Setting Some New Highs For Jazz Vinyl Prices
Mar 29, 2012 Blue Note, Impulse, Riverside, Verve
Many of the jazz vinyl auctions we’ve been watching on eBay have ended, so here’s a bit of a summary, starting with some of the final prices on the recent auction from the seller bobdjukic:
Cannonball Adderley Quintet in Chicago, Mercury 60134. This was an original stereo pressing in M- condition for the record and the cover. It sold for $410. I’m not going to comment on the prices of the records I’m listing here. They tend to speak for themselves, no?
John Coltrane, Giant Steps, Atlantic 1311. This was not an original pressing. It was a fairly common mono pressing with the red and purple labels and the white fan logo. The record was in M- condition and the cover was VG++. It sold for $142.50.
Stan Getz and Joao Gilberto, Getz/Gilberto, Verve 8545. This was an original stereo pressing. The record and cover were probably in M- condition. The price was $361.
John Coltrane, Ballads, Impulse 32. This was an original orange label pressing. The record was in M- condition and the cover was VG++. The price was $410. Our previous high price for this in the Jazz Collector Price Guide was $205.
Joe Henderson, Mode For Joe, Blue Note 4227. This was a Liberty pressing. Liberty Pressing. It was in M- condition for the record and VG++ for the cover. It sold for $154.02.
Tags: Abbey Lincoln, Cannonball Adderley, Donald Byrd, Giant Steps, Joao Gilberto, Joe Henderson, John Coltrane, Stan Getz
Fairly Common LPs, Uncommon Prices
Mar 27, 2012 Jazz Vinyl, Jazz Vinyl on eBay, Verve
Many of you in the Jazz Collector audience complain about the seller bobjdukic, but you have to give the guy credit – whatever he does, he is able to get prices that no one else can dream of. I’m watching several of his auctions now and am pretty amazed at where the bidding is going. He must have regular customers who trust him and are well satisfied with what he delivers. Here are a few cases in point: Stan Getz, Getz. Gilberto, Verve 8545. Was there a more popular, more widely produced jazz album in the 1960s? Could you waltz into any record store now (if you can find one) and find a copy of this record in reasonable condition? This one has 11 bids and is currently priced at $219 with more than a day to go. Miles Davis, “Four and More,” Columbia 2453. Again, this is a great record, but not all that uncommon. This one has been bid up to more than $100. Cannonball Adderley Quintet in Chicago, Mercury 60134. This is a stereo pressing. Again a great record, but not that hard to find, even in nice condition. This one has been bid up to $178.50.
Tags: Cannonball Adderley, Jazz Vinyl, Joao Gilberto, Miles Davis, Stan Getz
Updating the $1,000 Jazz Vinyl Bin
Feb 3, 2012 $1000 Records, Blue Note
Here are some nice additions to the $1,000 bind of the Jazz Collector Price Guide:
This is part of that nice batch of British Tempo LPs: Jimmy Deuchar, Pal Jimmy, Tempo TAP 20. This one was in VG+ condition for both the record and the cover. It sold for $1,802.77. Frankly, I’ve never heard of Jimmy Deuchar, but I imagine it is the presence of Tubby Hayes that defines the real value of this record. There’s a nice picture on the cover with Tubby looking . . . well . . . just a little bit tubby.
Hank Mobley Quintet, Blue Note 1550. This was an almost original — NY 23 just on side 2? — and was in M- condition, part of the beautiful batch of records recently sold by Jazz 5060/Music Matters. It sold for $1,691.55.
Cannonball Adderley, Somethin’ Else, Blue Note 1595. This looked to be an original pressing in M- condition for the record and probably VG++ condition for the cover. It sold for $1,136.11.
Tags: Cannonball Adderley, Hank Mobley, Jimmy Deuchar, Tempo Records, Tubby Hayes
Watching Jazz Vinyl Prices on The Rise
Jan 25, 2012 Prestige, Riverside
Been away from eBay for a few days. Here’s some of the jazz vinyl we missed:
Hmm, this one doesn’t normally get the Jazz Collector prices, particularly the stereo version: Jimmy Heath, The Thumper, Riverside 1160. This was the original black label stereo version. The record was in M- condition and the cover was probably VG++. It sold for $163.50 but there were only two bidders, which raises a bit of an alert with me. This one was from the same seller: Cannonball Adderley Quintet at the Lighthouse, Riverside 344. This was an original deep groove mono pressing. The record and cover were in M- condition and, again, there were two bidders. The top bid was $88.
There were still a few more we were watching from the jazz5060/Music Matters auction, including a few that went for quite high prices, compared to what they normally fetch. For example:
Tags: Booker Ervin, Cannonball Adderley, Eric Dolphy, Jimmy Heath, Mal Waldron
Into the $1,000 Bin, Including Rare Autographs
Nov 22, 2011 $1000 Records, Autographs, Blue Note, Prestige
We’ve been away, now we are back, and we see that we’ve missed some pretty heavy-duty sales on eBay for some pretty heavy-duty dollars.Let’s catch up.
I think we predicted these two would sell for more than $2,000 and they did: Hank Mobley Quintet, Blue Note 1550. This was an original pressing in M- condition for both the record and the cover. It sold for $2,350. From the same seller was Kenny Dorham, Quiet Kenny, New Jazz 8225. This was also in M- condition for the record and the cover. The price: $2,075.
How about this one? Cannonball Adderley Quintet in Chicago, Mercury 60134. This was an original stereo pressing and it’s the one that features John Coltrane. What does it normally sell for, maybe $30? This one, however, offered by Euclid Records, happened to have been autographed by both Cannonball and Coltrane. What does that make it worth? How about $1,037. Don Lucky, where were you on this one? I know many of you are blase about autographs and actually prefer records that don’t have autographs, but to me, having a record signed by two of my heroes, that’s just priceless. Well, perhaps not priceless, but $1,037 seems a reasonable price.
Tags: Cannonball Adderley, Emarcy Records, Hank Mobley, Helen Merrill, John Coltrane, Mercury Records
A Few For the $1,000 Bin
Jun 3, 2011 $1000 Records, Blue Note, Prestige
So what’s been going on at eBay? Here are some recent interesting sales of jazz vinyl:
Lee Morgan, Indeed, Blue Note 1538. This was an original Lexington Avenue pressing that was listed in M- condition for the record and VG+ for the cover. It was among that batch of records that were originally listed with a very high start price and then re-listed with lower start prices but undisclosed reserve prices. This one was originally listed at $2,500 and eventually sold for $2,450.
This one got a nice price, right: Cannonball Adderley, Somethin’ Else, Blue Note 1595. This was an original pressing in M- condition for both the record and the cover. It sold for $1,352. That’s the highest price we’ve ever recorded for this item in the Jazz Collector Price Guide. Not bad for what seems to be a down market.
Sonny Rollins Saxophone Colossus, Prestige 7079.This was an original New York pressing, another one with the “EX” grading system, which I’m still not sure how to interpret into the one I use. VG++, perhaps. The cover was VG+. The price was $1,324.
Tags: Cannonball Adderley, Jazz Collector Price Guide, Lee Morgan, Sonny Rollins
Updating the $1,000 Bin & A Few More
Apr 14, 2011 $1000 Records, Blue Note, Prestige
Here are some $1,000 and near-$1,000 records we missed:
Kenny Dorham, ‘Round About Midnight at the Cafe Bohemia, Blue Note 1524. This was an original pressing that was listed in M- condition for the record and excellent condition for the cover, which is, what, VG+, VG++? This one sold for $1,315.
People have already commented on this one elsewhere on Jazz Collector, but it seems reasonable to me, given the state of the Blue Note market: Cannonball Adderley, Somethin’ Else, Blue Note 1595. This looked like an original pressing and was in M- condition for both the record and the cover. It sold for $1,250.
This one came from the bobjdukic batch and, given the condition, sold for a fairly whopping price tag: Lee Morgan, Indeed!, Blue Note 1538. It was listed as “insanely rare” (of course), but it was also listed in VG to VG-minus condition for the vinyl, which would definitely indicate surface noise. The cover was VG+ and the price was an even $1,000, which, I suppose, is a sign of something to conspiracy theorists.
Here was an original copy of Sonny Rollins, Saxophone Colossus, Prestige 7079, the barely missed the $1,000 bin. This looked to be in VG+ or VG++ condition for the vinyl and probably around VG+ for the cover. It sold for $948,
Tags: Cannonball Adderley, John Coltrane, JR Monterose, Kenny Dorham, Lee Morgan, Sonny Rollins
Tracking eBay: The Cats, Blue Notes, Cannonball
Apr 9, 2011 10-Inch LPs, Blue Note, Prestige, Price Guide
Before we look ahead at the coming week, let’s look at some of the jazz vinyl we were watching last week:
Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing with the purple label and the deep grooves. It features John Coltrane. I haven’t listened to this record in a few years, but my recollection is that it’s not among Trane’s better efforts, but I should go back and check again. Nevertheless it is a New Jazz and it is Trane and Flanagan and it is thus an important collectible. This one was listed in excellent condition by the seller, which I took to mean about VG++. The price was $404.99.
This one was from the same seller and also looked to be in excellent VG++ condition: The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing and sold for $869.99.
Speaking of Blue Notes, as we so often do at Jazz Collector, here are a couple of 10-inch Blue Notes we were watching:
Tags: Bill Evans, Cannonball Adderley, Clifford Brown, Jazz Vinyl, Jutta Hipp, Thad Jones, Tommy Flanagan
Updating the $1,000 Bin
Dec 15, 2010 $1000 Records, Blue Note, Prestige
What have we been watching lately on eBay? Let’s look at some records for the $1,000 bin:
Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing sold by Atomic Records. The record looked to be VG+ or VG++ and the cover was listed as VG+. The pictures were nice and clear, so perhaps that helped in getting a high bid. This one sold for $2,280.55.
Hank Mobley, Blue Note 1568. This was an original pressing sold by my friend Steve at Round Again records in Providence. The record was in M- condition and the cover was VG. The price was $1,936.88.
John Coltrane, Coltrane, Prestige 7105. This was an original yellow label New York pressing sold by our other friends at Music Matters. It was in M- condition and sold for $1,280.55, definitely a high-water mark for this LP on Jazz Collector.
This one was from our friends at the Jazz Record Center:
Tags: Cannonball Adderley, Hank Mobley, John Coltrane, Sonny Clark
Guest Column: More Adderley/Evans
Sep 28, 2010 Guest Columns, Riverside
Here’s a guest column from Ceedee, a regular commenter here at Jazz Collector, based on the item I wrote yesterday about the Cannonball Adderley/Bill Evans LP Know What I Mean? on Riverside.
“Greetings! The Cannonball/Evans LP is a favorite of mine, just beautiful. Thought you would like this review I wrote some time back for a Martin Logan owner Website under my other alter ego, Miles Ahead. – ceedee
The month of February, 1961 was a busy one for Bill Evans. It saw him finish a recording session with his critically acclaimed trio – that with Scott LaFaro and Paul Motian – which was issued as Explorations (Feb. 2)), bolster a date rightfully called a classic by any measure, Oliver Nelson’s Blues And The Abstract Truth (Feb. 23) and also find the time to accompany his old bandmate from the Miles Davis Sextet, Cannonball Adderley. Cut on Feb.21, this was one of three sessions that would eventually yield Know What I Mean? for Riverside. It does not match up to the other dates mentioned (how many records could?), but proves itself worthy of a listen and not just for the Bill Evans fan (not that there’s anything wrong with that!)
Cannonball and Bill were ‘simpatico’ while with Miles — the seminal Kind Of Blue was not yet two years behind them – and their musical bond continues here. Evans’ Waltz For Debby leads off the date, an interesting choice. Nearly six months before
Tags: Bill Evans, Cannonball Adderley
More Updates: A $1,600 Cannon, Rare Ornette
Jan 12, 2010 $1000 Records, Blue Note, Jazz Vinyl, Jazz Vinyl on eBay
Someone had mentioned this record joining the $1,000 bin: Cannonball Adderley, Something Else, Blue Note 1595. It’s a great record, but we’ve tracked it many times in the Jazz Collector Price Guide and it had never passed $500 before. This one was in near mint condition for both the record and the vinyl and sold for $1,624.99. Wow.
Here’s a record I’ve never seen before: Ornette Coleman at Town Hall 1962, ESP 1006. I have a copy of this record with a different cover. This one has a silk screen cover with handwritten labels. It is also a review copy. The record was listed in M- condition and the cover looked like a VG++. The price was $987.
Tags: Cannonball Adderley, ESP Disk, Ornette Coleman, Town Hall
Jazz Vinyl Countdown: Kenny Clarke on Savoy
Nov 12, 2009 Savoy, The Great Jazz Vinyl Countdown
I was going through my records the other day and came up with this interesting discovery: This Savoy LP by Kenny Clarke featuring Cannonball Adderley was issued with two different covers. I discovered this accidentally because I had one filed under Cannonball and the other under Clarke. The one with the better cover — ‘better” in terms of a great picture on the front — is the one entitled Bohemia After Dark Featuring Cannonball. The other one is also titled Bohemia After Dark, but that’s just on the back cover: The front cover just lists it as The Jazz Corner of The Villiage, Cafe Bohemia, Featuring Kenny Clarke. Both are Savoy 12017 and both have the same tracks and liner notes. If I had to guess which was the first pressing, I would have said the second one, the one
Catching Up: Miles, Cannon — What’s Going On?
Oct 19, 2009 Jazz Vinyl, Jazz Vinyl on eBay, Riverside
Back on eBay after a couple of days’ break. Those auctions we were watching from the seller bobdjukic closed and, while we’re not looking to give this seller any undue publicity, we are quite fascinated with the prices he is somehow able to obtain — even higher than top dealers such as The Jazz Record Center and Euclid Records. We will give a few examples: This one we noted before: Miles Davis, Birth of the Cool, Capitol 762. This is an original British pressing, not even an original U.S. issue. It was listed in M- condition for both the record and the cover and sold for an astounding $812.15. I recently sold a beautiful mint U.S. pressing of this record and was happy to get close to $100 for it. Is there something about the British pressing we’re not aware of? Doubt it, but somebody out there in the Jazz Collector world will know if there is. The other thing is, look at this quote from the seller’s description of Birth of the Cool:
Tags: Birth of the Cool, Cannonball Adderley, Capitol Records, Euclid Records, Jazz Record Center, Miles Davis
This Weekend on eBay: Clark, Cannon, Miles, Brubeck
Oct 16, 2009 Blue Note, Jazz Vinyl, Jazz Vinyl on eBay
Here is some of the jazz vinyl we’ll be watching this weekend on eBay.
Sonny Clark, Sonny’s Crib, Blue Note 1576. This is an original pressing. The record is listed in VG+ condition and the cover is listed as VG++. Seems to be a nice copy. The current price is $385 with one more day to go.
The seller bobdjukic is back with a few items this weekend. I don’t know this seller, but he seems to be a bit unpopular among some of the visitors to Jazz Collector. I’ve censored a few comments about him because, as I’ve said, I don’t really want this site to be a forum to air complaints about individual buyers and sellers. But, having said that, there have been a few complaints. In any case, he seems to have some kind of magic system for getting great prices on his records and in getting high viewership. Here’s one of his records this weekend: The Cannonball Adderley Sextet In New York, Riverside 404. This is a
Tags: Cannonball Adderley, Capitol Records, Columbia Records, Dave Brubeck, Miles Davis, Sonny Clark
More Jazz Vinyl on eBay: Cannon, Young, Mobley
Sep 27, 2009 Blue Note, Jazz Vinyl, Jazz Vinyl on eBay, Prestige
We promised a few more items to watch this weekend, so here goes:
Cannonball Adderley, Sophisticated Swing, Emarcy 36110. There was a lot of discussion on the site the other day after we posted the Jazz Collector “Essential” Cannonball Adderley. Generally the Cannonball LPs don’t get collector prices, so we were surprised to see this one the other day at $75. The price hasn’t budged since then, so perhaps it won’t go much higher, which is still beyond what we normally see for this album. The record is in M- condition and the cover is VG or VG+.
Webster Young, For Lady, Prestige 7106. This is quite a nice record, with some beautiful tenor sax by Paul Quinichette, playing (as always) as close to Pres as Pres himself. This is an original New York pressing that is listed in M- condition for both the record and the cover. It is being sold by herschel78, who has been posting some nice items the past few weeks, and has some more nice items on eBay now, so it’s worth taking a look. This one is currently at $300 with about nine hours to go.
Here’s one that’s a bit of a surprise:
Tags: Cannonball Adderley, Emarcy Records, Hank Mobley, Paul Quinichette, WEbster Young
Jazz Collector’s Essential Cannonball Adderley
Sep 23, 2009 Blue Note, Riverside
Blipp asks on an earlier post if we can make any recommendations on Cannonball Adderley’s earlier material, in particular the Mercury records. We can certainly do that, and we’re sure others in the audience will be happy to weigh in as well. First, we will give our own Jazz Collector version of our top five Cannonball LPs altogether. Blipp has been listening mostly to the Capitol stuff, he says, and we don’t think any of those records is going to make our list. Here goes:
1. Cannonball Adderley, Know What I Mean with Bill Evans, Riverside 433. Evans and Adderley obviously had a great rapport from their days with Miles and the addition of Percy Heath and Connie Kay made for a more lyrical setting that suited both Evans and Adderley quite well. And, as one might expect, within that lyrical setting they both swing like crazy.
2. Cannonball Adderley Quintet in San Francisco, Recorded at the Jazz Workshop, Riverside 311. The ground-breaking early quintet with Bobby Timmons and the great tracks of “This Here” (with Cannonball’s engaging introduction) and “Hi-Fly,” plus a very swinging “Spontaneous Combustion.” This LP captured the energy of the group
Tags: Cannonball Adderley, John Coltrane, Mercury Records, Miles Davis
Happy Birthday, Cannonball
Sep 15, 2009 Features, Jazz Memoirs
Thank you to Don-Lucky for pointing out that this would have been Cannonball Adderley’s 81st birthday. I’ll never forget where I was when Cannonball died back in August 1975. I was driving my car in Auburn, N.Y., where I was just breaking in as a newspaper reporter. I had to pull over to compose myself. Cannonball was always a big figure for me because he was a favorite of my father’s and I saw him a few times as a kid and also because the album Live At The Lighthouse was the first or second record that really set me on the path to becoming a jazz fan and, eventually, a jazz collector. For my money, after Bird there was Cannon on alto and then a big gap to whoever would be next. I’ve been putting records on eBay lately, a lot of duplicates, and I listen to parts of them before I post them. Every time I put on a Cannonball record, particularly the early ones on Mercury, I am surprised and amazed once again at just how much he had under his fingers and how naturally he swung and how everything he did was just great. So, Happy Birthday, indeed. By the way,
Tags: Cannonball Adderley
The Incredible Rise of the $1,000 Jazz Record
Sep 14, 2009 $1000 Records, Blue Note, Prestige, Price Guide, Riverside
The $1,000 bin truly doth runneth over days. It’s quite an interesting phenomenon.
Paul Chambers, Whims of Chambers, Blue Note 1534. This was an original pressing in VG++ condition for both the record and the cover. A few years ago, I bought a copy of this on eBay in similar condition for about $300. At the time, I thought I was overpaying. A few weeks ago I sold a separate copy on eBay for about $325. It was in nice condition, with a VG+ cover. This was not a record I ever expected to see in the $1,000 bin. This copy sold for $1,313.
Here’s another one I never expected to see sell for more than $1,000: Cannonball Adderley, Somethin’s Else, Blue Note 1595. This is a nice record, but has never been among the higher-priced Blue Notes. The highest price we had previously recorded for this in the Jazz Collector Price Guide was around $400. This copy was in mice M- condition for both the record and the cover. It sold for $1,475.
This one almost entered the $2,000 bin:
Tags: Art Pepper, Bill Evans, Cannonball Adderley, Chet Baker, Hank Mobley, Johnny Griffin, JR Monterose, Kenny Dorham, Paul Chambers, Sonny Rollins
Heroes: Musicians and Their Influences
Mar 10, 2009 Features
From our our archives, here’s an interesting item from June 18, 2004.
If you’re looking for a good read, pick up the July issue of Downbeat. It’s being promoted as the “70th Anniversary Collector’s Edition” and the focus is a feature called “Our Heroes” in which more than 70 musicians talk about their primary influences. Here are a few highlights:
Sonny Rollins on Coleman Hawkins: “I first saw him play on 52nd Street. I used to put eyebrow pencil on my lip to make a fake mustache so I could get in. We’d stand in the back, and it was like looking at a god playing.”
Joe Zawinul on Art Tatum: “He always sounded like two piano players. The story goes like this:
Tags: Antonio Hart, Art Tatum, Cannonball Adderley, Coleman Hawkins, Downbeat, Joe Zawinul, Sonny Rollins
Record Stores, A Birthday, And Some Nostalgia
Oct 13, 2008 Features, Jazz Memoirs, Riverside
I miss record stores. There was a time, living here in the New York area, I could sneak out of my office at lunchtime and visit a different record store every day of the week, for several weeks without repeating myself. Just in my area of Long Island and Queens, there was Titus Oaks in Hicksville and Huntington and, if I wanted to be adventurous, Brooklyn; and Radio City in Hempstead, and later another one in Hempstead; and Infinity in Wantaugh; and several Mr. Cheapos; and a guy named Kenny who had one on Union Turnpike in Fresh Meadows and another on Hillside Avenue in Jamaica; and one on Northern Boulevard in Little Neck, and several more, whose names and locations are all muddled together in my memory.
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Song For My Father
Sep 9, 2008 Jazz Memoirs
A Jazz Memoir By Al Perlman
Jazz was always in my life. It was my father’s great love. I grew up in a tiny first-floor garden apartment in Bayside, Queens, five of us with one bathroom, a small kitchen, two bedrooms, two closets, a living room and another family living in equally cramped quarters directly above us. There wasn’t much space and my mother made it even smaller by banning us from the living room. This was our “show” room to be kept in pristine condition and used only when we had guests: We weren’t permitted to sit in it or talk in it or eat in it or do anything in it. My mother kept plastic on the furniture and took it off only when there was company. The one exception was when my father was home and wanted to listen to jazz. That’s where he had his great big Fisher console with the hi-fi and radio.
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Tags: Art Tatum, Bill Evans, Billy Eckstine, Cannonball Adderley, Dave Brubeck, Horace Silver, Jimmy Smith, Lee Morgan, Sonny Rollins
The Gift Of Hindsight
Jun 16, 2004 Impulse, Jazz Vinyl, Prestige, Riverside
One of the pleasures of having an extensive jazz collection is that it gives you the opportunity to go back and review the history of jazz in real time, as it was happening. This is particularly the case when you look at old issues of Downbeat or Metronome, or review old liner notes, an art form that began approaching extinction with the advent of the compact disc format. In any case, allow me to share some interesting stuff from my archives.
Downbeat, January 18, 1962
Review: John Coltrane, Africa/Brass, Impulse 6
This record was a departure for Coltrane: The first time he ever played with a brass section. It is now regarded as a classic, rightfully so, particularly the title cut, which makes up the entire first side of the album. At the time, however, the Downbeat reviewer, Martin Williams, didn’t see it that way. He gave it only two stars, out of a possible five. Here’s a sample from the review:
Tags: Bill Evans, Cannonball Adderley, Downbeat, Impulse, Ira Gitler, John Coltrane, Metronome, Philly Joe Jones
The Value of A Reliable Dealer
Jun 2, 2004 10-Inch LPs, Blue Note, Clef, Jazz Vinyl, Jazz Vinyl on eBay, Norgran, Prestige
As promised, we spent the past couple of days catching up on eBay, looking ahead and looking back. Here are some of the items we’re watching over the next couple of days:
Curtis Fuller, Volume 3, Blue Note 1583
We take note any time we see an item from the Jazzrecordcenter for two main reasons: (1) They are probably the premier jazz dealer in the world and (2) Because they sell with integrity, knowledge and credibility. In addition to this Curtis Fuller LP, click “View Seller’s Other Items” for some more nice records, including George Wallington, The Prestidigitator, East-West 4004 and
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Tags: Bud Powell, Cannonball Adderley, Chico O'Farrill, Columbia, Curtis Fuller, Don Rendell, Hank Mobley, Ian Carr, Imperial, James Moody, Kenny Dorham, Lester Younr, Mercury, Sonny Criss, Ted Brown, Urbie Green, Vanguard
Infinity Records on Long Island — A Favorite
May 11, 2004 Blue Note, Clef, Newsletters, Norgran
Riffs
Went to my favorite local record store the other day, Infinity Records on Long Island, and walked away with some nice things. Joey, the owner, always seems to be able to find nice jazz and he’s usually fair and reasonable with the prices. He also knows what he’s doing, unlike some dealers who rely on outmoded and outdated price guides and wind up dramatically overpricing records. Anyway, I hadn’t been to the store in a few weeks, so there was a lot of new stuff to choose from. Here are some of the morsels I bought:
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Tags: Cannonball Adderley, Fats Navarro, Freddie Redd, Kenny Drew, Lionel Hampton, Lou Donaldson, Mercury, Milt Jackson, Record Stores
