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Tracking Rare Vinyl From the Jazz Record Center

December 9, 2018 Al 5 comments

Whilst we were away our friends at the Jazz Record Center had an interesting auction loaded with Blue Notes, including this one straight from my wish list: Sonny Red, Out of the Blue, Blue Note 4032. This was not only an original West 63^rdStreet pressing, but it had a stamp on the label that read: PROPERTY OF DONALD BYRD, which you would assume would make it straight from Donald Byrd’s personal collection, unless you are a conspiracy theorist and believe someone nefarious would go to the trouble of creating a PROPERTY OF DONALD BYRD stamp and press it on an original Blue Note record to try to hike the value. As for me, I would trust the provenance of this record and would probably pay more for an LP with this stamp, because it’s kind of cool knowing that Donald Byrd owned the record. In any case, however, I would not pay the $1,600 price that this one sold for, albeit in M- condition for both the record and the cover. I did own an M- copy of this record once, which I purchased for $5 at the old Titus Oaks record store in a former Wetson’s fast-food hamburger joint in Hicksville. But, alas, I traded it for a few records of far less value more than 30 years ago, and have never been able to replace Out of the Blue at a price I was comfortable paying. Read more

Under-The-Radar Jazz Vinyl Collectibles

March 20, 2017 Al 16 comments

Here’s one you don’t see very often. In fact, I don’t recall every writing about this record before: Wade Legge, New Faces, New Sounds, Blue Note 5031. This is an original Lexington Avenue 10-inch pressing. The record and cover are both listed in Ex condition by a very reputable seller. The bidding is in the $280 range with about four days left on the auction. Wade Legge was not recorded very often and died young, at just 29 years of age. I just did a Google search and, it turns out, with shared the same birthday. I am a big fan of his playing on a couple of Sonny Rollins albums, Rollins Plays for Bird and Sonny Boy. I didn’t recall that he was on the Charles Mingus Tonight at Noon Album, so I will have to go back and listen to that, as well as a couple of others. I highly doubt that I will be getting the 10-inch Blue Note record anytime soon, given that I never see it and typically avoid paying top dollar on eBay.

This is also one I don’t see very often, but I’ve never viewed it as a record that was particularly favored by collectors:

Various Vinyl For a Rainy Tuesday

May 3, 2016 Al 4 comments

Here’s a nice one for a rainy Tuesday here in The Berkshires: Kenny Dorham, Afro-Cuban Blue Note 5065. This is an original 10-inch Lexington Avenue pressing listed in M- condition for both the record and the cover. Not to hype things for the seller, but how many M- copies of this record do you think there are, anywhere in the world? Could there be 100, 200? Doubtful it would be more than that. I have a copy, but the condition is VG for the vinyl, and I was happy to get it for about $35 maybe 25 years ago in a store in Los Angeles.

Charles Mingus, Pithecanthropus Erectus, Atlantic 1237. This was an original black label pressing in VG condition for the record and the cover. It sold for $150, somewhat surprising given the condition. Interesting seller who seems to be selling all kinds of stuff all the time, nearly 110,000 feedbacks. He had a couple of other items I had spotted, but when I went back to search I didn’t have time to go through the various Judge Dredd bikes or Predator wolf masks to find a stray Mingus or two.

Shock and Awe!!!!!!

January 18, 2016 Al 39 comments

Readers continue to express shock and awe at the prices on the funkyousounds auction of the Dr. Herb Wong collection. One missive comes in from Dylan concerning this record: Duke Pearson, The Right Touch, Blue Note 84267. This is a Liberty pressing. An original Liberty, but a Liberty nonetheless. And it is a stereo pressing. This one had a promo stamp. The record was M- and the cover was VG++. The price was $560. And then there was Gerry Mulligan, Night Lights, Phillips 600-108. This is the one we mentioned the other day. Stereo pressing, promo stamp, VG++ condition. We were surprised when the bidding had reached $60. The final price was $434. If anyone has a viable explanation for this one, I’d love to hear it: Duke Ellington and Johnny Hodges, Blues Summit Verve 8822. This is a reissue — the type that is very hard to sell on eBay for even $10 or $15. This was a sealed copy and it sold for $349.67. Or this one: Miles Davis, Milestones, Columbia 40837. This is just a plain old reissue. I remember seeing these all the time in $2 or $5 bins. This one sold for $278. I’m going to do a few more, just because I’m sitting here absolutely stunned as I go through the list:

Catching up On Jazz Vinyl Auction$$$$$

January 11, 2016 Al 18 comments

Here’s an update on some of the jazz vinyl auctions we’ve been watching on eBay, starting with Sonny Rollins, Rollins Plays for Bird, Prestige 7095. This was an original New York yellow label pressing. The record was listed in VG++ condition and the cover was VG+. It sold for $430.55. This was one of the records in the batch from the seller carolinasoul, which seemed to capture the attention of a number of readers. A few other items of interest from this auction: Roy Haynes, Out of the Afternoon, Impulse 23. This was an original mono pressing with the orange label. The record was M-. The cover was VG+ and it had a cut-out hole, which always diminishes the record in my eyes. This one was undiminished to others however and sold for $334. Red Garland, All Mornin’ Long, Prestige 7130. This was an original New York pressing with the original cover. The record was VG++ and the cover was VG+ with writing on the back. The final price was $709.99.

Charles Mingus: Sacre Bleu!

January 8, 2016 Al 23 comments

The funkyousounds auction from the Dr. Herb Wong collection seems to have been brought out the Charles Mingus fans. Here’s Charles Mingus, Mingus Ah Um, Columbia 8171. This is an original stereo pressing with the six eyes. The record and cover are both in M- condition and there is some shrink wrap, which for some reason seems to be an enticement to some collectors, although I cannot fathom the reason. This one has more than a day left on the auction and the bidding is now over $400. I resisted the urge to put an exclamation point after the $400, but only barely. The old newspaper editor in me, I guess. Here’s another one worthy of an exclamation point, from the same auction: Charles Mingus, Blues and Roots, Atlantic 1305. This is also a stereo pressing, but not a first press. It is also in M- condition for the record and the cover, and it also has shrink wrap. This one is in the $300 range! BTW, did I ever mention the time I was writing about Mingus here and I left out the “G” and wrote it as “Charles Minus.” I did that and one of our French-speaking readers chastised me with the term “Sacre Bleu!,” which is one you don’t hear very often these days, but was certainly well deserved in this particular instance, don’t you think?

Blue Note

No Clowning Around: What’s Going On?

January 5, 2016 Al 16 comments

I’ve been perusing eBay this morning and a few items caught my eye, including Art Blakey, Blue Note 4003. This is an original West 63rd Street pressing and it looks to be in very nice condition. Based on the seller’s description, probably VG++ for both the record and the cover. There is a start price of $200 and so far there are no bidders, even though the auction closes in just one day. Just last week a copy of the same record, probably a little bit cleaner, sold for more than $1,000. What gives?

This one also startled me: Charles Mingus, The Clown, Atlantic 1260. The record is in M- condition and the cover is in M- condition and there is some torn shrink wrap. The bidding is now at $455. Oh, yeah, I forgot to mention — it’s not an original pressing. It’s a later pressing with the purple and orange label. What gives here? You’ll notice that it’s part of the sale of the collection from the late Dr. Herb Wong, but surely that can’t be enough to vault a second (or third) pressing into a new stratosphere, can it? It can’t be the shrink wrap, can it? Help me out here: $455 (and counting) with five more days to go?

For Discussion “At the Table” — What Is the Responsibility of the Critic?

June 25, 2015 Al 5 comments

My son, Michael Perlman, has written and directed a new play called “At the Table,” which is being produced at the HERE Arts Center in New York. I’m stating that up front because when people do searches for the play on the Internet I want them to find this article. But, before I get to “At the Table” by Michael Perlman, let me get to the point as it relates to my friends and readers here at Jazz Collector.

My very first paying job as a journalist was while I was still in college. I was the jazz writer and critic for The Syracuse New Times in Syracuse, New York. It was 1973. I was 20 years old. The job was a blast. I got to interview Charles Mingus, Chick Corea and Larry Coryell when they came through town. I got to write a fun essay on Charlie Parker. I wrote an article on 25 records to get started on jazz. And, whenever the record labels would send over new jazz records, they would come to me. For a vinyl addict, what could be better?

At some point I was sitting in my dorm room and I was doing a review of a new Dexter Gordon album. It was Ca’Purange (Prestige 10051 for those of us who like to keep track of such things). I didn’t think the album was all that great, particularly in comparison to Dexter’s previous Prestige albums, most notably The Panther!, which was one of my favorites. I’m at my typewriter and writing about Dexter being a disappointment on this record, and commenting negatively on the other musicians, who happened to be Thad Jones, Hank Jones, Stanley Clarke and Louis Hayes.

And I look down at the paper, and the realization hits me: Who the hell am I to be criticizing Dexter Gordon or any of these amazing artists?

Features

Serenade to Some Rare Jazz Vinyl

February 28, 2015 Al 2 comments

Here are some of the results from the Jazz Record Center auction that closed the other day, starting with Charles Mingus at the Bohemia, Debut 123. This was an original pressing that looked to be in M- condition for the record and probably VG+ or VG++ for the cover. When we first observed this record a few days ago, there were no bids at a start price of $200. We expected that the action would get hot and heavy and it did. The record wound up selling for $1,333.

Clark Terry, Serenade to a Bus Seat, Riverside 237. This was an original pressing with the white label. This is another great and underrated record by Terry, who died last week (the funeral is today in harlem, by the way). I thought I had this record, and I’m pretty sure I did have it at one time, but I don’t think I have it anymore. I was looking for it to review the liner notes. I had never thought about the title of the record before,

Riverside

Mingus, Bud, Trane and More

February 23, 2015 Al 9 comments

Here are some of the jazz records we’re watching on eBay now, including a few from our friends at The Jazz Record Center, starting with: Charles Mingus at the Bohemia, Debut 123. This is an original pressing in M- condition for the record and probably VG+ or VG++ for the cover. The start price is $200 and there are no bidders with three days left in the auction. I have to admit, I’ve been buying jazz records for 45 years now and I’ve never held an original pressing of this record in my hands. There will be bidding, I am quite sure. From the same auction is this: Bud Powell, Jazz Giant, Norgran 1063. This is an original yellow label pressing that looks to be in M- condition for both the record and the cover. The start price on this one is $300 and, as with the Mingus record, there are no bidders as of now.

I guess we’re continuing to see a rise in the value of the John Coltrane Impulses, based on recent auctions such as this one:

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