This week’s theme is a random playlist from the Blue Note label. Featured artists include Art Blakey, Art Taylor, John Coltrane, Horace Silver, Sonny Rollins, Sheila Jordan, Hank Mobley, Louis Smith, Cannonball Adderley, Miles Davis, Donald Byrd and, of course, many, many more.
Let’s catch up on some items we’ve been watching on eBay, starting with Tommy Flanagan Overseas, Prestige 7134.This was an original New York yellow label. The record was listed in VG+ condition and the cover was VG. The final price was $1,610. Hank Mobley Quintet, Blue Note 1550. This looked to be an original promo copy with the New York 23 label. The record was listed in VG+ condition and the cover was listed as VG, but the pictures tell a different story for the cover. VG minus would be a stretch. Despite the cover, the record sold for $969. Read more
Back to the watchlist grind, starting with Donald Byrd, Byrd in Flight, Blue Note 4048. This looks to be an original mono pressing with the deep grooves, ear, Van Gelder, etc. The record is listed in Ex condition and the cover is VG. The start price is about $900 with eight days left on the auction. According to Popsike, there have been about 10 instances of this record in the $1,000 bin. We’ll see what happens with this VG cover. Another Blue Note: Fred Jackson, Hootin’ ‘N Tootin’, Blue Note 4094. This looks to be an original New York USA pressing, despite what the listing says. The record is listed as VG and the cover as VG+. The start price is $700 and so far there are no bidders, with the auction closing next week. High expectations for both sellers, IMHO, but we’ll see. Read more
My usual searches on eBay this week are coming up relatively bare. Just a quiet week, I suppose. We can start with a couple of Prestiges: Booker Ervin, The Song Book, Prestige 7318. This is a personal favorite of mine, Booker playing all standards and playing them quite well. This is an original yellow label pressing. The record and cover are both listed in VG+ condition. The start price is $200, the auction closes in seven days, and so far there are no bids. You can buy it now for $260. This record has sold for more than $300 several times in the past, although I would presume in better condition. This is another Prestige, sort of: Cattin’ With John Coltrane and Paul Quinichette, Esquire 32-101. This looks to be an original U.K. pressing, probably in VG+ condition for the record and the cover. More than three days left on the auction and so far no bids at about $180. Read more
I went a few weeks back to clean out my eBay watch list and found a few items to share before moving forward. Here are some high-end items from the seller 1molecularrman, starting with Webster Young, For Lady, Prestige 7106. This was an original New York yellow label listed in VG++ condition for both the record and the cover. The final price was $2,175. I didn’t recall ever seeing a higher price for this record, but I don’t watch eBay every day the way I used to. Checking with Popsike . . . . yes, this is the highest price ever recorded for For Lady. Read more
I appreciate all of the advice on what to do with my collection, how much it’s worth, who will buy it, etcetera, etcetera. One of these days, something will happen, but I don’t know when and I can’t imagine I’ll go the Lennib route, at least for as long as I can put Coltrane on the turntable and know that it’s Coltrane that I’ve put on the turntable. In any case, I am watching jazz vinyl with renewed interest and ready to do my normal work here of writing about what I’m watching and, on occasion, writing about what I’m listening to and, on rarer and rarer occasions, what I’m buying. So, let’s start with Red Rodney, Signal 1206. This looks to be an original pressing, listed in VG+ condition for the record and VG- for the cover. Quite a rhythm section on this record with Tommy Flanagan, Oscar Pettiford and Philly Joe Jones. Question: Can anyone think of another record with that rhythm section. Off the top of my head, I can’t. So we have the record VG+ and the cover VG- and a final price of $1,324. Hmm. Read more
As I’ve been perusing eBay since my return from vacation, I’ve been randomly filling my watch list with items to write about for Jazz Collector. And as I’ve been doing that, I am finding that most of the records I’m saving this week have a common seller, which would be Carolina Soul. I’m a little bit in awe, and a little bit in envy, of the huge collection of Blue Notes, Prestiges and others they have up for auction this week. Not sure if the awe/envy is about the money that will be coming their way in just one week’s worth of auctions, or if it’s the fact that they seem to have a virtually endless supply of interesting/collectible jazz records. Anyway, here are some of the items in my queue, starting with Thad Jones, After Hours With the Prestige All-Stars, Prestige 7118. This one caught my eye because of the cover: I have a copy of this record with the New York yellow label and a different cover. My cover has a generic picture of a city nightscape. This cover, as you see, has a picture of Thad and (I think) Frank Wess. With Prestige it’s challenging to figure out which cover came out first and why they would change it so quickly after the initial release of the record. If I were to guess, I would say the cover I have would be the first cover, but that is just a guess. The reason is that the orange cover has The Prestige All-Starts underlined and that strikes me as an idea that a marketing person would come up with as a way to boost sales by making a slight adjustment to an existing product. In my real job, I spend way too much time talking to marketing people, so I could be completely wrong. Rudolf will know for sure which was first, as will others out there in Jazz Collector World. Anyway, this copy is probably in VG condition for the record and VG+ for the cover. Bidding is in the $125 range, with four days left on the auction. Read more
I’m back watching eBay and it’s really hard not to return to the Blue Notes, particularly in light of the discussion on the previous post, but let’s resist the temptation and start with one from a few weeks ago: Booker Ervin Quintet, Cookin’, Savoy 12154. Someone, I think it was Gregory the Fish, mentioned that the bottom may be collapsing on some of the non-Blue Note, non-Prestige pressings from the ‘50s. I don’t doubt that it may be happening, as GTF is far more active in the market than I am these days. However, I must say I’m not seeing it from some of the records I’ve been watching on eBay and this is one of them. It was a second pressing with the maroon label. The seller identifies it as a second pressing. The record was in M- condition and the cover was VG+. The final price was $788.99. I’ve had a copy of this record for years, also with the maroon label, and I used to wonder if, perhaps, maroon was the original label, since I had never seen a red label in person. But, eBay has cleared that up and, indeed, if you have a red label of Cookin’, you have an original.
Today we will get back to the normal business of watching and commenting on jazz vinyl for sale and we will also pose some reader questions and comments. Let’s start with Ornette Coleman, The Shape of Jazz To Come, Atlantic 1317. This is a deep groove pressing, unplayed, still with its original loose sleeve. The start price is around $200 and the auction closes today with no bidders. This record caught my eye because in my other room just down the hall I have a copy of this record still with its original seal unopened. Oh, yes, and the record happened to be owned by Ornette himself. Oh, yes, and it is part of a collection that I recently purchased and am looking to sell in toto. Intrigued? I will be providing more details soon, because, as always, there was an adventure and a story that goes with it. In the meantime, if anyone is interested you know where to find me, alatjazzcollectordotcom. Read more
Let’s clear out some of the jazz vinyl we’ve been tracking on our eBay watch list, starting with a few from the Jazz Record Center auction that ended earlier this week, including Curtis Fuller, Bone and Bari, Blue Note 1572. This was an original West 63rd Street pressing that looked to be in M- (or close) condition for both the record and the cover. The final price was $1,136. I thought that might be approaching a high point for this record, but it’s not even close. According to Popsike, the top price for this record was $2,550, and there have been at least four other copies that have sold for more than $1,500. It is possible to think that the buyer got a “bargain” at $1,136?
