Someone Is, Indeed, Out To Lunch

One of our perplexed readers sent me this: Eric Dolphy, Out To Lunch, Blue Note 84163. This was in M- condition for the record and VG++ for the cover. It sold for $93, okay for a stereo copy. Except this was not a New York USA pressing or even a Liberty. It was a United Artists pressing, circa the mid-1970s, early 1980s. This happens once in a while, doesn’t it, where these United Artists pressings fetch collectible prices. The buyers are either 1. ignorant; 2. careless; 3. desperate; or 4. all of the above.

This one also came in from a reader, perplexed I think as well, from the high price considering the condition: Hank Mobley, Blue Note 1568. This was a not-quite-original original because the picture clearly shows the absence of the New York 23 on the label. Beyond that the record is graded VG+, with an audible ticking noise, and the cover was graded VG to VG+. It sold for $2,500.

Esquire vs Prestige: Is There A Difference in Sound?

I think I’m developing a little thing for the original Esquire covers. Here’s the latest I’m watching: Eric Dolphy at the Five Spot, Volume 1, Esquire 32-173. Having been based in the United States during my whole jazz collecting life, many of these records are absolutely new to me, even though many of them are at least 50 years old. I think that’s one of the great things that eBay has brought to collecting: Creating a market where just about every item you can conceive — or even those that you can’t conceive — will at some point make an appearance. Anyway, this one is in M- condition for the record and VG++ for the cover. The start price is $199 and so far there are no bidders with more than three days to go. The seller claims that this pressing has better sound than the original U.S. pressing. That sounds quite difficult to verify, but I imagine someone out there may have both pressings and could do a comparison. Rudolf? Speaking of Rudolf, it looks like this one of his has reached it’s reserve price and will sell: Jackie McLean, The New Tradition, Ad Lib 6601. This one is M- for the record and Ex for the cover. The price is now more than $2,000 and the auction closes in two days.

 

 

Some More Beautiful Jazz Vinyl

Here’s one I forgot to put on my want list the other day: Lee Morgan Sextet, Blue Note 1541. This one is an original Lexington Avenue pressing listed in VG+ condition for the record and VG++ for the cover. Great crystal clear cover picture that makes the listing quite enticing, don’t you think? This was one of the first Blue Note records I ever purchased, back in the early 1970s, but, of course, in those days the record available in the bins at Sam Goody’s was a reprocessed stereo Liberty pressing. And that’s what I’ve had all of these years. This particular copy will not likely be the replacement: The bidding has already neared $500 and there are are still more than four days left on the auction.

Here’s another beauty from the same era, similar black and white cover with some yellow type: Hank Mobley with Donald Byrd and Lee Morgan, Blue Note 1540. This is also an original Lexington Avenue pressing. This one is in VG++ condition for both the record and the cover. The pricing is now at $1,100 but it hasn’t reached the seller’s reserve price.

Let’s get away from Blue Note for the next couple:

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Gary Bartz, John Coltrane, Jazz At Lincoln Center

So the other day I’m sitting home working and I get a forwarded email from The Lovely Mrs. JC about a John Coltrane Festival taking place in New York between October 18 and November 3 and on that very night there will be something called a “listening party” with the saxophonist Gary Bartz and it is free and it is three subway stops away at Jazz At Lincoln Center at Columbus Circle. So I do a quick search on the Internet and it turns out that Bartz has a new album out called “Coltrane Rules: Tales of a Music Warrior,” and at this listening party he will discuss the album and play some tracks. Now I am a big fan of Gary Bartz, ever since I saw him three nights running at Bradley’s down on University Place at least 20 years ago and was blow away by his sensitive, passionate and inventive playing, the closest thing on alto to Sonny Rollins. So, I went down to Jazz at Lincoln Center and I went to the listening party and it was terrific. There were maybe 30 people in the place, a small studio with folding chairs, and at the front there were Bartz sitting on a chair with Read more

& a Few More For the Jazz Collector Price Guide

You’ll be happy to note — or at least I’m happy to note — that I actually did update the Jazz Collector Price Guide yesterday. The Guide was stuck for a long time at 4,971 records and is now at 5,240 records. There were a lot of interesting items that went into it yesterday, many for the $1,000 bin. I had forgotten about the Joe Henderson Page One that sold for $2,000 and the Donald Byrd Byrd in Hand that sold for more than $1,900. Well, they are now part of the permanent record, so to speak. Here are a few more that will eventually find their way.

Presenting Ernie Henry, Riverside 222. This was an original white label pressing. The record was in VG++ condition and the cove was similar. The price was $371.18. Those white label Riversides are a nice find, when you can find them.

Eric Dolphy in Europe, Debut 136. This was the original Danish pressing. The record and cover were both in M- condition. The price was $2,311.

And here’s one I’ve never seen before:

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Dealing With a Case of Vinyl Envy

Sometimes I get vinyl envy. I see a record on eBay, one that I don’t have as an original pressing, usually a Blue Note, and I think my collection isn’t complete until I get that record. But then, if I get it, there’s always another to remind me that the collection will never be complete. So I think the vinyl envy is not such a bad thing. What would be the fun of collecting if there was nothing more to collect? So this is a record that gives me vinyl envy: The Magnificent Thad Jones, Blue Note 1527. I have a United Artists pressing and I’ve probably never even listened to it, so I’m not even sure of the quality of the music, although I bet it’s great: It’s really that Lexington Avenue label and cover in the pictures that does it. You can almost feel the cardboard and the heavy vinyl. Anyway, this one is in VG++ condition for the record and M- for the cover and it is approaching $300 and will probably sell for closer to $1,000, so it will not be added to the Jazz Collector collection.

This is a cool one I’ve never seen before:

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Tracking Some Original Prestige Jazz Vinyl

Here’s some more jazz vinyl we’re watching on eBay: Miles Davis, Relaxin’, Prestige 7129. This is an original New York deep groove pressing in M- condition for the vinyl and VG++ for the cover. The auction closes tomorrow and the price is in the $230 range. I mentioned in passing that I recently purchased a collection and an M- original pressing of this record was included, so I’m interested in seeing the price. I am just about ready to start writing about my latest adventure in pursuing and purchasing this collection, so stay tuned.

It would have been nice if there were a copy of this record in the collection but, alas, there was not: Hank Mobley, Mobley’s Message, Prestige 7061. This is an original New York pressing in VG++ condition for the vinyl and VG+ for the cover. The price is hovering in the $170 range with three days to go, but it has not yet reached the seller’s reserve.

This one is on the verge of closing as I write this post:

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Jazz Vinyl Watching on Dolphy, Mingus, Evans, Candid

When I slipped off the face of the Jazz Collector earth last week there was a pending auction I was watching from the Jazz Record Center. So, just to complete my updating process, here are some of the jazz records from that auction:

Man, some of the Eric Dolphy records are going for big bucks. The latest example: Eric Dolphy in Europe Volume 1, Prestige 7304. This was an original pressing with the yellow label — near the end of the cycle for yellow-label Prestiges. The cover was in the original shrink wrap and both record and cover were in M- condition. this one sold for $565.55.

Bill Evans, Interplay, Riverside 9445. This was an original stereo pressing with the black labels. The record and cover were in M- condition. The price was $191.38.

Here were a couple of Candids: Charles Mingus, Mingus, Candid 8021. This was an original pressing with the deep grooves and it was in great condition, M- all the. It also had a promo stamp. Nice cover, right? Also features Eric Dolphy and Booker Ervin. You’d think it would be worth more than $115.50 but, alas, that was the sale price. Charles Mingus (et al), Newport Rebels, Candid 8022. This too was an original deep groove mono pressing in M- condition. It sold for $113.50.

 

Updating Some Jazz Vinyl Auctions

Tough to follow up on that great story by Rudolf, so we will just go back to watching eBay and catching up on some of the items we were watching last week, starting with: Paul Quinichette, On the Sunny Side, Prestige 7103. This was an original New York yellow label pressing in VG++ condition for both the record and the cover. When we were watching it last week it was in the $230 range and it wound up selling for $328. If you ask me, that’s a bargain for a nice original Prestige from the 7100 series. Of course, not as big a bargain as Rudolf may have paid, but a bargain nonetheless. ¬†From the same general area was John Coltrane, Tenor Conclave, Prestige 7074. This was also an original New York pressing that looked to be in M- condition for the record and cover. It sold for $399.97. One more from that group of Prestiges: Eric Dolphy, Far Cry, New Jazz 8270. This was an original pressing that looked to be in beautiful M- condition for both the record and the cover. It sold for $880.

Here’s a Blue Note that did not sell:

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. . . And a Few More Non-Blue Notes

Funny that I did the post yesterday about non-Blue Note jazz vinyl and then noticed an e-mail from the Jazz Record Center with an auction consisting of non-Blue Note jazz vinyl. And then CeeDee sent me a separate note about a New Jazz Eric Dolphy LP fetching quite a high price. To wit:

Eric Dolphy at the Five Spot Volume 1, New Jazz 8260. This was an original purple label pressing with the deep grooves. The record was only VG+ condition and the cover was M-. The price was $887. We’ve seen this record sell for more than $900 previously in the Jazz Collector Price Guide, so it’s not unprecedented. But VG+ vinyl? Per CeeDee: New JAzz — the new Blue Note?

Some of the Jazz Record Center items: Bill Evans, Interplay, Riverside 9445. This is an original stereo pressing with the black label. It looks to be in M- condition for both the record and the cover. The start price is $100 and there is already a bidder so it will sell. Charles Mingus (et al), Newport Rebels, Candid 8022. This is an original mono pressing that looks to be in M- condition all around. The start price is $75 and so far there are no bidders. I always thought this would be a record more prized by collectors, given the additional presence of Kenny Dorham and Eric Dolphy, among others, and also the unusual circumstances that led to the recording. But, it doesn’t usually get top dollar. This is another one I have to put on the turntable again, since I haven’t listened to it in years.

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