Can you stand a day without Blue Note? Let’s look at some Prestige jazz vinyl we’ve been watching on eBay (actually, it’s all New Jazz):
This was part of the recent batch sold by our old friend bobdjukic: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing. It was listed in VG++ condition for both the record and the cover, but from the pictures it was clear that the cover was not anywhere close to VG++ condition. Perhaps that affected the bidding, because this sold for the surprisingly low price of $740. If potential buyers were confident that the condition of the vinyl and cover were really VG++, it would presumably have sold for quite a bit more. The last one we had in the Jazz Collector Price Guide in VG++/VG++ condition sold for $1,225.
This one looked to be in beautiful condition and the price certainly reflected it: Eric Dolphy at the Five Spot, New Jazz 8260. This was an original purple label pressing with the deep grooves, which were not described by the seller but were apparent if you blew up the pictures. It was in M- condition all the way around and sold for $687.
This one got a nice top bid, but failed to meet the seller’s reserve:
We promised some Prestige stuff today. We’ll start with a couple of recent eBay sales and then later we’ll be posting an interesting question. First, to eBay:
Ken McIntyre, Looking Ahead, New Jazz 8247. This was an original pressing with the purple label and the deep grooves. It was in beautiful M- condition. The record features Eric Dolphy as well and the seller listed Dolphy first. That was probably a wise decision. This one sold for $260.
This one was from the same era, with a very similar framed cover: Benny Golson, Gone With Golson, New Jazz 8235. This was
Not everything is Blue Note, right? Here are some Prestiges that we’ve just entered into the Jazz Collector Price Guide.
Dorothy Ashby, Hip Harp, Prestige 7140. This was an original New York yellow label pressing and it looked to be in nice M- condition for both the vinyl and the cover. The price was $193.
Miles Davis Plus Horns, Prestige 7025. This was a New York pressing. The record was VG++ and the cover was M-. The listing lacked a little bit of detail — such as whether it was a kakubushi cover — and the price was $170.17. Just a few weeks ago we saw an M- version of this LP sell for $799.
Ray Bryant Trio, Prestige 7099. This was an original New York yellow label pressing
Let’s catch up on a few odds and ends in the world of collectible jazz vinyl:
The Blue Notes continue to be getting top dollar, but there seems to be a drop-off in prices in the middle of the market, records that would normally sell in the $30-$150 range. I’ve noticed it with my own sales on eBay and I was talking with Steve at Round Again Records in Providence yesterday and he said he believes the market has fallen off by as much as 40 percent in the past couple of years. I was thinking about that when I looked at some of the records I’ve been watching on eBay that failed to get bids, despite what seemed to be reasonable starting prices. Here are a few:
Kenny Drew and his Progressive Piano, Norgran 1066. This was an original pressing from a reputable seller. The record was in nice condition, M-/VG++ and the cover seemed nice as well with a partial seam split. The start price was $74.99 and there were no bidders. The picture accompanying the listing wasn’t great and perhaps that dampened the enthusiasm.
Ken McIntyre, Looking Ahead, New Jazz 8247. This was an original pressing with the purple labels and the deep grooves. The record and cover were in VG+ condition and the start price was $99.99. This record, which prominently features Eric
I did that post earlier today and mentioned that Downbeat had done a whole feature asking various artists about their favorite Blue Note records. I was able to dig up my copy of the magazine — I don’t have a subscription anymore, but I had purchased this one on the newsstand because of the cover. It was from March of 2009. The cover, as you can see, has Joe Lovano with his favorite Blue Note: Art Blakey and The Jazz Messengers, Free For All, Blue Note 4170. It’s quite gratifying to see his picture with a vinyl pressing, and a mono vinyl pressing at that and perhaps even an original mono pressing. Inside, the magazine asked a variety of other jazz artists to name their favorite Blue Notes as well. Here are their replies:
We updated Blue Note and Prestige earlier this week. Here’s an update on some other labels we’ve just entered into the Jazz Collector Price Guide:
Ernie Henry, Seven Standards and a Blues, Riverside 248. This was an original pressing with the blue label, deep grooves, etc. It was sold by a reputable seller and was in M- condition, for both the record and the cover. And it got quite a hefty price: $564.32.
Brew Moore Quintet, Fantasy 3-222. This was an original pressing that looked to be in M- condition for both the record and the cover. It sold for $304.
Mal Waldron, Left Alone, Bethlehem 6045. This was an original red label pressing. The vinyl
We’ve been quite busy updating the Jazz Collector Price Guide, so we will do a few posts over the next few days highlighting some of the new entries, starting with some Blue Notes, of course. There are no links to these, FYI.
Kenny Drew, Undercurrent, Blue Note 4059. This was an original pressing with the West 63rd Street address and just one side deep groove. The record was listed in VG+ condition for both the vinyl and the cover and it sold for $285.
Baby Face Willette, Stop and Listen, Blue Note 4084. This was an original pressing with the NY USA label. the record looked to be in VG++ condition for both the vinyl and the cover. It sold for $200.
This one sold for a big price, but it didn’t seem to be an original pressing:
Here’s a couple we’re watching on eBay now:
Eric Dolphy, Out To Lunch, Blue Note 4163. This seems to be an original pressing, although it’s odd that one side is deep groove and the other isn’t. It is from the same seller who was selling all of those pristine records last week, and this looks to be of similar quality: Just beautiful if the pictures are accurate. This one is currently sitting at about and it hasn’t yet reached the seller’s reserve price. You may recall that we at Jazz Collector — okay, me at Jazz Collector — were quite flabbergasted when a copy of this record sold for the astronomical price is $1,524. We think that was an aberration, so it will be interesting to see what this one goes for.
Here’s another rare record that looks to be in very nice condition:
Doesn’t look as if things on eBay slowed down during the Christmas weekend. Here are a few of the items we’ve been watching:
Johnny Griffin, The Congregation, Blue Note 1580. This was an original pressing with the West 63rd Street address and the cover illustration by Andy Warhol. It was listed in M- condition by a very reliable seller. The price was $1,875. The same seller also sold: Here Comes Louis Smith, Blue Note 1584. This also looked to be in nice M- condition for both the record and the cover. It sold for $1,275.
While we’re updating the $1,000 bin, here’s this one:
Some interesting items on eBay this weekend. Let’s take a look:
Here’s a beauty: Jackie McLean, The New Tradition, Ad Lib 6601. This one looks to be in beautiful condition and is a promo copy. How many promo copies do you think there are of this record? I do have to say, for a very rare record, it comes up fairly often on eBay. I guess that’s just a function of eBay. I’ve been going to record stores all over the world for 40 years and never saw this in a store, although I did own the record at one time and sold it. On eBay, it seems there is a copy at least once a week, sometimes more. Of course, some of these may not be real — Nautiluso anyone? — and some may not be in very nice condition. This one is and the current price is $1,500 and it still has not reached the seller’s reserve.
Here’s a rare Blue Note that may be difficult to judge, based on the seller’s description: