This week’s theme: Two-tenor LPs. Featured artists include John Coltrane, Paul Quinichette, Sonny Rollins, Coleman Hawkins, Charlie Rouse, Ben Webster, Sonny Stitt, Al Cohn, Zoot Sims, Gene Ammons, Dexter Gordon, Paul Gonsalves, Hank Mobley.
Pardon the interruption. I decided to take a much needed vacation. Hopped in the car with The Lovely Mrs. and headed south. Ended up in the northern part of Florida, with a small Airbnb located right on the ocean. Damn, a fellow could get used to that. Didn’t think about work, didn’t think about records, didn’t think about much of anything. I’m back now and there’s still snow and ice on the ground and the winds were howling at about 40 MPH overnight and into this morning. Of course, you are not here for a weather report but for information about rare or not-so-rare jazz records. Let’s hop on over the eBay for the first time in a couple of weeks and see what is going on, shall we? We can start with Newk: Sonny Rollins, Saxophone Colossus, Esquire 32-045. This looks to be an original UK pressing. The seller describes it as EX with a lot of plus signs, so I would take that to be M- or so for the record and the cover. The bidding is in the $300 range and the auction closes later today, so by the time many of you see this, the bidding will be finalized and someone will be anxiously awaiting their copy of this very cool record. The music isn’t bad either. Read more
Normally my eBay watch list is filled with records I am watching to fulfill my mission here at Jazz Collector. There are very few occasions when I actually bid on records and, if you’ve been keeping track, even fewer occasions when my bids are successful. One of the records in my watch list that was for both Jazz Collector and potential purchase purposes was this one: Joe Henderson, Page One, Blue Note 84140. Somehow in more than 50 years of jazz collecting, this record has never made it onto my shelves, and it is a classic, isn’t it, with Blue Bossa and Recorda-Me and Kenny Dorham and Joe Henderson? Anyway, this is an original stereo pressing and, I was thinking, perhaps because it was stereo and not mono, the price might be in line with my sensibilities. The record is in VG++ condition and the cover is M- and when I first spotted the record it was in the $200 range. We are now two hours from closing as I write this and the price is close to $600. I expect it to sell for a bit more than that, so I will just keep looking. I still don’t know why I don’t have a copy. I mean, back when I started collecting I probably could have gotten a Liberty pressing for $5 or so at any of the local record stores. Read more
On my eBay watch list this week are some rare Gene Ammons records from our friend Rudolf, including Gene Ammons All Stars, Jammin’ With Gene, Prestige 7060. This is an original New York pressing that looks to be in pristine, nearly new condition. The bidding is at $106 with more than four days left on the auction. I don’t often listen to these jam session type records, but whenever I do, I am pleasantly surprised. Of course, it does help to have musicians like Ammons, Jackie Mclean, Art Farmer, Donald Byrd, Doug Watkins and Mal Waldron. Rudolf, if you are watching Jazz Collector my question is: Are you selling duplicates or are you digging deeper into your own collection, perhaps starting with the A’s? While we’re on the subject, here’s another: Gene Ammons, Funky Hi-Fi Jam Session, Prestige 7083. This is another original New York promo copy that also looks to be in pristine condition. Where can you possibly find records like these in that condition, like buying them new in a record store in the ’50s. Bidding on this is at about $102, also with more than four days left. Read more
One of the things I have missed during the pandemic has been going to record stores. I love going to record stores. It’s a life-long habit, and pleasure, one which I have never wanted to give up, even in the dark days of the recent past when vinyl was an endangered species and brick-and-mortar record stores seemed to be going the way of the 8-track. Even then, I would regularly visit the surviving stores and always buy something, it seemed, because, fundamentally, I like buying records. Anyway, I couldn’t remember the last time I physically walked into a record store, even though there are several decent, recently opened stores in a reasonable driving distance from my home in The Berkshires, where The Lovely Mrs. JC and I have permanently relocated since the pandemic began. I decided this was an itch that just had to be scratched and the other day I grabbed my son’s dog, Gordon, who is visiting for a few weeks, and got in the car and took a ride over to Catskill, New York, a little more than an hour away, to visit my favorite of the record stores in the area, Spike’s Record Rack, of which I have written several times in the past. Spike and I have gotten to be quite friendly during our brief interactions, so I sent him a heads-up in advance that I would be making a visit. Read more
Time to close the books on the latest round of stories and sprees that sprung from my first visit to Spike’s Record Rack in Castkill, NY a few weeks ago. You may recall that I purchased about 15 records, which I somehow found to be more than somewhat rejuvenating in terms of listening to music and appreciating the breadth and depth of my collection. After I got home from that first visit to Spike’s with the 15 records, I did what I typically do, which is clean the records, listen to a few and sort out which ones may be duplicates with records I already own, so as to ensure that I keep the copy in best condition for my own collection. In this case, I was surprised to see that I did not have a copy of Oscar Peterson Plays Irving Berlin on Clef. Certainly I’ve had one in the past, but I must have weeded it out based on the condition. I gave it a quick listen and it was about what would be expected, perhaps even a bit better because the sound quality was quite good and the condition was excellent.
Sometimes you are lucky enough to find a decent jazz vinyl score where you would least expect it. Here’s one for you. The other day I was scheduled to pick up The Lovely Mrs. JC at the Amtrak station in Hudson, NY, for a weekend in The Berkshires. I’ve already checked out the record store in Hudson more times than I can count, so not much interest there. But I happened to do a search of record stores in the region and, voila, there was a complete guide to them all, courtesy of an online publication called Chronogram. I have wanted to check out the one in Beacon, NY, called Hudson Valley Vinyl, because our friend and sometime-contributor Clifford has recommended it to me in the past. Not to mention that it is on the way when I drive up from Manhattan to The Berkshires. But, alas, timing hasn’t worked out, yet. In the meantime, I noted one of the stores was a new one, just opened in April of this year. It is called Spike’s Record Rack and it is in Catskill, NY, just 10 minutes or so from the Hudson Amtrak station. The listing in the article was quite sparse because the store was quite new when it was written, but I had some time to kill before The Lovely Mrs. JC’s train was due to arrive, so, I figured, what the hell. At the very least I would get a lovely drive over the Rip Van Winkle Bridge and the Hudson River during the peak of fall foliage up here in the mountains. Read more
We’ll start today with a few from the Prestige label, opening with Zoot Sims Quartets, Prestige 7026. This is an original New York pressing that looks to be in about VG+ condition for the record and similar for the cover. It’s not a record that we’ve written about much. We don’t see it on eBay that often and it doesn’t typically command high collectible prices, compared to other original pressings from the era. This one has a start price of $200 and so far there are no bids, with the auction closing in two days. I happen to own a copy of this record, but haven’t listened to it in like 30 years. Maybe I’ll try it later. Zoot is always worth a listen, IMHO. Read more
Wait a second. How did I miss this one: Bill Evans, Waltz for Debby, Riverside 399. This was an original white label promo copy. The vinyl was listed in M- condition and the cover was VG+. The price was, get ready, $3,050.
Here are a few we’re watching on eBay now, starting with Introducing Lee Morgan, Savoy 12091. This is an original red label pressing listed in VG condition for the record and VG+ for the cover. The price is about $190 and the auction closes later today.
Art Blakey, The Jazz Messengers at the Cafe Bohemia, Volume 2, Blue Note 1508. This is an original Lexington Avenue pressing. The record is in VG+ condition and the cover is VG++. The auction closes today and the bidding is in the $280 range.
Let’s catch up on some rare jazz vinyl auctions we’ve been watching, starting with: Gene Ammons, HiFi Jam Sessions, Prestige 7060. This was an original New York yellow label pressing. The record and cover were in M- condition. You may recall I posted on this last week when there were no bids and a start price of $200. I was speculating about whether it would sell at all for that start price, and my prognostication was that it would sell. Indeed, it did: for $607. Quite a nice price for a Gene Ammons Prestige, which don’t often sell for such quite a lofty figure. The seller SweeDeeDee had quite a week, with several of his records selling for quite high prices. Here are a couple more: Horace Silver and Spotlight on Drums with Art Blakey and Sabu, Blue Note 1520. This was an original Lexington Avenue pressing in VG++ condition for the record and M- for the cover. It sold for $681. Thelonious Monk with Sonny Rollins, Work, Prestige 7169. This is a New Jersey yellow label pressing, but the record is a reissue, an early reissue, but a reissue nonetheless. It was in M- condition for both the record and the cover and sold for $293. Wow.
