Ramblings, Records and Rancor, Oh My

In my real life I’ve been writing what we call an “eBook” for a client. Basically, it’s a long term paper of about 5,000 words. The topic is climate change and, if you want to get really depressed, read the latest report from the United Nations. Anyway, I share this because being buried in work has left little time for the important things in life, like Jazz Collector and, lo and behold, in my absence there are 55 comments, and counting, on the latest post. Surely, they can’t all be about getting happy with Freddie Redd and Jazz Collector, so I am curious about what is going on to inspire such interest and, perhaps, inspiration. So, pardon me while I catch up. Hmmm, now I see that there was a personal, and in my view entirely unfounded attack on Clifford from a new commenter named Gohoos81, who has since apologized and rambled to the point where I am having trouble deciphering whether this was a real diatribe or an attempt to spam the site. Whatever. I see there has been enough pushback without me having to waste more time worrying about it. But Gohoos81, if you are still here, you may find that there are other sites where the community is more welcoming of your rancor and bluster, but you don’t seem to have a very welcoming audience here, including your usually amenable host. Read more

Catching Up (And We Mean Up!) on Rare Jazz Vinyl

Here are a couple of nice $1,000 records we were watching on eBay: Dizzy Reece, Progress Report, Tempo TAP 9. This was an original U.K. pressing that was listed in excellent condition for the vinyl and great condition for the cover and, even though those terms are not precisely Goldmine-approved, you get the sense from the description and pictures that the record was in extremely nice condition. This one sold for about $1,025. Also, Lee Morgan, The Cooker, Blue Note 1578. This was an original West 63rd Street pressing listed in M- condition for the record and cover. We said “under normal circumstances” this record could set a new high water mark for the Cooker. What we meant was that we felt the pandemic would perhaps be dampening prices for high-end records. We were wrong. This record did set a new high at $1,625. So much for my theories and hypotheses—so far at least. Read more

What Was That About Condition?

Lee MorganBeen way behind on my posting and even my eBay watching. Lots of stuff going on here. When I left off, these were some of the jazz records I was watching on eBay, starting with: Lee Morgan Sextet, Blue Note  1541. This was an original Lexington Avenue pressing. The record was in VG+ condition and the cover was only VG, with tape, writing, a sticker and shelf wear. The record sold for $2,324. Yes, that is not a typographical error. I was thinking of making a pithy comment, but I seem to be out of pith this morning. I will leave the pith to you, dear readers.

J.R. Monterose, Blue Note 1536. This looked to be an original Lexington Avenue pressing as well. The record and cover were in VG condition, and the seller mentioned the word “scratches” so that would definitely be a red flag. This one sold for $323.80, reasonable, I would say, but still $2,000 less than the Morgan record.

While we’re on Blue Notes, here’s another that fetched quite a nice price:

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Rare Jazz Vinyl, Some With Autographs

Sorry for taking such a long break over the Memorial Day weekend. But we are back to our post at Jazz Collector and ready to begin posting regularly again, starting with a catch-up of items we were watching last week on eBay.

First there was that copy of Miles Davis and the Modern Jazz Giants, Prestige 7150, that was autographed by Miles, John Coltrane and Thelonious Monk. It was offered by the Jazz Record Center so there was some level of credibility attached to the autographs, although the listing didn’t say anything about independent verification. The price for this was $4,305. It’s certainly a one-of-a-kind item, so there is probably no price too high to have surprised us. This seems pretty reasonable for such a rare item. Here are a couple more from the same auction: Art Pepper, Intensity, Contemporary 3607. This was not only signed by Art Pepper, he also put the date and his home address with the signature. The record and cover both looked to be in M- condition. This one sold for $150.27. This one was not signed: Johnny Hodges, In a Tender Mood, Norgran 1059. This was an original yellow label pressing in M- condition for both the record and the cover. It sold for $161.50. I was watching this because I like to keep an eye on the original Norgrans, just to see that there is still a collector’s market for them, since they really reflect artists mostly from the pre-bop era, with a few exceptions, of course. This one also has that weird kind of cover from the era, with a picture of a white woman as the sole image on the picture of an album by a black male artists. Is it really possible that

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Watching A Pair Of Heavy-Duty Jazz Collectibles

My goodness, here’s a jazz collectible to make the heart flutter (my heart, at least): Miles Davis and the Modern Jazz Giants, Prestige 7150. This is an original yellow label pressing, although the record itself is a reissue. No big deal, right? Except this one is autographed by, get this, Miles Davis, John Coltrane and Thelonious Monk. That’s about as an impressing a lineup of jazz autographs as you could get on one record. This one is being auction by The Jazz Record Center so I would be one to trust that the signatures are original. Perhaps Don-Lucky or another autograph collector might shed more light. In any case, the bidding on this one starts at $2,500 and there is already a bid so the record will sell. If I had this one, I’d frame it for sure.

Here we go again: Hank Mobley, Blue Note 1568. This is an original original pressing, based on all of our feedbacks and comments last week, and it has the New York 23 on the B Side. This one is in M- condition for both the record and the cover and, based on the seller’s description, it sounds like it’s in amazing shape. The auction closes later today, in about four hours, and the bidding is in the $2,000 range. My guess is that it goes in the $4,000 range. If it was from a seller with more history and more of a reputation using this description it would probably break the $5,000 barrier. Maybe even more. And maybe it will with this seller. We’ll see soon.

Tracking Autographs: Duke, Miles, Sonny, Trane . . .

It was interesting watching the recent auctions of autographed vinyl and ephemera from the Jazz Record Center. With autographed items there’s always going to be a question of authenticity but there’s no reason to believe these items weren’t genuine. There are autographs and then there are autographs — I remember a couple of years ago there was an auction of a letter from Bill Evans to John Coltrane that sold for $38,000. There was nothing in this grouping that came close to matching that in either uniqueness or value, but there was some nice prices nonetheless, including:

John Coltrane and Milt Jackson, Bags and Trane, Atlantic 1368. This one, which me mentioned the other day, was signed by Coltrane, Jackson and Hank Jones. It sold for $758. Others: Miles Davis, Early Miles, Prestige 7168. This record is an early reissue, with a yellow label. This also has autographs By Miles Davis and Sonny Rollins. It sold for $377. 89. This is not a record we track often in the Jazz Collector Price Guide because it is not an original but, suffice to say, it would not normally  sell for that amount sans autographs. One more: Duke Ellington, Such Sweet Thunder, Columbia 1033. This was an original pressing signed by Ellington. It sold for $191.38. Under normal circumstances, no autograph, this is really like a $10 or $20 record.

John Coltrane Autograph (And More) On Ebay

Oh, it’s a nice time on eBay when we get to watch auctions from both the Jazz Record Center and bobdjukic.

How much would you like a John Coltrane autograph? I know I would. This is from the Jazz Record Center: John Coltrane, Bags and Trane, Atlantic 1368. This is listed as an original mono pressing with the red and purple labels — although, for the live of me, I still can’t get the original Atlantics straight once they are past the black labels — but the key to this record is that it is signed by Coltrane, Milt Jackson and Hank Jones. The record and cover appear to be in about VG++ condition. The price is around $750 with more than two days to go. From the same auction is a Jazz at the Philharmonic program from 1956 with a bunch of cool autographs, including Dizzy Gillespie, Stan Getz, Connie Kay, Milt Jackson, Roy Eldridge and Flip Phillips. There’s one bidder for this one, so far, and the price is $100.

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