Tag: Charlie Parker

Jazz Vinyl From Some of Our Favorite Cats

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The Cats New Jazz VinylI’m cleaning out my eBay watch list so here are various odds and ends from the past six weeks or so, starting with Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing with the deep grooves and the purple labels. The record and cover both looked to be in M- condition, very nice indeed. Of course, one of the attractions of this record is that it  features John Coltrane. When I acquired this record I filed it with my Coltranes because I was just building my Trane collection and every collectible record with Coltrane was a treasure to me. I hate to tell you when this was, but it was more than 40 years ago. I can’t believe I’m that old. Anyway, now that my Coltrane collection is more robust, this is properly filed with the Flanagans. This copy sold for a very nice $600. Nice for the seller and I’m sure very nice for the buyer, who will have a lovely record for his turntable and collection.

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For Discussion “At the Table” — What Is the Responsibility of the Critic?

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At-The-Table-poster-1024x662 copyMy son, Michael Perlman, has written and directed a new play called “At the Table,” which is being produced at the HERE Arts Center in New York. I’m stating that up front because when people do searches for the play on the Internet I want them to find this article. But, before I get to “At the Table” by Michael Perlman, let me get to the point as it relates to my friends and readers here at Jazz Collector.

My very first paying job as a journalist was while I was still in college. I was the jazz writer and critic for The Syracuse New Times in Syracuse, New York. It was 1973. I was 20 years old. The job was a blast. I got to interview Charles Mingus, Chick Corea and Larry Coryell when they came through town. I got to write a fun essay on Charlie Parker. I wrote an article on 25 records to get started on jazz. And, whenever the record labels would send over new jazz records, they would come to me. For a vinyl addict, what could be better?

At some point I was sitting in my dorm room and I was doing a review of a new Dexter Gordon album. It was Ca’Purange (Prestige 10051 for those of us who like to keep track of such things). I didn’t think the album was all that great, particularly in comparison to Dexter’s previous Prestige albums, most notably The Panther!, which was one of my favorites. I’m at my typewriter and writing about Dexter being a disappointment on this record, and commenting negatively on the other musicians, who happened to be Thad Jones, Hank Jones, Stanley Clarke and Louis Hayes.

And I look down at the paper, and the realization hits me: Who the hell am I to be criticizing Dexter Gordon or any of these amazing artists?

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Let The Insanity Continue

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Bird copyForty-eight comments (and counting) on the last post. And the traffic on Jazz Collector has been as high as normal. Thank you all for keeping the discussion going while I was pre-occupied last week with doing my real job, the one that pays for the mortgage and the Blue Notes around here. This week I will be under similar pressure, so please feel free to comment on this post and take the discussion wherever you would like. I see that a lot of the previous discussion was a reprisal of a familiar theme, the ability of one particular seller, bobdjukic, to get prices that seem otherworldly to the rest of us in the Jazz Collector world. I personally have no beef with him, never met him, never dealt with him. He does seem to have some magic formula for getting top prices, but I imagine his customers are satisfied because the only way to get those prices is to have repeat business. In any case, after reading the comments, I took a look at his latest auction results to satisfy my own curiosity. Here are some of the ones that caught my eye:

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Catching Up on Jazz Vinyl Auctions

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Paul Chambers Jazz Vinyl copyI’m actually cleaning out my eBay watch list in preparation for finally doing a modest updating of the Jazz Collector Price Guide. So, as I clear out records, I will just post some random results for the next couple of days, starting with one for the $1,000 bin: Paul Chambers Quintet, Blue Note 1564. This was an original pressing with the West 63rd Street address. The record looked to be in VG++ condition and the cover was probably VG. It sold for $1,203. This came from the same seller: Kenny Burrell at the Five Spot, Blue Note 4021. This was an original West. 63rd Street pressing that looked to be in VG++ condition for both the record and the cover. It sold for $334.

Another Blue Note: Horace Parlan, Headin’ South, Blue Note 4062. This was

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A Diversion Into the World of 78s

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Charlie Parker copyMy eBay watch list is overflowing and there are some interesting items we don’t often see here, including some 78-RPM records. Let’s start with Charlie Parker, The New Sounds in Modern Music, Savoy 510. This is a boxed set of Charlie Parker 78s. Unfortunately, the seller doesn’t say which ones, although if I were interested (as I may be) I would at least attempt to pose the question. The records — can’t call them vinyl — are in VG+ condition and the cover is probably VG or VG+, depending upon the condition. I am probably one of the few among us who still collects 78s. I’ve had the good fortune to run into a few inexpensive collections, and then I was very fortunate with the 78s I purchased in the infamous Baltimore collection. I probably have about 1,000 78s, with probably about 40 Parkers on Savoy, Dial and Mercury, but a Bird Savoy boxed set would make a nice addition to the collection. There is a big concern with buying 78s on eBay, because

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The Stupid List

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Dexter copyI was watching that Clifford Brown autograph (as well as Max Roach, Sonny Rollins, et al), but didn’t have enough interest to actually bid on it. To my surprise, there were only five bidders altogether, which would seem to indicate minimal interest at that price, which turned out to be $482.11. I did casually mention when I wrote the earlier post that Clifford was probably among my top five musicians of all time and that I would ponder that and do another post on it this weekend. Sometimes, as we all do, I say and do stupid things. It was stupid to even suggest that I could create a list of top five favorite musicians, when there are so many musicians I love and each musician brings something different and special to my life and my enjoyment of music. Last night I was listening to the Dexter Gordon record, Getting’ Around, Blue Note 4204, and I was thinking about how much I love Dexter and how much I treasured seeing him as often as I did in the early and mid-1970s, particularly his very first club date when he began playing again in the United States. And, goodness, what an amazing ballad performance on “Who Can I Turn To.” And then I put on two Miles Davis records, Kind of Blue and Sketches of Spain, and I thought

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More Collectible Jazz From eBay

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wright copyTo catch up on a few lingering items. That Charlie Parker Limited Edition Swedish record from The Jazz Record Center wound up selling for $248.50. I promised to check my collection to see if I have a copy and, alas, to my pleasant surprise, I do. I usually know all of my records, but having bought a couple of collections in the past two years has left me with many items unawares and unplayed. This one, I recall, came from the Irving Kalus collection, still very near and dear to my heart. My copy of the Bird record seems to be an original in every way, except it is not a numbered edition. It still describes it as a “Limited Edition: This Record is Issued in 1000 Copies. This is Copy.” And there’s no number after that. Anyway, I have it on the turntable now. The fidelity is not great as you would expect, but the music is great. Bird started out with Anthropology, on which he played a very energetic and imaginative solo. Next is Scrapple From the Apple. Yeah, definitely some nice Bird. Really nice Bird. Ooh, now he’s playable Embraceable You. Great.

Also from that auction: John Wright, South Side Soul, Prestige 7190. This was

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A Rare Bird, Indeed

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Bird copyWow — 49 comments and counting on the previous post. Glad you all have been keeping the conversation going while I’ve been out making a living. Been gone so long my own Web site wouldn’t let me back on without having to sign up. So much to catch up on, and I will start with the current auction from The Jazz Record Center.

Charlie Parker in Sweden, Limited Edition, Sonet SLP 27. This is, apparently, a rare limited numbered edition, of which this copy is number 734. Until reading this listing I wasn’t aware that there was a limited edition of this record. I’m pretty sure I have some copy of it, but I will have to look to see if mine is numbered. This one looks to be in M- condition for both the record and the cover. There are about three days left in the auction and the bidding is nearing $200.

Beverly Kenney With Jimmy Jones and the Basie-Ites, Royal Roost, 2218. This is a nice record and I could use a clean copy, which this is, at least for the vinyl, which looks to be M-. The cover looks to be about VG or VG+ depending upon how you feel about tape stains, about which I personally don’t feel to good. This one is in the $60 range.

Here’s an interesting package of Hank Mobley records on Blue Note:

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Some Surprises From Jazz Record Center Auction

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gerry mulligan jazz vinylOur friends at the Jazz Record Center had an auction last week and here are some of the results:

Gerry Mulligan Meets Johnny Hodges, Verve 8367. This was an original pressing with the trumpeter logo and it was in M- condition for both the record and the cover. I was surprised to see this one sell for $148.37. Neither Hodges nor Mulligan is typically all that collectible, and this is one of the later Verves among those with the trumpeter logo. Any theories as to why this would sell for nearly $150? Is the market shifting back to Verves a little?

I’ve never seen this one before: Charlie Parker and Dizzy Gillespie, A Nite at Carnegie Hall, Black Deuce. This was the full set of 78s capturing the historic September 29, 1947 concert. As noted in the listing, this was a pirated record release, but it was the first of the issues in any form. The set looked to be in excellent, near mint condition. They sold for $688.

This one almost made it into the $2,000 bin:

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Another Adventure in Jazz Collecting, Baltimore Part 7

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Blue TrainSo I was back on the phone with Dan and poring through a box of Charlie Parker 78s. There were a bunch of Dials, some Mercurys and Savoys. I had never had much luck securing Charlie Parker Dials, so this would be a very welcome addition to my collection. Then I went into another one of those Capital mailers and it was filled with Blue Notes. A bunch by Miles Davis and Lou Donaldson, including “If I Love Again,” which Dan put on in the background to accompany me. These, too would be a welcome addition to the collection and they made me realize how pleased I was that this collection ended up in my hands because I would really treasure and appreciate these records. There aren’t that many people who collect and appreciate 78s anymore and I, fortunately, happen to be one. They also seem to fit quite nicely into my collection, filling in a lot of the gaps.

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