Some Stereo Jazz Vinyl, Some Big Prices

Yes, as Mike F notes on another post, did you see the price of that Bill Evans Explorations record we were watching from the Jazz Record Center? It was a stereo pressing, black label original. It sold for $896. Great record, but that’s a pretty incredible price. It shows that the market for some of these collectibles is just so elastic. If someone wants the record, and he wants it in mint condition, the price is not necessarily an issue. I looked at all of the other results from this Jazz Record Center auction and none seemed quite so out of the ordinary as this one, although there were also some top prices paid for some nice records, including: Bobby Hutcherson, Dialogue, Blue Note 4198. This was an original mono pressing in M- condition. It sold for $491. Also, Jackie McLean, One Step Beyond, Blue Note 84137. This was an original STEREO version in M- condition. It sold for $237.50. That’s pretty high for a stere pressing, even an original, isn’t it? One more: Blue Mitchell, The Thing To Do, Blue Note 84178. This was also a stereo pressing, an original, and it was also in very nice M- condition. The price was $233.50. I guess the market for original Blue Note stereo pressings is now getting more interesting as well.

A Couple for The $1,000 Bin, And one for the $66 Bin

There were a bunch of interesting jazz vinyl auctions that closed last night, to wit: Red Rodney, Signal S 1206. This looked like an original pressing in perhaps VG++ condition for the record and VG+ for the cover? The seller uses a wide variety of grades that don’t necessarily correspond to the grading language we typically use, so it’s up for interpretation. Hopefully the buyer will be pleased. This one sold for a whopping $1,825.55.

Her’s one for the $2,000 bin: Lee Morgan, Candy, Blue Note 1590. This was an original pressing that looked to be in M- or VG++ condition for the record and VG+ for the cover. It sold for $2,111. There was another copy of this record that we mentioned the other day, Blue Note 1590, that was in just VG- condition for the record and cover. We wondered about the eventual price for a record that may not be all that playable. The price was $237.65

How the market has changed through the years: Johnny Hodges, Castle Rock, Norgran 1048. This was an original yellow label pressing. It was in VG+ condition for both the record and the vinyl. It sold for $66. When I started collecting jazz, there seemed to be much more interest from collectors in the original Norgrans. A different era, I guess — but also an opportunity to pick up some of these very nice records at reasonable prices.

Monday Morning Blue Notes

Lot of interesting jazz vinyl we’re watching now on eBay, so let’s get right into it. This one is closing fairly soon: Lee Morgan, Candy, Blue Note 1590. What’s the market for a rare record like this in not very good condition, actually in VG minus condition? So far the bidding on this one has topped $125. I’d love to have this record back in my collection — yes, I sold a pristine copy 20 years ago — but not in this condition. If I can’t listen to the record, I don’t necessarily need to own it just to fill a space in the collection.

This one is in better condition, but hard to actually give it a grade based on seller’s description. My guess from the description and pictures that it’s what I would grade a VG+ for the record and the cover: Johnny Griffin, A Blowing Session, Blue Note 1559. This one has already topped $800. As I mentioned recently, I am now the proud owner of an original pressing of this record, after all of these years of collection. Amazing how rare these things are, when you think about it. I could have paid top dollar over the years, I guess, to acquire a copy of this record, but in the normal course of things — going to record stores, record shows, garage sales flea markets, looking for records in most cities across the U.S. — in more than 40 years I had never come across an original copy of this record, and many others, for what I considered to be a reasonable price at the time.

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A New Batch of Jazz Vinyl For The New Year

Happy New Year to everyone. Here are a few more items going into the Jazz Collector Price Guide. No links on these.

Jimmy Raney Quartet, New Jazz 1101. I like this one because of the maroon and white label, which you rarely see. There were just a few 10-inch New Jazz LPs, so they are pretty cool, and pretty rare. This one was probably in VG or VG+ condition for the record and the vinyl. It sold for $157.50.

Now a bunch of Blue Notes:

Lee Morgan, Lee-Way, Blue Note 4034. This was in M- condition for both the record and the cover. It sold for $600.

Lou Donaldson, Wailing With Lou, Blue Note 1545. This was an original West 63rd pressing in M- condition for the record and VG+ for the cover. It sold for $688.

Lee Morgan, Candy, Blue Note 1590. Also an original pressing, of course, this one in VG+ condition for the record and the cover. It sold for $1,343.

Dexter Gordon, One Flight Up, Blue Note 4176. This one was in M- condition for the record and VG for the cover. It sold for $200.

Hank Mobley, Soul Station, Blue Note 4031. Record was M- and cover was M-. Price was $1,465.

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Monday Morning Blue Notes

Let’s catch up on some jazz vinyl we’ve been watching on eBay. I was up in Providence this past weekend and I held this record in my hands: Jutta Hipp At The Hickory House Volume 1, Blue Note 1515.  This was on auction from Round Again Records and it just closed. The record was in VG condition and the cover was VG+ to VG++. Although I have a copy of this record at home, and although I have many Lexington Avenue Blue Notes, there is definitely something magical for me holding one of these original pressings in my hands. It’s like a piece of rare art. This copy sold for $460. I’m going to keep an eye out for more records from Round Again. The store owner, Steve, says he’s trying to work on a deal with some guy who’s been buying records at garage sales for years.

Here are a couple of Blue Notes in better condition and thus in the $1,000 bin: Curtis Fuller, The Opener, Blue Note 1567. This was an original West 63rd Street pressing and it was listed in M- condition for the record and M- or VG++ for the cover. It sold for $1,007. From the same seller came Curtis Fuller, Bone and Bari, Blue Note 1572. This was also an original pressing, also in M- condition for the record and VG++ or M- for the cover. This one has Sonny Clark on piano, so it sold for a bit more: $1,136.

 

JRC Auction: A Little Trane, A Few Blue Notes

It’s always interesting to watch the Jazz Record Center auctions on eBay and the latest is closing today. Here are a few of the items:

John Jenkins and Kenny Burrell, Blue Note 1573. This is an original pressing that looks to be in M- condition for both the record and the cover. The start price on this was $1,000 and there is a bid on it, so it will be sold and will enter the virtual $1,000 bin.

John Coltrane, Giant Steps, Atlantic 1311. Here’s a more clear explanation of this than we’ve heard before. Jazz Record Center refers to this as the “pinwheels” label, although we’ve most often seen it described as “bulls-eye.” It is described as an “original deep-groove second press,” which kind of makes sense. It’s still valued among collectors, even though it is not a first press. This one looks to be in M- condition for the record and the cover and is already at more than $170. Speaking of original Coltranes on Atlantic: John Coltrane and Milt Jackson, Bags and Trane, Atlantic 1368. This is an original mono pressing with the red and purple labels, although I’m still not 100 percent sure how to distinguish it as a first pressing. This one is in M- condition and so far there are no takers at $50.

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A Jazz Vinyl Christmas?

I did my usual eBay searches last night and there is a lot of really, really nice collectible jazz vinyl available now. These things tend to go in cycles. Perhaps the Christmas season brings out the inner retailer in some of us. Here is just a sampling of the jazz vinyl we’re watching now:

Walter Davis Jr., Davis Cup, Blue Note 4018. This looks to be an original pressing in not-too-great condition. Record looks to be VG or VG+ and the cover is rated as VG. The auction closes later today and the bidding is in the $150 range. I have a United Artists pressing of this record and would love an original, even one in VG condition. But this will probably sell for somewhere around $300, so I think I’ll wait.

I’m still surprised to see these Benny Golson LPs selling for such high prices, although I’ve always been a fan myself: Benny Golson, Gone With Golson, New Jazz 8235. This is an original purple label pressing and it is listed in M- condition for the record and Ex for the cover, which is probably VG++? There are more than two days left on this auction and the bidding is already nearing $400. Speaking of which, here is a copy of my favorite Benny Golson record: Benny Golson, The Modern Touch, Riverside 256. This is an original deep groove blue label pressing that is listed in M- condition for both the record and the cover. The price is well less than $100 at this point, with a few days to go. If you don’t know this record, it’s one to check out. Really nice arrangements, some great Kenny Dorham, and a fantastic rhythm section with Paul Chambers, Max Roach and Wynton Kelly. Doesn’t get much better than that.

Here’s another favorite, with a great cover:

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Jazz Vinyl Watch: Setting Some New Records

Here’s some of the jazz vinyl we’ve been watching on eBay:

Art Tatum/Ben Webster Quartet, Verve 8220. This is an original pressing with the trumpeter logo. The record was in M- condition and the cover was VG++. There were four bidders, 15 bids and the ultimate price was $290. My sense is most of the readers here at Jazz Collector tend to prefer post-bop era jazz — I generally do as well — but this is one of those must-have records, in my opinion, that always sounds beautiful and fresh when you put it on the turntable.

Haven’t seen this one sell for such a high price before: Sheila Jordan, Portrait of Sheila, Blue Note 9002. This was described as an original U.S. pressing in “superb” condition. It sold for $405. Our previous high for this record in the Jazz Collector Price Guide was just $123, so that’s quite a leap. Great record, though.

Here’s a perennial for the ever-more-crowded $1,000 bin:

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Watching, And Appreciating, 10-Inch Jazz Vinyl

I have my eye on a couple of 10-inch LPs today, not that I’m interested in buying them, just interested to see if they’ll sell: Fats Navarro Memorial Album, Blue Note 5004. This is an original pressing, but you have to love the seller’s listing of 161 Lexington Ave. as opposed to 767 Lexington Ave. That early script was tough to read, I guess. This one is listed in VG+ condition for both the record and the cover and it has a start price of about $160. It closes early tomorrow and so far there are no bidders. From the same seller is Jay Jay Johnson, Blue Note 5028. This one is also in VG+ condition, is also closing early tomorrow, is also priced at about $160 and is also without any bidders. We’ll see. I think part of my interest in the 10-inchers is because this week I finally got my 10-inch LPs and my 78s out of storage. It was not a simple process and required deep negotiations with

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Jazz Vinyl on eBay: Jackie-ing

Ouch, this one hurts: Jackie McLean, Jackie’s Pal, Prestige 7068. This is an original pressing with the New York address on the labels, deep grooves, heavy vinyl. It is listed in M- condition and looks to be in beautiful condition. The seller characterizes it as an “archival” copy. There’s more than a day left on the auction and the bidding has topped $2,000. It hurts because I too had a mint copy of this record and I loved having it in my collection but was persuaded to sell my copy about 20 years ago for $400. Now, the $400 looked like a pretty good price back then, and I’m sure it was, but that $400 is long gone and the hole in my collection is still there. Looking at this great cover now I have to believe if I’d spent five more minutes just pondering the cover, not even thinking about the music, I’d have never sold the record. The same seller is offering Jackie McLean, 4, 5 and 6, Prestige 7048. This is also an original pressing and it is also listed in M- condition for the record and the cover. There are more than four days left on this auction and the bidding has topped $500, bit the record has yet to reach the seller’s reserve price.

 

Jazz Vinyl Today: A Bevy of Blue Notes

Lots of Blue Notes on today’s watch list, starting with: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing that was listed in VG++ condition for both the record and the cover. It sold for $1,370. We’ve seen this one sell for more than $1,300 in the Jazz Collector Price Guide, but this is quite a hefty price nonetheless.

Kenny Drew Undercurrent, Blue Note 4059. This one had the West 63rd Street address and, from the looks of the pictures, it had deep grooves on both sides, certainly on Side 2. That would make it original either way, no? This was described as being in VG condition, and the cover certainly looked no better than VG. It sold for $427.

Gigi Gryce/Clifford Brown Sextet, Blue Note 5048. This was an original 10-inch LP that was defined as being in “very fine” condition, which, the seller implies, is actually M- condition. The pictures certainly looked very fine indeed, if not M-.  It sold for $372. 10.

If it’s a Blue Note, and it’s one of the coveted artists, the record or cover does not have to be in great condition to fetch a high price. Case in point:

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On The Hunt: Sonny Clark, Jutta, Prez

Let’s catch up on some more jazz records we’ve been watching on eBay, including these from the Jazz Record Center auction this week.

Sonny Clark Trio, Blue Note 1579. This was an original West 63rd pressing that looked to be in at least VG++ condition for both the record and the cover. It sold for $1,525. We’ve seen Sonny’s Crib and Cool Struttin’ consistently break the $2,000 and even the $3,000 barrier, but this is the highest price we’ve recorded for this record in the Jazz Collector Price Guide.   

Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original Lexington Avenue pressing that looked to be in beautiful M- condition for the record and probably VG++ for the cover. The price was $2,678.

Lester Young Collates Number Two, Clef 124. This was an original 10-inch pressing with the nice cover by David Stone Martin. It looked to be in M- condition for the record

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Existential Thoughts About Non-Collectible Vinyl

Had an interesting observation last night. I was going through the jazz auctions page by page, probably 30-40 pages  covering about 1,500 records over a period of more than 24 hours. What struck me was the incredibly large numbers of listings of jazz vinyl that simply won’t sell. Page after page of records that probably don’t have a market at almost any price. And a lot of it was good music — Brubeck, Ellington, Errol Garner, Count Basie, Monk and many, many, many others. Try it yourself and you’ll see what I mean. One of the questions I have is this: Who are all these sellers and what do they think they are doing? It’s not a new thing that the demand for many non-collectible records is declining and, in many cases, the shipping fees are worth more than the records themselves. Still, hundreds of sellers are going through the process and expense of taking pictures, creating descriptions and posting listings on eBay for items that will not sell. How long can this continue? At what point, if ever, does eBay become a more exclusive haven for higher-end collectibles, at least in the jazz vinyl market? The other question to ponder, for someone like me, is this this:

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Jazz Vinyl Update: Saxophone Colossi

Let’s catch up on some of the rare jazz vinyl we’ve been watching on eBay, starting with: Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original pressing with some very nice pictures. The seller provided very little information and he had less than 30 feedbacks. Still, the record sold for $1,247. Here’s another copy of Saxophone Colossus that sold at around the same time from a well known and highly regarded seller. This one was listed in VG condition for the record and VG+ for the cover. It sold for $1,050. Interesting that the prices were so close, despite the disparity in the condition. Shows the value of knowing the seller, either from experience or just by brand name, even on eBay.

This one was interesting as well: Joe Henderson, In ‘N Out, Blue Note 4166. This one certainly looks like an original, with the mono cover, New York USA labels, etc. But the seller never makes mention of the ear in the deadwax, so you do wonder. It looks to be in VG++ or M- condition for the record and cover, and it certainly looks cool with the original shrink wrap and price. It sold for  $511.01, so someone must have been pretty sure, or quite hopeful, that  there is an ear in the deadwax.  This is the second highest price we’ve ever seen for this record in the Jazz Collector Price Guide.

Jazz Vinyl Update: An Argo, A Blue Note, a Verve

Here’s some more jazz vinyl we’ve been watching recently, just to catch up on stuff:

Paul Gonsalves, Cookin’, Argo 626. This was an original pressing with the black labels and the deep grooves. It looked to be in M- or VG++ condition for the record and similar condition for the cover. The seller didn’t actually apply grades, which I think would affect — negatively — the sale price. This one fetched $264, which is the highest price we’ve recorded for this in the Jazz Collector Price Guide, so perhaps  it’s better to not list a condition.

Thad Jones, Detroit-New York Junction, Blue Note 1513. This was an original Lexington Avenue pressing. Love to see those original Lexes, especially when they are in my collection (which this one, unfortunately, is not).  The record was in VG++ condition and the cover was VG+. The price was $767.

This one was a leftover from the recent bobjdukic sale:

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Labor Day Blues: Kind of Blue, Candy, Monk & Sonny

Here’s some jazz vinyl we’ve been watching over this Labor Day weekend here in the U.S., the nominal end of summer:

Miles Davis, Kind of Blue, Columbia 1355. This was an original promo pressing with the white and red label and six eyes. For the most part, promo copies of jazz records don’t necessarily add to the value. With Kind of Blue, however, that is not the case: We usually see the promo copies selling for a premium. I can understand why: It looks way cool and has the smell of authenticity of an original pressing. This copy was in M- condition for both the record and the cover, with a very nice picture, and it sold for $555. There were 31 bids. quite a high number.

There’s been a lot of chatter on the Jazz Collector site about the auction last week by the seller bobdjukic, who always seems to generate a lot of interest, partly because of his extensive use of hyperbole but moreso, methinks, because of his ability to generate high prices. Here are a couple of his auctions we were watching:

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A Dash of Pepper, Mad Thad, Jackie’s Bag & More

It isn’t often I see records or even labels I’m not familiar with, but here’s one that was on eBay this weekend. It was listed as an Art Pepper record: Mucho Calor, Andex S3002. Not only have I never seen the record before, I’ve never seen the Andex label. I have a strong feeling this is some kind of reissue or compilation, but not sure what the root label is. It’s a stereo pressing, but it’s supposed to be 1957, which is pre-stereo. Plus, with the other artists listed, it doesn’t look like an Art Pepper record nor does it look like a record date that was led by Pepper. This one was probably VG++ for the record and VG+ for the cover and it sold for $87.66. I’m sure someone out in the Jazz Collector audience will be able to shed a little light on this one.

This one fetched quite a nice price: Thad Jones, Mad Thad, Period 1208. Admittedly, this is a hard to find record, but I haven’t seen it often go for this price. The record was in VG++ condition and the cover was VG. The price was $610 and there were 27 bids, which is a pretty high number.

This one would typically get a higher price, but the listing wasn’t very complete, so purchasing the record was a gamble:

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Jazz Vinyl on eBay: Some Blue Notes & A Nice Norgran

I logged onto eBay last night, found a number of interesting records to watch and, with great pride, was able to go to sleep without slipping into the temptation of placing any snipe bids. Progress, right? Anyway, here is some of the jazz vinyl we were watching that closed yesterday:

John Jenkins, welcome to the $1,000 bin: John Jenkins and Kenny Burrell, Blue Note 1573. This was an original deep groove West 63rd Street pressing and it was in M- condition for the record and VG for the cover. It was a reputable seller, there were 11 bids and more than 450 page views and the price was $1,136.55. Not bad in a soft market if, indeed, this can be called a soft market.

Actually, perhaps in retrospect I should have put in a snipe for this one: Sonny Red, Out of the Blue, Blue Note 4034. This was an original pressing in VG+ condition for both the record and the cover. Quite a fair price, depending, of course, on what VG+ means to the buyer and seller. As we’ve learned long ago, VG+ is in the eye of the beholder. I had this record once upon a time but traded it away in a lopsided trade that favored the other guy. Not sure what I was thinking at the time, but I’m more knowledgeable now. So this is one that got away. Getting it back for $283 or so, which is what this one sold for, would be quite a coup in my eyes.

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Updates From The Jazz Record Center Auction, Part 2

We did promise a Part 2 of our post on the recent auction from The Jazz Record Center, so here goes (apologize for the delay):

Why isn’t this record worth more: Thelonious Monk and Sonny Rollins, Prestige 7075? This was an original New York pressing. The record was in M- condition — nearly new — and the cover looked like it was at least VG++, maybe better. It sold for $192.50. I happen to think this is a terrific album. I love Sonny’s interpretation of The Way You Look Tonight. When I was first getting into jazz I used to compare this version to the Stan Getz version on Stan Getz Plays and it took me a while to reconcile not only that it was the same song, but that it was even the same instrument. My ears are obviously much more sophisticated now, but at the time the difference in approach seemed so stark. And I liked both versions. Anyway, I repeat my query: Why is this great original Prestige, featuring two of the geniuses of modern jazz, not even a $200 record?

This has always been one of the rarest and more expensive of the Riversides, for good reason: Sonny Rollins, The Sound of Sonny, Riverside 241. This was an original white label pressing and it was in M- condition for both the record and the cover. It sold for $765. It’s the presence of Sonny Clark with Rollins that makes this one so sought-after, no?

Now for a few Blue Notes:

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Jazz Vinyl on eBay: J.R., Dex, A Rare Transition

Here are a few big-ticket items I missed while I was packing and hauling boxes.

J.R. Monterose, In Action, Studio 4 SS 100. This is an original pressing of a rare record that we’ve written about fairly extensively in the past. We even posted some very rare audio that, to our knowledge, is only available here (More on J.R.: Original Audio). This was quite a descriptive listing, although it’s not so easy to decipher what it says. Bottom line, it seems like the record was in VG++ condition and the cover somewhere about VG. It sold for $1,500 with just one bid, which always makes me a little suspicious.

Doug Watkins, At Large, Transition 20. This was an original pressing, with the booklet. Based on the description, this one looks to be about VG+ for the record, VG or VG+ for the cover and M- for the booklet. It sold for $1,136.

Dexter Gordon, Dexter Blows Hot and Cool, Dootone 207. This looked to be an original with the red vinyl. The record was listed in VG condition and the cover was listed as VG++. It sold for $933.50.

Watching Jazz Vinyl From the Jazz Record Center

Our friends at the Jazz Record Center have a new auction this week and we always like to keep an eye on their stuff because it gives a pretty good indication of the overall market, which still seems to be down these days, right? Here are a few of their listings:

Eric Dolphy at the Five Spot Volume 1, New Jazz 8260. This is an original pressing with the purple label and deep grooves. The record looks to be in M- condition, and the cover probably VG+ with some seam splitting. The start price is $75, there are no bidders and there are eight days to go. We’ve seen this record sell for as much as $966 in the Jazz Collector Price Guide, so we’d expect that this will fetch a much higher price than the start price. We’ll see.

Horace Parlan, On the Spur of the Moment, Blue Note 4074. This is a weird one, with a Review stamp on one label with the New York USA address, and the other address the West 63rd Street label. As noted by Fred Cohen, proprietor of the Jazz Record Center, the original pressing on this one should have the West 63rd address on both labels. So what does that make this? Here’s where we get into that whole debate again about original and first pressings. This one has a start price of $200 and no bids as of yet.

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Moving . . . Moving . . . Moving . . . Moving . . .

Sorry I’ve been posting so irregularly. I’ve been in the throes of moving for the past few weeks and it’s been quite intense. I’ve actually been moving my records to three locations: My new apartment in the city, my new house in the country and my storage facility. Right now, the only records still in the house are those that are being sold at the estate sale, which begins tomorrow, and are being sold for $1 or $2 each. There may be some finds in there, but not too much. I had room for about 1,500 records in the city, so I went through my collection and pulled out a bunch of records that didn’t fit. Some are in storage, some are in the country. Also, I boxed up all of my 78s — I have at least 1,000, maybe more — as well as my 10-inch records and put those in storage as well, until a figure out where to put them. It’s been a process, to say the least. When you go through this, as many of you inevitably will, it does make you question the sanity of keeping so many records and figuring out what to do with them. I mean, it’s quite nice to have all of the Arnett Cobb records on Prestige because they are Prestige and they are original and they have that ’50s/’60s air about them, but when the time comes for me to listen to a tenor player, will Arnett Cobb ever again make it to my turntable?

Tracking Another Batch of 10-Inch Jazz Vinyl

There’s another really nice set of 10-inch LPs on eBay now, including: Sonny Rollins Quintet, Prestige 186. This is an original pressing with a great cover. The record is in VG++ condition and the cover is M-. The start price is about $500 and there are no bidders yet. If I was in a buying mood, which I’m not, I’d consider this for $500. When will you ever see a clean copy of this record again? The same seller has several more beauties. How about this: Miles Davis With Sonny Rollins, Prestige 187. This is in M- condition for both the record and the cover. The start price is about $300 and, again, there are no bidders yet. One more: Kenny Dorham Quintet, Debut 9. This one is VG++ for the record and M- for the cover. The start price is around $350 with no bidders as of this post. It’ll be interesting to see what happens with these records. How often do you find such nice collectibles in such nice condition? Start prices are high, but . . . .

Catching Up: Byrd, Tenorman, Golson, Cool Struttin’

Sorry I’ve been out of touch for so long. Now that I’m back, let’s start by updating some of the items we were watching on eBay:

This one had that very high start price: Lawrence Marable, Tenorman, Jazz West 8. It was listed in VG++ condition for both the record and the cover. Not only did it sell, it made it all the way to the $2,000 bin. The price was $2,175.

This one didn’t quite make the $2,000 bin, but it did all right for the buyer and seller: Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. This was an original pressing sold by Euclid Records and it included the original booklet. The record was VG++ and the cover was VG+. The labels, as they do with all Transitions, had fallen off. The price was $1,691.88. Euclid also did well on this one: Benny Golson, Gone with Golson, New Jazz 8235. This was an original purple label pressing with the deep grooves. It was listed in M- condition for both the record and the cover. It sold for $355, quite a nice price for an LP with Golson as the leader.  Our previous high in the Jazz Collector Price Guide was $335.

This next one was described as an “original” pressing, but upon further detailed reading of the listing, it clearly was not — unless, that is, you consider an “original” Blue Note anything that was issued prior to the purchase by Liberty:

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10-Inch LPs, Jazz Record Center, eBay

Interesting that the Jazz Record Center has an auction this week fully devoted to 10-inch LPs. I’ve always been a fan of 10-inch records, I think more for the packaging and authenticity — I mean, they pretty much stopped producing them in 1955 — than necessarily for the sound quality, although some people swear by them. My friend Dan swears that the sound on the 10-inch version of The Tal Farlow album, for example, is far superior to the 12-inch version, even the original Norgran 12-incher. Anyway, prices of 10-inch LPs tend to be lower than corresponding 12-inch LPs, so we’ll see how this week’s JRC auction goes. Here are some of the items we’ll be watching

Jutta Hipp, Jutta, Blue Note  5056. This one looks to be in M- condition. It has already been bid up to $416 with four bids, so we’re expecting that this is the one that will sell for top price among these listings. Howard McGhee, Volume 2, Blue Note 5024. This one is in M- condition and looks gorgeous in the picture. I own Volume 1, but have never had Volume 2. Probably won’t get this one either. The start price is $250. So far there are no takers, but it’s early. Stan Getz, The Beginning, with Wardell Grey, Seeco SLP7. I have a lot of Getz LPs, even a bunch of 10-inchers, but this is one I’m quite unfamiliar with. Anyone have any info to share on this LP? The one from the Jazz Record Center is in M- condition and already has a bidder at $150.