Here’s an interesting opportunity: An auction house in the U.K. is auctioning a private jazz collection on Tuesday June 27 and there are options for individuals to bid live, either online or by telephone. The auction house is Omega Auctions and music is one of the areas in which they specialize. The collection belonged to a collector named B.W. Duncan and, of you are interested, you can read his bio here. As for the records themselves: There are quite a large number of Blue Notes, offered as individual pieces, such as Eric Dolphy Out To Lunch or Herbie Hancock My Point of View. There are also Blue Note packages sold in lots, such as an Art Blakey lot or a Horace Silver/Lee Morgan lot. Many of the records in the collection are U.K. pressings. It looks like there are 260 lots in all. It’s worth taking a look at the auction, but make sure to read the instructions if you want to bid because you have to set things up in advance and you have to pay some fairly hefty fees. Read more
Let’s catch up on some completed and upcoming auctions of rare jazz vinyl on eBay, starting with Dizzy Reece, Blues in Trinity, Blue Note 4006. This was an original West 63rd Street pressing in VG++ condition for the record and VG+. When we first started watching this record it was in the $125 price range but was seeing a lot of activity. We speculated that it may approach the $1,000 bin and it wound up selling for $906.80. This one, Lee Morgan, Candy, Blue Note 1590, was in the $925 range when we first spotted it and, based on the seller and condition — M- for the record and cover — we speculated that it was destined for the $2,000, but it came up just short, selling for $1,807. Finally, there was Kenny Drew, Undercurrent, Blue Note 4059. This looked like an original pressing with the one sided deep groove, although there was some dispute about that among the commenters. I guess the pictures weren’t clear. It was a relatively new seller and the record and cover looked to be in M- condition. But the start price was quite high at $3,000 and there were no bids, so perhaps we will see this back on eBay with a lower price tag.
I’m back with a completely random batch of records that are currently for sale on eBay, starting with one of my favorite LPs, Jackie McLean, McLean’s Scene, New Jazz 8212. This is an original purple label deep groove pressing listed in VG+ condition for both the record and the cover. The bidding is in the $160 range with four days left. When I think of my favorite alto players, there’s Bird, of course, then Cannonball, then a small group of a few more who were able to create a distinct sound despite the overwhelming presence and influence of Bird. This relatively short list includes Jackie, Paul Desmond, Phil Woods and just a couple of others such as Ernie Henry, who died so young. Then there are Johnny Hodges, who came before Bird and was certainly distinct and marvelous, and Sonny Stitt, who sounded perhaps the most like Bird but could play his ass off and is almost always a joy to put on the turntable, for me at least. Anyway, just some alto musings off the top of my head on a bright Wednesday morning, inspired by McLean’s Scene.
I was off eBay for a few days and missed a few big-ticket items, starting with Cliff Jordan and Jon Gilmore, Blowing in From Chicago, Blue Note 1549. This was an original pressing with the New York 23 logo. The record was listed in M- condition and the cover was VG+ with some water stains on the back. The final price was $2,200, the first time to my recollection that this record has ended up in the $2,000 bin. I still don’t own an original pressing of this record and it seems pretty obvious (to me at least) that I won’t be buying one on eBay. This one falls into the same category: Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original pressing listed in M- condition for both the record and the cover. The final price was $2,750, not too bad for a seller with only 98% positive feedback.
I got up early on this beautiful Sunday morning, and got The Lovely Mrs. JC up early as well, to go out for a nice walk and breakfast and an 11 a.m. showing of the Lee Morgan documentary, “I Called Him Morgan” at the Film Society at Lincoln Center. So we had our stroll and our meal and were in the theater by 11 sharp and we sat through about 10 minutes of previews and were settled in nicely and the film started and it was out of focus. I mean, really out of focus. So I went to management and told them and, yada yada yada, we didn’t see the movie. They said it might be ready for the 3 p.m. screening, but they could not make any promises. We hung out for a bit and had a nice conversation with three other disappointed jazz lovers, and then took the stroll back home. I don’t think we are going back today: Instead, I may try to sneak off from work tomorrow morning. I’ll keep you posted. In the meantime, I’ll have some updates for you this week on the John Coltrane documentary Chasing Trane. Stay tuned.
Here’s a sampling of email from the past few days. We start with our old reliable friend CeeDee who sent us four links under the subject line: “‘Give me Liberty or give me . . . uh, can I get back to you on that?’ plus two.” One of the links was one that we’ve previously written about: Wayne Shorter, Adam’s Apple, Blue Note 4232. This was the original mono pressing with the shrink wrap that sold for, gulp, $997.50. Next was Lee Morgan, the Gigolo, Blue Note 4212. This was also a mono Liberty pressing. I had never considered this to be a collectible Blue Note, but perhaps I’ll have to change my assessment. This one looked to be in VG++ condition for the record and VG+ for the cover. It sold for $417.
This one fetched quite a nice price on eBay: Marty Paich Quartet featuring Art Pepper, Tampa 28. This was an original pressing with the red vinyl. It was listed in Ex condition for both the record and the cover, and the seller certainly posted some nice clear pictures. The final price was $1,181. That’s the highest price I recall seeing for this record, although there was one in Popsike that I must have missed that sold for $1,225.
Then there was this one that didn’t get a bid at all: Lee Morgan, Candy, Blue Note 1590. This looked to be an original West 63rd Street pressing, unless I’m missing something. The seller’s description was all over the place in terms of the condition. At one point he said it was strong VG+, then VG. He also mentioned the word “pops,” which is not something you want to hear unless
eBay experts tell us what you make of this: Lee Morgan Indeed, Blue Note 1538. This was an original Lexington Avenue pressing listed in M- condition for the record and Ex condition for the cover. We first noticed the record with a start price of $3,999. There were no bids. I just re-checked this record and now it is no longer available because the seller pulled it. However, it shows a price of $4,999. My assumption is that the seller had it listed at that price, someone made an offer, and he sold it for something under the asking price. But if you look on eBay, the assumption is that the record sold for $4,999, which would be extremely high market value for this record, although on Popsike they have a version having sold for $7,786, which seems somewhat bogus to me, given that the next highest price is $3,500.
Watching a couple of interesting jazz records that are closing today on eBay, starting with Wes Montgomery, Full House, Riverside 434. This is a mono pressing with the blue label. I know that people here have talked about deep groove versions of this record, but they seem to be exceedingly rare. The non-DG version typically sells for a hefty sum, but so far there is no action on this copy. It is listed in VG++ condition for both the record and the cover and the start price is about $130. I would expect it to sell, but you never know.
Similar situation with this one: The Arrival of Kenny Dorham, Jaro 5007. This looks to be an original pressing with the promo stamp. The record and cover are both listed in VG++ condition. The start price is $200 and there is a single bid so it will definitely sell, but I would normally expect this record in this condition to get a bit more action than this one seems to be getting.
No worry about this next one seeing lots of action:
I actually have more I want to say about the Coltrane documentary, which I will do in a subsequent post, but today I promised Jazz Collector readers a regular post and that typically means looking at some rare jazz records on eBay. As I type this I have a random playlist on in the background and Bird just came on playing “Confirmation.” So let me pause for a moment. Okay, back with you all.
Well, perhaps there is something in the air. First record I went to on eBay is: Charlie Parker, Bird Blows the Blues, Dial 901. This is an original pressing with the red vinyl. I believe we have established here on Jazz Collector that this was the first 12-inch vinyl record ever? I add the question mark because I’m still not sure. Anyway, I have never owned a copy of this record, and won’t own this one. The starting price is $1,500 and it’s only in VG condition. Even worse, the seller doesn’t include an original picture. That very clear, really enticing picture accompanying the listing, and accompanying this post, is actually copied from a book. For $1,500, I personally wouldn’t mind seeing the real deal, not that I would ever pay $1,500 anyway.