Wow, looks at the prices on these two:
Kenny Dorham, Afro-Cuban, Blue Note 5065. This was an original Lexington Avenue 10-inch pressing listed as Ex condition for both the record and the cover. The seller hyped up the condition, suggesting that the record was only played once or twice. It sold for $1,684.
Roland Kirk, Triple Threat, King 539. This was an original pressing that was probably in VG++ condition for the record and VG+ for the cover. It had been listed previously at about $2,000, didn’t sell and was listed again. This time it sold for $1,259.56.
Well, while we’ re filling the $1,000 bin, let’s add a few more: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing listed in Ex condition for both the record and the cover. There were 17 bidders and 79 bids, which is a pretty high amount. The record sold for $2,604.54.
This came from the same seller:
Sometimes you’re on eBay and you’re browsing and then along comes an item and it’s like, wow, I would really like to have that. And thus it is with me and this item: Brown and Roach Incorporated, Emarcy 36008. This is a Canadian pressing in G condition for the record and the cover. Not too appealing so far, right? Well, here’s the thing: The record is signed. Not just signed, but signed by Clifford Brown. If you think about when Clifford died, 1956, and how young he was, 25, you would have to think that there are very few Clifford Brown autographs anywhere. Not to mention that he is probably one of my top five favorite musicians of all time (actually, I will think further on that subject and do another post on it this weekend). So this record has Clifford’s signature and also signatures by Sonny Rollins, Max Roach, George Morrow and, presumably, Richie Powell. A few things, however, do make the record somewhat less appealing to me. One is I don’t actually collect autographed records as do some other people — hello, there, Don-Lucky. But I would love to have a Clifford Brown autograph. Two is that it seems the owner
Japhy sent me a note on the following listing: Hank Mobley Quartet, Blue Note 5066. This was an original 10-inch pressing that was listed in M- condition for both the record and the cover. It was listed as having been from the original owner and was offered at $1,400 or best offer. It was sold for best offer, which keeps it somewhat of a mystery to all of us here. Popsike lists it as $1,200, but we’re not sure how they know that. In any case, Japhy notes that this is the second highest price Popsike has ever recorded for this record. He also suggests that the pictures were underwhelming and the listing lacking in details. I actually think the pictures are pretty good. However, if you blow up the picture of the front cover you can see some minor damage on the lower right corner and some definite seam wear on the bottom, so I’d be hesitant to believe the accuracy of the M- cover. Otherwise, the cover does look quite nice. Beyond all of that, one of the important take-aways is this: Japhy is considering selling his copy,
Back on eBay after an extended absence, for which I apologize once again. Took a quick check of some listings and found this: Tommy Flanagan Overseas, Prestige 7134. This looks to be an original New York pressing in M- condition for both the record and the cover. The bidding ends tomorrow and it is already more than $1,000, perhaps on its way to the $2,000 bin. Interesting thought about this record: Did Prestige ever issue this on the yellow New Jersey label? I don’t recall ever seeing one or hearing about one. I guess it’s possible they just issued it once in the original format, which is what makes it so rare and so treasured by collectors.
Our friend Serge in Canada has several nice records on eBay now, including Jutta Hipp at the Hickory House, Blue Note 1515. This looks to be an original Lexington Avenue pressing in VG++ to M- condition for the record and VG+ for the cover. The bidding is in the $450 range, but it hasn’t yet reached the seller’s reserve price.
My goodness, look what happened to this one:
A few more jazz vinyl pieces from the Jazz Collector eBay watch list.
Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This looks to be an original West 63rd Street pressing, listed in M- condition for the record and VG+ for the cover. The auction closes in two days and the bidding is close to $700. Given the current market it would be a real shocker if this doesn’t sell for more than $1,000.
Here’s one with similar personnel from the same era: Hank Mobley and Lee Morgan, Jazz Message #2, Savoy 12092. This is a sealed copy and this is the seller’s story: He recently purchased a bunch of sealed Savoys and opened one, which was an original red-label pressing. He’s not opening the others, because he is assuming that they are all original pressings. He is saying that he “guarantees” that the rest are original pressings. As a potential buyer, which I am not, I’d be
I spent some time on eBay the other day and wound up putting a bunch of Blue Notes into my watch list, starting with Lee Morgan, Candy, Blue Note 1590. This looks to be an original West 63rd Street pressing in VG+ condition for both the record and the cover. The auction closes later today and the bidding is already more than $1,000.
Walter Davis Jr., Davis Cup, Blue Note 4018. This looks to be an original pressing listed in M- condition for both the record and the cover. The auction closes later today and so far there are no bidders at a start price of about $750. I would expect this one to sell, wouldn’t you?
This seller has a lot of nice items on eBay this week, including Art Blakey, A Night at Birdland Volume 2, Blue Note 1522. This looks to be an original Lexington Avenue pressing in M- condition for the record and VG+ for the cover. The start price is $350 with no bidders so far. There is also a buy-it-now price of $700.
How desperate are you for one of the rarer of the Blue Notes, Lee Morgan, Candy, Blue Note 1590? This looks to be an original pressing with all sorts of issues. The cover is VG and the record has two skips. Hmm. Someone has bid $300 for the record but the seller has a reserve price that has not yet been met. Seems like the seller can’t afford a camera so perhaps that’s why he’s holding out for a higher price.
Here’s another one with camera issues: Johnny Griffin, A Blowing Session, Blue Note 1559. This looks to be an original pressing with the New York 23 labels. The record is listed in M- condition and the cover is listed as VG++ or M-, although it would be hard to tell from the cover picture, which seems as if it was taken in a coffin. This bidding has topped $500 for this record, but, alas, it has also not reached the seller’s reserve price.
The same seller put up a fine picture of this record: Donald Byrd, Byrd Jazz, Transition 5. This is an original pressing
Freddie Redd, Shades of Redd, Blue Note 4045. This was an original West 63rd pressing, listed in VG+ condition for both the record and the cover. I had it on my watch list because I was actually considering a bid for it. As loyal readers know, this one has been my nemesis for years. I forgot to put in a bid because I am still buried in work and also having computer problems, so I let it pass. Wouldn’t have mattered anyway. It sold for $762, which is quite a bit more than I would pay for the record, particularly in VG+ condition. I think there’s something to be said about waiting and waiting for the records you want, and going through the hunt, rather than filling in your gaps by paying a lot of money on eBay. I have enough records if I want to listen, and if I really want to listen to Shades of Redd I have two nice Japanese pressings, one in each home. I can wait, and I can hunt.
A separate “Red” listing from the same seller inspired a note from our friend CeeDee, as follows: “I thought that this one my slip by, but NOOOOOOO. Better luck next time.” The listing in question:
Back to the business of watching records on eBay, starting with: Lee Morgan, Search for the New Land, Blue Note 4169. This is not typically thought of as one of Morgan’s collectible albums and, indeed, it only shows up twice in the Jazz Collector Price Guide and in neither case did it break the $100 barrier. In this listing, however, the seller adds an interesting twist. He claims he bought the album sealed, never played it or opened it, and then broke the seal to list it on eBay to determine whether it was an original pressing, which, surprise, it actually is. So, if the seller is to be believed (I say, why not), then this is truly a mint record. The price has been bid up accordingly and is now at $200 with more than two days to condition.
Here’s another from Lee: Lee Morgan, The Cooker, Blue Note 1578. This looks to be an original pressing with the West 63rd address, deep grooves, ears, etc. It is listed in VG+ condition for the record and M- for the cover. I’d expect that the bidding would reach at least into the $500 range, given what we’re seeing with VG+ Blue Notes of this era, and perhaps
Time to clear out the email inbox.
For those of you interested in jazz art work, photography and ephemera, there is an auction coming up next week of works collected by the former Blue Note president Bruce Lundvall. The collection is being auctioned by Doyle New York, and parts of it can be seen here, including this pretty cool picture of Miles at the right. Cool stuff. Not necessarily my thing, but cool. Now, if he were to sell of his vinyl, that would be another story.
Speaking of artwork, I find this to be cool as well: A photographer by the name of Eilon Paz has spent several years photographing record collectors with their collections and has recently published them in a book titled “Dust and Grooves: Adventures in Record Collecting.” You can check out the article here and the Web site here. The photographer is in Brooklyn. Surprised he hasn’t found me yet. Perhaps now he will.
CeeDee sends me random notes and listings of records that are typically out of both his price range and mine as well. Here’s a recent one: