Dizzy Gillespie and Stan Getz, Diz and Getz, Verve 8141. This was an original pressing with the trumpeter logo. The record was in M- condition and the cover was VG+, although it seemed to have original shrink wrap. The start price was $29.95. There were no bidders. Really? When I started collecting this would have been a nice commodity, hard to find, great artists, great collectible label. And it’s got quite a nice cover to boot. Now it’s not worth thirty bucks? Wow. How about Stan Getz and Chet Baker, Stan Meets Chet, Verve 8263. This one says “trumpet logo” in the headline, but there’s no picture of the label so I actually have to wonder if it is original. The record was listed in VG++ condition, close to M-, and the cover was VG+. The price was $57.

Sal Salvador, Frivolous Sal, Bethlehem 59. This was an original pressing in VG+ condition for both the record and the cover. It sold for $75 and, frankly, I didn’t think it would get that much. Is there really still interest in Sal Salvador? Probably not. But there is interest, deservedly so, for Eddie Costa, and he’s a sideman on this LP. I would think Costa’s presence is the bigger interest here.

Oliver Nelson, The Blues and the Abstract Truth, Impulse A-5. Interesting that the seller listed it as a Bill Evans album. I guess there’s some logic, if you don’t really know the album. Evans is listed first on the cover. It’s not alphabetical — it looks like a graphic decision: The names are listed in ascending order in size, smallest to largest, so they stack like a pyramid. Anyway, this was VG+ for the record and cover and it sold for $140.50.

I didn’t realize this was a $200 record: Dorothy Ashby, Afro-Harping, Cadet 809. This was still sealed, had 12 bids and sold for $200 on the nose. Can’t recall that I’ve ever seen a Cadet record get that kind of price. Do collectors really want/value this record so much more than Diz and Getz? Guess so. Never been that big a fan of the jazz harp myself.

Chet Baker Quartet, Jazz at Ann Arbor, Pacific Jazz 1203. This was an original pressing with a Chet Baker autograph on the cover, signed and dated from 1973. The record looked to be in M- condition and the cover was probably VG+. The price was $461.

There were several LPs autographed by Miles Davis in the auction, including: Miles Davis, In Person, Saturday Night at the Blackhawk, Columbia 8470. This was an original stereo pressing with the six-eye logo and it was in M- condition all around: In fact, it was described as being in “amazing” condition. It was signed on the back by Miles in red ink. It sold for $566. Also, Miles Davis, Bags Groove, Prestige 7109. This was a later pressing with the blue labels. This one was signed not just by Miles, but by Sonny Rollins as well. It looked to be in VG++ or M- condition and it sold for $195.50. If I had this cover, I’d get rid of the blue-label record and replace it with one with yellow labels, even a New Jersey yellow label. It would just feel better to look at the cover knowing there was a yellow-label pressing inside. Just part of my own insanity, I guess.

Bill Evans, Trio 65, Verve 8613. We mentioned this one last week: A second pressing signed by Evans and Chuck Israels. It definitely caught by eye, and the eyes of others as well. This one was in M- condition and sold for $365.

From the same auction is an Autographed Letter From Charles Mingus on the stationery of Debut Records. It is to a fan/customer who was complaining about a specific pressing in his recording from the Cafe Bohemia. A rare, very cool find indeed. This one is priced starting at $500 and there is already one bidder.

Johnny Griffin, A Blowing Session, Blue Note 1559. This was an original pressing in VG condition for the record and VG+ for the cover. It sold for $415. These original Blue Notes are so coveted and hard to get that $415 for a VG seems like a reasonable expectation. I bet is sounds nice too. Although this one failed to sell at all: Sonny Rollins, Newk’s Time, Blue Note 4001. The record was listed in VG condition and the cover VG+. The start price was $400, but there was no action.

Horace Silver, Six Pieces of Silver, Blue Note 1539. This one has the West 63rd Street address which makes it a second pressing, or at least not a first pressing. The record is in VG++ condition and the cover is VG. What makes it interesting is that it is signed by Horace Silver. What’s that worth? We’ll see. So far there are no bidders with a start price around $200.

Here’s a reason to read auctions carefully: Ben Webster Soulville, Verve 8274. This is advertised as an original pressing when it clearly is not. This has the MGM label while an original has the trumpeter label. Nonetheless there is a bid of about $80 on this records. The seller has minimal feedback. Not a good way to get started on eBay.

This one is closing today: Jackie McLean, Makin’ the Changes, New Jazz 8231. This is an original pressing but not in great shape. The record looks to be VG or VG+ (probably VG — when the seller can’t decide, it’s always best to go with the lower rating). The cover is probably VG+. The price is now in the $140 range.

Cannonball Adderley Quintet in Chicago, Mercury 60134. This was an original stereo pressing in M- condition for the record and the cover. It sold for $410. I’m not going to comment on the prices of the records I’m listing here. They tend to speak for themselves, no?

John Coltrane, Giant Steps, Atlantic 1311. This was not an original pressing. It was a fairly common mono pressing with the red and purple labels and the white fan logo. The record was in M- condition and the cover was VG++. It sold for $142.50.

Stan Getz and Joao Gilberto, Getz/Gilberto, Verve 8545. This was an original stereo pressing. The record and cover were probably in M- condition. The price was $361.

John Coltrane, Ballads, Impulse 32. This was an original orange label pressing. The record was in M- condition and the cover was VG++. The price was $410. Our previous high price for this in the Jazz Collector Price Guide was $205.

Joe Henderson, Mode For Joe, Blue Note 4227. This was a Liberty pressing. Liberty Pressing. It was in M- condition for the record and VG++ for the cover. It sold for $154.02.

Enough for now. Here are a couple of other auctions we were watching.

We started watching this when there were about two hours to go on the auction and there were no bids at a start price of about $100: Donald Byrd, Byrd’s Word, Savoy 12032. This was an original pressing with the blood red label and heavy vinyl. It looked to be in VG++ condition all around and sold for $125.55. We thought it would get more play. Perhaps if it were offered by a different seller and labeled as insanely rare . . .

Abbey Lincoln With the Riverside Jazz Stars, Riverside 251. This was a stereo pressing with the black label. Haven’t seen it like this in stereo before with the word “stereo” prominently displayed over the title. This one looked to be in M- condition for the record and the cover. It sold for $128.70.

Art Tatum/Ben Webster Quartet, Verve 8220. This is an original pressing with the trumpeter logo. The record was in M- condition and the cover was VG++. There were four bidders, 15 bids and the ultimate price was $290. My sense is most of the readers here at Jazz Collector tend to prefer post-bop era jazz — I generally do as well — but this is one of those must-have records, in my opinion, that always sounds beautiful and fresh when you put it on the turntable.

Haven’t seen this one sell for such a high price before: Sheila Jordan, Portrait of Sheila, Blue Note 9002. This was described as an original U.S. pressing in “superb” condition. It sold for $405. Our previous high for this record in the Jazz Collector Price Guide was just $123, so that’s quite a leap. Great record, though.

Here’s a perennial for the ever-more-crowded $1,000 bin:

Lee Morgan, Candy, Blue Note 1590. The record was VG+ and the cover was VG+ as well. The price was $1,343.

And, for the record (pun intended), let’s close the book on this one: Joe Henderson, Page One, Blue Note 4140. This was an original pressing in M- condition for the record and the cover. As several readers have noted, this one seems to have set a new price standard for Blue Notes of this era. It sold for $2,000. Whew.