$1,000 Jazz Vinyl (And Not)

Back in action. Let’s do another live tour of random rare jazz vinyl now listed on eBay. Let’s start right at the top: Lee Morgan, Candy, Blue Note 1590. This is an original West 63rd Street pressing. The seller grades it in “Ex” condition. Seller only has a rating of 95.7 on eBay across more than 8,000 listings, but when you read the feedback it seems to be overwhelmingly positive. If I were bidding, I probably would not be concerned, but I will not be bidding. Even though I sold my original pressing of Candy more than 30 years ago and have since been unable to replace it, the starting price of $3,500 for this copy would be way, way, way out of my comfort zone. So far there are no bidsThe same seller also has Introducing Lee Morgan, Savoy 12091. This is an original pressing with the deep red label. The record and cover are listed in “Ex” condition and the start price is $1,500. So far there are no bids. Read more

Ups and Downs on eBay

Going backwards through my eBay watch list for a moment, starting with Bill Evans, Waltz for Debby, Riverside 399. This was an original blue label pressing that was in VG++ condition for the record and the “lower end” of VG+ for the cover. You can definitely see some cover damage in the pictures. The final price was $1,524. This is one of my favorite records, but still I am surprised to see how much the value has soared over the years, possibly more so than any other record not on the Blue Note label. At this stage, is there any Riverside record that sells for a comparable price? Perhaps just one of the other Bill Evans rarities, such as a first cover New Jazz Conceptions? Read more

Closing out 2012 With Jazz Vinyl

Here’s an update on some of the jazz vinyl we’ve been watching on eBay as 2012 comes to a close, starting with Johnny Coles, Little Johnny C, Blue Note 4144. This was one of Rudolf’s listings. It was an original pressing and was interesting because it looked as if one side had deep grooves, which seems kind of odd because it was issued after the deep groove era, wasn’t t? This looked like a beauty in M- condition and it sold for $615, so it was not a bad time to be listing this record.

This used to be an item that would regularly sell for more than $1,000 and often more than $2,000, but its value seemed to have been dropping in the past few years: Fred Astaire, The Astaire Story. This is the beautiful bound set that includes the four records, David Stone Martin Prints, photos, booklet and, of course, the original Astaire signature. This one looked to be in beautiful condition and sold for $1,009.

One more that we don’t often track here at Jazz Collector:

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A Little Bird, A Little Philosophizing

Glad to see there is still some collector interest in Charlie Parker. I had heard this theory, and once discussed it here, that there’s a window of about 50 years for interest in a performer/musician and after that period the people who actually could remember him are no longer around and the influence that he or she engendered, no matter how profound, would eventually fade or be forgotten in the afterglow of artists who succeeded them. This seemed particularly apt in the case of popular artists — a Bing Crosby or Fred Astaire, for example — but it also seems to have impacted the jazz world as well. You don’t get the sense that collectors and even aficionados today have the same esteem for, say, Duke Ellington or Count Basie or even Lester Young that collectors and aficionados had 20 years ago. I think about this a lot and wonder, not just about my collectible records (and their value), but about how history will treat earlier artists and whether their contributions will be remembered in the perspective of their era and the eras that came subsequent to their contributions. Artists like, say, Johnny Hodges or Art Tatum or even Dizzy Gillespie and Stan Getz (and no, I’m not just focusing on the Verve label, although those provide good examples). This came to mind because

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Catching Up on Some Odds & Ends

Here are some non-Blue Note odds and ends we’ve been watching:

Blue Mitchell, Blue Soul, Riverside 309. This was one of the ones from the recent bobdjukic auction. It was listed in VG++ condition for both the vinyl and the cover and it looked to be an original deep groove, blue label pressing. It sold for $275. One of the reasons I was watching this is that I just bought another small collection and a nice original mint copy of this record was in the batch. There were also a few original Blue Notes so, if I ever get back to selling records on eBay, I’ll have some nice items to start with . . . . or if I have Jazz Collector readers come to the house, as previously proposed.

Harry Carney With Strings, Clef 640. This looked to be an original pressing, although there was no picture of the label, with a beautiful cover illustration by David Stone Martin. It was listed in VG+ condition for both the record and the cover and sold for $110.50. You have to wonder how much longer there will be a market for Harry Carney LPs. Case in point: The Astaire Story. This was the original Mercury boxed set in beautiful condition, signed by Astaire, with the Stone Martin illustrations and the exclusive photos. In M- condition, this would have sold for somewhere in the range of $2,000 just a few years ago. Now, the seller had a start price of $800 and there were no bidders.

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Price Updates: Lights Out, Zoot, Kenny Drew

Here are some of the items we’ve been watching on eBay:

Jackie McLean, Lights Out, Prestige 7035. This was an original New York pressing with the deep groove and heavy vinyl. The record was listed in M- condition and the cover was VG+. It did not have a flat edge, according to an answer to a questioner, but I’m not sure that doesn’t mean it wasn’t original. Anyway, the price was $639.49.

Phil Woods, Warm Woods, Epic 3436. This was an original pressing and it was listed in M- condition for both the vinyl and the cover. The price was $495.

Zoot Sims, Zoot, Riverside 228. This was an original white label pressing and it was listed in VG++ condition for the vinyl and VG+ for the cover. The price was $413.

Here are a few we were watching the other day:

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Collectibles Anyone? Astaire, Kenny Drew Riverside

There are quite a few interesting items on eBay now. Here are a couple:

Fred Astaire, The Astaire Story, Mercury 1001 1004. Most of you are probably familiar with this set, produced by Norman Granz in the early 1950s.  There were 1,384 copies produced, all autographed by Astaire, and the set came with four LPs, a booklet with exclusive photos and a set of drawings by David Stone Martin. The music is all jazz even though Astaire was not a “jazz singer,” and the sidemen include many of the greats within the Granz stable, such as Oscar Peterson, Flip Phillips, Ray Brown, Barney Kessel, Charlie Shavers. Anyway, it is quite a nice set and used to regularly sell in the $2,000 range. Our top price in the Jazz Collector Price Guide is

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What’s on eBay for More than $1,000?

I was away with hardly any access to the Internet and I wasn’t on eBay all of last week. Just for the fun of it, and to see if I missed anything significant, this morning I did a search through completed jazz auctions for all items that sold for more than $1,000. To my surprise, there wasn’t that much. Here’s what I found:

Tina Brooks, Blue Note 4041. This was an original pressing in what looked like very nice condition. Price: $1,703.30

Fred Astaire, The Astaire Story, Clef 1001. This is the complete boxed set, signed and autographed by Astaire. Price: $1,826. It so happens, I also have a copy of this, in comparable condition. If anyone is interested I’d sell it for $1,750. Contact me alperlman@hotmail.com.

 The final $1,000-plus item was this:  The Jacques Pelzer Quartet in Italy, on the Italian Centra label. I had never seen or heard of this record and, according to the dealer, there were only 200 or so copies pressed. This one received a top bid of $1,226, but still failed to meet the seller’s reserve price. Perhaps it will appear again.