Tag: Horace Parlan

Starting Points for Rare Jazz Vinyl

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I haven’t been watching eBay as diligently during the summer as I normally do, and I haven’t actually sold anything on eBay in more than a dozen years, so this observation may be dated, but . . . . is it just me, or are sellers consistently putting a higher start price on their auctions of rare jazz vinyl? I was just updating my watch list and flagged several titles that had high starting prices and no bidders. At first I assumed it was all from a single seller. But when I opened up the listings, they were all from different sellers. Here are some of those records, starting with Mal Waldron, Left Alone, Bethlehem 6045. This was an original red label pressing. If you can read through the seller’s tome and ‘tude, eventually you can find the condition of the record, which was listed as NM-. The cover was described as “pretty nice-very nice” and the picture shows a pretty clean front cover, with wear on the top and some old tape on the back. To me, pretty nice-very nice translates to VG+. The bidding start at $800 and so far there are no takers. Read more

Blue Notes, Millennials, Autographs

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Back to eBay. Closing the files on some of those auctions from Carolina Soul, we start with The Magnificent Thad Jones, Blue Note 1527. This was an original pressing. The record was listed in VG condition with a slight warp. The cover was listed in VG- condition with a 6-inch seam split. The final price was $1,911.56. Thad Jones, Detroit-New York Junction, Blue Note 1513. This was another original Lexington Avenue pressing. This one was in VG+ condition for the record and VG for the cover. The final price was $1,525. Read more

Filling Up the $1,000 Bin

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Catching up on the eBay jazz vinyl watch list. Let’s start with one that was sent to me by Japhy: Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This was an original deep-groove. West 63rd Street mono. The record and the cover were both in VG++ condition. The final price was $1,650. Japhy’s note was titled “Swinging for the fences,” and he did my homework for me: “A new high of $1,650 for Jackie McLean Swing, Swang, Swingin’ in reported VG++/VG++ condition. Prior high was $1,283 back in 2005.” Speaking of “Swingin’” new highs, we were watching this one the other day: Read more

Vinyl Madness

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I did a bit of a double take when I saw this record sell on eBay: Thad Jones, Mad Thad, Period SPL 1208. The reason for the double take was I remember owning this record but do not remember seeing it in my collection for many years. Sure enough, I perused the shelves and I apparently do not own this record any more. Do I have any idea what happened to it? Well, have some idea: I sold it. When, why, to whom, I have no idea. My guess is that the copy I had was in poor condition and I was weeding out some records from the collection. Or it could go all the way back to 1990, when I sold a large batch of records in order to buy a boat. Careful readers know the story: I sold the records, bought the boat and there was a hurricane and the boat sank. Vinyl karma? Anyway, I do not have a copy of Mad Thad. This would have been a nice one to own. The record was in M- condition and the cover was VG. The final price was $940. This is the second highest price for this record, according to Popsike. Whenever I did sell my copy, you can rest assured I didn’t get anything close to that price. Read more

A Colossus Question, Blue Notes, And . . . .

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Sorry, once again, for the long gap between posts. As this has become somewhat of a regular occurrence, I feel I owe some kind of explanation now that regulars such as Japhy and DaveS are calling me to task, rightfully so. I will do so in the next couple of days, but now that I’ve put aside some time to post, I feel obligated to go back to eBay and talk about jazz records as opposed to my own personal peccadillos, such as they are. So, here we have Sonny Rollins, Saxophone Colossus, Prestige 7079. This is a New Jersey yellow label pressing listed in M- condition for the record and perhaps the same for the vinyl. The bidding is in the $442 range with five days left. Not bad for a New Jersey pressing. I do have a question about Saxophone Colossus. I have a duplicate copy and a few weeks ago got into a discussion with one of our readers who was looking to make a trade.

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Bird, Dial, Blue Note And Fillers for the $1,000 Bin

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I have a lot of records stacked in my eBay watch list, some from a few weeks ago, so I am going to use this post to clear things out, starting with some 10-inch records: Charlie Parker, Dial 207. This was an original 10-inch pressing. The record was only in VG condition and the cover was VG++. It sold for $1,075. Not sure why. We’ve seen this record in much stronger condition sell for a lot less. The seller took a great picture of the cover, so maybe that helped.

This seller had some nice 10-inch LPs a few weeks ago, including Clifford Brown Quartet, Blue Note 5047. This one looked to be in VG+ condition for both the record and the cover, perhaps a little better for the record. The final price was $565. Also, Lou Donaldson Sextet, Volume 2, Blue Note 5055. This one was graded M-, but the seller’s description made it sound more like VG++. The cover was VG++. The final price was $350. Read more

Horace Parlan, RIP

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Here’s a nice rare Blue Note: Horace Parlan, Speakin’ My Piece, Blue Note 4043. This looks to be an original West 63rd Street pressing with the deep grooves, ear and RVG stamp in the deadwax. The record looks to be in M- condition and the cover is VG++. The start price is $700 and there are four days left in the auction, with no bidders yet. We are starting our post today with this because we just saw the news that Horace Parlan passed away yesterday at the age of 86. Or course Parlan is well known in the Jazz Collector world for the albums he recorded on Blue Note in the early 1960s. I was originally going to mention six albums, but I looked at his discography and came upon the album “Happy Frame of Mind,” which I had forgotten about because it wasn’t issued until the 1980s. In any case, we mourn the passing of another one of the fine musicians of the era. I recall seeing Parlan in the 1970s and was quite impressed with his musicianship and percussive style, and the fact that he was limited to the use of just two fingers on his right hand. RIP.

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Adventures in Jazz Collecting, Tokyo Style

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One of our readers living in Japan recently sent a note with a story to share so I said, please, write it up. He did and here it is:

By Stuart Levine

I am a regular reader (living in Japan), who especially enjoys Al’s record-collecting adventures. Well I have one of my own to share with the Jazz Collector community. It all started last September in Tokyo. I had heard of Disk Union and wanted to see it for myself. Perhaps, I could score on a nice LP.   When I got off the train at my exit, I could immediately see it to my left – an impressive brick building with a large Disk Union window sign. The only problem was this was not the store noted for its jazz inventory. The real deal, Disk Union “Jazz Tokyo” was about six blocks away. Had it not been for a fellow Southern Californian (wearing a Dodgers cap) walking me over to the right store, I would have come away from this experience very disappointed. My good fortune really started when I was introduced to the head buyer of used jazz vinyl, a soft-spoken gentleman named Katsu. He invited me to come back three months later on Dec. 19th when the store was having a big Blue Note record sale, to the tune of 500 original mono and stereo LPs. Read more

Catching Up on Jazz Vinyl Auctions

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Paul Chambers Jazz Vinyl copyI’m actually cleaning out my eBay watch list in preparation for finally doing a modest updating of the Jazz Collector Price Guide. So, as I clear out records, I will just post some random results for the next couple of days, starting with one for the $1,000 bin: Paul Chambers Quintet, Blue Note 1564. This was an original pressing with the West 63rd Street address. The record looked to be in VG++ condition and the cover was probably VG. It sold for $1,203. This came from the same seller: Kenny Burrell at the Five Spot, Blue Note 4021. This was an original West. 63rd Street pressing that looked to be in VG++ condition for both the record and the cover. It sold for $334.

Another Blue Note: Horace Parlan, Headin’ South, Blue Note 4062. This was

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Jazz Vinyl To Check Out

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jerome richardson copyBack on eBay and, of course, there is much jazz vinyl of interest, starting with: Jerome Richardson, Midnight Oil, New Jazz 8205. This looks to be an original purple label pressing. The record is listed in M- condition and the cover is Ex+, which I imagine is close to M-. The bidding is in the $130 range with three hours to go and it has yet to reach the seller’s reserve price. I would think this would get a bid of at least $200, being quite a rare record on quite a collectible label, so we’ll keep an eye and see if this sells.

This one is from the same seller and has also not yet met the reserve price: Horace Parlan, Headin’ South, Blue Note 4062. This looks to be an early pressing, but is it an original? I’m not seeing deep grooves in the picture or on the listing, but this is one of those that was issued right at the borderline of whether Blue Note pressings still have deep grooves. I’m sure someone the question will be answered in the comments. The record is listed at M- for the vinyl and Ex for the cover. The bidding is currently in the $190 range with less than three hours to go.

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