eBay on A Summer’s Day

I can’t believe it’s July 1 already. I’m definitely in summer mode. I took two days off and haven’t posted since Monday. I think that will happen fairly routinely this summer so keep checking the site to see if we’re up that day and what gems we might find for you on eBay. We’re following the market just as closely and we’ll make sure to keep the Price Guide and Latest Prices up to date regardless of whether we post new entries on the site each day. I hope this makes sense on at least some level.

 

In any case, we’re up on the web today and here are some of the items we’ve been watching on eBay.  We start off with a nice collectible from the rare Imperial label:

 

Sonny Criss, Go Man!,  Imperial 920. This was an original pressing in M- condition. It sold for $650. Read more

Original Pressings, Reasonable Prices

Back from the weekend, so it’s time to catch up on eBay. Here are some of the records we were watching.

 Donald Byrd Sextet, Transition 5. This was an original pressing in what seemed to be M-/VG++ condition. The LP had the booklet and sold for $300.

Eric Dolphy at the Five Spot, Volume 1, New Jazz 8260. This was an original pressing with the purple label. The seller listed it in M-/M- condition, although there seemed to be ringwear on the cover, based on the photo. Still the price was $278.99. Read more

What’s A Signed LP By Frank Sinatra Worth?

Here are the results of some of the items we were watching yesterday on eBay:

 

Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing of this very rare record. The dealer uses different terminology than we use for grading, but it seems like the record was what we would call VG++ and the cover was VG+. Price: $798

 

Lee Morgan, Candy, Blue Note 1590. This was an original pressing from the same dealer as the Jackie McLean record. This was in VG++/VG++ condition. It sold for $713. We expected this to go for a higher price. In our Price Guide Read more

What is Soul in Jazz?

Quote of the Day:

      “What is soul in jazz? It’s what comes from within: It’s what happens when the inner part of you comes out. It’s the part of playing you can’t get out of the books and studies.  In my case, I believe that what I heard and felt in the music of my church was the most powerful influence on my musical career. Everyone wants to know where I got that funky style. Well, it came from the church. The music I heard there was open, relaxed, impromptu – soul music.” — Milt Jackson, from the liner notes to the LP Plenty, Plenty Soul, Atlantic 1269, liner notes by Nat Hentoff.

 

One of the criticisms of the Modern Jazz Quartet was that the structure of the band held back the playing of the brilliant vibist Milt Jackson. This was Jackson’s response when he was asked if, indeed, being in the MJQ held him down:

            “No, not actually. It may not sound or look like it when you’re listening out front because it’s all so well planned, but I still get to play more or less what I want to play. I’m relaxed. I’ve always been able to adjust myself to a situation. When I first joined the MIQ, there were times when I looked at the planning as a handicap, but now I’ve come to look on it as an asset. In terms of the business, and musically too. Discipline can be a good thing and having been under discipline can be a help when you do let loose.” — Source: Liner notes to the LP Milt Jackson, Plenty, Plenty Soul, Atlantic 1269. Liner notes by Nat Hentoff.

 

 “Lester was a one or two take man. He’d say, ‘I can’t do anything better than that,’ and usually that was it. His statements were emotional ones and when they were done, they were done.”

            Norman Granz on Lester Young. Liner notes from the album The Lester Young Story, Verve MG V-8308, 1960. Liner notes by Nat Hentoff.

Signed LPs By Phil Woods, Tal Farlow

Today we’ll spend a little time watching eBay.

Here are some of the interesting items from the past couple of days. I especially like the LPs autographed by Woods and Farlow, not just because of the signatures, which are cool, but also because the records seem to be in nice condition.

 Phil Woods, Warm Woods, Epic 3436, in M- condition and autographed by Woods. Price: $395

 Tal Farlow, Fascinatin’ Rhythm, Verve 8011, in M- condition and autographed by Tal. Price: $149.95

 Here’s another interesting guitar collectible. I know there are stories out there about Dick Garcia, so maybe one of our guitar collectors can help us out. We have a Guitar Corner section in the Forums section of the Website, but so far the traffic’s been pretty light. Read more

Mingus, Big Maybelle and Other Points of Interest

We all appreciate knowledgeable dealers who understand what they’re selling and can provide us with insight about the collectibles market. Here’s an example: I was recently looking through eBay and saw a Charles Mingus record I had never seen before. The title is “Music Written For Monterey, 1965. Not Heard … Played In Its Entirety at UCLA,” East Coasting 12.001.

 The dealer offering this LP was Stereojacks, which I happen to know through my many travels to Boston.  Stereojacks is based in Cambridge and is one of the more reputable and knowledgeable dealers in the country. This is their explanation of the record: Read more

Our First Newsletter, May 9, 2004

Welcome to Jazz Collector. If you’re receiving this, then you’ve been selected for a free subscription to our daily email newsletter. For more information come to our web site at jazzcollector.com. Otherwise, please read on. Woke up in a generous mood this morning, so I delved into the collection and came up with an item to give away to a lucky subscriber.  Here it is: Gene Ammons, Live! In Chicago, Prestige 7495. This is an original 

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