And The Bidding Is . . . . WHAT?

ChambersOK, I could use a good explanation for this one: Paul Chambers, A Jazz Delegation From the East, Score 4033. This is a reissue of the album originally released on Jazz West. The record is in G condition, described by the seller as “rough.” The cover is in VG- condition, with tape and wear clearly visible in the picture. Not necessarily a record to display proudly on your shelves and, in this condition, probably not one to place on your turntable either. Someone wants it, pretty badly, though. There are 11 bids, three bidders and the price is already more than $100. Because . . ?

From the same seller is this: Kenny Drew, Undercurrent, Blue Note 4059. This is possibly an original pressing with the deep groove on one side, although the seller is only showing one label. Without seeing the other label, I have my doubts. Also, there seems to be an issue with the condition. The seller lists the record as VG and the cover as VG+. However, if you look at the picture of the back cover, it is clearly not close to VG+, with a really bad stain. If that is VG+, you kind of wonder what the VG vinyl looks like. I imagine others have similar concerns. The bidding is at $89 with 12 hours to go. If bidders were confident in the condition and the provenance, the bidding would likely be a lot higher.




A Promo, a 10-Inch LP, And a “Later” Blue Note

Here’s some more jazz vinyl we’re watching on eBay now:

Horace Silver, The Cape Verdean Blues, Blue Note 4220. This is an original mono pressing with the Van Gelder and the ear and, of course, no deep grooves. The record is in M- condition and the cover is M- as well, with the original shrink wrap. There’s more than a day left in the auction and the bidding is in the $150 range. Nice record. As we’re seeing with the Bobby Hutcherson records mentioned yesterday, as well as others we’ve been watching, the later pre-Liberty Blue Notes seem to be going up in value by quite a bit recently. It’s interesting to think of “later” Blue Notes as records that are pretty close to 50 years from their original release.

Here’s an early Blue Note from a familiar and highly reputable seller: Kenny Drew Trio, Blue Note 5023. This is an original 10-nch pressing in M- condition for both the record and the cover. Quite a beauty. Perhaps only one owner? The start price is about $200 and, with two days to go, there are no bidders.

Here’s a promo record that is on the verge of selling for a hefty price tag:

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A Few Jazz Vinyl Delegations

Lots of nice jazz vinyl sitting on eBay now. This is one you really don’t see very often: Paul Chambers, A Jazz Delegation From the East, Jazz-West JWLP-7. This is an original pressing listed in Ex condition for the record and VG+ for the cover. It’s closing in about four hours and is now in the $900 price range. Here’s another rare one on the same label from the same seller: Kenny Drew, Talkin’ and Walkin’, Jazz-West JWLP-4. The record is in VG+ condition and the cover is VG. It closes in about seven hours and is in the $340 range. I do have a question looking at these two listings from Atomic Records. Which one of the records is in better condition? I’m assuming Ex is better than VG+?

Gene Ammons, Hi Fi Jam Session, Prestige 7060. This is an original pressing with the New York address and yellow label. The record and cover are in M- condition. There are four days to go and the start price is around $200. Think it will sell? I do.

And now for some Blue Notes:

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A Day For Rare Blue Notes

Here are a few rare jazz records we’re watching this week on eBay. Today’s version will focus on Blue Notes, starting with: Kenny Drew, Undercurrent, Blue Note 4059. This has the West 63rd address but no deep grooves. This one is always confusing and I don’t have the Fred Cohen book in front of me. It’s an original with either one side DG or no sides DG, right? Anyway, this one is in excellent minus condition, which is, what, VG+ in our terms. The price is nearly $300 and there are still four days to go.

Wayne Shorter, JuJu, Blue Note 4182. This looks like an original mono pressing with the New York USA address, as well as the ear and Van Gelder in the dead wax. The record is listed in VG+ condition and the cover is VG++. The record closes within a day and so far there are no bidders at a $189 start price.

Here’s a 10-inch Blue Note with a very cool insert:

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Watching Jazz Vinyl Prices on The Rise

Here’s some jazz vinyl we were watching on eBay:

Clifford Brown Quartet, Blue Note 5047. This was an original 10-inch Lexington Avenue pressing. The record was in M- condition and the cover looked like it was probably VG++. The price was $900.12. That’s the highest price we’ve ever recorded for this album in the Jazz Collector Price Guide.

Speaking of new highs, this was one from the recent Jazz Record Center auction: Grachan Moncur III, Some Other Stuff, Blue Note 4177. This was in M- condition and sold for $775.43. As we’re seeing pretty consistently, these later original Blue Notes are really increasing in value. I had sold a copy of this record for around $500 a couple of years ago and that was, by far, the highest price we’d seen up to that point.

Sonny Clark Trio, Time 70010. This was an original pressing rated VG++ for the record and VG+ for the cover, even though the headline stated it was M-. Pretty interesting/deceptive move by the seller. It sold for $699.99.

Look at the price on this original Riverside:

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Someone’s Getting Lucky This Week

I had said earlier that it was a big week for jazz vinyl on eBay and there are still many nice items to watch from afar (or from up close, depending upon your point of view and/or eyesight). Among the items of interest to us:

Lucky Thompson, Accent on Tenor, Urania 1206. You don’t hear much about Lucky Thompson anymore, nor do you often seen Urania LPs among the collectibles we watch on Jazz Collector. Thompson was a nice tenor player, an early bopper who played on some of the earliest bop dates. If I recall correctly, Dizzy hired him so that there’d be a sax player on the stage when Bird would either be late or not show up at all. How much longer to you think there will be a collectibles market for Lucky Thompson? This one is in M- condition and is in the $350 range with more than a day to go.

The pianist Kenny Drew generally has more cachet as a collectible artist than Lucky Thompson, but this one suffers from condition issues: The Modernity of Kenny Drew, Norgran 1002. This one is listed in VG+ condition for the record and VG- for the cover, but the picture looks pretty decent. You’ll usually see these covers with some ringwear. It’s a great cover, isn’t it, straight out of the Norgran style of the ’50s. This one is around $80 and is closing today.

While we’re on the subject of  Kenny Drew:

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Jazz Vinyl Today: A Bevy of Blue Notes

Lots of Blue Notes on today’s watch list, starting with: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing that was listed in VG++ condition for both the record and the cover. It sold for $1,370. We’ve seen this one sell for more than $1,300 in the Jazz Collector Price Guide, but this is quite a hefty price nonetheless.

Kenny Drew Undercurrent, Blue Note 4059. This one had the West 63rd Street address and, from the looks of the pictures, it had deep grooves on both sides, certainly on Side 2. That would make it original either way, no? This was described as being in VG condition, and the cover certainly looked no better than VG. It sold for $427.

Gigi Gryce/Clifford Brown Sextet, Blue Note 5048. This was an original 10-inch LP that was defined as being in “very fine” condition, which, the seller implies, is actually M- condition. The pictures certainly looked very fine indeed, if not M-.  It sold for $372. 10.

If it’s a Blue Note, and it’s one of the coveted artists, the record or cover does not have to be in great condition to fetch a high price. Case in point:

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Watching Blue Notes From a New Seller

In between packed boxes, hauling records, driving back and forth between Great Neck, Manhattan and Monterey, Ma., I was actually able to take a peek at eBay and find some interesting jazz auctions that I’ve been watching the past few days. Here are a few:

Ah, the longing . . . how often will I watch this, one of my favorite records, before I finally take the plunge and acquire that original pressing I’ve desired for 20-plus years: Freddie Redd, Shades of Redd, Blue Note 4045. This was an original pressing that was listed in  M- condition. It sold for $737, quite a reasonable price, all things considered. It was an interesting auction because the seller, from South Africa, put up a bunch of nice Blue Notes all at once and he had only one feedback rating (at least it was positive). The seller makes the strong case that he is new to eBay, but not to record collecting, and he seems to be knowledgeable. With a more secure seller, this would have sold for more money, right? In the Jazz Collector Price Guide we’ve seen this one sell for more than $1,200. This one came from the same seller:

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eBaying Strategies & A Few Blue Notes

Sorry I haven’t been posting as often as usual. Lots going on here. If anyone want to fill some of the void, we always welcome guest columns. In the meantime, eBay goes on whether we post or not, and this week there are some sellers with many, many big-ticket items. Here are a few we’re watching:

Somebody in the comments complained about the start prices from the records from this seller, including: Kenny Drew, Undercurrent, Blue Note 4059. This one has the West 63rd Street address and ear, but it doesn’t look like any deep grooves. This is one of the ones that causes consternation among collectors, right? DG or not DG, that is the question. If I recall Fred Cohen’s explanation, this could have one side DG and be an original, or it could also have no DGs and be an original? Perhaps someone can look it up. In the meantime, this copy is in M- condition for the vinyl, is VG++ for the cover and has zero bids at a start price of $1,200. If you click this item, look at the seller’s other auctions and you’ll see a potpourri of fantastic collectibles, all at high start prices, all without bids (so far).

Here’s another seller with some nice items, including: Curtis Fuller, Volume 3, Blue Note 1583. This looks to be an original pressing based on the description. The record is VG++ and the cover is M- and the price is a bit over $200 now and has not yet met the seller’s reserve. If you look at the seller’s listings, make sure you read them carefully. I noticed he’s selling another Curtis Fuller Blue Note that is listed as a “rare mono pressing” and is a United Artists pressing. It is already more than $50.

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Undercurrent: DG or Not DG, That Is The Question

A couple of weeks ago Fred Cohen of the Jazz Record Center shared some new information about a much-discussed record on Jazz Collector: Kenny Drew, Undercurrent, Blue Note 4059. He sent me a note the other day stating that it raised some interesting issues about Blue Note original pressings and suggested that perhaps I give it a little more play rather than simply having it buried among a variety of comments. So, without further ado, here’s Fred:

For the benefit of Blue Note collectors and/or readers of the pressing guide, I would like to bring to their attention to the recent eBay sale of Kenny Drew “Undercurrent” on Blue Note 4059. The vinyl was in virtually new condition; the jacket showed minor wear (you can find the complete description as eBay #300517372359). What made this copy interesting is the lack of the deep groove on Side 2 and the “Review Copy” stamp on both the Side 2 label and the back slick. This is the first time I have seen a label-stamped review copy of Undercurrent and it raises the issue once again as to the definition of an “original” pressing: is it a record, regardless of any other consideration, that includes all the details – such as a deep groove – that collectors look for, or is it the first issue of that record? It is my impression that the presence of the “Review Copy” stamp on the label is a very strong indication that the “original” Undercurrent pressing had no deep groove.

Blue Note frequently stamped “Review Copy or “Audition Copy” on the jacket only, making it possible to substitute another copy of the same record. But the presence of the “Review Copy” stamp on the label would suggest

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