No Economic Crisis In Collectible Jazz Vinyl Market

Now that I have that Bird article out of my system, it’s time to get back to the task at hand, watching rare jazz vinyl on eBay. Here are some of the items we’ve been watching:

Phil Woods, Woodlore, Prestige 7018. As you may recall, this one was sitting at $200 with no bids and I was considering taking the plunge myself. Glad I didn’t. The record wound up selling for $527 — way beyond my comfort level — and, to make it worse, there is now a dispute about the sale, as you can see on the Jazz Collector site under the earlier post. From the same seller was: Charlie Rouse, Yeah!, Epic 16012. If you look at the listing, you’ll have a hard time figuring out the record’s condition. It says both ex+ and ex- and it talks about light scratches that will sound on both sides. Hmm. Someone paid $538 for this record. We’ll see if there’s a dispute about this one as well.

Wow — didn’t expect this record to reach the $1,000 bin: Hank Mobley, Workout, Blue Note 4080. This was an original New York USA pressing, with the RVG and ear in the deadwax. It was in beautiful M- condition for the record and cover and sold for $1,009.99.

This one also entered the $1,000 bin, but not all that suprisingly:

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Watching Some Stereo Jazz Vinyl Sell (and Not Sell)

I was just going through some old listings as I attempt to clean up my files so I can (finally) update the Jazz Collector Price Guide and noticed that eBay took the liberty of erasing all of my files that were more than six weeks old. This is a new thing they have done and I’d rather they didn’t, but I wasn’t given a choice. Anyway. Before they disappear into oblivion here are some items I had saved with the idea of either writing about them or adding them to the Price Guide:

Johnny Griffin, Studio Jazz Party, Riverside 9338. This was an original stereo pressing with the deep grooves and black label. The seller had a start price of $150 for this record, which was in VG++ condition and probably VG+ for the vinyl. I was watching it to see if it would sell and at what price. The mono pressings tend to be much more desired and desirable, right? This one did not sell. A mono pressing in that condition, at that start price likely would have sold. I always liked this record — it has the real feel of a party. Along the same lines and from the same seller was a stereo pressing of Johnny Griffin, The Little Giant, Riverside 1149. This one was in VG++ condition for the record and VG+ for the cover and it too had a start price of $150. Alas, there were also no bidders for this one.

This was a stereo pressing that did sell, and for a decent price:

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Real Original Originals (In Nice Shape, Too)

Here’s one that will sell for quite a lot of money this week: Hank Mobley, Blue Note 1568. This is an original original pressing and it is being offered by the Jazz Record Center, which describes it as a “the original hybrid deep-groove RVG-stamped ‘P’ pressing.” This is a lot to take in, but the key word is original. The record looks to be in M- condition and the cover probably around VG+. There are close to three days left in the auction and the bidding is in the range of $1,125. It will continue to rise. We’ve seen this record sell for as much as $5,600 in the Jazz Collector Price Guide, the highest price we’ve ever recorded for any single record.

What are some of the other items we’re watching from the Jazz Record Center auction. Glad you asked:

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Strange (And Not So Strange) Prices on Jazz Vinyl

Wow. That Ben Webster record I mentioned yesterday — Ben Webster, Soulville, Verve 8274 — sold for a whopping $201.50. Although the seller listed it as an “original” there was a clear picture that showed it was an MGM pressing. What do the MGM’s sell for, generally, $20 or $30, at best. The bidders either weren’t paying attention to the picture or they mistakenly thought it was a bobdjukic auction.

Johnny Griffin, A Blowing Session, Blue Note 1559. This was an original pressing in VG condition for the record and VG+ for the cover. It sold for $415. These original Blue Notes are so coveted and hard to get that $415 for a VG seems like a reasonable expectation. I bet is sounds nice too. Although this one failed to sell at all: Sonny Rollins, Newk’s Time, Blue Note 4001. The record was listed in VG condition and the cover VG+. The start price was $400, but there was no action.

 

Jazz For A Sunday Morning: KD, Byrd, Blue Notes

Here’s some of the jazz vinyl we’ve missed while we were away:

The Arrival of Kenny Dorham, Jaro 5007. This was an original pressing that was listed in VG++ condition for both the record and the cover. It was a bit of a strange auction — there were only two bids and the winning bid was an even $800. Anyway. There was a lot more interest in this one, with more than 20 bids: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original deep groove pressing in VG+ condition, which I’d say was questionable based on the description. It sold for $740.

This one nearly made the $3,000 bin: Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. This was an original pressing with the booklet. The record looked to be in M- condition, minus the labels, of course, and the cover looked to be about VG++. The price was $2,926.54, which is still staggering to me.

And what would a day in Jazz Collector world be without a few Blue Notes to admire:

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Monday Morning Blue Notes

Lot of interesting jazz vinyl we’re watching now on eBay, so let’s get right into it. This one is closing fairly soon: Lee Morgan, Candy, Blue Note 1590. What’s the market for a rare record like this in not very good condition, actually in VG minus condition? So far the bidding on this one has topped $125. I’d love to have this record back in my collection — yes, I sold a pristine copy 20 years ago — but not in this condition. If I can’t listen to the record, I don’t necessarily need to own it just to fill a space in the collection.

This one is in better condition, but hard to actually give it a grade based on seller’s description. My guess from the description and pictures that it’s what I would grade a VG+ for the record and the cover: Johnny Griffin, A Blowing Session, Blue Note 1559. This one has already topped $800. As I mentioned recently, I am now the proud owner of an original pressing of this record, after all of these years of collection. Amazing how rare these things are, when you think about it. I could have paid top dollar over the years, I guess, to acquire a copy of this record, but in the normal course of things — going to record stores, record shows, garage sales flea markets, looking for records in most cities across the U.S. — in more than 40 years I had never come across an original copy of this record, and many others, for what I considered to be a reasonable price at the time.

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Today’s Jazz Vinyl Watch: Prestige, Blue Note(s)

Here’s some of the rare jazz vinyl we’re watching now on eBay:

Miles Davis with Sonny Rollins, Dig, Prestige 7012. This looks to be an original New York pressing with the gray cover as opposed to the blue cover. I would also assume that this is the “frame” cover, otherwise known as kakubushi. I always preferred the gray cover, of course, since it is the original, and I wonder why Prestige chose to change the color on the subsequent release. Perhaps someone out there knows — Rudolf? This one was in VG+ condition for both the record and the cover and is currently in the $150 price range with more than a day to go.

I am no longer in the market for this record, having just acquired an original pressing. Yay! Johnny Griffin, A Blowing Session, Blue Note 1559. This appears to be an original pressing and the condition seems to be somewhere between VG+ and M-. The start price is around $750 and, so far, there are no takers. The second copy, viewed here, looks to be in slightly worse condition, rated as “excellent” by the seller, although he describes light scuffs and the picture shows a back that has some dirt and wear. If I were wagering, I’d say this record and cover are VG+, the way I grade things. This one already has two bids and is at $404 with six days to go.

Down By The Riversides (With A Blue Note)

Here’s some more jazz vinyl we’ve been watching on eBay.

It’s been a while since we’ve tracked a nice copy of Tina Brooks, True Blue, Blue Note 4041. This one was an original pressing listed in VG++ condition for the record and M- for the cover. It sold for $1,913.

Here’s a nice Riverside: Ernie Henry, Last Chorus, Riverside 266. This looked to be an original pressing in M- condition for both the record and the cover. It sold for $270.

While we’re on Riversides, here’s one two numbers apart: Johnny Griffin Sextet, Riverside 264. This one was in M- condition for both the record and the cover. It sold for $349.95. My dad used to search high and low for the Riversides in the bargain bins of a couple of record stores along 8th Street in Greenwich Village in the ’60s. I wish he would have bought some of these, but he wound up with a lot of Cannonball, a lot of Wes Montgomery and some Bill Evans. No complaints, really. I still have many of those great records from my dad.

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Jazz Vinyl Prices, Running The Gamut

Here’s some jazz vinyl we’ve been watching on eBay:

Someone got a nice record at a nice price with this one: Stan Levey, Grand Stan, Bethlehem 71. I’d have thought this would be more collectible, what with the presence of Sonny Clark as well as Richie Kamuca. This copy was in VG+ condition for both the record and the cover.  It sold for $43.

Here’s a nice, original, New York yellow-label Prestige that also didn’t command top dollar: Gene Ammons, All Star Sessions, Prestige 7050. This one was in VG++ condition for the record and VG+ for the cover. It sold for $76.01.

This one, on the other hand, had no problem fetching top dollar: Johnny Griffin, A Blowing Session, Blue Note 1559. This was an original pressing and it looked to be in M- condition, although the terminology used by the seller was different. Some people clearly agreed that it was M-: This one sold for $1,252.

 

Jazz Vinyl: Two for the $1,000 Bin, Plus A Couple More

Been away from my posting for a few days. Trying to get back into the swing of things, but there were a couple of days of hurricane delays, plus the lovely Mrs. JC is on vacation. Anyway, I vow once again to be posting more regularly, starting today with some jazz vinyl we’ve been watching on eBay.

Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original New York pressing. The record was described as M- condition and the cover looked to be at least VG++, perhaps M- depending upon your grading system. This one sold for $1,536. We’ve seen this one sell for more than $2,000 several times in the Jazz Collector Price Guide, and once approach $3,000. So perhaps this is a bargain, or perhaps it’s just where the market was on this particular day. The item did have more than 400 page views, which is a significant amount.

Here’s a Riverside that did quite well for the seller, which was Euclid Records: Wynton Kelly Piano. Riverside 254. This was an original Blue label pressing with the deep grooves. It was in M- condition for both the record and the cover. The price was $710. Nice cover on this record, right? Straight from the ’50s.

So this next one made the $1,000 bin after all:

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