Just looking at some random items from my watch list, starting with Clifford Brown and Max Roach, Study in Brown, Emarcy 36037. This was described as an original pressing, but clearly it isn’t, with the black writing on the back cover instead of the blue. Also, the cover was graded at M-, but it’s not that either, with both a sticker and writing on the back. So perhaps it was not surprising that the record did not sell at a start price of $300. But it’s back again. I just wanted an excuse to run a picture of the cover. And pose a quick question: I keep all of my Brown and Roach records filed under Brown, and I assume those that file by artist do the same. Does anyone file these under Roach? Drummers, anyone?
This one did sell:
Catching up on my eBay watch list, and starting with this one because I dig the cover and don’t recall ever seeing it before: Miles Davis, Dig Featuring Sonny Rollins, Esquire 32-062. This was an original British pressing and there’s just something cool about these Esquire covers. The record was in VG++ condition and the cover was VG+. The final price was $182.50. For those of you commenting on the earlier posts about alternatives to paying top dollar for U.S. originals on Prestige, these UK pressings look like a pretty good deal to me. And from my experience, the sound is equal to the U.S. pressings. (But, alas, there is no comparable alternative for the Blue Note fanaticos out there, is there?)
Speaking of original Prestiges, there was also this on our watch list: Read more
Happy New Year to all. Looks like our friend Rudolf had a pretty good start to the year selling some vintage and rare jazz vinyl, including Elmo Hope Quintet with Frank Foster and Freeman Lee, Blue Note 5044. This was an original 10-inch pressing that looked to be in beautiful pristine condition, perhaps unplayed after being placed in storage many years ago? Rudolf, I don’t recall if you shared the story of how they ended up in storage, but I would love to hear it (again?). This one sold for $1,054.99. Do you think there are many left in the world in this condition? I also had a pristine copy, which I sold in 1990 for $400, which seemed like a lot at the time and, in fact, was a lot. But the $400 came and went and I’ve never found another affordable copy of this record in the 27 years since.
This one came from the same batch and I was quite surprised to see where the bidding ended up, since I’ve never viewed this one as particularly coveted by collectors:
I’ve been off eBay for a few days and I would once again thank Clifford for filling in. It’s always great to see so much interest in his posts, particularly since he covers an area of the jazz collector world that is pretty foreign to me. Anyway, before I left I had a watch list on eBay, and here are some of the items I was watching, starting with: Herbie Hancock, Takin’ Off, Blue Note 4109. This one had a comment in the listing that caught my eye. It looks like an original pressing with the New York USA label, ears, Van Gelder in the deadwax, et al. The seller says that there is a deep groove on side 2. I had thought the pressings after around this era no longer had deep grooves, but apparently I was mistaken. I looked at my copy and there seems to be some kind of groove, although not nearly as pronounced as the one in the picture on this listing. I looked it up in Fred Cohen’s book and it does seem that an original pressing of Takin’ Off does have a deep groove on side 2. Anyway, it’s very hard to get all of the DGs straight, even, apparently, when you’ve been blogging about this stuff for nearly 10 years. Anyway, this one was probably in VG++ condition for both the record and the cover. It sold for $521.
Eric Dolphy in Europe, Volume 1, Prestige 7304. This was an original pressing with the yellow label and New Jersey address. The record was listed in M- condition and the cover looked to be about VG+, based on the picture, with some ring wear and fraying at the bottom. The record sold for $344, about what you would expect, right? Read more
Here’s one you don’t see too often on eBay: Booker Little and Friend, Bethlehem 6061. I guess in this case the friend was Booker’s trumpet. The record and the cover are both in VG+ condition and the start price is $350. Thus far there are no bidders with about a day and a half left on the auction as of this writing. We’ve seen this record sell for more than $700 a few times in better condition than this, so the seller might have expectations of the record selling for this price.
Here’s another seller that is optimistic with a start price of more than $1,400 for this record: Elmo Hope, Meditations, Prestige 7010. This is an original New York yellow label pressing listed in EX+ condition for the record and Ex/Ex+ for the cover. I’m like Bill W. on the previous post. I’m never sure what Ex or Ex+ means, although I’m assuming for this record the condition is either M- or pretty darn close to it.
Catching up on a few items still lingering on the Jazz Collector watch list, starting with Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing that was listed in VG- or worse condition for the record and VG- for the cover. Despite the condition it sold for $711.80. I have a bit of a hard time relating to a collector who would pay more than $700 for a record that (1) may not even be playable and (2) has a damaged cover that may not even look so good on your shelves. You may recall that I briefly owned a copy of the Jackie record a couple of months ago. That one was in VG condition for the record and VG- for the cover. I wasn’t happy with it and, in the context of the overall package of records, I would have paid less than $711 for it. So maybe the woman who reneged on the deal will do better selling it in that condition to another collector willing to simply own a copy of a really rare record without worrying to much about listening to it. That ain’t me.
Here’s one I’d consider if I didn’t already own a copy: Presenting Ernie Henry, Riverside 222. This is an original pressing with the white label and deep grooves. Wonderful record featuring Kenny Dorham and Kenny Drew, and, of course, Henry, who had a really unique voice that was silenced when he died tragically of a heroin overdose at the age of 31. You don’t see too many white-label versions of this record pop up on eBay. This one is in VG+ condition for both the record and the cover. The start price is in the $250 range and the auction closes later today. So far, there are no bidders. Here’s another great record that may or may not sell when the auction closes later today: Elmo Hope, Informal Jazz, Prestige 7034. This is an original yellow label New York pressing listed in M- condition for both the record and the cover. The bidding has already exceeded $600 but that doesn’t mean it has exceeded the seller’s reserve price, which it hasn’t.
Sorry. I haven’t been on eBay in so long all of the auctions I was watching have already ended. Good thing I wasn’t looking to buy anything. Here are a few to share: Jackie McLean, Jackie’s Pal, Prestige 7068. This was an original pressing with the yellow labels and New York address. The record was listed in VG++ condition and the cover was VG. You can see cover wear in the picture. The record sold for $295, which still seems pretty low to me in spite of the cover. If I didn’t have a copy, I’d probably take it for that price. Of course, I do have a mint copy now, courtesy of my excursion to Baltimore two-and-a-half years years ago. There was also this one from Jackie: Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This was an original West 63rd Street pressing listed in M- condition for both the record and the cover. It sold for $1,125. I wish this one had been in the Baltimore collection, but, alas, my own copy is not an original and it is not in great shape. Not that I would spend $1,125 to replace it.
And now I will clean out some more jazz vinyl from my eBay watch list, starting with Louis Smith, Smithville, Blue Note 1594. This was an original West 63rd Street pressing. The seller listed the record and cover as VG++, although the picture of the cover looked less than VG++ to these eyes. Nonetheless, the record sold for $1,677.
Jazz By Sun Ra, Transition 10. This was an original pressing with the booklet. The record was listed in Ex condition and the cover was VG++. The final price was $1,475. In a similar vein there was also Sun Ra and His Solar Arkestra Playing Secrets of the Sun, Saturn GH 9954. This was an original pressing. The record was probably VG+ based on the seller’s description and the cover was also VG+. The final price was $1,135.
These have all been mentioned in previous posts, but now we have final prices to consider:
Here’s a nice 10-inch Blue Note you don’t see very often: Tal Farlow Quartet, Blue Note 5042. This is an original Lexington Avenue pressing. The seller describes the record as being in VG+ condition for both the record and the cover. The pictures of the record look horrendous. I assume that is just the flash, but as a seller, you’ve got to be more careful when posting pictures. This has a start price of $99 and there are no bidders. Not sure if that is a function of the start price being too high or the poor quality of the pictures. I’d like this record, but not sure I’d be willing to take the chance.
Here’s another one that appeals to me: Elmo Hope, Meditations, Prestige 7010. This is one of the few early Prestiges I don’t own. The record and cover are both in Ex condition, which translates to VG+ in my lingo. It’s an original New York yellow label. There’s shrink wrap and a price label, and I don’t quite know what to make of that because they weren’t using shrink wrap when the record first came out. Probably doesn’t mean anything. There are 10 bids, but it’s still only in the $100 range, which would be quite a bargain for this record. Of course, the price will go up, but by how much? We’ll see tomorrow.