Watching Some Nice 10-Inch Jazz Vinyl

Today we shall catch up on that 10-inch auction from the Jazz Record Center that closed yesterday. All in all, considering that the market is relatively soft, I thought these records fetched a pretty good price.

Lou Donaldson and Clifford Brown, New Faces, New Sounds, Blue Note 5030. Look at that beautiful cover. The record was M- and the cover seemed somewhere between VG++ and M-. It sold for $522.88.

Jutta Hipp, Jutta, Blue Note 5056. This one looked to be in beautiful condition, M- for the record and the cover. It sold for $720.

Lou Donaldson Sextet, Volume 2, Blue Note 5055. This was an original, original first pressing, based on the listings on the back cover of other Blue Note 10-inch LPs, and it was in M- condition all around. The price was $385.

Here’s a non-Blue Note that got a nice price: Billie Holiday Sings, Mercury 118. This was an original pressing with a beautiful cover illustration by David Stone Martin. One of his very best, I’d say. This one was in beautiful condition, M- for the record and the cover. It sold for $260.

 

Jazz Vinyl on eBay: Evans The Sideman, Lady Day

We were talking last week about albums featuring Bill Evans as a sideman. Well here’s one of the very early ones, for sale now on eBay: Lucy Reed, The Singing Reed, Fantasy 3-212. This looks to be an original pressing. The record looks to be in VG++ condition and the cover looks more like VG. The listing doesn’t mention the presence of Evans as a sideman, which would certainly attract bidders: However, the start price of $150 is pretty high, which might be a deterrent. We’ll see if it sells.

As Rudolf notes in the Reader Forum, there are a bunch of records now from the seller bobdjukic, who has been noted here at Jazz Collector many times for his hyperbole and his ability to get people to bid astronomical prices for his records. Here’s one that I have always assumed was a pretty routine record, but after reading his description even I begin to wonder:

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Rare Jazz Rediscovered and Donated

CeeDee beat me to it, but there’s an interesting article in today’s New York Times: Great Jazz, Long Unheard, Is Rediscovered. It is the story of an audio engineer named William Savory, who recorded live radio broadcasts in the late 1930s. What is particularly compelling is that he used 12-inch and 16-inch disks and even used the 33-1/3 RPM format so he could record extended performances and solos that were much longer than the standard three minutes or so that were captured at the time on  a 78. The music has been donated to the National Jazz Museum in Harlem and presumably will make its way to the public, although there are questions raised in the article about copyright and ownership. Among some of the performances mentioned are a live version of Billie Holiday singing “Strange Fruit” and a six-minute Coleman Hawkins solo on “Body and Soul” It’s worth a read. The article includes audio clips.

Adventures in Jazz Collecting: Red Carraro, Part 1

There was a time, before the Internet and eBay, when jazz record dealers would amass hundreds of collectible records and compile them in lists and send those lists all over the world so that collectors could bid on them, blindly, hoping they would make the top bid and receive a shipment of rare jazz vinyl several weeks later. One of the leading and last practitioners of this fading art was a gentleman, and I use that word purposefully, by the name of William Carraro, known to all as “Red.” I am sad to report that Red passed away in his sleep yesterday morning.

I will tell you more about Red in a subsequent post, but first let me tell you the story of the first time I met Red. It was back in the early 1970s and I had just started collecting jazz records. I was 19 years old. My good friend from childhood Dan Axelrod had also begun collecting jazz records at the same time and Dan was far more obsessive about it than I was, so he was always finding scores before me. He’d call from Philadelphia or Miami, out of breath, describing beautiful Blue Notes

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A Little Clef, A Little Norgran, A Little DSM

Trying to get off Blue Note a little bit and infuse some variety to our posts. Yesterday we added some Prestige and New Jazz jazz vinyl to the Jazz Collector Price Guide, today let’s look at a few from the Norman Granz pantheon.

This one has a very pretty, simple cover design by David Stone Martin: A Recital By Tal Farlow, Norgran 1030. This was an original pressing with the yellow label and the trumpeter logo. The record was listed in M- condition and the cover was VG++. The price was $122.16.

This one also has a nice Stone Martin Cover: Anita O’Day, Collates, Clef 130. This was a 10-inch LP and it was listed in M- condition for both the vinyl and the cover. The price was a very reasonable $82.

Here’s another nice 10-inch LP:

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Sealed Giant Steps? $2,025? Huh?

I know this is going to give some of you a heart attack: That sealed copy of Giant Steps of unknown provenance sold for $2,025.55. What happens with something like that? Does the buyer even open it? If he does, what if it’s just a standard red and green label? What happens? I think it’s amazing that this seller is able to get these prices for some of his offerings. But I do wonder if there’s an alternate reality going on that we’re not aware of, like whether there is one set of buyers that are completely rapt by his marketing wizardry and only bid on his stuff and are not bidding on any other records. Here are a couple of other auctions we were watching from him: Louis Armstrong at the Crescendo Volume 2, Decca 8169. This is a pretty routine record that you could probably find pretty regularly for $10 or $20 at a weekend record show. This one sold for $103.50. How about: Billie Holiday, Lady in Satin, Columbia 8048? This was a 6-eye stereo pressing. Nothing special, right? This one sold for $157.55. As I was copying the picture of Giant Steps, I took another look at the listing. Someone asked about the label and this was the seller’s reply:

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Billie Holiday At Carnegie Hall: The Winner Is . . . .

Time to give away the Billie Holiday record: The Essential Billie Holiday Carnegie Hall Concert, Verve 8410. This is an original pressing with the MGM label and the gatefold cover. It’s an interesting piece in that it intersects Billie’s singing with a narrative from her autobiography Lady Sings The Blues. The goal with this give-away, as with all of our give-aways, has been to encourage people to comment on the Jazz Collector site. The good news is that the tactic seems to be working: Since we began this particular contest we’ve had 22 separate people posting comments on the site, which is our high mark for a two-week period. So thank you to everyone for contributing. OK, rather than list everyone’s name — you know who you are — we will just delve into

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Win A Free Record: Billie Holiday at Carnegie Hall

Okay, it is time for our next Jazz Collector free collectible give-away contest. We always try to find interesting items for you, and this time we are offering up this: The Essential Billie Holiday Carnegie Hall Concert, Verve 8410. This is an original pressing with the MGM label and the gatefold cover. The record is in nice condition, although there are some marks at the end of side two. It’s an interesting record in that it was recorded in 1956 and issued here in 1961 as part of Verve’s Essentials series, which were tributes to jazz greats on the Verve labels, several of whom, unfortunately, had died. These included Lester Young and Charlie Parker. This LP was recorded live at Carnegie Hall as part of a concert in which Holiday sang and in which she also  had several sections of her autobiography, Lady Sings The Blues, read aloud to highlight various aspects of her life and to

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Updates: Thad, Beverly Kenney, Evans, Arte & Billie

Here’s an update on some of the records we’ve been watching:

The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing. The record was in VG+ condition and the cover was VG++. The price was $336. A second copy of this record also sold in the last couple of days. The seller described the vinyl as VG to VG+ and the cover seemed to be about VG+. The price of that one was $199.99.

Beverly Kenney Sings For Playboys, Decca D8743. The record was in M- condition — probably unplayed, according to the seller — and the cover was VG+. The price was $399.99, the highest price we’ve seen for any Beverley Kenney record in the Jazz Collector Price Guide.

Bill Evans, New Jazz Conceptions, Riverside 223. This was an original pressing with the white label as well as the first cover. The vinyl was in M- condition and the cover was listed as VG+. The price was $709.99.

We had mentioned yesterday the Arte Shaw LP on Clef:

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For the Price Guide: Chambers, Nichols, Criss, Trane

Time again to catch up on adding some new items to the Jazz Collector Price Guide. Here are a few of the records we’ll be adding. 

Paul Chambers, Whims of Chambers, Blue Note 1569. This was an original pressing with the West 63rd Street address. The record was VG++ and the cover was VG+. The price was $660.

John Coltrane, Lush Life, Prestige 7188. This was an original pressing with the yellow label and New Jersey address. It was in M- condition, both record and cover. The price was $274.99

Yusef Lateef, Prayer to the East, Savoy 12117. This was a second pressing with the maroon label. The record was M- and the cover was VG++. It sold for $255. This is the second time we’ve seen a maroon pressing of this sell for well more than $100. Is there something about this record we don’t know?

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For the Price Guide: Sonny Clark, Dizzy Reece, Monk

Since we work during the week, we often use the weekend to update the Jazz Collector Price Guide. Here are a few of the items will be adding after we complete this post:

Sonny Clark, Sonny’s Crib, Blue Note 1576. This as an original West 63rd Street pressing. The record was VG++ and so was the cover. The price was $747.

Art Pepper Meets the Rhythm Section, Contemporary 3532. This was an original yellow label mono pressing. The record was VG++ and the cover was VG+. Price: $240.50

Hank Mobley, Workout, Blue Note 4080. This was a mono pressing with the New York USA label. The record and cover were M- and the price was $335.

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More on the Great eBay Debate

Jazz Collector Newsletter, June 2002

 

We have some positive changes coming at Jazz Collector. We’re updating the Jazzcollector.com Web site and starting Monday we’ll be posting new items each weekday. Plus, we’ll be giving away free collectibles from the site periodically. Finally, we’re going to post more articles and commentaries from readers and increase activity on the site’s Forum. The hope is to create a hub for the Jazz Collector community, so please use the site and offer up any suggestions. The site upgrade won’t affect the newsletter, which will still come out once a month. We have more than 800 subscribers now and the roster keeps growing. Obviously, jazz vinyl is alive and well.

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Some Interesting 10-Inch LPs

So this is what my life has come to: It’s 4 o’clock in the morning and I am sitting in front of my computer entering record prices into a database. The things we do for love. Or obsession. Sometimes I have trouble telling the two apart.

 

Anyway, here are some of the items I’ve been watching on eBay the past few days:

 

Billie Holiday, At Jazz At The Philharmonic, Clef 169. This is a 10-inch LP with a beautiful cover by David Stone Martin. This copy was in M-/M- condition and sold for $610. This is a higher price than I’ve seen this record sell for in the past and I’m wondering if there’s anything about this record, aside from the condition, that drove the price up. There’s one Billie record that supposedly had an illustration by Andy Warhol, but I don’t think this is the one. Does anyone out there want to speculate on an answer?

 

The dealer selling the Billie Holiday LP had a batch of other nice 10-inch records as well. He had a mint copy of Bird and Diz, Clef 512 that sold for $200. I would have loved it, but I’ve just been spending too much money lately. Maybe some other time. The other ones that caught my eye were:

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The Tal Farlow Album, Autographed

For those of you keeping score at home, here are some of the items we’ve been watching on eBay:

 

Tal Farlow, The Tal Farlow Album, Norgran 1047. This is an autographed copy in M-/M- condition. Price: $249.95.  This was one of those records I planned to bid on but figured the price would go too high because of the condition of the LP and the presence of the autograph. The first bid was $249.95 and I expected it to go way up from there. But nobody else bid, including me.

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Billie Record, Warhol Cover

More eBay watching today. Here are some of the items and dealers we’re keeping an eye on for you:

 Billie Holiday at Jazz At the Philharmonic, Clef 169. This is a 10-inch LP with the beautiful illustration on the cover that is either by David Stone Martin or Andy Warhol. We looked in our price guide for earlier mint copies of this LP and it sold twice recently, for $610 and $325. This copy is also near mint and was only in the $70 range as we posted this.

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Filling in Some Blanks

As we go through records preparing to sell them on eBay, we always seem to find a few that fail to list the accompanying musicians. When this happens, we go through our source material to try to fill in the blanks. Among the resources we use most often are The Jazz Discography by Tom Lord, which we have on CD-ROM; various Internet sites, such as The All Music Guide; plus several discographies we have in our collection, including those for Blue Note, Savoy, Prestige, Verve, Clef and Norgran.

Whenever we find this information we will post it on the Website. So here are some of our recent findings:

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Mingus, Big Maybelle and Other Points of Interest

We all appreciate knowledgeable dealers who understand what they’re selling and can provide us with insight about the collectibles market. Here’s an example: I was recently looking through eBay and saw a Charles Mingus record I had never seen before. The title is “Music Written For Monterey, 1965. Not Heard … Played In Its Entirety at UCLA,” East Coasting 12.001.

 The dealer offering this LP was Stereojacks, which I happen to know through my many travels to Boston.  Stereojacks is based in Cambridge and is one of the more reputable and knowledgeable dealers in the country. This is their explanation of the record:

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