Some 10-Inch LPs and Some Bird Envy

Here are some of the results from the Jazz Record Center auctions we were watching, including the one with the cover that has some of our readers weirded out. Let’s start with Kenny Dorham Quintet, Debut 9. This is an original 10-inch pressing, quite rare, that looked to be in M- condition for the record and VG++ for the cover. It sold for $960.

Charlie Mariano, Mariano, Bethlehem 1022. This was another 10-inch record from the collection of Tom Stewart and like the others the record was in M- condition and the cover probably VG++, with the owner’s name written in ink. This one sold for $355.

Now for the one with the weird cover, Red Mitchell, Happy Minors, Bethlehem 1033. This was from the same collection, M- for the record, VG++ for the cover. It sold for $333.88. So far I haven’t found a copy in my own collection. If I didn’t buy it originally for $50, I can say for pretty sure that it was because of the cover. Not one of my favorites, to be sure.

Speaking of covers, check out the next listing, and we will show a picture of the cover below:

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The One I Left Behind?

Some interesting 10-inch LPs, 78s and other items on the new eBay auction from the Jazz Record Center. Here’s a few to watch, starting with Red Mitchell, Happy Minors, Bethlehem 1033. This is an original 10-inch pressing In M- condition for the record and probably VG++ for the cover. There’s writing on the back, but the writing is from the previous owner, Thomas Stewart, who also wrote the liner notes for this record. So it has some interesting provenance. It also has the presence of  Zoot Sims and Bob Brookmeyer, which can’t hurt. The start price is $200. My own story with this record: I used to travel to Palo Alto all the time for business. There was a book store that also sold records and occasionally they would get some nice jazz. The prices were a bit high for the time, but not unreasonable. I remember a mint copy of this record sitting on the shelf for $50. I had it in my hand, put it down, had it in my hand, put it down, looked at a few other records, picked it up again. This went on for a while. In my memory I wound up buying the record for $50. Except, I guess I didn’t. I just looked on my shelves and, alas, no Happy Minors. My hope is that I have the record, but I just misfiled it or something. So later, or this weekend, I will go through all of my 10-inch records in search of the one I may have left behind. It’s probably a great record, right?

A few others from the Jazz Record Center:

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Waxing Rhapsodic on Kenny Dorham Vinyl

Here’s an update on some jazz vinyl auctions we’ve been watching on eBay, starting with The Arrival of Kenny Dorham, Jaro 5007. This looks to be an original deep groove pressing. The record was in what looked to be VG++ condition and the cover was listed as M-. The final price was $580. This one is closing in a couple of days: Kenny Dorham ‘Round About Midnight at the Cafe Bohemia, Blue Note 1524. This is an original Lexington Avenue pressing listed as Ex condition for the cover, which I consider a catch-all rating similar to VG+, and VG for the cover. The bidding is in the $350. Curious about favorite Kenny Dorham records out there among the Jazz Collector community. I like him on pretty much everything. This Blue Note is fantastic for example, and, of course, there is Quiet Kenny on New Jazz. Someone was asking me about KD the other day and of of the best things I had on my iPhone to play for her was Kenny Dorham on the Benny Golson Riverside album The Modern Touch on which his playing really stands out among a great group of musicians in a great setting. The other one I had in my pocket on the iPhone was  KD on Rollins Plays for Bird, another standout performance.

Here’s another nice Blue Note up for sale now on eBay:

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Bonjour, Mon LPs

Just swung over the eBay and, mmmm, there are some nice records for auction right now. Here are a few, starting with: John Lewis and Sacha Distel, Afternoon in Paris, Versailles MEDX 12005. I know, I know, another European pressing. But this is quite a beauty, isn’t it? And great music featuring Barney Wilen on tenor sax. This one is in M- condition for the record and probably VG++ for the cover. The price is already $600 and, no, I am not bidding on it despite my post yesterday. I may be crazy, but I’m not insane. The U.S. Atlantic pressing will definitely suffice for me.

 Kenny Burrell, Blue Note 1543. This is an original pressing with the Andy Warhol cover design as well as the Lexington Avenue labels. This was the last of the Lexington Blue Notes. The record and cover are both listed in VG+ condition and the bidding is in the $315 range with nearly three days to go. It will fetch a hefty price.

The Magnificent Thad Jones Volume 3, Blue Note 1546. This is an original West 63rd pressing with the New York 23 labels. The record is M- and the cover is VG+. Would love to have this but, alas, I will keep searching for a copy that doesn’t cost as much. This one is already more than $400 and there are more than three days left on the auction.

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Catching Up on Some Rare Jazz Vinyl

Let’s catch up with some of the jazz vinyl auctions we may have missed while we were caught up in our birthday euphoria, starting with: Jackie McLean, The New Tradition, Ad-Lib 6601. This was Rudolf’s listing in M- condition for the record and E for the cover. It long ago exceeded it’s reserve price and wound up selling for $2,247. We assume this was a duplicate.

Also for the $1,000 bin: Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original Lexington Avenue pressing. The record was listed in M- condition and the cover was VG+. The price was $1,680.55.

John Coltrane, et al, Tenor Conclave, Prestige 7074. This was an original pressing with the yellow label and New York address. The record looked to be VG++ for the vinyl and VG+ for the cover. When we first looked at this record there were no bids at a price start of about $100. Eventually bidders came along and it sold for $250, a relatively inexpensive price for a great record, IMHO.

 

 

 

 

 

Three for the $1,000 Bin

I’ve been so busy with real work lately, I’ve missed a lot of nice jazz vinyl on eBay, including some of the heavyweights that regularly occupy the $1,000 bin. Anyway, here’s an update of some items I’ve missed, all of which will eventually find their way into the Jazz Collector Price Guide.

Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original deep groove pressing with the purple label. It was listed in M- condition for both the record and the cover and from the pictures with the listing it looked absolutely pristine. It sold for $2,247.66.

Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing that looked to be in VG++ condition for the record and VG+ for the cover. It sold for $1,593.88

Paul Gonsalves, Boom-Jackie-Boom-Chick, Vocalion LAE 587. This was an original British pressing that looked to be in M- condition for the record and the cover. It sold for $1,783.

Mobley, Evans, Jackie, KD and A Cool Autograph

Let’s catch up with some of the items on this week’s auction from the Jazz Record Center, starting with one of the real big ones: Hank Mobley Quintet, Blue Note 1550. This was an original pressing described as being in “near-new” condition. That’s pretty nice condition, I would say. You would expect this to sell for quite a bit and it did: $2,926.

This record reached a new high for the Jazz Collector Price Guide and almost cracked into the $1,000 bin: Bill Evans Trio, Explorations, Riverside 351. This was an original blue label pressing in M- condition for the record and the cover, which was actually described as being in “extraordinary” condition. Looks like four bidders got into a bit of a war and knocked the price up to $910.01.

Jackie McLean, Lights Out, Prestige 7035. This was an original New York pressing. The record looked to be in M- condition and the cover was probably VG+. The price was $758.

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Tracking Some Very High End Jazz Vinyl

While we were busy buying the Irving Kalus collection, a lot of rare and valuable (and high priced) jazz vinyl was being sold on eBay. Here are some of the high-end items we’ve missed.

Tommy Flanagan, Overseas, Prestige 7134. This is one of the major rarities and it sold like one. The record and cover were both in M- condition. The price was $3,216.66. That’s the first time we’ve seen the record surpass the $3,000 mark in the Jazz Collector Price Guide.

While we’re on the topic of $3,000 records: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing listed in M- condition for the record and the cover. This is the listing that mentioned Jazz Collector as a pricing/value source, which we appreciate. The sale price was $3,600.

This didn’t quite make the $3,000 bin, but it gave it a good run: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original purple label pressing in near mint condition for the record and the cover. It sold for $2,650. Do you think there’s a distinction between a record described as “near mint” versus one described as “mint minus?” Just thought I’d ask. “Near mint” has a nicer ring to it, IMHO.

One more:

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A Jazz Vinyl Potpourri From Jazz Record Center

We always like to watch the auctions from the Jazz Record Center because they are a nice gauge of the overall market. Here are a few items from their latest auction, starting with: Sonny Rollins, The Sound of Sonny, Riverside 241. This is an original pressing with the white labels. It is listed in M- condition for both the record and the cover. The start price is $200 and so far there are no bidders, but we’d expect that to change. We’ve seen copies of this record sell for more than $500 in the Jazz Collector Price Guide.

Bud Powell’s Moods, Norgran 1064. This is an original yellow label pressing. The record and the cover both look to be in M- condition. It has a cover design by David Stone Martin and has a start price of $100. We’d also expect this one to sell, right?

The bidding has already started on this one: Dizzy Reece, Star Bright, Blue Note 4023. This is an original pressing that also looks to be in M- condition for both the record and the cover. The auction closes in about five days and the bidding is now in the $260 range.

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Jazz For A Sunday Morning: KD, Byrd, Blue Notes

Here’s some of the jazz vinyl we’ve missed while we were away:

The Arrival of Kenny Dorham, Jaro 5007. This was an original pressing that was listed in VG++ condition for both the record and the cover. It was a bit of a strange auction — there were only two bids and the winning bid was an even $800. Anyway. There was a lot more interest in this one, with more than 20 bids: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original deep groove pressing in VG+ condition, which I’d say was questionable based on the description. It sold for $740.

This one nearly made the $3,000 bin: Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. This was an original pressing with the booklet. The record looked to be in M- condition, minus the labels, of course, and the cover looked to be about VG++. The price was $2,926.54, which is still staggering to me.

And what would a day in Jazz Collector world be without a few Blue Notes to admire:

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Tracking Some Original (And Not) Jazz Vinyl

Here’s an update on some jazz vinyl we’ve been watching on eBay:

Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing with the purple label and deep grooves. The record was listed in M- condition, unplayed, while the cover was VG+. The price was $1,691.78, relatively low for this record considering the condition of the vinyl.

Jackie McLean, Jackie’s Bag, Blue Note 4051. This one was listed as an original because it had the ear and Van Gelder stamp and West 63rd address. However, there were no deep grooves. Original? I think not. So what is it worth in VG++ condition where it’s a sort-of-but-not-quite-original? This one sold for $231.38.

Dexter Gordon, Dexter Blows Hot and Cool, Dootone AUL 207. This is another one that looks sort of close to original but may not be. From the picture it does not look like colored vinyl to me, which would add value to this record, right? This one was in VG++ condition for the record and cover and sold for $455. With colored vinyl it sells for over $1,000 and sometimes more than $2,000.

A New Batch of Jazz Vinyl For The New Year

Happy New Year to everyone. Here are a few more items going into the Jazz Collector Price Guide. No links on these.

Jimmy Raney Quartet, New Jazz 1101. I like this one because of the maroon and white label, which you rarely see. There were just a few 10-inch New Jazz LPs, so they are pretty cool, and pretty rare. This one was probably in VG or VG+ condition for the record and the vinyl. It sold for $157.50.

Now a bunch of Blue Notes:

Lee Morgan, Lee-Way, Blue Note 4034. This was in M- condition for both the record and the cover. It sold for $600.

Lou Donaldson, Wailing With Lou, Blue Note 1545. This was an original West 63rd pressing in M- condition for the record and VG+ for the cover. It sold for $688.

Lee Morgan, Candy, Blue Note 1590. Also an original pressing, of course, this one in VG+ condition for the record and the cover. It sold for $1,343.

Dexter Gordon, One Flight Up, Blue Note 4176. This one was in M- condition for the record and VG for the cover. It sold for $200.

Hank Mobley, Soul Station, Blue Note 4031. Record was M- and cover was M-. Price was $1,465.

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No Holiday For Watching Jazz Vinyl

It may be the holiday season around much of the world, but eBay never takes a vacation. Neither, apparently, does Jazz Collector. Here is some interesting jazz vinyl we’ve been watching on eBay. We’ll start with the $1,000 been. This one is still for sale: Hank Mobley, Hank, Blue Note 1560. This is an original pressing that’s listed in near mint condition for both the record and the cover. The price is already more than $1,100 and there are still two days to go.  This is also a regular to the $1,000 bin: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing, deep grooves, purple label, and it was listed in VG++ condition for both the record and the cover. It sold for $1,415. Merry Christmas for someone. John Jenkins with Kenny Burrell, Blue Note 1573. This was an original pressing that was either M- or very close to M-, based on the seller’s description. It sold for $1,156.99.

Here are a few interesting items closing in the next day or so:

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Watching Some High-Priced Vinyl on eBay

Before we get into some of the records we’re watching on eBay, be aware that we’ve been having some minor glitches on the site with people posting comments. Not all of the comments are getting posted immediately, and sometimes I have to go in manually and approve them. If this happens to you, don’t take it personally. It’s a technical problem, not a change in philosophy. We’re working to fix it and hope it will be resolved soon. In the meantime, back to watching jazz vinyl:

Hank Mobley Quintet, Blue Note 1550. This looks like an original pressing with the West 63rd address, deep grooves and all of the other original attributes. It is described as being in M- condition for both the record and the cover and it is accompanied by a nice clear picture, as can be seen here. This one has more than five days to go and already has nine bids and is already priced at about $800. It will sell for a lot of money.

From the same seller comes Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This is also an original pressing and it is also described as being in M- condition. This one is currently at $405. And, while we’re at it, Kenny Dorham, Quiet Kenny, New Jazz 8225. This one also looks to be in beautiful condition. It is also in the $400 price range. It will also probably sell for more than $2,000.

Jazz Vinyl Today: A Bevy of Blue Notes

Lots of Blue Notes on today’s watch list, starting with: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing that was listed in VG++ condition for both the record and the cover. It sold for $1,370. We’ve seen this one sell for more than $1,300 in the Jazz Collector Price Guide, but this is quite a hefty price nonetheless.

Kenny Drew Undercurrent, Blue Note 4059. This one had the West 63rd Street address and, from the looks of the pictures, it had deep grooves on both sides, certainly on Side 2. That would make it original either way, no? This was described as being in VG condition, and the cover certainly looked no better than VG. It sold for $427.

Gigi Gryce/Clifford Brown Sextet, Blue Note 5048. This was an original 10-inch LP that was defined as being in “very fine” condition, which, the seller implies, is actually M- condition. The pictures certainly looked very fine indeed, if not M-.  It sold for $372. 10.

If it’s a Blue Note, and it’s one of the coveted artists, the record or cover does not have to be in great condition to fetch a high price. Case in point:

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Updating the $2,000 Jazz Vinyl Bin

I’ve been checking out some of the recent higher-priced jazz vinyl auctions on eBay and came across some interesting items, including this one, which is completely new to me: Jazz Quintet 60, Metronome 15124. This is an original 1962 Danish pressing featuring Bent Axen and Niels-Henning Orsted Pedersen (he must have been a teenager) along with Bjarne Rostvold, Allan Botschinsky and Niels Husum. Don’t know anything about the record, other than it must be highly collectible. This copy was in M- condition for the vinyl and VG++ for the cover and sold for $2,392 with nearly 350 page views. The seller was SweeDeeDee, who had a bunch of nice items on eBay last week.

Here’s a beauty from my friends at Infinity Records on Long Island: Sonny Clark, Dial S For Sonny, Blue Note 1570. This was an original pressing with the West 63rd address, deep grooves, etc., and it was listed in M- condition for the vinyl and what looked to be VG+ for the cover. It sold for $2,100.

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Tracking Some Rare Beauties on eBay

Couple of interesting jazz vinyl auctions taking place now from sellers who would be quite familiar to the Jazz Collector audience. First up is collossus3: He’s the one who had access to the Leon Leavitt vault and was, he says, able to pick and choose the best copy of each of the rare records. Among those rare records now available on eBay are: Freddie Hubbard, Open Sesame, Blue Note 4040. This is an original pressing and it is described as being in pristine condition, M- all the way fro the record and the cover.  There is a reserve price, which of course is undisclosed, as well as a buy-it-now price of $2,500. So far the bidding has not yet hit the reserve price and is in the $250 range. We’ve seen this record sell for as much as $1,500 in the Jazz Collector Price Guide, so we’d certainly expect the bidding to top $1,000 at some point. Whether that will be enough to hit the reserve price, we’ll see, assuming no one gobbles it up at $2,500. From the same seller comes Horace Silver, Six Pieces of Silver, Blue Note 1539. This is an original Lexington Avenue pressing with the flat edge. It is not only described as being in extraordinary immaculate condition, the vinyl even has  a”jewel-like” finish. Gotta love it. In any case, this one is still under $200 with a couple of days left on the bidding and it hasn’t reached the reserve price either.

The other interesting auction we’re watching is from the seller Sweedeedee from Stockholm, who often has nice pieces for sale on eBay. This week some of his listings include:

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Mobley Blue Note 1568: Looking For A Record?

As CeeDee was kind enough to point out, there is a killer record (that’s American colloquialism for our Asian and European friends — the record actually hasn’t killed anyone) on eBay now: Hank Mobley, Blue Note 1568. This looks to be an original pressing. The cover is described as “Pristine.” The record is described as “Unplayed.”  The price is now more than $1,000 and there are still six days to go on the bidding. There is also a “buy-it-now” price of $5,000 and, frankly, I think someone will pop in to get this gem off the market quickly, setting a new high price for the Jazz Collector Price Guide. The seller has a full description of how he purchased this record, and many others, from the late jazz vinyl dealer Leon Leavitt. This will be one to keep an eye on.

Also on eBay now: Curtis Fuller, The Opener, Blue Note 1567. This too looks to be an original pressing. It is listed in VG+ condition for both the record and the cover. The start price is $700 and there’s a little more than one day left to bid. So far there are no bidders.

How about some of those items we were watching yesterday?

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Off To The Races, The Chase is On

We’ll start today’s jazz vinyl watch with a personal favorite that we don’t see that often on eBay: Charles Rouse and Paul Quinichette, The Chase is On, Bethlehem 6021. This is an original red label pressing with the deep grooves. The record is in near mint/ex-plus condition and the cover is VG+. The current price is nearly $300 and there are about 12 hours to go as of this writing. Great record.

Now we go to a conundrum we have mentioned before: How do you value a sealed record without knowing its provenance and then, once you have it, what do you do with it? In this case the record is: Donald Byrd, Off the the Races, Blue Note 4007. This is a mono pressing and the factory seal is still on it. There is no indication of Liberty on the back cover — it looks like an original back cover. The seller, Euclid Records, one of the most credible in our community, makes no claims about the record’s originality and offers no hype. We’ve seen records like this and they’ve been originals, we’ve seen records like this and they’ve been later pressings, New York USA or Liberty. So what would you bid on this record? And, I assume you would open it as soon as you got it, so is there a huge value in purchasing it sealed? This one is priced at more than $150 and there are still three days to go.

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A Trio of Blue Notes For A Monday Morning

Back to watching records on eBay. Don-lucky send me this as a heads-up, knowing my interest, expressed many times here, in obtaining an original pressing of this record: Freddie Redd, Shades of Redd, Blue Note 4045. This was an original pressing that was close to M- for the record and VG+ for the cover. The price was $721.67. This was way too rich for my blood. As I’ve explained, I’m in transition now, with some records in storage, so my collection isn’t all together in one place, so it’s hard to think about buying more records when I don’t even have access to all of the ones I currently own. Still, if I came upon a nice copy of this record for a reasonable price, or if someone offered up a nice collection, I assume the old adrenaline will kick in and I’ll be peeling off $100 bills.

Here’s some jazz vinyl for the $1,000 bin: Kenny Dorham, Round Midnight at the Cafe Bohemia, Blue Note 1524. This was an original Lexington Avenue pressing and it was listed in Ex+ condition for the record — is that better than VG++, but less than M-? — and the cover was VG++. The price was $1,259.77.

This next one didn’t quite make the $1,000 bin but it came close:

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Updates From The Jazz Record Center Auction, Part 2

We did promise a Part 2 of our post on the recent auction from The Jazz Record Center, so here goes (apologize for the delay):

Why isn’t this record worth more: Thelonious Monk and Sonny Rollins, Prestige 7075? This was an original New York pressing. The record was in M- condition — nearly new — and the cover looked like it was at least VG++, maybe better. It sold for $192.50. I happen to think this is a terrific album. I love Sonny’s interpretation of The Way You Look Tonight. When I was first getting into jazz I used to compare this version to the Stan Getz version on Stan Getz Plays and it took me a while to reconcile not only that it was the same song, but that it was even the same instrument. My ears are obviously much more sophisticated now, but at the time the difference in approach seemed so stark. And I liked both versions. Anyway, I repeat my query: Why is this great original Prestige, featuring two of the geniuses of modern jazz, not even a $200 record?

This has always been one of the rarest and more expensive of the Riversides, for good reason: Sonny Rollins, The Sound of Sonny, Riverside 241. This was an original white label pressing and it was in M- condition for both the record and the cover. It sold for $765. It’s the presence of Sonny Clark with Rollins that makes this one so sought-after, no?

Now for a few Blue Notes:

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Watching Jazz Vinyl From the Jazz Record Center

Our friends at the Jazz Record Center have a new auction this week and we always like to keep an eye on their stuff because it gives a pretty good indication of the overall market, which still seems to be down these days, right? Here are a few of their listings:

Eric Dolphy at the Five Spot Volume 1, New Jazz 8260. This is an original pressing with the purple label and deep grooves. The record looks to be in M- condition, and the cover probably VG+ with some seam splitting. The start price is $75, there are no bidders and there are eight days to go. We’ve seen this record sell for as much as $966 in the Jazz Collector Price Guide, so we’d expect that this will fetch a much higher price than the start price. We’ll see.

Horace Parlan, On the Spur of the Moment, Blue Note 4074. This is a weird one, with a Review stamp on one label with the New York USA address, and the other address the West 63rd Street label. As noted by Fred Cohen, proprietor of the Jazz Record Center, the original pressing on this one should have the West 63rd address on both labels. So what does that make this? Here’s where we get into that whole debate again about original and first pressings. This one has a start price of $200 and no bids as of yet.

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Jaro, Jaro, Jaro

What’s the collective knowledge out there about the Jaro label? I mention this because I am watching copies of the Kenny Dorham and J.R. Monterose records, which are both on eBay now, and because I listened to a reissue of the Monterose record a few weeks ago and it was terrific. Here’s what we are watching, among other items: The Arrival of Kenny Dorham, Jaro 5007. This looks to be an original pressing in strong VG+ condition for the record and the vinyl. The start price is about $200 and, so far, there are no bidders. There are two copies of the Monterose I’m watching: J.R. Monterose, The Message, Jaro 5004. This looks to be an original mono pressing that is in VG++ condition for both the record and the cover. The bidding has reached about $230 with a little more than a day to go and the seller’s reserve price has not yet been met. There is also this one: J.R. Monterose, The Message, Jaro 8004. This is a stereo pressing of the same record. The vinyl looks to be VG+ and the cover probably VG++. The start price is $160 and so far there is one bidder.

Catching Up on Rare and “Megarare” Jazz Vinyl

Here are some other items we were watching before we got distracted.

Remember that nice batch of 10-inch LPs? They did quite well. Kenny Dorham Quintet, Debut 9. The record was listed in VG++ condition and the cover was near mint. The price was $430.55. Sonny Rollins Quintet, Prestige 186. This one was also VG++ for the record and near mint for the cover. It sold for $510. Miles Davis with Sonny Rollins, Prestige 187. This was in near mint condition for both the record and the cover. It sold for $305. I’d take it at that price if, indeed, I was buying records these days.

Even though this was was described as “megarare” — shades of BobD — it didn’t sell at a start price of about $300: John Coltrane, Giant Steps, Atlantic 1311. This was a stereo pressing with the bullseye label. The record was VG++ and the cover was VG+.

Tracking Another Batch of 10-Inch Jazz Vinyl

There’s another really nice set of 10-inch LPs on eBay now, including: Sonny Rollins Quintet, Prestige 186. This is an original pressing with a great cover. The record is in VG++ condition and the cover is M-. The start price is about $500 and there are no bidders yet. If I was in a buying mood, which I’m not, I’d consider this for $500. When will you ever see a clean copy of this record again? The same seller has several more beauties. How about this: Miles Davis With Sonny Rollins, Prestige 187. This is in M- condition for both the record and the cover. The start price is about $300 and, again, there are no bidders yet. One more: Kenny Dorham Quintet, Debut 9. This one is VG++ for the record and M- for the cover. The start price is around $350 with no bidders as of this post. It’ll be interesting to see what happens with these records. How often do you find such nice collectibles in such nice condition? Start prices are high, but . . . .