Back online again and tracking some of my favorite jazz records on eBay, starting with Jackie McLean, McLean’s Scene, New Jazz 8212. This is an original deep groove purple label pressing. The record is listed in VG+ or perhaps better condition and the cover is VG++. The start price is about $200 and so far there are no bidders with more than five days left. This one will get action, right?
Miles Davis, Kind of Blue, Columbia 1355. This is an original white label promotional copy. The record is listed in M- condition and the cover is Ex or Ex+ condition. There are more than four days left on the auction and the bidding is in the $170 range, with 13 bids. Curious to see where this ends up. We were watching a promo Kind of Blue a few weeks ago that had a $600 start price and no bidders — but it also had some condition questions. We have seen promo copies sell for as much as $2,700 in the past, but this one will not get to that level.
Here’s one for you: Joe Henderson, Page One, Blue Note 4140. This was an original New York USA mono pressing. It was listed in Ex condition for the record and the cover. Certainly not mint minus or near mint or anything close to mint. It sold for $1,108.33.
From the same seller: Harold Vick, Steppin’ Out, Blue Note 4138. This was also an original mono pressing with the New York USA label. It was listed in Ex+ condition for the record and M- for the cover. It sold for $621.92.
Mal Waldron, Left Alone, Bethlehem 6045. This was an original red label pressing. The record was probably VG+ and the cover was listed as VG. The final price was $745.55.
I know I haven’t posted in a while when I start getting little love notes from our old pal CeeDee, with gentle reminders such as “you may have seen these by now, but . . . ” Anyway, these a couple of the ones being called to my attention, starting with Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing with the purple label and the deep grooves. The record was graded VG++ and the cover was VG+. The final price was $1,752.
Then there was Joe Henderson, Inner Urge, Blue Note 84189. This was an original stereo pressing with the New York USA labels and the ears in the dead wax. The record was listed in M- condition and the cover was VG++. The final price was $383. High for a stereo pressing, but certainly not surprising, right?
I didn’t have either of those on my watch list, but I did have this one, which fetched quite a fetching price:
This will be fun. Last night I had another one of those very pleasant listening sessions up in The Berkshires, fueled by a few beers, a few vapes and the knowledge that I could play my music as loud and late as I pleased with no neighbors or anyone else to complain. I was watching politics on television as I do so often these days, taking particular delight in the latest polls showing that the blowhard, maniac, crazy man at the top of the Republic ticket is in steep decline and, IMHO, may not even make it to election day without having some kind of collapse/mental breakdown, if, indeed, we could even tell the difference between a nervous breakdown and the behavior he exhibits every single day on the campaign trail. After a couple of hours of this I had enough and decided to enjoy some music. Read more
Here are a few odds and ends from the Jazz Collector in box. Mark sent us this link: Joe Henderson, In ‘N Out, Blue Note 84166. The back cover is all messed up with writing all over it. Except, here’s the explanation from Mark: “So the seller claims the notes and signature are by Joe..an inquiry made to the seller revealed that this album came from the collection of a fellow who booked shows for the Left Bank Jazz Society in Baltimore. Apparently there were many signed albums in his collection along with a photograph of Monk and Wynton Kelly sitting on his own couch! Anyway..interesting piece…” I kind of have a soft spot for memorabilia such as this, although I don’t actually collect it. The record and cover looked to be an original stereo pressing. The final price was $275. Not sure if the writing and signature ensured a higher price, or whether it actually diminished the price. I would guess a stereo copy would get less than $275, so someone probably through the writing was worth something. That’s how I would view it.
There was also this signed record, noted by one of our readers:
You will now be treated to a treatise covering more than you ever wanted to know about Blue Note 45s. So from now on, if you do happen to run across any interesting Blue Note 45s, you can do a search at Jazz Collector for this article and the shared knowledge of the community will be available for as long as I pay the bills to keep the site up and running. Here’s how I came by this newfound knowledge, which I wasn’t seeking, but which I will now share for others who may also not be seeking it. It started, as these things often do, with an e-mail inquiry, as follows:
I am going to get through my Watch List and update the Jazz Collector Price Guide. I really am. I think. I will post a few more in a second, but first I want to point everyone’s attention to the comment from the buyer of the Hank Mobley Blue Note 1568. Perhaps we will less ready to throw stones, those of us who who live in vinyl houses. It is also not often that we get comments from female readers, so welcome to Caroline.
Now, onto the Watch List and the Price Guide:
Art Farmer, Donald Byrd and Idrees Sulieman, Three Trumpets, Prestige 7092. This is an original New York pressing that looks to be in M- condition for the record and perhaps a drop less for the cover. It sold for $338.58. I happen to have a spare copy of this record sitting in my closet, if anyone is interested. I also have a spare copy of this one: Lou Donaldson, Swing and Soul, Blue Note 1566. This was an original pressing listed in VG condition for the record. The cover looked like it was probably VG+. The record sold for $127.50.
This one fetched quite a nice price, breaking into the $1,000 bin:
Here are some more jazz vinyl auctions we are watching on eBay, starting with Kenny Dorham, Afro-Cuban, Blue Note 5056. This is an original 10-inch pressing listed in VG+ condition for both the record and the cover. The record was just posted yesterday and the bidding is already in the $90 range with 13 bids. And, while we’re looking at Kenny Dorham, there is a copy of Quiet Kenny, New Jazz 8225. This looks to be an original purple label, deep groove pressing in VG+ condition for the record and VG for the cover. The bidding is in the $150 and there are more than six days to go.
And what would be a day at Jazz Collector without a few more Blue Notes, starting with Joe Henderson, Mode for For, Blue Note 4227. This looks to be an original New York USA pressing with the Van Gelder in the dead wax, right at the end of the line of original Blue Notes before Liberty took over. This one is in M- condition for the record and VG+ for the cover. The bidding is in the $125 range and the auction closes tomorrow. Read more
I’ve had this thing in my inbox for the past few weeks and I’ve been debating whether to post it. It’s really silly. The Internet gives pretty much anyone a forum to write pretty much anything they want. So I got this email with a listing from a blog and it was something like the “10 Greatest Jazz Pianists of All Time,” which was silly enough, but then I saw that the guy did a Top 10 list of jazz albums under the dubious heading “10 essential jazz albums if you know squat about jazz but want to become more versed.” The list is so bad and ridiculous I won’t comment, other than to note the lack of any artist from before the post-Bop era, including Charlie Parker, Lester Young, Coleman Hawkins, Duke Ellington and Louis Armstrong. Anyway, after great hesitation (and strictly for laughs), here it is:
Back in action after a long, lovely Labor Day weekend. When I last saw everyone, I had a bunch of items on my eBay watch list and many of these have subsequently been sold, so let’s see how they did:
Lou Donaldson, Wailing with Lou, Blue Note 1545. This was an original pressing with the New York 23 address. It was listed in VG++ condition for both the record and the cover. You would have expected it to sell, particularly with a top bid of $1,030. But, alas, a purchase did not take place because the record failed to meet the seller’s reserve price. Interesting because the $1,030 would have been the highest we’ve ever recorded for this record in the Jazz Collector Price Guide. The same seller had a few more than got nice bids but didn’t get to the reserve price, including: Donald Byrd, Art Farmer and Idrees Sulieman, Three Trumpets, Prestige 7092. This was only in VG+ or VG++ condition for the record and VG+ for the cover. The top bid was $306.50 but, again, no sale.
These two got nice bids and did sell: