Rare Records; The Loss of Michael Cuscuna

I said I would continue perusing the recent auctions from The Jazz Record Center, so here is Part II, starting with Elvin Jones and Richard Davis, Heavy Sounds, Impulse AS-9160. This was ana original white label stereo promo copy with the white label. The record was in M- condition and the cover seemed to be probably VG++. This is not a record you see very often, particularly a promo copy. One of the interesting things about this album is a track called Elvin’s Guitar Blues, featuring Elvin Jones’ first recording on a new instrument, the acoustic guitar. I happen to have an original pressing of this record, so I’m putting Elvin’s Guitar Blues on the turntable now. The verdict: Well, I’m sure it was fun for Elvin to record a track on guitar, but he’s a little bit better as a drummer. Frank Foster takes a nice, short blues solo on the track. The record sold for $339. Read more

Patterns, Icons and Socks

Here are some of the items in our eBay watch list, starting with Gil Melle, Patterns in Jazz, Blue Note 1517. This looked to be an original Lexington Avenue pressing in M- condition for the records and VG++ for the cover. The final price was $2,716. That is the highest price ever recorded for this album, according to Popsike. I own a Japanese pressing of this LP and, frankly, I’ve never listened to it, but somehow I get the sense that it is the label and not the music or the artists that makes this record so coveted among collectors. Maybe next time I get a chance, I’ll put it on the turntable. FYI, the highest price for any of the Melle Prestige records was $544 – and that wasn’t even the one with Kenny Dorham, Gil’s Guests. That one has had a top price of $381. Read more

Digging Deeper Into the Jazz Collector Collection

I was perusing eBay this morning and came upon: Sonny Rollins Plus Four, Prestige 7038. This is an original New York yellow label pressing with the first cover. The record is listed in VG++ condition and the cover is VG. The bidding is in the $315 range with more than a day left on the auction. One of the reasons I saved this record on my watch list was to remind myself that, prior to my recent road trip, I had planned to write a post talking about records I had recently been enjoying, and this was among the foremost – or should I say, Fourmost? – on the list. So here is that record, and here is that post. Read more

Some Jazz Vinyl for Our Files

Just looking at some random items from my watch list, starting with Clifford Brown and Max Roach, Study in Brown, Emarcy 36037. This was described as an original pressing, but clearly it isn’t, with the black writing on the back cover instead of the blue. Also, the cover was graded at M-, but it’s not that either, with both a sticker and writing on the back. So perhaps it was not surprising that the record did not sell at a start price of $300. But it’s back again. I just wanted an excuse to run a picture of the cover. And pose a quick question: I keep all of my Brown and Roach records filed under Brown, and I assume those that file by artist do the same. Does anyone file these under Roach? Drummers, anyone?

This one did sell:

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. . . And a Quartet for New Year’s

Happy New Year to all. Looks like our friend Rudolf had a pretty good start to the year selling some vintage and rare jazz vinyl, including Elmo Hope Quintet with Frank Foster and Freeman Lee, Blue Note 5044. This was an original 10-inch pressing that looked to be in beautiful pristine condition, perhaps unplayed after being placed in storage many years ago? Rudolf, I don’t recall if you shared the story of how they ended up in storage, but I would love to hear it (again?). This one sold for $1,054.99. Do you think there are many left in the world in this condition? I also had a pristine copy, which I sold in 1990 for $400, which seemed like a lot at the time and, in fact, was a lot. But the $400 came and went and I’ve never found another affordable copy of this record in the 27 years since.

This one came from the same batch and I was quite surprised to see where the bidding ended up, since I’ve never viewed this one as particularly coveted by collectors:

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Tracking Jazz Vinyl To The Ends of The Earth . . . . . . (And Perhaps Beyond)

Frank Foster Jazz VinylBack in action again. Working out of my apartment this week in Manhattan. There’s a construction project next door, so I’m sitting here with headphones to block out the noise. Right now it’s Bill Evans “I Loves You Porgy.” There are worse ways to work. Now, on to eBay, starting with Here Comes Frank Foster, Blue Note 5043. This is an original 10-inch pressing with the Lexington label. The seller misspells the name as “Forster.” Can’t imagine that would affect searches, but you never know. This one is listed in M- condition for both the record and the cover. The starting price is about $300 and so far there are no bidders with more than three days left. I imagine, in this condition, this record will get some decent action. I have seen Japanese reissues of this record, but was it ever issued on Blue Note in the U.S. on a 12-inch LP? Same with the Dizzy Gillespie Blue Note, Horn of Plenty. I don’t recall seeing that on a 12-inch LP. Any other Blue Notes in a similar category? I can’t think of any off the top of my head, although I’m sure there are more.

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Breaking a Few Records

Blue TrainDidn’t quite get in all of the jazz vinyl auctions I wanted to post from yesterday, so here are a few more.

John Coltrane, Blue Train, Blue Note 1577. This was an original pressing. The seller didn’t give it a grade, but from the description is sounded like the vinyl was probably M-. The cover was probably VG++, based on the pictures. It sold for a whopping $3,000. That’s far and away the highest price we’ve ever seen for Blue Train in the Jazz Collector Price Guide.

Thelonious Monk, Monk, With Sonny Rollins and Frank Foster, Prestige 7053. This was a New Jersey pressing, not an original. The cover also had the New Jersey address. This one has the Andy Warhol cover, which gives it some additional prestige, if you’ll pardon the play on words. The record was in VG++ condition and the cover looked to be VG++ as well. This one was listed by bobjdukic, and he has somehow figured a way to get prices that no one else can match. For this second pressing, he was able to get a top bid of $955.21.

Here’s another Warhol cover from the same seller:

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A Tale of Two Lees

getzIt’s hard to see how anyone can bid on this listing: Lee Morgan Sextet, Blue Note 1541. This is listed as a mono pressing in near mint condition for the record. The cover is listed as VG. There is only one picture of the cover, no pictures of the labels or anything else, including the back cover. No mention of deep grooves or RVGs or Lexington Avenues or anything else. My bet is that this is a United Artists pressing from the 1980s. Still, some people are willing to take risks. There are three bids on this record and the price is close to $200. Perhaps the buyer won’t mind getting a United Artists pressing? Oh, yes, and the seller has a history of 13 items and an approval rating of 93 percent. By contrast, this listing has all of the information you would be looking for: Lee Morgan Volume 3, Blue Note 1557. This is an original deep groove pressing with the West 63rd Street address and the New York 23 labels. The record is VG+, but the cover is G with mold on the back. The price is in the $170 range, but it hasn’t yet met the seller’s reserve price.

I have a lot of 10-inch Prestiges, and you don’t often find them in M- condition, so this one is quite appealing: Stan Getz Volume 1, Prestige 102. The vinyl is M- and the cover is VG++. The seller is Atomic Records, which tends to be conservative on the grading, so this one must be really nice. It closes later today and the price is about $80.

One more Prestige:

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A Prestige Pair & One For The $1,000 Bin

Here are a few more jazz vinyl odds and ends we’ve been watching on eBay:

Let’s start with a couple more Prestiges. Frank Foster, Hope Meets Foster, Prestige 7021. This looks to be an original pressing with the New York address and the deep groove. It was listed in M- condition for the record and the cover looked to be VG+ or VG++. The price was $548.78, which is a nice price but in this market I would have thought it might have sold for even more. If that Prestige sold for less than expected, this one got top dollar, based on what we’ve previously seen for this record in the Jazz Collector Price Guide:

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Blue Notes on A Summer’s Day

On this warm, sticky, hot, sweltering summery day in New York, let us take a moment to catch up on some collectible jazz vinyl from the recent annals of eBay:

Here’s a nice Blue Note for what seemed to be a pretty reasonable price: Lou Donaldson, Swing and Soul, Blue Note 1566. This was an original pressing from a reputable seller. The vinyl was M- and the cover was VG++. The price was $460.75, and this is quite a fine record, indeed. There was a second copy of this record for sale. The record and cover were VG++ and the

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