Let’s catch up on some items we’ve been watching on eBay, starting with: Cliff Jordan, Blowing in From Chicago, Blue Note 1549. This is a deep groove pressing with two different labels: One has the New York 23, the other doesn’t. What does that make this? A very early second pressing? This one is in VG++ condition for the record and probably VG+ for the cover, based on the seller’s description. The auction closes in about four hours and, so far, there are no bids with a start price in the $550 range. I know the seller is a reader of Jazz Collector, so, if it doesn’t sell and you want to make a trade, you know where to find me.
We thought this one would end up in the $2,000 bin, but it came up just short: Lee Morgan Sextet, Blue Note 1541. This was an original Lexington Avenue pressing in M- condition for the record and VG++ for the cover. Very nice. It sold for $1,845.
Here’s another that may not sell: Sonny Rollins Plays, Period 1204. This is an original deep groove pressing. The record and the cover are both listed in VG+ condition. The start price is around $500 and so far there are no takers with four days to do.
This one did not sell and has been relisted:
Now that we’re back home catching up, here’s an update on some jazz vinyl we were watching on eBay, starting with: Red Garland, Groovy, Prestige 7113. This was an original New York yellow label pressing. The record and the cover were in M- condition. It sold for $516, quite a large number for a Red Garland Trio record. Does anyone out there have knowledge and/or a theory why this one would be so highly prized by collectors. The seller was Atomic Records, so I could have visited the store and waved goodbye to this one last week.
The Amazing Bud Powell Volume 2, Blue Note 5041. This was an original 10-inch pressing. The vinyl as probably VG, based on the seller’s description, and the cover was VG+. Great cover. It sold for $317.
Cliff Jordan, Blue Note 1565. This was an original pressing in VG++ condition for the record and VG+ for the cover. It sold for $799.99. I mentioned that I was perhaps interested in bidding for this, and I do believe $800 is a fair price. But paying top dollar is not how I’ve ever chosen to build my collection, and no sense starting now.
We continue our Western swing and we are now in Los Angeles where we may have time to peruse a record store or two today. Any recommendations? In the meantime, we are back on eBay and watching some jazz vinyl with great interest, seeing as how we won a few bucks in Vegas, starting with a few Blue Notes: Cliff Jordan, Blue Note 1565. This looks to be an original West 63rd Street pressing with the New York 23 labels. The record is listed in VG++ condition and the cover is VG+. The bidding closings later today and is currently in the $400 range. Hmmm. This is a gap in my collection.
Lee Morgan, The Cooker, Blue Note 1578. This is also an original pressing and it is listed as Ex+ for the record and Ex for the cover. This one closes tomorrow and the bidding is in the $500 range. This is also a gap in my collection, but I have a feeling this one is going to go for $700-plus, too rich for my blood.
Dizzy Reece, Star Bright, Blue Note 4023. This is another original pressing. The record is in M- condition and the cover is in M- condition. The start price is about $400 and so far there are no bidders with three days to go.
Let’s catch up on some more jazz vinyl auctions we are/were watching, starting with: Cliff Jordan, Blue Note 1565. This was an original pressing listed in M- condition for both the record and the cover. It looked like quite a beauty and, in fact, may still be available. This one received a top bid of $1,525, yet is failed to meet the seller’s reserve price. I know the market is the market and sellers have every right to hold out for top value, but I still find it hard to fathom wanting to pay more than $1,500 for a single record and still being unable to purchase it.
Here’s a fine looking Blue Note for you: J. R. Monterose, Blue Note 1536. This is an original Lexington Avenue pressing that looks to be in M- condition for both the record and the cover. The auction closes in three days and the bidding is in the $565 range. Can’t imagine this will sell for less than $1,000, so the question is how much more than $1,000 will it fetch.
This one isn’t regarded as a collectible anymore (clearly), but I kept an eye on it wondering if anyone would even want it at all:
Catching up on life and on eBay, so here are some jazz records I am watching and have been watching.
Tina Brooks, True Blue, Blue Note 4041. This was an original pressing, still in some kind of shrink wrap with a $1.79 price sticker. Wouldn’t that be great, $1.79 for an original pressing of True Blue. This one was in VG+ condition for the record and M- for the cover. It did not sell for $1.79. It sold for $1,414. Not a bad price, all in all. So, when you get this home do you take off the shrink wrap or do you leave it on? If it’s me, I’m pretty sure I take it off and put the record in a nice plastic sleeve.
This one also ended up in the $1,000 bin: Lee Morgan, Candy, Blue Note 1590. This was an original West 63rd pressing. The record was in VG+ condition and the cover was VG++. The price was $1,280.55
This one closes later today. Price is still out my range: Clifford Jordan Sextet, Blue Note 1565. This is an original pressing. The record is in M- condition and the cover is VG+. The picture in the listing could be better, but that doesn’t seem to be effecting the bidding, which is now up to $800.
And let’s throw in a couple of non-Blue Notes:
Been light on the posts again lately. Super busy with real work. Here are a few high-priced jazz records, all Blue Notes, we missed on eBay:
Sonny Clark Trio, Blue Note 1579. This was an original pressing in M- condition. The price was $1,531.
John Jenkins with Kenny Burrell, Blue Note 1573. This too was an original pressing. The record was in M- condition and the cover was probably VG++. The price was $1,500.
Cliff Jordan, Cliff Craft, Blue Note 1582. Another original pressing, of course, this one in M- condition for the record and VG+ for the cover. This one sold for $1,250.
Lou Donaldson, Wailing with Lou, Blue Note 1545. This was an original pressing in M- condition from the seller who had access to the Leon Leavitt collection. This one sold for $900.
Sorry for taking so long between posts. I had a ton of work on my real job, but no excuses. I promise to do better. So, let’s catch up on some of the records we missed while we were off in the real world.
I had my eye on this, but the price was too high even if I had been paying attention: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original West 63rd Street pressing in VG+ condition for both the record and the cover. I was looking at this with a couple of days to go and the price was relatively low. I thought, given the condition, perhaps it might be worth a snipe. It wound up selling for $1,125. However, I do have hope for acquiring this record in the future. I’ve got an idea I may be getting a copy for my birthday one of these days. How did I finagle that? I’ll tell you in another post this week.
John Coltrane, Blue Train, Blue Note 1577. This was an original pressing that looked to be in M- condition for both the record and the cover. It sold for $1,602.77.
Whilst we’re perusing the $1,000 bin, here are a few more:
My goodness, look what this sold for: Jutta Hipp with Zoot Sims, Blue Note 1530. This was an original pressing that looked to be in M- condition for the record and VG++ for the cover. The price was $5,117. That’s one of the highest prices we’ve ever seen for any record in the Jazz Collector Price Guide and about $1,500 more than we’ve previously seen for this record. The seller has commented elsewhere on Jazz Collector as to the legitimacy of the auction, which I don’t doubt at all, since we’ve always seen that bidding wars can drive up prices and we’ve also seen prices going higher and higher for the rarest of the collectibles, of which this qualifies. If I had an original copy, maybe I’d even sell it myself. Really? Nah, I’d keep it for sure.
When I talk about prices going up for the rarest of the collectibles, this is another example: Cliff Jordan, Blue Note 1565. This is an original pressing in VG++ condition for the vinyl and VG+ for the cover, and you can see on the picture that the cover is not completely clean, but certainly looks at least VG+. This record has become a perennial in the $1,000 bin and has sold for as much as $2,400 in M- condition. This copy sold for $1,735.
Lot of interesting jazz vinyl we’re watching now on eBay, so let’s get right into it. This one is closing fairly soon: Lee Morgan, Candy, Blue Note 1590. What’s the market for a rare record like this in not very good condition, actually in VG minus condition? So far the bidding on this one has topped $125. I’d love to have this record back in my collection — yes, I sold a pristine copy 20 years ago — but not in this condition. If I can’t listen to the record, I don’t necessarily need to own it just to fill a space in the collection.
This one is in better condition, but hard to actually give it a grade based on seller’s description. My guess from the description and pictures that it’s what I would grade a VG+ for the record and the cover: Johnny Griffin, A Blowing Session, Blue Note 1559. This one has already topped $800. As I mentioned recently, I am now the proud owner of an original pressing of this record, after all of these years of collection. Amazing how rare these things are, when you think about it. I could have paid top dollar over the years, I guess, to acquire a copy of this record, but in the normal course of things — going to record stores, record shows, garage sales flea markets, looking for records in most cities across the U.S. — in more than 40 years I had never come across an original copy of this record, and many others, for what I considered to be a reasonable price at the time.
Lots of Blue Notes on today’s watch list, starting with: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing that was listed in VG++ condition for both the record and the cover. It sold for $1,370. We’ve seen this one sell for more than $1,300 in the Jazz Collector Price Guide, but this is quite a hefty price nonetheless.
Kenny Drew Undercurrent, Blue Note 4059. This one had the West 63rd Street address and, from the looks of the pictures, it had deep grooves on both sides, certainly on Side 2. That would make it original either way, no? This was described as being in VG condition, and the cover certainly looked no better than VG. It sold for $427.
Gigi Gryce/Clifford Brown Sextet, Blue Note 5048. This was an original 10-inch LP that was defined as being in “very fine” condition, which, the seller implies, is actually M- condition. The pictures certainly looked very fine indeed, if not M-. It sold for $372. 10.
If it’s a Blue Note, and it’s one of the coveted artists, the record or cover does not have to be in great condition to fetch a high price. Case in point: