I starting collecting these 45’s about five years ago, and I have picked up most of them in the Los Angeles area when I visit my two children (I live in the San Francisco Bay Area.) I also get them sometimes through bulk sales on ebay. My reasons for collecting them include: Read more

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