Let’s catch up on some more jazz vinyl auctions we are/were watching, starting with: Cliff Jordan, Blue Note 1565. This was an original pressing listed in M- condition for both the record and the cover. It looked like quite a beauty and, in fact, may still be available. This one received a top bid of $1,525, yet is failed to meet the seller’s reserve price. I know the market is the market and sellers have every right to hold out for top value, but I still find it hard to fathom wanting to pay more than $1,500 for a single record and still being unable to purchase it.
Here’s a fine looking Blue Note for you: J. R. Monterose, Blue Note 1536. This is an original Lexington Avenue pressing that looks to be in M- condition for both the record and the cover. The auction closes in three days and the bidding is in the $565 range. Can’t imagine this will sell for less than $1,000, so the question is how much more than $1,000 will it fetch.
This one isn’t regarded as a collectible anymore (clearly), but I kept an eye on it wondering if anyone would even want it at all:
Other than the Andy Warhol covers, which seem to be going out of sight, I’m sensing some softness in the market these days. Not sure if it’s because of what’s going on in Japan or just the usual ebbs and flows of prices, often dependent upon who is on eBay and who is not on eBay. In any case, let’s start with the Warhols. I’ve never seen this one at this price: Count Basie, RCA 1112. This is in VG++ to M- condition for the record, but only VG for the cover. Still, it is already close to $350 with several hours to go. This one looks quite familiar: Conte Candoli, Cool Gabriels, Groove 1003. Methinks this belongs, for now, to Rudolf, correct? If so, I think it will finally sell. There are five days left on the auction and it is already more than $1,000.
So why am I mentioning potential softness in the market? Here are a few examples, perhaps not a trend, but examples nonetheless. Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This is an original West 63rd deep groove pressing in M-/VG++ condition for the record and M- for the cover. Hard to find this record is such nice shape and it has sold for more than $1,000 previously in the Jazz Collector Price Guide. This one has a start bid of $300, it closes tomorrow, and there are no bidders. Hmmm. I can use an upgraded copy for my collection. Or perhaps there are many snipers lurking in the weeds for this.
Well, we just caught up with some Andy Warhol covers, now how about some David Stone Martin? Let’s start with one of our favorites, covers and music: Lester Young, The President Plays, Norgran 1050. This was an original yellow label pressing. The record was in VG+ condition and the cover was VG++. The price was $120.50. Here’s another one from Pres: Lester Young, The President, Norgran 1005. This LP was in just good condition for both the vinyl and the cover. It sold for $261. Beats us.
Benny Carter, Cosmopolite, Norgran 1070. This was an original pressing in M- condition for both the record and the cover. It sold for $111.50.
Bud Powell, Jazz Giant, Norgran 1063. This was an original pressing that was
I had mentioned a few weeks ago how I’d been getting a few requests a week from people interested either in selling collections or in getting advice on what to do with their collections. I’ve seen some interesting items. Here’s one: A guy in Toronto goes into a store and buys the Count Basie record with the Andy Warhol cover (RCA 1112). It costs him 25 cents. He takes it home and notices that there’s a name written on the cover and figures, no big deal, it’s just the previous owner. Then he looks closer. The signature reads “Andy Warhol.” He goes online to look at other Warhol autographs. Sure enough, it’s a stone-cold match. So here he is, sitting with an original Warhol cover signed by Warhol. And he has no idea what it’s worth. He sent me a note looking for advice, and I told him I had no idea what it was worth either. I suggested he try Soetheby’s or Chistie’s or some other auction house. He was advised to start any auction with a price of $500. I haven’t heard back from him, but, if anyone is interested
Based on a suggestion from one of our readers, we tried to point out a few potential bargains on eBay this week, as we always do. How’d we do? Mixed, I would say. The first one was Phil Woods, Warm Woods, Epic 3436 (you can find the link if you just do a search on the site, which is that little gray bar at the top right). When we spotted this record it was priced at just $30 with only a few hours left in the auction. But, clearly, there were some major bidders waiting in the weeds. The record eventually sold for $434.77. The vinyl was in M- condition and the cover was VG++. Yesterday we pointed out a copy of Count Basie, RCA 1112. This one has a cover by Andy Warhol and has sold for more than $160 in the past. When we spotted this one, it was at $1.99 and sold a few hours later for just $20, so that seems like a bargain in our book. It’s always dangerous for us to go bargain-hunting on the Jazz Collector site: Once we point out the record, it’s no longer a hidden gem but out there for the world to see. So we’ll try our best to be fairly discrete in our pronouncements.
We’ve been talking a lot about Andy Warhol covers on the site. Here’s a chance to get one, perhaps at a bargain price because the seller didn’t realize that the cover is by Warhol: Count Basie, RCA 1112. This is not in great shape, but it’s only $1.99 and closing fairly soon. A few weeks ago, we recorded one of these in the Jazz Collector Price Guide for $161.
The seller Tuneup Music has quite a large group of pretty nice records for sale this morning, including Blue Mitchell Big Six, Riverside 273. This is an original blue label pressing. The record is VG++ and the cover is VG+. The current price is $75. Also from this seller is a sealed copy of Larry Young, Into Something, Blue Note 84187. This is already at $125. The challenge with a sealed record is not knowing whether it’s an original label, so, personally, I’d be careful on this one. If you look at these records, you should click View Seller’s Other Items because there’s a lot more.
Here are some interesting results from some records we’ve been watching on eBay:
Red Garland, All Kinds of Weather, Prestige 7148. This is an original yellow label pressing with the New Jersey address in M- condition. Price: $385. I’ve never quite figured out which Red Garland records sell for the highest prices, and why. So, if anyone out there has the answer, please post a comment.
Here’s an interesting one: Paul Chambers, Whims of Chambers, Blue Note 1534. What’s interesting is that this was not an original pressing: The original pressing on this has the Lexington Avenue address, and this copy had the West 63rd street address. So it was not original and it was only in VG condition, yet it still sold for $124.50.
Ben Webster, Soulville, Verve 8274. This was an original pressing with the trumpeter logo in M- condition and sold for $190.09. That’s a pretty nice price for a Ben Webster on Verve. This was sold by
Jackie McLean, A Long Drink of the Blues, Prestige New Jazz 8253. I‘ve always loved the second side of this LP, with Jackie in a quartet setting doing Embraceable You, I Cover the Waterfront and These Foolish things. This particular copy of the record is an original, but not in great condition. Sometimes, if the price is right, it makes sense to bid on something like this, hoping that the record sounds better than it looks. In any case, this is a record worth looking at and it’s also worth looking at some of the other items from this seller this weekend. A few weeks ago we wrote about a Joe Newman record selling for a high price because of a cover illustration by Andy Warhol. Now here’s another album with a Warhol cover, Count Basie, RCA 1112. This is being sold by Atomic Records, one of the largest eBay jazz sellers.
Jun 24, 2004 Jazz Memoirs
In our newsletter last week we asked readers to tell us about their heroes. Here are some of the responses. We’d like to thank everyone who took the time to write to us.
“Please keep up the fantastic work with the newsletter…every one just gets better. As for heroes, I’d have to start with Art Pepper, then Dave Pell, Shorty Rogers, Zoot Sims and who can forget Cal Tjader? All mostly West Coast cats but they had ‘the sound’ and knew what we wanted. Guess I better add my most favorite and versatile sax man: Charlie Ventura. Man, could he wail!
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