This one comes to us via Clifford, with the comment “Basra into the big boy bin” followed by the pithy commentary “OOF!” Pete LaRoca, Basra, Blue Note 4205. This was an original New York USA mono pressing listed in M- condition for the record. As for the cover, the seller grades it as Ex. From the pictures it is no better than VG+ and probably on the low end of the VG+ scale at best. The final price was $1,575. Prior to this year, the top price for Basra was $820. But this is the second copy this year to sell for more than $1,000, following a $1,350 sale in February, according to Popsike. OOF! Indeed. Read more
Tag: Bill Evans
Jazz Collector In Box: Time Traveling in Jazz
Time to catch up with the old Jazz Collector in box. My friend Dan sends me cool pictures that he finds somewhere on the internet. This one came in the other day from March 20, 1963, the opportunity to see John Coltrane in New Orleans for an admission charge of $2. Ah, if we could go back in time. What would be your first choice? Bird on 52nd Street; Sonny, Max and Clifford; Blakey with Horace Silver and Clifford Brown; Blakey with Wayne Shorter and Freddie Hubbard; Lester with Basie; Billie Holiday; Miles with Trane, Bill Evans and Cannonball; Evans and LaFaro; Monk with Newk or Trane? Those would be some of my choices, off the top of my head, and certainly Coltrane with McCoy, Garrison and Elvin in 1963 would be somewhere near the top of the list. If I had to choose one, it would be easy: Bird. Read more
Jazz Vinyl From Europe, U.S., and a Wish List
Another day, another batch of rare jazz vinyl from eBay. Let’s start in Europe with Barney Wilen, Tilt, Swing LDM 30.058. This looks to be an original pressing in VG++ condition for the record and the cover. The bidding is in the $300 range and there are four days left on the auction. This has been a high-end collectible since I began watching eBay many years ago and has sold for more than $1,000 several times, including a high of $2,700, according to Popsike. I’ve never owned this record, nor have I heard the music. In fact, if it weren’t for eBay, I probably wouldn’t know about it. I’ve always been impressed whenever I’ve listened to Wilen, so I imagine it is collectible not just because it is rare, but because the music is also first rate. Oui? Read more
For Lady, For Lee . . . and Irving?
More random jazz vinyl from recent eBay auctions starting with Webster Young and Paul Quinichette, For Lady, Esquire 32-084. This an original UK pressing of Prestige 7106. To me, this was always a Webster Young record, but the cover here has it as the Young/Quinichette Sextet. Great record and the UK cover is quite interesting, as always, and so much different than the American cover, which is really kind of weird when you look closely at it. The record was listed in excellent condition and the cover was very good. The final price was $194.25. I haven’t listened to my copy in a while, but I think it will be among the next set of records that will make it to my turntable. Read more
Collectible Jazz Vinyl and Not Vinyl
Yeah, that Bill Evans New Jazz Conceptions LP with the original cover sold for $1,725, as someone pointed out in comments. With a VG cover and VG record. I guess not even a global pandemic can halt the market for original jazz collectibles. A few more from the same seller: Gil Melle, Patterns in Jazz, Blue Note 1517. This was an original Lexington Avenue pressing in VG MINUS condition with a VG cover. Despite the condition it sold for $910. Curtis Fuller, Bone & Bari, Blue Note 1572. This was an original West 63rd Street pressing in VG MINUS condition for the record and VG for the cover. It sold for $706. Read more
Vinyl Classics From Riverside and Prestige
Let’s look at the Jazz Collector watchlist on eBay for an update, starting with Bill Evans, New Jazz Conceptions, Riverside 223. This is an original white label pressing. The record is in VG condition and the cover is also VG. The bidding is in the $294 range with two days left on the auction. As of now there have been 12 bidders and 46 bids. Such a great cover – you wonder what Riverside was thinking when they replace it for the second pressing. The seller for this one is Carolina Soul, which often has nice jazz vinyl on eBay, this week being no exception. Here’s one more: Curtis Fuller, New Trombone, Prestige 7107. This is an original yellow label pressing with the New York address. The record is in VG+ condition and the cover is VG. The bidding is in the $60 range with two days left. The seller mentions a “slight storage warp,” on both of these records, so that may be effecting the bidding, particularly on the Fuller. But , looking closer at the Fuller, the real gating factor is probably the huge writing in black marker on the back cover. When I first started buying jazz records, it was always about the music, but when I became a “collector” my values changed, perhaps not for the better, and the condition of the cover became almost-but-not-quite-as-important as the music. I imagine I am not the only one here was a similar experience. Read more
What Sides Are On Your Turntables?
What’s everyone listening to in isolation? I can tell you what I’m doing. First off, I’m listening to my records more frequently than I have in a while. I guess being locked down with nowhere to go can be inspirational in that sense. I frequently go to records that I’ve loved but haven’t listened to in a while, or at least records that I haven’t listened to mindfully. Records, versus CDs or streams or anything digital, have sides. l still put on my “go to” sides for a lot of the records, listen to that side, and then move on to another record. Even with the infamous Shades of Redd my temptation was to just listen to Side One, which was my original preference. But, after all of the hoopla I made through the years about finding that record, I would have felt guilty not listening carefully to both sides and was pleased to have done so. Side Two is awesome, the equal of Side One. Read more
Will There Be A New Normal in Jazz Collecting?
I haven’t really been on eBay since the pandemic started and I’m wondering: Could this be a seminal event for jazz collecting? With the world economy in collapse, will people still care about whether their copy of Sonny’s Crib has a New York 23 label or not? And, assuming some will care, will enough collectors care enough to keep laying out the big bucks for original copies, thus extending the rising market for certain collectibles that we have witnessed since we started writing this blog back in 2003? The other thing I’m wondering: Will collectors continue to trust shipments from overseas, wherever they live? If you are in England, say, will you have faith that a package from New York won’t be carrying the Covid-19 virus across the Atlantic? It may sound crazy, but crazy things are happening. I go food shopping, come home and The Lovely Mrs. JC wipes down every package with disinfectant and then asks me to strip before I take a step into the house. You’ve seen my picture in the last post: It is not my body she is after. Read more
More Adventures, More Obsessions
Sorry, I need to complete the story. Given that it was an online auction and many of the bidders probably never saw the condition of the records, I was pretty surprised at some of the prices. For example, Waltz for Debby sold for more than $1,000. Bill Evans Trio Sunday at the Village Vanguard seemed to sell for more than $500, if I recall. Kenny Drew 10-inch Blue Note was more than $300. When I went to pick up my records I asked Kendra, the woman responsible for the auction, if the buyers for those records had visited the house and seen them on site. Nope, she said. They were bidding based just on the pictures from the auction. Very brave, I thought, but having seen the records myself, I figured the buyers would be pleased. The one record I would thought I could steal, the Art Farmer Quintet Featuring Gigi Gryce, Prestige 7017, just eluded me. Read more
Another Adventure in Jazz Collecting, 10-inch Edition
After buying, curating and eventually selling the Ornette Collection from Dee, I felt myself gripped in that very old, very familiar, somewhat obsessive feeling of wanting more. Not necessarily more records because, Lord knows, I have enough records. No, it was all about wanting more action. So, I reached out to my friend here in The Berkshires who is planning to sell his collection at some point, but he said he isn’t quite ready yet to part with them. Then, out of the blue, another friend up here sent me a note with a link to an online auction of jazz records that was being conducted locally. The site was something called Caring Transitions, so I clicked the link and this is one of the pictures I saw:
April is Jazz Month
