Today’s Jazz Vinyl: Burrell, Warhol, A Sealed Book

Let’s up date some of the Jazz Vinyl we’ve been watching on eBay this week, starting with: Kenny Burrell, Blue Note 1543. This was an original Lexington Avenue pressing — the last of the Lexingtons — and it has the Andy Warhol cover. Quite a find. The record was listed in M- condition and the cover, the original framed cover, was also in M- condition. It sold for $2,025 and I’m sure will be a welcome addition to the buyer’s collection.

One of our regular readers pointed this one out to me, thinking the price was inordinately highly, but I’m not sure I agree. For original Blue Notes in M- condition, there seems to be no limit these days: Horace Parlan, Up and Down, Blue Note 4082. This one sold for $665.55.

This one was still sealed, but was it the original seal? If so, how would you be able to tell?

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Updates From The Jazz Record Center Auction, Part 2

We did promise a Part 2 of our post on the recent auction from The Jazz Record Center, so here goes (apologize for the delay):

Why isn’t this record worth more: Thelonious Monk and Sonny Rollins, Prestige 7075? This was an original New York pressing. The record was in M- condition — nearly new — and the cover looked like it was at least VG++, maybe better. It sold for $192.50. I happen to think this is a terrific album. I love Sonny’s interpretation of The Way You Look Tonight. When I was first getting into jazz I used to compare this version to the Stan Getz version on Stan Getz Plays and it took me a while to reconcile not only that it was the same song, but that it was even the same instrument. My ears are obviously much more sophisticated now, but at the time the difference in approach seemed so stark. And I liked both versions. Anyway, I repeat my query: Why is this great original Prestige, featuring two of the geniuses of modern jazz, not even a $200 record?

This has always been one of the rarest and more expensive of the Riversides, for good reason: Sonny Rollins, The Sound of Sonny, Riverside 241. This was an original white label pressing and it was in M- condition for both the record and the cover. It sold for $765. It’s the presence of Sonny Clark with Rollins that makes this one so sought-after, no?

Now for a few Blue Notes:

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Watching Jazz Vinyl From the Jazz Record Center

Our friends at the Jazz Record Center have a new auction this week and we always like to keep an eye on their stuff because it gives a pretty good indication of the overall market, which still seems to be down these days, right? Here are a few of their listings:

Eric Dolphy at the Five Spot Volume 1, New Jazz 8260. This is an original pressing with the purple label and deep grooves. The record looks to be in M- condition, and the cover probably VG+ with some seam splitting. The start price is $75, there are no bidders and there are eight days to go. We’ve seen this record sell for as much as $966 in the Jazz Collector Price Guide, so we’d expect that this will fetch a much higher price than the start price. We’ll see.

Horace Parlan, On the Spur of the Moment, Blue Note 4074. This is a weird one, with a Review stamp on one label with the New York USA address, and the other address the West 63rd Street label. As noted by Fred Cohen, proprietor of the Jazz Record Center, the original pressing on this one should have the West 63rd address on both labels. So what does that make this? Here’s where we get into that whole debate again about original and first pressings. This one has a start price of $200 and no bids as of yet.

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Rare Jazz Vinyl: Here Today, Gone Tomorrow

Here are some items we’ve been watching on eBay, and then not watching on eBay.

What are we thinking with two recent auctions that were ended early? One was by the seller  yollie97, who doesn’t have a long history on eBay. He had a couple of nice records we were watching, including: Horace Parlan, Us Three, Blue Note 4037. When we were tracking this last week it was already at $1,000, but then the auction was ended with the explanation that the item is no longer available. The same thing happened with other records we were watching from this seller, including Hank Mobley Quintet, Blue Note 1550 and Hank Mobley Soul Station, Blue Note 4031. Sometimes a seller will end auctions early if he gets a high price from a potential buyer. Perhaps that’s what happened here, perhaps there was another reason. Perhaps yollie97 sees Jazz Collector and would like to offer an explanation. The other one that ended early was from the seller Amatti 1000 from Italy, a seller with only 19 feedbacks in the past year. He also had a few beauties for sale, including Hank Mobley and Lee Morgan, Peckin’Time, Blue Note 1574. This one was at $850

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Jazz Vinyl To Watch: Parlan, Dex, Mobley, Burrell

Lots of interesting jazz vinyl to watch on eBay.

Here’s one that will soon enter the $1,000 bin: Horace Parlan, Us Three, Blue Note 4037. This is listed in M- condition for both the record and the cover and it is described as an original pressing, although a close-up of the labels always helps. There are a couple of days left on the bidding for this one and the price is already at $1,000. The same seller his this one: Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This one is also listed as an original pressing. The record is in M- condition and the cover looks to be about VG+. The price is currently at $850.

Dexter Gordon, Daddy Plays the Horn, Bethlehem 36. This is an original deep groove mono pressing with the red label.  The record and the cover are both listed in VG++ condition. The price is already more than $300. The same seller has this one: Hank Mobley Quintet, Blue Note 1550. This is an original pressing. It’s only in VG+ condition for both the record and the cover, but it is already bid up to more than $500.

Here’s another Andy Warhol cover:

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Some Nice Jazz Vinyl For the $1,000 Bin

Time to update the $1,000 jazz vinyl bin:

Here’s quite an interesting one: Donald Byrd in Paris and Parisian Throughfare, Volumes 1 and 2, Brunswick 903 and 904. This was an auction of two rare records, released in France , and listed in M- condition for both records and both covers. The seller described them as like new. I’m familiar with the U.S.  Signature release of these records and, in fact, I own Volume 1. I’m not sure how and when these were released in France and the U.S., but I imagine someone out there will have that information to share. These records, quite attractive and enticing, fetched $2,400 as a pair.

Horace Parlan, Us Three, Blue Note 4037. This was an original pressing listed in M- condition for both the record and the cover. It sold for $1,675. I actually owned a copy of this record is nearly the same condition, maybe slightly less, and sold it for $1,500 last year to a Jazz Collector reader. We were both pleased, and I’m pleased to see the price is holding steady, if not increasing.

Helen Merrill, Emarcy 36006. This looked to be an original pressing with the drummer logo and the blue writing on the back, although it would have been nice to have seen a picture of the back cover. Nevertheless, this one was in VG++ condition for the record and the cover and it sold for $1,545

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Some Surprises in the JRC Lot

I’m sure you’ve all been waiting anxiously for the results of the Jazz Record Center jazz vinyl auctions we’ve been watching on eBay, so here goes.

Lee Morgan, Indeed, Blue Note 1538. This was listed as an “early” pressing, and it seemed to have the Lexington Avenue address, flat edge and deep grooves, so I’m not sure why it wasn’t listed as an original pressing. Nevertheless, it was near mint for both the record and the cover and it sold for $1,915.

Hank Mobley, Peckin’ Time, Blue Note 1574. This was an original pressing and it also was in near mint condition for the vinyl and perhaps a drop less for the cover. This one sold for $1,825.

Horace Parlan, Headin’ South, Blue Note 4062. This one was interesting because

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Price Updates: Trane, Friedman, Blue Notes

Here’s a new one for the $1,000 bin: John Coltrane, Coltrane, Prestige 7105. This was an original pressing with the New York address. It is Coltrane’s first date as a leader, but it’s still surprising to see this one pass the $1,000 mark. This one was in M- condition for the vinyl and near-M- (?) condition for the cover. The price was $1,077.65.

This one almost made the $1,000 bin: Horace Parlan, Us Three, Blue Note 4037. The record and the cover both looked to be in VG++ condition. The price was $912.

I didn’t realize this one had such cachet as a collectible: Don Friedman, Circle Waltz, Riverside 431. The vinyl was M- and the cover was VG++. The price was $255.

This one falls into the same category: When did it become a $200-range record?

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More Blue Notes, More Big Price Tags

Catching up on some recent eBay sales.

Here’s one that was quite a surprise: Jimmy Smith at the Organ, Blue Note 1525. This was an original Lexington Avenue pressing. The record was M- and the cover was VG++.  Normally the Jimmy Smith Blue Notes have not fetched huge dollars, but something is changing in the Blue Note market: All of the originals are going up in value and even later pressings are starting to sell at collectible prices. This one sold for an eye-popping $511.

May as well stick with some more Blue Notes: Kenny Burrell, Blue Lights Volume 1. This one, of course, has the cover illustration by Andy Warhol. The record was

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More Confessions of A Vinyl Addict, Part 2

    ReissuesOK, so I got to the JJ Johnson record and realized it was a New York USA pressing, and then I got to Blue Note 1513, Thad Jones, Detroit-New York Junction, and realized it was a Japanese pressing, and then I got to Blue Note 1515, Jutta Hipp at the Hickory House Volume 1, and realized, hey, I don’t own that record at all.

I knew all of that. I knew I didn’t have a complete original collection of Blue Notes. I knew I wasn’t even close to having a complete collection of original Blue Notes. I knew I never aspired to having a complete collection of original Blue Notes. But I felt compelled to go on, to go through the entire 1500 series and know exactly what I had

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Jazz Vinyl Countdown: For Love or Money

I’m still doing my Jazz Vinyl Countdown: Selling more records, writing about them a bit less. However, I did make a couple of interesting decisions in the past couple of weeks I’d like to share. In the course of doing the Jazz Collector Price Guide I logged a copy of this record: Zoot Sims and Joe Newman, Lockin’ Horns, Rama 1003. It sold for $260 in near mint condition and had sold for more than $400 in the past. I happened to know I had a nice copy of this record, a promo, and I happened to know that I had not listened to it in 25 years, since I bought it. So the question was: Keep it or sell if for the bread. I listened to the record and it’s actually very nice. But, I thought to myself, would I ever listen to it again: Not likely. I have a lot of Zoot records that I prefer, so this one probably wouldn’t make it off the shelves. So I put it up on eBay with a start price of around $50, no reserve, and it sold for about $215. That was fine by me. The second recent incident involved a rare Blue Note and a higher price tag:

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Horace Parlan Blue Note: A Tale of Two Labels

OK, I have to admit, I’m spending a lot of time catching up on the Jazz Collector Price Guide because I’m kind of avoiding other (i.e., paying) work that is far less interesting. My loss — as in a loss of sleep, when I have to eventually catch up on this other work — is your gain. Here are a few more Blue Notes that will be entered into the Jazz Collector Price Guide.

Horace Parlan, On the Spur of the Moment, Blue Note 4074. This is an interesting one. One label is New York USA and the other is West 63rd. This record came out right at the cusp of when Blue Note was making the transition. The seller claims it has deep grooves as well as the ear in the deadwax.  It was listed in VG+ condition for both the vinyl and the cover and it sold for $183.50. Is it an original? I would tend to think so, but I’m not so sure. Here’s another copy of the same record: Horace Parlan, On the Spur of the Moment, Blue Note 4074. This one

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Today on Ebay: Fuller, Parlan and McCoy (For Sale)

SHHHHHHHHHH. It’s so quiet on eBay today we wouldn’t want to disturb any of the sleeping buyers and sellers. I have a sense that the economy is starting to wreak a little havoc on the jazz collectibles market — not on the high-end collectibles — but in the mid-tier. We’ll see. These things tend to go in cycles. Perhaps it’s a good time to be buying. Anyway, it is quite quiet on eBay today, but there are a few things worth noting, including:

Curtis Fuller, Bone and Bari, Blue Note 1572. This is an original pressing in M- condition, both record and cover, and it features an autograph by Curtis Fuller. Not to mention the presence of Sonny Clark on piano. The opening bid price for this record is about $140 and, as of now, there are no bids. In the Jazz Collector Price Guide we’ve seen this record sell for nearly $700 in M- condition without an autograph. So maybe it is a time to be buying.

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Today on Ebay, February 11, 2009

Quite a few mid-tier items up early on eBay today, so I am up early to post them. Here are a few:

We’ve been talking a lot about Andy Warhol covers on the site. Here’s a chance to get one, perhaps at a bargain price because the seller didn’t realize that the cover is by Warhol: Count Basie, RCA 1112. This is not in great shape, but it’s only $1.99 and closing fairly soon. A few weeks ago, we recorded one of these in the Jazz Collector Price Guide for $161. 

The seller Tuneup Music has quite a large group of pretty nice records for sale this morning, including Blue Mitchell Big Six, Riverside 273. This is an original blue label pressing. The record is VG++ and the cover is VG+. The current price is $75. Also from this seller is a sealed copy of Larry Young, Into Something, Blue Note 84187. This is already at $125. The challenge with a sealed record is not knowing whether it’s an original label, so, personally, I’d be careful on this one. If you look at these records, you should click View Seller’s Other Items because there’s a lot more. 

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Updating The Price Guide, Part 2

Here are some more items we’ll be loading into the Jazz Collector Price Guide today:

Jackie McLean and Company, Prestige 7087. This was an autographed original New York pressing. The record was M- and the cover was VG++. Price: 418

Horace  Parlan, Headin’ South, Blue Note 4062. This was a New York USA pressing — not original — and was in M- condition. Price $371

Zoot Sims and the Modern Art of Jazz, Dawn 1102. This was an original mono pressing. The record and cover were in M- condition. Price: $105.01

We were watching this one to see if it had much value as a collectible. Apparently not: Dexter Gordon, Live at the Amsterdam Paradiso, Catfish 336-337. This was a double LP with the records VG++ and the cover VG+. Price: $30.53

Johnny Griffin, The Congregation, Blue Note 1580. This was an original West 63rd

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Today on Ebay, January 13, 2009

Here, quickly, are some of the hot records on eBay today. When you look at each of these, make sure to check out each seller’s other items for some more rare jazz collectibles. Each of these is from one of the top eBay sellers in the Jazz Collector community. From Euclid records is this: Horace Parlan, Headin’ South, Blue Note 4062. This is an original pressing. The record and cover are M-. Current price is $363, with a couple of hours to go. From Jazz Record Center is: Freddie Hubbard, Goin’ Up, Up, Up, Blue Note 4056. This is an original pressing. The current price is $317. Finally, from Atomic Records: Hank Mobley, Workout, Blue Note 84080. This is an original STEREO pressing. The record looks to be M- and the cover VG+. Current price is about $150. Don’t forget to check out the Jazz Collector Price Guide to see how these records end up.

Keeping an Eye on the $1,000 Barrier

We were looking at records that broke the $1,000 price barrier last week. It’s always interesting to take note of high-end collectible prices. Here’s another one that broke the barrier yesterday: Horace Parlan, Us Three, Blue Note 4037. This was an original pressing, of course. The vinyl was in M- condition and the cover was VG++. The final price was $1,620 and there were 22 bids and seven bidders. Looking ahead at today’s records, there isn’t likely another $1,000 record, although this one may come close: Freddie Hubbard, Open Sesame, Blue Note 4040. This is an original pressing and the vinyl is in M- condition. The cover, however, is only VG+ and that might limit the bidding. At this point, the price is $543 with a few hours left to go. We took a look at the Jazz Collector Price Guide and found several instances of this record being sold for more than $1,000. The highest price we recorded was $1,591.

Advice to Sellers on Ebay

Jazz Collector Newsletter, July 2005

Welcome to Jazz Collector. We’ve been very good about updating the web site every day, so if you haven’t been visiting, please take a look: There’s been some interesting discussion and we’ve been watching some nice items on eBay. Speaking of eBay, as we often do, we start this newsletter with advice to sellers, which we hope will generate some reader response. We also have our usual assortment of upcoming items, some new LPs in our Price Guides and an all-time favorite music clip.

I was recently talking to a subscriber who is interested in selling his collection on eBay as a retirement business. Here’s the main advice I gave him:

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Summer Doldrums?

If it’s Monday, it must be time to check in on the weekend’s activity on eBay. A few high-priced items sold over the past few days, but my general sense is that activity is beginning to slow down for the summer. At the bottom, I’ve listed a few items that failed to meet reserve prices this weekend. In some cases, the reserve prices may have been a bit high, but in others the items were selling for bigger prices just a few weeks ago. We’ll continue to monitor pricing and keep you posted. Anyway, here are some of the items we’ve been watching:

 

Sonny Rollins, Worktime, Prestige 7020.  This was an autographed copy in VG++/M- condition. Price $482

 

Tina Brooks, True Blue, Blue Note 4081, in M-/VG++ condition. Price: $1,625. Of course $1,625 is a high price for any record, but we anticipated this one might break the $2,000 barrier, considering its rarity and the condition.

 

Curtis Fuller Volume 3, Blue Note 1583. This was an original pressing with the West 63rd Street address on the label in VG++/VG++ condition. Price: $401.88

 

Jim Chapin Ensemble featuring Phil Woods, Prestige 213. This was a 10-inch LP in VG+/VG++ condition. Price: $202.49

 

Sonny Rollins, Sonny Boy, Prestige 7207. This was an original yellow-label in M-/VG++ condition. Price: $79.99

 

Sonny Stitt, 37 Minutes and 48 Seconds, Roost 2219.  This was an original pressing in VG+/VG+ condition. As we anticipated, the price was not too high. Price: $39

 

Miles Davis, Steamin’, Prestige 7200. This was an original yellow label in VG++/VG+ condition. Price: $34.33

 

Mal Waldron, Mal-1, Prestige 7090. This was an original yellow label with the New York address in M-/VG++ condition. Price: $274.99

 

The following items all failed to meet their reserve prices:

 

Richie Kamuca Quartet, Mode 102, in VG++/M- condition. High bid: $178.49

 

Horace Parlan, Speakin’ My Piece, Blue Note 4043, in M-/M- condition. High bid: $158.50

 

Gil Melle Quartet Featuring Lou Mecca, Blue Note 5054. This was an original 10-inch LP in M-/M- condition. High bid: $178.50

 

Sabu, Palo Congo, Blue Note 1561. This was an original pressing with the West 63rd Street address in M-/VG++ condition. High bid: $338

 

We’ll spend some time today looking ahead at eBay for the coming week. We’ll post the results tomorrow on Jazzcollector.com. See you then. — Al