One for the $3,000 Bin (And A Few More)

So how did some of those jazz vinyl auctions we were watching pan out? Thought you would never ask.

Hank Mobley, Blue Note 1568. This was an original pressing of one of the rarest and most valuable of all jazz records and it was sold by the most reputable of all jazz sellers, the Jazz Record Center in New York. The record was in M- condition and the cover looked like VG++. We’ve seen this record sell for more than $5,000 in the past on the Jazz Collector Price Guide. Not this time. This one sold for a mere $3,362.

Presenting Ernie Henry, Riverside 222. This was also from the Jazz Record Center and it was an original white label pressing that looked to be in quite lovely condition, M- for both the record and the cover. This one sold for $510. Great cover, isn’t it? Perfection, really, with the great picture and his eyes closed and the scripted typeface with the finger pointing to Ernie. Love it. Great record too.

This seller had a few interesting records from the Prestige New Jazz label, including:

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Real Original Originals (In Nice Shape, Too)

Here’s one that will sell for quite a lot of money this week: Hank Mobley, Blue Note 1568. This is an original original pressing and it is being offered by the Jazz Record Center, which describes it as a “the original hybrid deep-groove RVG-stamped ‘P’ pressing.” This is a lot to take in, but the key word is original. The record looks to be in M- condition and the cover probably around VG+. There are close to three days left in the auction and the bidding is in the range of $1,125. It will continue to rise. We’ve seen this record sell for as much as $5,600 in the Jazz Collector Price Guide, the highest price we’ve ever recorded for any single record.

What are some of the other items we’re watching from the Jazz Record Center auction. Glad you asked:

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Down By The Riversides (With A Blue Note)

Here’s some more jazz vinyl we’ve been watching on eBay.

It’s been a while since we’ve tracked a nice copy of Tina Brooks, True Blue, Blue Note 4041. This one was an original pressing listed in VG++ condition for the record and M- for the cover. It sold for $1,913.

Here’s a nice Riverside: Ernie Henry, Last Chorus, Riverside 266. This looked to be an original pressing in M- condition for both the record and the cover. It sold for $270.

While we’re on Riversides, here’s one two numbers apart: Johnny Griffin Sextet, Riverside 264. This one was in M- condition for both the record and the cover. It sold for $349.95. My dad used to search high and low for the Riversides in the bargain bins of a couple of record stores along 8th Street in Greenwich Village in the ’60s. I wish he would have bought some of these, but he wound up with a lot of Cannonball, a lot of Wes Montgomery and some Bill Evans. No complaints, really. I still have many of those great records from my dad.

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More Price Updates: Ernie Henry, Clifford Brown, Etc.

We updated Blue Note and Prestige earlier this week. Here’s an update on some other labels we’ve just entered into the Jazz Collector Price Guide:

Ernie Henry, Seven Standards and a Blues, Riverside 248. This was an original pressing with the blue label, deep grooves, etc. It was sold by a reputable seller and was in M- condition, for both the record and the cover. And it got quite a hefty price: $564.32.

Brew Moore Quintet, Fantasy 3-222. This was an original pressing that looked to be in M- condition for both the record and the cover. It sold for $304.

Mal Waldron, Left Alone, Bethlehem 6045. This was an original red label pressing. The vinyl

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Catching Up: Miles, Ernie Henry, Brew Moore

Time to catch up on a few items we’ve been watching. It’s a little scary when the auctions of bobdjukic, which are getting quite a lot of attention from some of our commentators, are fetching higher prices than those of Jazz Record Center or Euclid. But that’s life on eBay, which tends to be a great equalizer. Anyway, both JRC and Euclid had some auctions close yesterday, with some interesting items, including: Miles Davis, ‘Round About Midnight, Columbia 949. This was an original mono pressing with the white promo label from Jazz Record Center. The record was in M- condition and the cover was at least a VG++. This one sold for $291. This is another case where I believe the promo label actually helped to boost the sale price.

This beauty was sold by Euclid Records: Ernie Henry, 7 Standards and a Blues, Riverside, Riverside 248. This was an original blue label pressing in near mint condition for both the cover and the vinyl. The price was $564.32. I think that sets a record for this LP, but

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Ellington and Trane on Broadway; Plus Serge Chaloff With and Without Sonny Clark

Some more for the Jazz Collector Price Guide:

Duke Ellington and John Coltrane, Impulse 30. This was an original white label promo copy. It was in M- condition, both record and cover. The price was $326. We’ve actually seen this go for slightly higher before. Interesting — I went to a play with Mrs. JC the other day (Mrs. Jazz Collector, not Mrs. John Coltrane), and they were using 1960s mood music between scenes. One of the tracks was from this album, In a Sentimental Mood. After the fourth note, I was able to identify it. Not difficult really — it’s a very recognizable version. Excellent play, by the way: The American Plan. Worth seeing if you’re in New York.

We were watching these two LPs from Serge Chaloff and questioning how big a difference the presence of Sonny Clark was have on impacting the price. Quite a bit, it turns out:

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Today on Ebay, January 19, 2009

Things are kind of slow on eBay today, but there are definitely a few items of interest for those of us in the Jazz Collector world. Of particular note are several Blue Note test pressings from the seller Bluenotesound, which, we believe, is affiliated with Mosaic Records. This one is of the Jackie Mclean Quintet, listed as Blue Note BST 84116. It was recorded in 1962 — the record has the date 9-2-62 — but wasn’t released until the 1970s. It features Kenny Dorham and Sonny Clark and, according to the seller, Blue Note only issued 25 test pressings of each LP, so it would be extremely rare. In addition to this Jackie test pressing, there are two other test pressings available: Leo Parker, Rolling With Leo,  and a copy of the Sam Rivers LP Dimensions and Extensions. All of these are in near mint condition. It’ll be very interesting to see the final prices. 

Among the more conventional jazz collectibles are:

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More on the Great eBay Debate

Jazz Collector Newsletter, June 2002

 

We have some positive changes coming at Jazz Collector. We’re updating the Jazzcollector.com Web site and starting Monday we’ll be posting new items each weekday. Plus, we’ll be giving away free collectibles from the site periodically. Finally, we’re going to post more articles and commentaries from readers and increase activity on the site’s Forum. The hope is to create a hub for the Jazz Collector community, so please use the site and offer up any suggestions. The site upgrade won’t affect the newsletter, which will still come out once a month. We have more than 800 subscribers now and the roster keeps growing. Obviously, jazz vinyl is alive and well.

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A Potpourri of LPs

I went away for the long Memorial Day weekend and didn’t look at eBay for three days. Here are some of the things I missed:

 

Howard McGhee, Music From The Connection, Felsted 7512. This was in nice condition and sold for more than $1,000.

 

Benny Carter, Cosmopolite, Norgran 1070. This was an original yellow label copy, autographed by Carter and, according to the dealer, directly from Carter’s own collection. A nice collectible, indeed.

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