Tag: Jazz Vinyl

Some Odds & Ends: Konitz, Brubeck, Newk

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While we’re catching up on adding items to the Jazz Collector Price Guide, we figured we’d share a few more odds and ends with you. This is one you don’t normally expect to sell for more than $300: Lee Konitz with Warne Marsh, Atlantic 1217. This was an original black label pressing in M- condition and sold for $311. I have to give the seller a lot of credit for this one. He took an absolutely crystal-clear picture and he did a very nice job of describing the condition of the LP. It really catches your eye and makes you want the LP. Sometimes, presentation is everything.

Here’s one you almost never see going for a big price: Dave Brubeck Time Out, Columbia 8192. This was one of the most popular jazz LPs ever and

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Some More Blue Notes, Less than $1,000

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Here’s  some jazz vinyl on Blue Note that did not sell for more than $1,000.

Paul Chambers Quintet, Blue Note 1564. This was an original pressing and it was listed in VG+ condition for both the record and the cover. The price was just $114.50. That’s pretty low for this record. The last time we followed it in the Jazz Collector Price Guide it sold for more than $1,100, and previously it has sold for more than $600. This was not in M- condition, but you would still expect it to go for at least $300 or so. I think the seller may have overgraded the record, based on the description — VG+ but with “marks that will make some noise.” To me that’s a sign that the record may be VG or worse, so that would probably be the reason for the lower price.

Lee Morgan, The Cooker, Blue Note 1578. This one was listed in VG condition for the vinyl

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10-Inch Mania: Miles, Getz, Savoy, Serge, Prez

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Let’s catch up on some 10-inch LPs we’ve been watching. It’s always interesting to keep an eye on the 10-inchers just to see if the market is holding up. So far, it is, based on these records.

Miles Davis, Young Man With a Horn, Blue Note 5013. The vinyl on this one was listed in VG++ condition and the cover was M-. The price was $510.01. This one was sold by the seller herschel78, who has been putting some nice items up over the past few weeks, including some other 10-inch LPs we’ve been  watching.

Miles Davis Volume 3, Blue Note 5040. The vinyl on this one was listed as VG+ and the cover was VG++. The price was $385.

Stan Getz Plays, Clef 137. This was an original pressing with a nice cover by David Stone Martin. The price was $68. This is a great record, one of Getz’s best.

Leo Parker, New Trends of Jazz Volume 5, Savoy 9018. This one was

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For The $1,000 Bin: A Few More Blue Notes

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Here are a few more of the records from the seller Natuiluso that are going into the $1,000 bin and are joining the Jazz Collector Price Guide as of today. They are all Blue Notes.

We had mentioned a couple of other Hank Mobley records previously, and here’s another: Hank Mobley with Farmer, Silver, Watkins, Blakey, Blue Note 1550. This was an original pressing and it was listed in M- condition for both the vinyl and the cover. It sold for $1,137, which is the first time we’ve recorded this particular LP at more than $1,000, which is also quite interesting to us because we do happen to own a copy in M- condition and $1,000 is language that kind of appeals to us.

Sonny Clark, Cool Struttin’, Blue Note 1588. We had mentioned that a copy of this record had set the previous high on Jazz Collector at $3,750. This one was in beautiful M- condition, but it feel just short of the previous high price: This one sold for $3,501.

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Mobley LP Sets High For Jazz Collector Price Guide

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We’ve been tracking jazz records on eBay for about five years and have built a database of more than 4,000 records. We don’t claim to have captured the sale of every high-priced record on eBay, but we’ve gotten more than our fair share. And, today, we will be entering into the Jazz Collector Price Guide, the highest-priced jazz vinyl we’ve recorded to date, and that is this: Hank Mobley, Blue Note 1568. This was an original U.S. pressing and it was listed in M- condition for both the record and the cover. It sold for $3,805. The previous highest price that we had recorded was for a copy of Sonny Clark, Cool Struttin, Blue Note 1588, which sold for $3,750. It is noteworthy that the Mobley record was sold by the seller Nautiluso, who had that massive collection of about 75 vintage jazz records that were all listed in pristine condition and which generated a little bit of skepticism within the Jazz Collector universe. We’ll continue to keep an eye out for comments on these auctions and we’ll continue to encourage winning bidders to let us know about the condition of their LPs. In addition

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Jazz Vinyl Countdown: The Joy of Sax

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This is the record: Saxes, Inc., Warner Brothers 1336. It is not a major collectible and it started out with two strikes against it. Strike one — it doesn’t have a leader, which means it has to be filed under “Various” or “Miscellaneous” in the collection and those are always the records that get put away where you can’t reach them or see them and you wind up never listening to them. Strike two — it’s one of these “arranged” LPs with a lot of emphasis on charts and less on playing. Anyway, despite starting off with two strikes, this record, surprisingly, makes the cut and will be in the final 1,000. It’s actually an awesome record with great playing and great arrangements that really swing. It starts

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Jazz Vinyl Countdown: Lee Morgan, The Cooker

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Like the compulsive nut that I am, I spent yesterday going through the records I purchased the other night. Not just going through the records, but doing a major record reorganization so I could welcome these records to their new home. however transient it may be. Anyway, I was hoping to get some upgrades out of this collection and here’s one: Lee Morgan, The Cooker, Blue Note 1578. Sad to say, I do not own an original copy of this record. Sad because original copies are selling for nearly $500 on eBay these days. It also shows how difficult it was to find original pressings prior to eBay. I’ve been seeking jazz records for close to 40 years and, if I had ever seen one of these at a decent price in a record store, I would certainly have purchased it. Which means, it never happened. Scary. In this case Read more

Billie Holiday At Carnegie Hall: The Winner Is . . . .

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Time to give away the Billie Holiday record: The Essential Billie Holiday Carnegie Hall Concert, Verve 8410. This is an original pressing with the MGM label and the gatefold cover. It’s an interesting piece in that it intersects Billie’s singing with a narrative from her autobiography Lady Sings The Blues. The goal with this give-away, as with all of our give-aways, has been to encourage people to comment on the Jazz Collector site. The good news is that the tactic seems to be working: Since we began this particular contest we’ve had 22 separate people posting comments on the site, which is our high mark for a two-week period. So thank you to everyone for contributing. OK, rather than list everyone’s name — you know who you are — we will just delve into

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Jazz Vinyl Countdown: Jackie For Sale

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We had mentioned seeing this record on eBay the other day: Jackie McLean Consequence, Blue Note King GFX-8172. This is a 1965 record that was not issued in the United States and was, in fact, issued on this Japanese pressing for the first time. It’s a nice record featuring Jackie with Lee Morgan, Harold Mabern, Herbie Lewis, Billy Higgins. The first track, Bluesanova, is slightly Sidewinder-like and there’s a nice medium tempo version of My Old Flame. We didn’t realize it was a valuable collectible until we saw the copy on eBay at more than $100: It eventually sold for $185.50. That copy was in M- condition for both the record and the cover. Our copy is M- for the vinyl and VG++ for the cover (there’s a little wear around the edges). In any case, we are going to try something a little different with this record: We are going to

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Jazz Vinyl Countdown: Benny Golson On Riverside

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This is one of our favorite records: Benny Golson, The Modern Touch, Riverside 256. It is a very nice sextet recording from 1957 with an all-star lineup: Kenny Dorham on trumpet; Golson on tenor; JJ Johnson on trombone; Wynton Kelly on piano; Paul Chambers on bass, Max Roach on drums. Love Dorham’s playing on this LP, JJ as well, and the arrangements are solid. It’s also one of those records on which both sides are equally good and listenable. We highly recommend it and we know we are going to keep it in our collection. The issue, however, is this: We have both an original pressing of this record on Riverside as well as a reissue on Jazzland: Reunion, Jazzland 85. The reissue is in a little bit better condition and, to be honest, they both sound about the same to us on our equipment. So which to keep, the one in better condition or the original?

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